Tighter-than-Tight Warp

This Glimåkra Ideal is a super sturdy little loom. I call it the “Baby Loom,” but it’s not a baby in strength. She can handle anything I put on her. The warp is so tight on this rag rug that I have to release the front ratchet and loosen the warp a bit before I can even budge the ratchet on the back beam to release it.

Rag rug reaches the cloth beam.

Spaced rep rag rug reaches the cloth beam.

I like having a super-tight warp for rag rugs. It means I can get firm selvedges. And, I can put the momentum of the hanging beater to its best advantage, thoroughly packing in the weft. Best of all, I know this tight warp gives me a foundation for good strong rugs.

Tight selvedges on this rag rug.

Tight warp makes it possible to keep tight selvedges. At the selvedge, fabric strip is turned twice, and then pulled to snugly wrap around the outer warp ends.

Spaced rep rag rugs. Designing on the loom is fun!

Designing on the loom is fun with the thick (fabric) and thin (warp thread) wefts. I make notes on paper so I can repeat the designs across the length of the rug.

I want my trust in the Lord to be so tight that nothing can move it out of place. To be that certain, that focused. The Lord looks for people who trust him completely. He searches high and low for those whose hearts are completely his. He gives them his strong support—unwavering strength of support. Ratchet up the warp. We can trust the Grand Weaver and his loom.

May your warp be tighter than tight.

Happy weaving,
Karen

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Tools Day: How to Set a Temple and Video

The temple is one of my favorite tools. I have a collection of them. I happily use a temple for almost everything I weave. And I certainly wouldn’t dream of weaving a rag rug without one!

Temple instructions and video.

Temple in place.

Rag rugs are especially susceptible to draw-in, and a temple helps reduce that by maintaining the proper width of the rug. Draw-in distorts the shape of a rug, contributes to uneven warp tension, and can make selvedge threads break. A temple also aids in getting tight selvedges, and enables the firmest beat possible. (My favorite temples to use, even for rugs, are the wooden ones made by Glimåkra.)

How and why to use a temple for rag rugs.

Spaced rep rag rug, using fabric strips and warp thread for weft.

Temple Tips:

  • Set the temple to the proper width. (The video below shows how I do it.)
  • You can set the temple into the cloth as soon as there is is enough woven for two or three teeth to sink into. Then, move the temple up when you have woven enough to set all the teeth into the cloth.
  • Even with a temple, place adequate weft through the shed. The tool works best in conjunction with careful weaving practices.
  • Watch out for the sharp points! I get pricked when I forget and reach around the selvedge to straighten something out.
  • Make sure the temple is far enough back from the fell line that it won’t scrape the edge of your beater. I have a scar on my beater because it was hitting the temple. Unfortunately, I didn’t notice until the damage was done.
  • Move the temple frequently. For consistency at the selvedges on a rag rug, I move the temple at least every inch.
  • Remove the temple by moving the slider with one hand, while holding the center part down with the other hand. Keep the pin in place and the temple will draw up in the center. Then, disengage the teeth from the cloth on both sides.
Spaced rep rag rugs on the loom. Tutorial for using a temple.

Width in the reed for this rag rug is 90 cm on this 100 cm loom. I keep a supply of temples so that I have what I need for any weaving width.

 

May your tools serve you well.

Happy weaving,
Karen

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Rag Rugs with a Zillion Threads

It thrills me to weave rag rugs again! This is spaced rep, and I am weaving almost the full width of this 100 cm (39″) Glimåkra Ideal. That means there are zillions of threads involved. 724 warp ends, to be exact.

Getting ready to weave spaced rep rag rugs.

Spaced rep is warp faced, but the weft is not completely covered. There is enough space between warp ends for some of the fabric-strip weft to show.

This is a type of warp rep, but it is not completely warp faced because there is space between the warp ends. It is also similar to the thick-and-thin weaving I have done with hand towels. Thick weft (fabric strips) alternates with thin weft (12/6 cotton rug warp). Pattern blocks change with two thick picks in a row.

Stripes for spaced rep rag rugs.

Stripes on the warp beam and back beam is a handsome sight.

With all those threads these rugs are made to last. They will outlast me, I’m sure. And my children, and grandchildren. But eventually, even these rugs will wear out.

Testing weft options for some rag rugs.

Testing weft options and trying out block patterns.

Everything but God ages and wears out. Even this earth and the heavens that we see will someday wear out. That’s when it’s good to know the Maker. He keeps those who have made him their trust. And, when we wear out and come to and end, he has a place for us where we will enjoy him forever.

May you make things that last and last.

Happy weaving,
Karen

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Dots of Sunshine at the Selvedges

This double-weave cotton baby blanket has sunshine yellow for the bottom layer, and aquamarine for the upper layer. The selvedges are delightfully dotted with specks of the sunshine yellow as the two wefts interlock at the sides.

Double weave cotton baby blanket on the loom.

Second baby blanket on this warp. First blanket used aquamarine weft for the bottom layer. This blanket has aquamarine weft for the top layer.

Weaving with two shuttles always requires extra attention to know which shuttle goes where. And with double weave, especially, I need to know where to set a shuttle down, which shuttle goes across first, which thread goes over or under the other thread, etc. Consistency matters because the proper arrangement of weft threads at the selvedge will appropriately “stitch” the two layers closed. And the final result here is a cohesive baby blanket with decorative edges. Besides looking pretty, the carefully-placed weft threads hold the edges together.

Cotton double weave baby blankets on the loom.

View of cloth under the breast beam reveals the bottom layer of this two-layer cloth.

Sunshine yellow weft thread decorates the selvedge.

Sunshine yellow weft thread creates a decorative stitch at the selvedge.

Love is like that, too. Love holds people together. It stitches our loose edges into a cohesive fabric. It makes us into something that can work together instead of going our own way as separate pieces. Love from you refreshes the hearts of others and puts a delightful decorative edge on all your relationships.

May all those who encounter you know what it is like to be loved.

Love,
Karen

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