Weaving Favorites

I normally pin a measuring ribbon to the cloth being woven, moving the pins as I advance the warp. This rug is different. I am using a graph paper sketch; and beside each block on the sketch I have written the number of inches to weave. The tape measure that hangs at the end of my weaving bench makes it easy to follow the plan, measuring frequently as I go. This requires mindfulness as I weave, paying attention to the pattern.

Patterned rag rug on the loom

Two cotton batik prints are used for the first section of blocks in this double binding rag rug. The graph paper pattern hangs with the weaving draft in a plastic page holder on the end of the loom for quick reference.

I have the end in mind, and this may turn out to be my favorite rag rug ever! (Have I said that before?) It is true that my favorite thing to weave is usually that which is currently on the loom…

Double binding rag rug on the loom.

Tape measure hangs on the right end of the weaving bench. This tape measure records inches and centimeters. I use both imperial and metric units, depending on what I am measuring.

The Maker of heaven and earth is mindful of you. Cherishes you as his favorite. I know that seems incredible; but as a weaver, I understand it. When you create, you care about the process and the results. As the ones created, we find ourselves in his story. The living Creator God invites us to himself. So, we come to his studio to meet the Mastermind behind the marvelous creations.

May your hands find favorite things to make.

Happy Weaving,
Karen

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Linen Gets Wet

It is time for wet finishing. As curious as I am to see how the linen fabric will emerge through the process, I still hesitate when it is time to put the fabric in the water. Fresh off the loom, the fabric is coarse and stiff, but it looks good! I know that the water, mild soap, and gentle washing machine agitation will absolutely change the character of the cloth. Wet finishing should change the cloth for the better… Finally, I look at my notes again from the wet finished sample piece, and gain the courage to put the linen fabric in the water…

Wet finishing linen. Before and after.

Linen dice weave transforms from rigid squares on a stiff open mesh to gently flowing squares on softened cloth, where the threads blossom together to close the mesh. Oh, how the beauty of linen is revealed through washing.

Don’t hesitate to pray. Seek God when things are calm. Today is the best time to pray, when things are going well. Oh yes, there may be changes as a result of your prayers, but the changes are all good.

May you see the positive changes you hope for.

With anticipation,
Karen

6 Comments

  • Fran says:

    I like the dice weave; so clean! Was the linen really difficult, or have you used it before. I used cottolin once; it seemed too stay quite stiff.

    • Karen says:

      Fran, Yes, that’s one thing I like about the dice weave, too – it is clean and uncluttered. Linen does require some extra attention for weaving, but I wouldn’t say it’s difficult. I have used linen before, and each time it seems to get easier. Now, I really enjoy weaving with linen, and I love the results. My cottolin towels get softer and softer with use and repeated laundering. They are my favorite towels.

      Karen

  • maggie says:

    can you share the threading instructions for the dice weave? it’s fascinating. in my mind i’d put on a supplementary warp. it appears you do the dice as wefts. please share.
    thanks
    maggie

    • Karen says:

      Hi Maggie,

      Dice weave is actually a simplified monk’s belt weave. I used the draft in “The Big Book of Weaving,” by Laila Lundell, p.128. This is pattern weft on a plain weave background, and uses only three treadles–two treadles for the plain weave and one treadle for the pattern. There are two blocks, with block 1 threaded on the first 2 shafts – 1212, and block 2 threaded on the remaining 2 shafts – 3434. It’s that simple. If you look at the draft in the book, you will see how minimal it is.

      Happy Weaving,
      Karen

  • linda says:

    may we see the back? are the floats longer? do they tie into the salvage on the sides or do you actually turn at the last dot on the rt and Lt? If you added a 4th harness the purple dot weft could be carried without floats on the back. plain weave on 1&2, dots on #3 and #4 would be the tiedown paired up with 1 or 2, but then the background would have a speckled effect. let me think on this. The best part of weaving is the puzzle of making it work. PLJ, linda

    • Karen says:

      Linda, the floats are a little longer on the back; and the pattern weft does enter and exit through a plain weave shed at the selvedge. Here’s a picture of the back of the blue and brown dice weave that I did previously. It’s not a great picture, but it allows you to see the back.

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Quiet Friday: Checkered Rug

I have another rag rug warp on my Baby loom (Glimåkra 100cm Ideal), playing with the magic of double binding again, this time with four shafts and four treadles. Ten yards / nine meters of warp. I planned an additional twelve inches / 30.5cm between rugs for cutting off and tying back on, so I can cut each rug off as it is finished. Here is the first rug.

Winding warp for another rag rug.

Small warping reel is used to measure the ten yards / nine meters of 12/6 cotton rug warp.

Beaming the warp under tension, using warping trapeze and weights.

Warp chains are undone and lengthened out over the warping trapeze. Several pounds of walking weights hold the bouts under constant even tension for beaming the warp.

Tying on.

All tied on. Ready to weave.

Designing a rag rug.

Design concept is created; and fabric colors are chosen.

Double binding rag rug on the loom. Karen Isenhower

Progress.

Using a temple for weaving rag rugs.

Temple is always in place when I am weaving a rug. I fitted two different temple parts together to get this warp width. Notice the lengthwise gaps between the temple parts…but not a problem.

Rag rug on the loom. Nearing completion.

Around the breast beam, and over the knee beam, to wrap around the cloth beam. Warping slats are placed between the cloth beam and the rug the first time around to make a smooth surface for the woven rug-cloth.

Rag rug on the loom. Woven hem.

Hem is completed with 12 picks of rug warp. Three inches of scrap fabric header comes next, and then the rug is ready to be cut from the loom.

Hand-hemming rag rug.

Warp ends have been knotted and trimmed; and hem folded under and pressed. Now, hemming with a needle and rug warp, the last step is almost complete. The only thing left is to sew on my label.

Checkered rag rug. Karen Isenhower

Notice the subtle changes in color and depth of color where the warp colors change–purposely not aligned with the block changes.

Home sweet home. That's what rag rugs are for.

Home sweet home. A patterned rag rug makes a house feel like home.

May you finish what you started.

Happy Weaving,
Karen

8 Comments

  • Betsy says:

    Hi Karen. A beautiful rug! Do you have a suggestion for a good source for rag rug patterns and drafts? I really like your designs. Betsy

    • Karen says:

      Most of my favorite books with rag rug patterns and drafts are not in English. But weaving drafts work in any language, and the pictures can inspire many different ideas.
      Here are some of the rag rug books that I refer to often for design ideas:
      Alla Tidors Trasmattor
      Älskade Trasmattor
      Trasor och Tekniker: 35 nya mattor (I did find this one in English from a used book seller – pricey$$$ – Swedish Rag Rugs 35 New Designs)

      I’m always on the lookout for Swedish weaving books, which sometimes have rag rug drafts in them.
      The books I mentioned happen to be carried by Vavstuga.com. (Not affiliated; just offering a source.)

      The Big Book of Weaving and Happy Weaving also have one or two good rag rug drafts for starters.

      Hope that helps!
      Karen

  • Joanna says:

    Ooh, pretty! It looks like blue skies and fresh green meadow grass, absolutely lovely.

  • linda says:

    note: any pattern can be used for a rag rug even colonial overshot, summer winter, ….as long as the floats are not too long. just plan on using a plain weave between shots of pattern and make the floats over 2 or 3 warp threads. Of course this means you’ll need a 4 harness loom if your using a floor loom. another note: If you weight the beater bar with a metal rod screwed to the beater bar not as much muscle is needed to beat the weft into place. So get out that draft paper and design. linda

  • linda says:

    I love this sight it keeps me on my toes. I couldn’t remember what bouble binding was; I know it as double weave. The double binding moniker must be Swedish…Beckey again. The last three fridays when I’ve been by the studio/school it’s been closed. when i do see her I’ll say hi for you. Love Peace and Joy (LPJ), linda

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Tapestry Diary Imaginary Mountains

Small tapestry weaving has been added back to my evening routine. Tea and tapestry. This quieting-down practice closes my day. I missed that. I didn’t decide to stop my tapestry ritual; I just drifted away as life got complicated, a little at a time, until I wasn’t doing any tapestry at all.

Tapestry diary on frame loom.

Tapestry diary resumes, adding one little mountain each day.

Small tapestry diary progress, woven from the back.

Small tapestry woven from the back.

I am weaving little mountains here–one little mountain each day. I let my imagination create scenes that are hidden from view. There are lush valleys between the peaks, and brush-covered hills too short to be seen. In the imaginary mountains, there are innumerable hiding places. I see myself slipping out of sight to sit on a quiet grassy slope next to a sparkling stream.

Small tapestry diary progress. Karen Isenhower

New mountains are woven, creating more imaginary hiding places.

Daily tapestry practice. Tapestry and tea to close the day.

Daily quiet tapestry and tea provides a peaceful close to each day’s adventures.

When life gets complicated and overwhelming, there is one thing we need. A safe place to hide. The Lord provides a hiding shelter in his presence to those who come to him. This is the place of safety. From our hiding place, we can see across the distance, make plans for the future, and rest up to continue our journey with strength–strength to cross one mountain at a time.

May you find a hiding place when you need it.

Quietly,
Karen

4 Comments

  • Karin Wehlin says:

    Wonderful picture and words!

  • linda says:

    Hi. As always very nice. Are you making an actual sky cloud hot air balloon bird picture, or an abstract? can’t wait to see. LPJ, linda
    PS I’m computer illiterate, just about kinder garden level so I cannot share my weaving with you. Please know you do bring me joy and inspire me. I won’t see a reply d/t deleting emails quickly.

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Rya Pillow in the Rocking Chair

Do you remember this sturdy linen cloth, that I wove months ago, with the wonderful wool and linen rya? Yesterday I made it into a classy pillow. First, I fashioned the pillow cover, with invisible zipper, and all. Hollow by itself, the pillow cover needs an insert to be usable. So I made a muslin insert to fit, filled lightly. Now I have a cloud-soft rya pillow. (Read about weaving this fabric in Rya, Rya, How Does Your Garden Grow? and Now What Are You Counting?)

Rya pillow. Hand-tied rya knots in linen fabric, handwoven.

Fabric is two-sided point twill with rya knots. 8/2 linen for warp and 8/2 linen, doubled, for weft produces a sturdy base fabric for the hand-tied rya knots.

Finished handwoven rya pillow.

Pillow insert, lightly filled with down-like cluster fiberfill, fits perfectly inside the pillow cover.

This new rya masterpiece makes a perfect lumbar pillow for the antique rocking chair in my living room. This was my great-grandmother’s chair. One thing I know about my great-grandmother is that she was a praying woman. I love to imagine that she rocked her babies in this chair, praying for them and for her future grand- and great-grand-children. She may have prayed for my life in advance.

Rya knots made with wool and linen threads, on linen background fabric.

Each rya knot includes a combination of threads–Åsborya wool, Mora wool, and 16/2 linen.

Great grandmother's rocking chair with new handwoven rya pillow.

Great-Grandma’s rocking chair. A reminder of love that reaches to the next generation.

I want to be more than what others see on the outside. I need the Lord on the inside. I yearn for God to hear me and for me to hear Him. Without that connection, life is hollow. Prayer is a two-way conversation. That ongoing conversation keeps me from being empty. When I am filled, I am at my best. Could that be an answer to my great-grandmother’s prayers?

May your life affect future generations.

Softly,
Karen

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