Weaving Mistakes I Would Rather Avoid

I got off to a bad start with this towel. I ripped out the border and started over at least three times. Each time I fixed an error I made a new mistake. And if that wasn’t enough, all the undoing weakened two warp ends, causing them to break. Ugh. Time to walk away and come back later.

Weaving error revealed.

Weaving error is revealed when I snap a pic for Instagram. White weft picks are out of order in the center of the weft border stripes.

Removing a weaving error.

After removing the first error, and weaving a re-designed border, I discover another mistake. Using ultra caution in good lighting, I clip the wefts between the center warp ends back to the error. Then, I carefully pull out each cut weft. And try, try again.

I believe in persistence, but we need to recognize when to give up and stop trying so hard. Could my own insistence on progress get in the way of progress? Yes. Coming back rested, with unclenched hands, I found myself able to complete the task with ease. Where did all the difficulty go?

Hand towels on the loom.

Success at last!

When I insist on my own way to overcome hardships in life, I don’t get very far. My frustrations blind me to my own errors. Relief comes when I acknowledge the limits of my efforts and put my trust in someone greater. The Lord multiplies what we put in his hands. Jesus once fed a crowd with the bread and fish from one person’s lunch basket. He starts with what we give him; and he increases it. As a result, when we come back to face the hardship, much to our surprise, we find our hands able.

May you know when to walk away and start over.

Steadily,
Karen

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Big Dream Tapestry Starts Here

I dream of doing four-shaft tapestry with rosepath threading on my floor loom. I’m not there yet. It is an ambitious goal. I am inching my way toward that goal by facing little problems on my tiny frame loom and working out solutions as I go. Learning to follow a cartoon is part of the process.

Little girl tapestry in process, with Borgs Faro wool.

Little girl is being woven from the back, one row across at a time. The weft is Borgs Fåro wool, a single-ply that packs together nicely for tapestry weaving.

I derived the cartoon for this tapestry from a picture in a children’s book. The cartoon, held in place behind the warp threads, is my constant guide. As I make ongoing judgments about colors and other details, the cartoon keeps me on course and shows me the desired outcome.

Life is full of choices. If I purposely align myself with integrity, like a tapestry weaver following a cartoon, I have a guideline for decisions. But if I carelessly keep things in my path that tempt me, it’s like covering up parts of the cartoon with random post-it notes. The picture gets obscured. Our surroundings can set the stage for making good choices. And one good choice leads to another good choice. That’s the beauty of practicing with small things. When the time comes for four-shaft tapestry, I’ll be ready.

May you flourish in your surroundings.

A step at a time,
Karen

2 Comments

  • linda says:

    maybe inking the warp is the way to go? put the cartoon behind the warp and ink the cartoon lines on to the warp. Mikala Sidor, studied in Paris at Goblan (sp) tapestry and that’s what she learned and taught her students to do. It was very successful for us all. The cartoon stayed out of the way when weaving.
    Your girl looks adorable, I’m sure which ever way you go she will turn out perfect. LPJ, linda

    • Karen says:

      I didn’t show it here, but I also ink the warp. When I’m weaving, the cartoon is held in place at the top, but the paper hangs down loose. Because the warp is so short, the cartoon does get in my way sometimes.

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Quiet Friday: Thick and Thin

A vote of confidence from someone you look up to can make a world of difference. When I saw Joanne Hall’s exquisite towel made with thick and thin threads, I asked her, “Do you think I can weave something like that?” “Of course you can;” she replied without hesitation, “it’s plain weave.” Keep in mind that I was a complete novice on the floor loom; and I barely knew how to handle one shuttle, much less two! I plunged into the ambitious project and came out with a winner! The blue and cream towel hangs on the oven door in my kitchen as a daily reminder of the powerful impact of an encouraging word. Thank you, Joanne!

Cotton tea towel, thick and thin. Karen Isenhower

First thick and thin towel, completed as a beginning weaver.

Thick and thin is just as fascinating this time around. It is delightful to revisit a rewarding experience. Who knew that plain weave could be this much fun?

Zebra warp on Glimakra warping reel.

Zebra warp with thick and thin threads on my new Glimakra warping reel. One of three bouts, 10 1/2 meters.

Warping trapeze in action.

View from the crossbar at the top of the warping trapeze, looking down. Ready to untie choke ties and add weights to the warp bouts.

Threading Texsolv heddles.

Thick ends alternate with thin ends as the heddles are threaded. Left hand separates the shafts‘ heddles for ease of threading.

Ready to weave thick and thin towels!

Weaving begins as soon as the warp is tied on and the leveling string is secured. I use the first few inches to check the threading and sett, and to do some sampling.

Border pattern for cottoln towel on the loom.

First border is captured with my iPhone camera so that I can easily reproduce the pattern at the other end of the towel.

Plain weave with three shuttles creates interesting patterns.

I added a second double bobbin shuttle to make it easier and quicker to switch weft colors. Plain weave gets even more interesting with three shuttles!

Thick and thin cottolin towels on the Glimakra Ideal loom.

End of the third towel.

Black and white towels on the loom. Karen Isenhower

View from under the breast beam. I love to see the fabric rolled up on the cloth beam.

Temple in place for weaving black and white cottolin towels.

Temple keeps the fabric at the optimum width for weaving. Red cutting line serves as the separation between the end of one towel and the beginning of the next. Ready to start another fascinating pattern.

May you give a vote of confidence to someone who needs it.

Happy weaving,
Karen

12 Comments

  • Betsy says:

    Karen
    Who would have thought black and white would look so interesting. I would like to see all the different towels when they are finished. Thanks for sharing. Something else to add to my list.
    Betsy

  • Betsy says:

    PS. I’m going to Vavstuga in February.

  • Helen Hart says:

    I really enjoy your blog and these towels are fascinating. I see one white thread is a “ladder” thread? Can you tell me the brands, sizes of your warp? I won’t copy and sell I promise. Thank you very much.

    • Karen says:

      Hi Helen,
      I’m thrilled that you enjoy what you see and read here! Thanks for keepin’ comin’ back!

      I don’t know what you mean by “ladder” thread…
      The warp and the weft are the same: Bockens 22/2 Nialin (cottolin, cotton/linen blend), used doubled, in bleached and in black; and Bockens 30/2 Cotton, in bleached. I ordered mine from GlimakraUSA.com, but there are many good USA suppliers of Bockens’ threads.

      All the best!
      Karen

  • linda says:

    best guess. ladder thread used for counting. love those towels. Did you by any chance play with a color in the warp??? LPJ, linda

    • linda says:

      I’m tired……I meant in the weft for the color. it’s been a lon day and more to go. LPJ, linda

      • Karen says:

        Hi Linda, I have not used color for the weft…yet. But I’m far from finished. After the fourth towel, you will see me play with bits of weft color. It’s going to be fun!
        I hope you get some good rest in the coming days.
        LPJ to you,
        Karen

  • maggie says:

    Hi Linda
    i really enjoy your blog. what setts did you use for the different size warp threads?

    • Karen says:

      Hi Maggie, It’s great to have you here!

      This sett is 24 epi, with doubled thick ends and single thin end per dent.

      Thanks for asking,
      Karen

  • […] you remember the black and white towels? I love the fascinating results of weaving with thick and thin warp ends, and thick and thin weft […]

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Pass the Test with Black and White Weft

Who knew you could do so much with black and white? The pattern for this third black and white towel differs from the first two. Each new towel is an opportunity to create a new pattern.

Cottolin towels (thick & thin) on the loom.

Two red picks mark the end of towel #2. I always use red for the cutting line between pieces to prevent accidentally cutting at the wrong spot.

For the first four towels I am putting myself to the test, using only black and white weft. The color restriction turns out to be a designer’s advantage. It forces me to consider possibilities that I might have overlooked if I had allowed myself to include other colors. I get excited when I see ideas turn into cloth on the loom. It is still as delightful as it was the very first time I threw a shuttle. If you are a weaver, you know what I mean.

Here is an amazing thought: You can bring delight to God. It brings delight to the Lord when we trust in him completely. He knows the right plans, and knows when to stick with black and white, and when to throw in a splash of color. Think of his delight when we go along with his ideas, and the resulting woven cloth of our lives brings a smile to his face.

May your ideas turn into delightful cloth.

Happy weaving,
Karen

8 Comments

  • Leigh says:

    My smartphone keeps bringing up your blog as something I might enjoy and I really have been, thank you for sharing.

    I was wondering, in the picture you have a strip of paper pinned to you towel. Is that to measure the towel as you go so they are all the same length? What a clever idea!
    There is always something to learn or inspire when I read your blog. Thanks again.

    • Karen says:

      Hi Leigh, I’m pleased that your smartphone sent you here!

      What you see in the picture is a length of twill tape/ribbon. And yes, it is for keeping the towels a consistent length. I mark the hems on the tape, and I put a mark at the midway point, so I can adjust The tape with the design when I reach the middle, if needed.

      Thanks for dropping in and saying Hi!
      Karen

  • donna says:

    Inspiring – on many levels.

  • anne says:

    I look forward to reading your message every time your email appears in my in box. Thank you.

  • maggie says:

    are those towels rep weave?
    i really enjoy your blog.

    • Karen says:

      Hi Maggie, This is two-treadle plain weave, like most rep weave, but it is not rep weave. There are similarities, though, in that both use thick and thin wefts. This set up for these towels, however, also has thick and thin warp ends, which gives it another dimension; whereas rep weave, as far as I know, uses all one thickness of thread for the warp, and is normally sett with the threads close together. This “thick and thin” structure produces very flexible cloth, at least with the sizes of thread that I’m using – doubled 22/2 cottolin for the thick, and single 30/2 cotton for the thin.

      Thanks for asking! And thanks for the encouraging words, too!
      Happy weaving,
      Karen

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Weave the Portable Way

What do you do when you are away from your looms for a week? Portable weaving, of course. I thought about bringing my band loom, but fitting the band loom in the car turned out to be more of a hassle than it is worth. So the band loom stayed home.

Glimakra band loom with cottolin warp.

Band loom stays home.

I have my inkle loom with me instead, as well as my small tapestry frame. Steve is taking a woodcarving class from Dylan Goodson this week at the Texas Woodcarvers Guild Seminar; and while he is in class I am keeping my hands busy with portable weaving.

Woodcarving class by Dylan Goodson.

Steve beginning to shape his relief carving, following the finished example by his instructor, Dylan Goodson.

Linen inkle band.

First inkle band of the week is linen.

Cottolin inkle band warp.

Cottolin warp for the second narrow inkle band.

Cottolin inkle band.

Second inkle band almost finished.

Small tapestry on portable frame loom.

Start of a small tapestry of a little girl, derived from a picture in a children’s book.

Cottolin inkle band. Karen Isenhower

Time to put on one more inkle warp!

Woodcarver doing relief carving.

Adding more details to the relief carving. Good carving takes time and patience. Like weaving.

May you enjoy passing the time away.

Happy portable weaving,
Karen

4 Comments

  • linda says:

    I hope you find other fiber artists that have portable projects ( ie knitting) it makes the adventure more exciting and new friends I’m sure are always welcome. I have taken knitting. I’ve done sweaters of woven material , knitted the cuffs with the same yarn and machine stitched them on. My portable little project turns out to be a finished big project. I’ve also taken hand woven bands and stitched them on bought fleece or boiled wool jackets to jazz them up. Kaeen I’m sure you’re never with out something in the fiber arts and I’m sure they all are beautiful. Laughter, Peace and Joy, linda

    • Karen says:

      Hi Linda, I did make new friends; the social interaction was fun. Several of the ladies had crochet projects with them. The portable looms I brought were great conversation starters. A few people knew what an inkle loom was, but most had never seen one before.

      Karen

  • Kris says:

    Your bands are lovely, Karen! I’m sure you had a lot of interest with you inkle loom. People are used to seeing knitting and crochet done in public, but bring out a loom or spindle and the questions fly! Isn’t it fun?

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