Quiet Friday: Kuvikas to Taqueté and video

The color is rich, the drape is fluid, and the pattern in the lustrous cloth is eye-catching. “Kuvikas to taqueté” was not an easy project. Eight shafts, double treadling, and double-bobbin shuttles with slick 8/2 Tencel weft. But the fabric is incredible!

Warp chain of 8/2 cotton.

Warp chain of 8/2 cotton hanging from warping reel.

Thanks to a unusual tie-up, two treadles are pressed simultaneously, something I had not thought possible for a countermarch loom. I started with kuvikas (summer and winter), which has tabby picks between the pattern picks. The dark teal 8/2 cotton tabby weft and the bright teal Tencel pattern weft produce a tone-on-tone effect for the square and stripe patterns. These two pieces will become the front and back of a throw pillow.

Kuvikas on the loom. (Summer and Winter)

Kuvikas panel 1 complete. I always use red thread for a cutting line between pieces, so there is no accidental cutting in the wrong place.

I then changed the treadle tie-up to switch from kuvikas to taqueté. The taqueté has no tabby weft. The teal and cream Tencel weft threads lay back-to-back, producing a double-faced fabric. This piece is being used as a table runner.

Kuvikas to taqueté, change in treadle tie-up.

Stripes in kuvikas, and then square pattern in taqueté after changing the treadle tie-up.

Finished Tencel kuvikas (summer and winter) glistens!

Finished kuvikas glistens in the sunlight.

Enjoy the little slideshow video I made for you that follows the process from three lovely aquamarine warp chains to fabric glistening in the sun on a Texas hill country table.

May you finish something that is not easy.

Happy Weaving,
Karen

Do you remember my Handwoven Thick and Thin Towels (that appeared on the cover of Handwoven), and my Black and White Towels (These Sensational Towels)? I will be teaching a workshop on that thick and thin technique at Shoppes at Fleece ‘N Flax in beautiful Eureka Springs, Arkansas August 24 – 26, 2017. You’re welcome to join us! I’d love to see you there! Contact the shop at the number below if you are interested.

Our weaving classes for May, June and July are filled ( but you can sign up on a waiting list!) and we still have a few…

Posted by Shoppes at Fleece 'N Flax on Wednesday, May 10, 2017

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What a Cellist Weaves

I approach weaving like a musician. The looms are instruments, and everything is practice. When I was twelve years old I fell in love with the ‘cello and began learning to play the instrument. Over time, I discovered the value of mindful practice, the need for which is ongoing. It’s not perfection I’m after, but intent to apply all I’ve learned.

Glimakra band loom.

Finished woven band. 12/6 cotton for warp and 16/1 linen for weft.

Band loom woven cord for cello endpin stop.

Small slider is added to make the cord’s length adjustable.

This once, my weaving and ‘cello playing overlap. My husband designed this cello endpin stop for me! I got to weave a cord on my band loom that connects the pieces together. (I showed you the beginning steps in Finer Weft for a Stronger Cord.)

Hand-crafted cello endpin stop, with handwoven band.

Hand-crafted ‘cello endpin stop.

Hand-crafted cello endpin stop.

‘Cello and me.

What if our interactions with people are opportunities to practice real love? It’s no big deal if I love those who love me. Or, do good when I know someone will return the favor. Or, lend to someone who will pay me back. Real love is loving those who don’t love you back. That takes practice. When we love, do good, and give, expecting nothing in return, we start to resemble God’s character. No, we won’t attain His perfection, but when we apply all He’s taught us, we begin to look like His children. For He loved us long before we loved Him back.

May you practice real love.

Love,
Karen

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Cloth Beam Matters

Does it matter what happens at the cloth beam? Why not let the woven fabric go around the beam as is and forget about it? You have worked diligently at every stage to ensure an even warp. Now, preparing the cloth beam for cloth will ensure the warp remains even.

Warping slats are placed on the cloth beam.

Warping slats cover the cords and knots on the cloth beam so the handwoven fabric has a flat surface to lay against.

Warping slat over the tie-on bar prevents the tie-on threads from putting bulges in the fabric. Bulges can distort the fabric and put uneven tension on warp ends.

Warping slats around the cloth beam for a smooth start.

When the warping slats have covered one full revolution of the cloth beam, no more slats are needed. The twill pre-measured tape on the floor gives a clue to the extended length of this table runner on the loom.

The cloth beam holds obstacles that threaten the evenness of your warp. Any raised surface on the beam, like beam cords and tie-on knots, will distort the warp tension as the woven fabric wraps around it. Warping slats solve the problem. I lay in the slats around the beam, one by one, as I advance the warp. This forms a flat surface around which my freshly-woven fabric can hug as the cloth beam turns.

M's and O's long table runner. Linen weft.

Long M’s and O’s table runner on the loom. The sample piece and towel that preceded the table runner have already reached the cloth beam.

Fear makes obstacles for our path that disturb our peace and threaten our well-being. Trust in the Lord. Trust pushes fear aside. The day you are afraid–the moment you are afraid–put your trust in God. Know that the Lord is for you. Your trust in Him forms a firm layer to build your life on. Like the warping slats that are in place for your handwoven cloth, your trust in God is a foundation on which to roll the fabric of your life.

May you walk without fear.

Peace,
Karen

6 Comments

  • ellen santana says:

    whoa, never thought of that. i have been using paper on the warp beam and when i tried the slats they fell out of place when i loosened the warp at the end of a session. do you keep it taut always?es

    • Karen says:

      Hi Ellen, I do keep the warp under tension. I don’t see a need to completely loosen the warp at the end of a session. If I know I may not get back to it for a few days, I may loosen the warp a little, but there is always adequate tension on the warp for slats to stay in place. I have also left a warp under tight tension for days or weeks, and have never noticed an adverse effect.

      Also, when winding the warp, unless it is linen, I only put in slats every fourth round. So that means if some slats slip, it’s only a few on the outer layer.

      (I love my warping slats. I have found various uses for them, besides how they are “supposed” to be used.)

      Thanks for asking!
      Karen

  • Ruth says:

    Hi Karen,
    A couple of questions:
    Do you add slats on the cloth beam as your fabric is woven or just on the initial “round” to cover knots and such?
    Did your husband make your slats and what is the thickness of the slats you use?
    I love your sharing of knowledge! So many “little” things that make weaving more of a joy.
    Ruth

    • Karen says:

      Hi Ruth, Great questions!
      I add the slats just on the initial round. After that, the fabric just rolls onto itself.
      My husband did make some of my slats, but most of my slats were purchased from a Glimakra dealer. I think the slats are about 1/8″ thick.

      Yes, it is the little things that make a difference in the enjoyment and the quality of weaving.

      All the best,
      Karen

  • Linda Sloan says:

    What a wonderful message. Love your website.

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Finer Weft for a Stronger Cord

I need a strong cord for a specific use. It needs to look nice, without drawing attention to itself. This cord will connect three small pieces of wood. I will reveal how they will be used after I finish weaving the cord.

Three wooden pieces for a special purpose...

Three wooden pieces to be connected for a purpose. What are they for? You are welcome to put your guess in the comments…

I chose 12/6 rug warp for the project, to make this a durable cord. With a band this narrow, the 12/6 cotton is too bulky for weft. I could not pull the selvedges tight. I need a finer weft that will draw the warp ends together and disappear at the selvedges. Black 16/1 linen works beautifully!

New woven narrow band. Need to change the weft.

Using 12/6 cotton rug warp for the weft proved to be unworkable for this narrow band. Light shows through the gaps at the selvedges.

Linen weft for this narrow band.

Black linen weft matches the black selvedge threads. The 16/1 linen enables tight and even selvedges for this 5/16″ (8 mm) band.

A change of heart changes everything. The condition of our heart is revealed in the way we behave toward others. Our thoughts and actions are a matter of the heart. To live in a manner that is unselfish, generous, kind, and content, we must do more than line up the right outward appearances. We must start with humility. Having the perfect warp means nothing if the weft interferes with a beautiful outcome. Humility, like the linen weft, is a posture of the heart that pulls everything else together.

May your heart be beautiful.

Warmly,
Karen

2 Comments

  • I can’t guess what the wooden pieces are for. They remind me of several times when I purchased a used loom from someone, and there were several wooden or metal pieces that came with it that neither they nor I knew what they were for. I am glad you know what these are for, and I am looking forward to finding out!

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Linen Is Never Boring

Simplicity, purity, new. It’s invigorating to start something fresh. Weaving this delicate cloth in neutral colors is calming, but not boring. The linen sheen makes it spectacular. This is the delightful texture of M’s and O’s on a cotton warp, with linen weft. Peer across the cloth at a lower angle and you will see the linen’s pearlescent glory embedded in the woven texture.

Weaving M's and O's with linen weft.

Structure of M’s and O’s puts interesting texture in the fabric. The texture will be intensified after the fabric is cut from the loom and wet finished.

Even though weaving seems like magic at this stage, it has been preceded by a lot of planning, precision, and patient work. This new creation is refreshing because it’s everything I had imagined it would be. And the linen is doing as expected–making the fabric “glow.”

Handwoven towel in M's and O's with linen weft.

One-shuttle weaving for most of the towel makes this a relaxing weave. You can see that the treadling pattern alternates between two blocks. (The camera doesn’t catch the linen’s sheen like the human eye does. Wish you were here to see it!)

Handwoven towel in M's and O's.

Towel has reached the midway point.

The best creation is what happens inside of you. There is hope for all those who long for a fresh start. The dusty and worn threads are replaced with a new warp. Cut my selfish ways off the loom, Lord. All the preparations have been done by the Grand Weaver that enable weaving to begin. Create a clean heart in me, Lord. Let my life glow with the linen of your Spirit woven through my soul.

May you be refreshed.

Love,
Karen

~They’re back~ Towel Kits ~

By request, I have put the towel kits back in my shop! The River Stripe Towel Set, Pre-Wound Warp and Instructional Kit, for $150 per kit, is now listed again in the Warped for Good Etsy Shop. Happy weaving!

10 Comments

  • Beth Mullins says:

    Beautiful, Karen! I’ve never worked with linen. When used as weft, does it have to be kept damp? Seems that I once read this was necessary when linen is used as warp but, I could be dreaming.

    • Karen says:

      Hi Beth, I like to keep linen weft a little damp because it behaves better for me that way. It doesn’t take a lot of moisture. Just holding a damp cloth around the wound quill for a few seconds is enough. The moisture makes the linen relax, and it lays more straight and flat in the shed. Without some moisture, the linen has a tendency to get little kinks and curls when you beat it in.

      When used as warp, some moisture can be helpful. Houston is pretty humid, but in drier climates some people run a humidifier when warping with linen.

      Linen is wonderful to work with. You should try it. Using it as weft is a good way to start.

      Happy weaving,
      Karen

  • Martha says:

    Beautiful work as always!

    • Karen says:

      That means a lot to me, Martha! Thank you so much. I feel like the threads are really the stars, I just got to put them on the loom. 🙂

      Karen

  • Bev says:

    Beautiful weaving! I have a special place in my heart for linen, since it is what I learned to spin first. And I having linsey/woolsey on my future to-do list!

    • Karen says:

      Hi Bev, I admire anyone who can spin! Spinning linen seems like such an interesting process. Is linsey/woolsey linen and wool combined?

      Karen

  • Gorgeous Karen,
    Thank you for your time and wisdom, as well as weaving knowledge. You’ve encourage me to have a go with linen. There is so much brouhaha in much of the weaving talk here in Australia about using linen. How difficult it is, how fickle, how tetchy (all unfounded, no doubt). So most of us have backed away from such a ‘difficult’ fibre. Your example here shows us the very opposite. With careful planning and consideration for linen’s ‘needs’ why should we miss such weaving pleasure.

    I really admire the way you have crafted the Christian message into your daily work and passion. And, I must admit, after reading your blog posts I have really thought how I can apply the same ‘message’ into the writing work that I do for children. I write children’s books for my ‘day’ job (when not weaving!) and I endeavour to give a ‘heart’ message in all my books. One where my readers are touched by a subtle message from more than what I am. So, thank you for sharing with us.
    Regards,
    Alison

    • Karen says:

      Hi Alison, If I’ve encouraged you to try linen, I’m happy! I don’t think linen is anything to be afraid of. Yes, it has its own special characteristics, but with some knowledge and careful planning you’ll have success. Like I mentioned to Beth, starting with linen weft is a great way to get your toes in the water…

      And if I’ve encouraged you to live out your faith with a little more intention, then you are an answer to prayer.

      It doesn’t surprise me that you are a writer, as I see how beautifully you’ve chosen your words.

      Happy weaving,
      Karen

  • SM says:

    I’m a new weaver and really enjoy your blog. I was wondering if you worry at all about different shrinkage rates for the cotton and the linen? I keep hearing people say that different fibres react differently. Or do cotton and linen both shrink the same?

    • Karen says:

      Hi SM, Great question! You raise a valid point. Yes, different shrinkage rates are an issue, and it can make a difference in the outcome of a fabric after wet finishing. Cotton and linen won’t necessarily shrink at the same rate. Cotton usually shrinks a little more than linen. In this instance, I’m hopeful that some differential shrinkage will work to my advantage in making a beautifully, softly puckered M’s and O’s textured fabric. But until I wash and dry the fabric, it’s only a guess. 🙂

      Thanks for asking!
      Karen

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