Tried and True: Five Steps for Rag Rug Selvedges and a Quick Tip Video

What do you look for in a handwoven rag rug? How do you detect quality of craftsmanship? I look at the selvedges. First thing. I look for selvedges that are nice and tight, and that have a uniform twist at the edge. A few simple steps, consistently practiced, produce the kind of quality you can see and feel. It’s one more reason I find delight in weaving rag rugs.

Rag rug selvedges. Short quick tip video.
Rag rug selvedges. Weft is snugly wrapped around the selvedge warp ends.

Five Steps for Firm Selvedges on a Rag Rug

  1. Throw the shuttle, leaving a loop of the fabric-strip weft at the selvedge.
  2. Hold the weft out taut, and turn the weft under twice at the selvedge.
  3. Untwist the weft in the shed, straightening it, as needed.
  4. Pull the weft tight against the selvedge.
  5. Position the weft in the shed and beat it in.
Weaving a rag rug. Tutorial video of a quick tip.
Beater swings forward to beat in the weft with its just-formed firm and tidy selvedge.
Filming a short video on weaving rag rug selvedges.
Set up for filming the short tutorial. My husband does the filming and proves his patience through several retakes.

Watch this Quick Tip video for a short demonstration.

Rag rug on the loom. Tutorial about selvedges.

May the quality of your work be the first thing noticed.

Happy Weaving,
Karen

14 Comments

  • Beth says:

    Your rugs are beautiful!

  • Dorothy Gareau says:

    Thank You for showing this tip. What pattern did you use for your warp. Always learning.

    Dorothy

    • Karen says:

      Hi Dorothy, This warp is threaded in rosepath. It is 12/6 cotton in two colors, threaded in random order. The part of the rug you see in this post is woven as plain weave.

      Happy weaving,
      Karen

  • Rachel Lohman says:

    Thank you for that valuable tip and demonstration. Can’t wait to go and tidy my edges. The wise never stop learning!

  • Nannette says:

    Karen,
    Thank you for the lesson. I loved the fumble of the shuttle technique. Something from my world. 🙂

    Nannette

    • Karen says:

      Hi Nannette, I don’t know how something that goes so smoothly when no one is watching suddenly becomes so awkward when a camera is turned on. Keeps me humble.

      All the best,
      Karen

  • Elisabeth says:

    Great tutorial, and beautiful work! Maybe my selvages can improve now 🙂 Thank you so much for sharing so generously!

    Have a wonderful winter day weaving!
    Elisabeth

    • Karen says:

      Hi Elisabeth, It certainly is a winter day here today, perfect for hunkering down at the loom. Your beautiful rag rug weaving is already stellar. Any improvement is icing on the cake!

      Happy weaving,
      Karen

  • Joanna says:

    Great tip and video, thanks Karen. I’ve already mastered the ‘shuttle-fumble’, but need some practice on the double twist!

    Best wishes,
    Joanna

  • Annie says:

    Hi, Karen!
    These posts on weaving rag rugs are so timely for me. I am threading a loom right now to begin a small sampler for Rosepath rag rugs as I have never done one before. I kept my notes from the class you gave at our WOW meeting last year but the video really clarified the technique.
    Thank you to both you and your husband.

  • lou says:

    Thank you!
    How do you handle it when there is still fabric on the shuttle? Turn the shuttle over to straighten?

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Rosepath Unlimited

This seems unreal, like pulling an item right out of my imagination and touching it with my hands. It is exhilarating to watch a concept sketch develop into a tangible rag rug on the loom. Even though I enjoy designing at the loom, I relish the challenge of preparing a design in advance. In order to make a workable sketch I must study, think, and explore. It’s in this process that I realize the design options are limitless for rosepath rag rugs. This compels me to keep pressing in to learn and explore even more.

Beginning a new rag rug.
Hem, woven with narrow strips, follows the gold warp thread header. First wide border of the rug uses an assortment of green fabric strips.

The concept sketch is a scaled-down map of the rosepath rag rug. Each square on the gridded paper represents 6 centimeters. The sketch shows me which fabrics to use where, and specifies the placement of each design element—borders, plain weave, rosepath diamonds, dashes and dots of specific colors, etc. I add notes to the page as I weave, like specific treadling sequences and measurements, so that I can mirror them on the second half of the rug.

Concept sketch by the loom is my roadmap for weaving the details.
Concept sketch sits at the windowsill by my loom. I use it as a roadmap for weaving the details.
Weaving rag rugs with a temple. Always!!
Stretched-out temple is a necessity when I weave rag rugs. The wooden Glimåkra temple is my favorite because I can place it near the fell without risk of damaging the beater. This makes it possible to move the temple frequently, adding to weaving consistency.
Designing a rosepath rag rug.
Deep purple “dots” at the center of the rosepath diamonds serve as accents among these colors for a Texas hill country home.

Nothing can measure the greatness of the Lord. His greatness is truly limitless. Greatness is compelling. We step closer to search the unsearchable, and know the unknowable. God reveals himself, sketch after sketch, until we finally realize that we need all eternity to fully know him.

Rosepath rag rug - My favorite thing to weave!
Satisfaction of watching a concept sketch become a tangible rag rug.

May your concepts become tangible.

Happy Weaving,
Karen

12 Comments

  • Charlotte says:

    Ooooooooh honey girl! I do adore your newest creation!!!! The red certainly “pops”!

  • Rachel Lohman says:

    Beautiful! Out of curiosity, how wide is your Glimakra? And how wide will your rug be when finished? And do you have two rugs on the loom and do you separate them with wooden slats? Thanks!

    • Karen says:

      Hi Rachel, Thank you!

      This loom is a 100cm (39″) Glimakra Ideal. The width of the warp in the reed is 90.3cm (35.5″). I expect to lose around 12% in width from take-up, so I’m planning for a finished width of about 79cm (31″). Yes, I do have two rugs on the loom right now, and will have at least one more before cutting off. And yes, I do separate them with warping slats. I put a minimum of 8″ between rugs so that I will have enough length to tie the ends into knots for finishing. Great questions!!

      Happy weaving,
      Karen

  • Nannette says:

    Yeah!! Ditto what Charlotte and Rachel said!!!

    You took the warp in a direction I did not realize. So much to learn.

    Thank you.
    Nannette

  • Linda Adamson says:

    Lovely rugs. What are the Blake bands keeping the cover on the loom bench in Place? More fabric strips or large elastic bands?

    • Karen says:

      Hi Linda, The black bands are bungee cords, to my embarrassment. I put them on as a temporary “make-do” solution to see how I would like having this rug piece on my bench. And so they stay. I like the rug cover for my bench, but haven’t taken the time to make it more permanent.

      Thanks,
      Karen

  • Robin Chandler says:

    Do you have a weighted beater?
    I didn’t like the recommendation to drill holes and add weighted bars, so I put ankle weights on both ends of my beater for rugs, seems to help.

    • Karen says:

      Hi Robin, I do not have a weighted beater. I tried adding some walking weights on both ends a few years ago, but I couldn’t tell that it made a difference for me. The overslung beater is such an advantage on these looms. I can lean back (like Jason Collingwood teaches) and let the momentum of the beater do a pretty good job. People in my house think I get a pretty powerful beat on my looms. 🙂

      Happy Rug Weaving,
      Karen

  • Karen says:

    It’s going to be AMAZING!

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