Weaving a Gift

For Christmas, I gave my daughter and two daughters-in-law a piece of paper with options for a custom handwoven article from me. This new project is the start of fulfilling those promises. Marie, my youngest son’s wife, chose a throw in vivid colors.

Christmas gifts to family members this year.
Each recipient gets to customize her gift. As maker, I retain design decisions and final color selections.

Opening a package with new tubes of thread is like Christmas all over again! This shipment brings the 8/2 cotton thread for Marie’s double weave throw, adding to what I already have on hand. From promise to conception of an idea, to collecting threads and dressing the loom, to weaving a gift—it goes from intangible to tangible. Threads turn into cloth!

New yarn shipment excitement!
My apprentice happens to be here when the package arrives! She shares the excitement with me of opening the package to see the new thread colors.
Vibrant colors for a new project on the loom!
Vibrant colors for Marie’s throw.

Love holds us together. Threads of love create a sustainable cloth of connected people. Be kind, tenderhearted, and forgiving, as an imitator of God. Not an imposter, who pretends to be god. But an imitator, like a loved child becomes an imitator of their dad. Consciously and subconsciously. Let the character of God become your character. And let the threads of love that he has woven in your life reach into lives he’s given you to touch. Let his promise to you become tangible cloth to others.

May you be wrapped in love today.

With love,
Karen

Quiet Friday: Square Dots

It was six weeks ago that I began winding the warp for these towels. The thread for my next Glimåkra Standard project is due to arrive tomorrow. Just like I like it—revolving door weaving. I have no doubt that this set of towels will become family favorites. They are a feast for the eyes, and a tactile delight for the hands. Seeing the color on the reverse side takes my breath away. This whole experience has been the weaving satisfaction that I’ve come to cherish!

"Square Dot" towels. Satin dräll. Karen Isenhower
Square Dot towels. Ten shafts, ten treadles. Two block five-shaft satin dräll. 8/2 cotton warp. Weft is 8/2 cotton and 22/2 cottolin, and 16/2 linen for the white stripes on the red towel.

I did face difficulties near the end of the warp. The shed started deteriorating with some of the shafts, but I was determined to finish off the last towel to its full length. That meant coaxing the low profile shuttle through for a few inches. Consequently, I did have more errant floats to repair than usual. But, isn’t it wonderful that we can fix just about anything in this weaving adventure?

Fixing floats on a towel that was at the end of the warp.
End of warp. What I didn’t see at the loom is that one shaft in particular was not behaving. There were at least eight floats along that one warp end. After repairs and washing and pressing, the errors are barely noticeable.

I made a warp from thread on leftover quills to weave up some hanging tabs on my band loom for three of the towels. And I found a linen piece in my “band stash” that is perfect for the red and white towel.

Enjoy the slideshow that I made for you with details of the process.

May you weave some family favorites.

Happy Weaving,
Karen

Bold Color and Weave

Remember the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking color-and-weave effect that I expected. The problem is not the threading, nor the colors.

Color and weave using single weft instead of doubled weft.
Nice and pretty, but lacking the boldness of the planned color-and-weave effect.

Aha! I overlooked an important detail on the treadling draft—the weft is supposed to be doubled. That changes everything! Since there is very little excess warp for this project I need to back up and start over.

Backing up the weaving. Clipping through weft threads. Yikes!
Backing up. After loosening warp tension, I carefully clip the weft threads down the center of the warp. I go at a snail’s pace to avoid accidentally snipping any warp ends.
Backing up. Weft removal, one pick at a time.
Removal, one pick at a time. I press the treadles in reverse order to pull out each row of weft threads.
Weft has been removed. Now ready to start over!
Back to the start. Sufficient weft has been removed. Now I am ready to start over.

I am losing the nice and pretty fabric. But it is being replaced with something better—fabric with a bold color-and-weave effect.

Two double-bobbin shuttles with color and weave.
This is the color-and-weave effect I was looking for! Two double-bobbin shuttles carry the weft threads.
Color and weave for placemats.
First placemat is a “Joseph’s coat” combination of colors. Bold color-and-weave effect has a striking pattern.

I would like my life to be nice and pretty, easy and comfortable. But if I get closer to the Grand Weaver’s intentions, I see something different—a bold strength of purpose. Not necessarily easy. God’s will is better than mine. When we aim to understand his will, we see details that we’ve overlooked. It affects how we walk through life. We take his doubled weft threads to replace our well-meaning attempts. The result is a beautiful display of striking life-changing effects.

May you be mindful of the important details.

With you,
Karen

Valentine Towel

“That red would make a very cheerful towel.” She was right! It is very cheerful. When someone whose weaving expertise I admire mentions a color, I want to use that color instead of the one I originally planned. This towel, with its red-and-white cheerfulness, is a testament to the positive influence of another person. The towel also makes me think of valentines. Perfect timing for this week. Do you remember giving innocent sentiments of love to classmates in elementary school on Valentine’s Day?

Cotton 10-shaft satin dräll towels.
Beginning of towel with red 8/2 cotton weft. Golden bleached 16/2 linen is used for a decorative band on the towel.
Colorful and cheerful square dot towels.
White linen border near the end of the red towel. Ten shafts and ten treadles for five-shaft satin dräll.
Square Dot towels. Red and white on coral!
Predominant red on the reverse side of the towel is cheerful indeed! One “Square Dot” towel remains on this warp.

Give. Now, we offer each other genuine expressions of love, not limited to one day of the year. When you give love you are giving something of great value—a part of yourself. God loved all of us by giving his dearly loved son. That’s the love that holds us and keeps us. His love influences us for the better. He so loved us, and so we love.

May the day of love come every day for you.

Love,
Karen

Tools Day: Tape Measures

A tape measure is a weaver’s best friend. Think about how many ways the tape measure serves you. I have one at each loom. Always. And I have a few others scattered around, hanging up, and in bags. Because you never know when you might need to measure something.

Tape Measure Uses

  • Take measurements to determine the desired size of the finished cloth, such as window measurements for curtains, floor space for area rugs, or length of skirt tiers for skirt fabric.
  • Measure the length of a guide string for winding the warp.
  • Find the starting point for the warp width in the pre-sley reed.
  • Double check the width of the warp after it is pre-sleyed.
  • Check the width of the warp on the back tie-on bar.
  • Center the reed in the beater for beaming the warp by measuring the distance from the warp in the reed to the outside edge of the beater on both sides.
  • Find the starting point to sley the reed by measuring half of the warp width outwards from the center of the reed.
  • Double check the width of the warp in the reed after it is sleyed.
  • Center the reed in the beater for weaving.
  • Adjust to the correct width of the warp on the front tie-on bar after the warp is tied on.
  • Mark the measured weaving length on twill tape or ribbon to use as a weaving length guide.
  • Measure how far one quill weaves.
  • Measure the distance between pieces that require unwoven warp, such as for fringe, or for tying knots between rag rugs.
  • Measure the distance from the first shaft (nearest the back of the loom) to the back tie-on bar (especially when you are hoping there is enough warp left to finish a symmetrical pattern).
  • Measure the width and length of fabric that is cut from the loom.
  • Measure the width and length of fabric that has been wet finished, dried, and pressed.
  • Measure your pleasure at the loom. Immeasurable!
Tape measure, in constant use at the loom. Let me count the ways...
Tape measure with imperial and metric units, both of which I use regularly. Metal ends have been removed from the tape to clearly see the tape’s markings, and because I slip the tape into a dent of the reed when I am marking the spot to start sleying.
Tape measure at the loom. Various uses.
Glimåkra Ideal loom, with tape measure in its usual place hanging on the end of the loom bench.
Tape measure usage at the weaving loom.
Glimåkra Standard loom, with tape measure ready for the next measuring task.
Preparing the loom for weaving.
Tape measure hanging over the back beam on the Texas hill country loom while pre-sleying the reed and positioning things to prepare for beaming the warp.
Tape measure hangs on peg strip above the work table.
Extra-long tape measure hangs on the peg strip above my work table.
Sometimes a long tape measure is needed!
Occasionally, I borrow Steve’s metal carpenter’s tape measure from his wood carving bench.
Travel tapestry supplies, including tape measure.
Compact retractible sewing tape measure rides in my travel tapestry bag. It has imperial and metric units.
No purse is complete without a tape measure, right?
No purse is complete without a tape measure, right? (A tape measure can outlive the business it promotes.)

What have I missed? Can you think of other ways your tape measure comes in handy?

May you be blessed in full measure.

All the best,
Karen