Weaving La Perlita

One reason I am making friends with this large Freja tapestry frame is Steve’s quickly advancing retirement date. The day after his final work day we are picking up La Perlita, our new Casita travel trailer. We are looking forward to some fun times. Steve will have his carving knives for whittling. And I’ll have my loom. And yarn. What more could we ask for?

Making a tapestry cartoon.

For the cartoon, I enlarged the picture from the Casita brochure, and then drew my own background around it.

Tapestry of our new Casita - "La Perlita."

Home again, after staying with and playing with my young grandsons. The weaving represents a week’s worth of naps.

Tapestry of our new Casita travel trailer!

Using technique similar to the four-shaft tapestry on my Glimakra Ideal loom. This gives me a chance to add more depth and texture to the tapestry image. With this technique, some warp does show.

May you have something to look forward to.

Happy weaving,
Karen

6 Comments

  • Good morning Karen,
    Enjoy the ride.
    Nannette

  • RW says:

    I live in an RV with a floor loom, a table loom, and multiple small looms, and I love it. Travel mercies.

  • Betsy G says:

    Hi Karen
    Looks like you have many adventures ahead. What fun!
    I’m looking forward to seeing how this tapestry turns out. Is the lizard one completed? Are you familiar with the tapestry artist Helena Hernmarck? She has done some incredible work and she works on a Glimakra loom.
    Betsy

    • Karen says:

      Hi Betsy, I don’t know how this tapestry will turn out, but it sure is fun to weave!
      The lizard is still on the loom. I might possibly complete it this week…maybe? And then I have a bit more warp on the loom for a little more play before cutting off.
      Helena Hernmarck is one of my tapestry heroes. I like to study the photographs of her work in a book that I have. She is currently having an exhibition at The Aldrich Contemporary Art Museum in Connecticut. I’m toying with the idea of going… http://aldrichart.org/article/weaving-in-progress

      Happy weaving,
      Karen

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Weave Every Day

I like to weave every day. At least a little bit.

This week, though, I have more important things to do, like playing outside and having pillow pallet parties with grandsons. Do you know how demanding full time motherhood is? I’ve done it, but that was eons ago. Diaper changes, giggles and tears, and squabbling. And forgetting.

Outside

Pillow pallet party

Read with me!

At the park

Way up high

But I did get my big Glimåkra Freja tapestry frame warped…And a header woven…And I wove the first few picks of the tapestry. That’s what nap times are good for.

Tapestry frame

Tapestry frame

Tapestry frame

Little children quickly forget the offense that started a squabble. After nap time, they’re off, giggling together again. Forgiveness forgets. Have you ever had a squabble with God? We’ve all been there. When God forgave us he smudged out the long list of all our offenses. And then he nailed it to the cross of Christ, our squabbles forever forgotten. And in the resulting quiet that’s like a restful nap time, our Lord weaves his image in us.

May your squabbles be few.

Forgiven,
Karen

8 Comments

  • Joyce Lowder says:

    Beautifully said! Our Lord IS amazing! His Grace cleans the slate and allows us to know real Peace! 🙂

  • Ruth says:

    Karen, Thank you for your timely words. It is so good to read your insightful statements about your faith and reflect on how it echos in my life. Blessings to you and your family as you enjoy your time together.

  • Linda Cornell says:

    Beautiful grandchildren! We have three little ones and their mommy and daddy living with us for a time. Blessings and God’s opportunity to work in me and them. The weaving project on the loom is going slowly but surely. Perhaps this is how God works in us too.

    • Karen says:

      Hi Linda, I do think God works in us in almost imperceptible ways. Often, we don’t realize it until we look back and see the difference.

      Thanks,
      Karen

  • Liberty says:

    Hi Karen,
    I would have also just played with those cute little pumpkins! Grandkids are the best!!
    Thank goodness we are forgiven, I especially am grateful.
    Liberty

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Christmas Weaving Promise

This is the third and final gift promise from last Christmas. A Cornflower and Willow 8/2 cotton warp will become a throw in wavy (undulating) twill for my daughter-in-law Lindsay. I am hopeful that I will be able to finish it before Christmas. As promised. (See Weaving a Gift.)

Winding a warp with pretty Willow and Cornflower 8/2 cotton.

Winding the warp on the warping reel. Willow and Cornflower 8/2 cotton.

Warping reel. 8/2 cotton warp.

Second of four bouts for this warp.

8/2 cotton warp chain. A pretty way to start a project!

Warp chains are such a pretty way to start a project.

May you make and keep good promises.

Happy weaving,
Karen

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Tools Day: Cartoon Trials

Making a cartoon for a lizard tapestry this size is quite a process. First, I enlarge the photograph. Then, I trace the outlines of the details onto a sheet of clear acetate. Next, to make the cartoon, I trace the bold Sharpie lines of the acetate image onto interfacing material meant for pattern making. But next time, it will be different.

Tracing photograph to make a tapestry cartoon.

Tracing outlines from the enlarged photograph onto the sheet of acetate. Photo image on the iPad helps clarify which distinctive lines to draw.

Making a tapestry cartoon.

White poster board under the acetate makes the Sharpie lines visible. The interfacing material lays on top of the acetate so I can trace the lines to make my cartoon.

I don’t plan to use this interfacing material again for a cartoon. It is not stiff enough. As the tapestry progresses it becomes more and more difficult to keep the cartoon from puckering and creasing in places. A better option would have been stiffer buckram, like I used for my transparencies. (See – Quiet Friday: Painting with Yarn and Animated Images.) But I am not able to find buckram in sufficient width.

Unwanted creases in the tapestry cartoon.

Interfacing material is susceptible to puckers and creases. Unevenness in the cartoon can result in a distorted woven image on the tapestry.

After I finished weaving the lizard portion of the tapestry, I decided to experiment. I removed the interfacing cartoon and switched to the acetate sheet instead. There’s no puckering with this one! It is much easier to line up the cartoon with the weaving. It has drawbacks, though. Noisy! When I beat in the weft it makes thunderstorm sound effects. (Not so great for our temporary apartment life.) It’s also harder to see the cartoon lines. And the magnets I use to hold the cartoon slip out of place too easily.

Using a sheet of acetate for a tapestry cartoon.

Slat holds the cartoon up to the warp. To beat the weft, I move the slat out of the way of the beater, just under the fell line. The sheet of plastic would be a good prop for making sounds effects for a film about a thunderstorm.

Next time... White paper, like the gorgeous tapestry cartoon I have seen in Joanne Hall’s studio. That’s what I’ll use. Next time

Joanne Hall and her tapestry cartoon!

Joanne Hall in her Montana studio. This is the cartoon she made for her impressive Bluebonnets tapestry that hangs on display in a Dallas hospital.

May you learn from your experiments.

All the best,
Karen

2 Comments

  • Good morning Karen,

    My interest is always drawn to how things work. Tapestry is not an easy medium to work in. But, oh… Such beautiful results.

    Could the widths of the buckram be spliced together?

    May you continue to find new paths to explore.

    Nannette

    • Karen says:

      Hi Nannette, Yes, in hindsight I could have used the buckram crossways, and continued the pattern across the separate pieces. The other advantage I see with the paper is the ability to color the design, and work from that. I’d like to try that.

      Karen

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Stained Glass Scarf Surprise!

A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!

Stained Glass scarf warp - brilliant blue!

Four shades of blue are carefully arranged to make a brilliant blue 8/2 cotton warp.

Stained Glass scarf - on the cover of Handwoven Nov/Dec 2018.

Two scarves. I wove one to keep, and one to send to the Handwoven editorial team.

Stained Glass scarf/wrap in Handwoven Nov/Dec 2018

Swedish lace adapted from a draft by Else Regensteiner in The Art of Weaving. Her draft was for a tablecloth. I made it into a scarf/wrap instead.

Stained Glass scarf from Handwoven Nov/Dec 2018

Twisting the fringe. This cotton scarf/wrap calls for fringe that is a little bit chunky. I feel like I’m dressed and ready for fun when I wear it!

Handwoven Nov/Dec 2018 - Stained Glass scarf on the cover!

Credit: Cover Photograph by George Boe from Handwoven November/December 2018 magazine. Copyright © F+W Media 2018. Photograph of magazine by Eddie Fernandez.

May your day be filled with pleasant surprises.

Happy Weaving,
Karen

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