Quiet Friday: Kuvikas to Taqueté and video

The color is rich, the drape is fluid, and the pattern in the lustrous cloth is eye-catching. “Kuvikas to taqueté” was not an easy project. Eight shafts, double treadling, and double-bobbin shuttles with slick 8/2 Tencel weft. But the fabric is incredible!

Warp chain of 8/2 cotton.

Warp chain of 8/2 cotton hanging from warping reel.

Thanks to a unusual tie-up, two treadles are pressed simultaneously, something I had not thought possible for a countermarch loom. I started with kuvikas (summer and winter), which has tabby picks between the pattern picks. The dark teal 8/2 cotton tabby weft and the bright teal Tencel pattern weft produce a tone-on-tone effect for the square and stripe patterns. These two pieces will become the front and back of a throw pillow.

Kuvikas on the loom. (Summer and Winter)

Kuvikas panel 1 complete. I always use red thread for a cutting line between pieces, so there is no accidental cutting in the wrong place.

I then changed the treadle tie-up to switch from kuvikas to taqueté. The taqueté has no tabby weft. The teal and cream Tencel weft threads lay back-to-back, producing a double-faced fabric. This piece is being used as a table runner.

Kuvikas to taqueté, change in treadle tie-up.

Stripes in kuvikas, and then square pattern in taqueté after changing the treadle tie-up.

Finished Tencel kuvikas (summer and winter) glistens!

Finished kuvikas glistens in the sunlight.

Enjoy the little slideshow video I made for you that follows the process from three lovely aquamarine warp chains to fabric glistening in the sun on a Texas hill country table.

May you finish something that is not easy.

Happy Weaving,
Karen

Do you remember my Handwoven Thick and Thin Towels (that appeared on the cover of Handwoven), and my Black and White Towels (These Sensational Towels)? I will be teaching a workshop on that thick and thin technique at Shoppes at Fleece ‘N Flax in beautiful Eureka Springs, Arkansas August 24 – 26, 2017. You’re welcome to join us! I’d love to see you there! Contact the shop at the number below if you are interested.

Our weaving classes for May, June and July are filled ( but you can sign up on a waiting list!) and we still have a few…

Posted by Shoppes at Fleece 'N Flax on Wednesday, May 10, 2017

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Quiet Friday: Favorite Weaving Books

I know how to write music. I am experienced in playing improvisational music on my cello. And I don’t have a problem making up a tune to sing on the spot. But nothing touches the richness of music’s beauty like getting out the Beethoven Sonatas at the piano, or Bach’s Six Suites for the cello, or singing from an old-fashioned hymnal. Likewise, I do know how to write a weaving draft from scratch, but I usually find my starting point in one of my favored weaving books. There are countless designs and dreamy pictures. From simple to extraordinary. Sometimes I follow the instructions precisely. But most often, the improviser in me examines the elements and finds a new version to “play.”

Here are just a few of my favorite weaving books, and a sampling of what they have produced.

Some of my favorite weaving books!

Favored weaving books, in no particular order. Do you see a theme? Yes, I like to weave Swedish patterns from Swedish books on my Swedish Glimåkra looms.

Turned rosepath from "The Big Book of Weaving."

Rosepath band with turned rosepath.
Lundell, Laila, and Elisabeth Windesjö. “The Big Book of Weaving: Handweaving in the Swedish Tradition: Techniques, Patterns, Designs, and Materials.” North Pomfret, VT: Trafalgar Square, 2008.

From "Älskade Trasmattor." Rosepath rag rug.

Rosepath rag rug.
Hallgren, Ann-Kristin, and Monica Hallén. “Älskade Trasmattor: att Väva Som Förr.” Kalmar: Akantus, 2006. (“Beloved Rag Rugs: To Weave As Before”)

Rosepath rag rug. Karen Isenhower

My version of this rosepath rag rug makes itself at home in our Texas hill country getaway.

Rosepath rag rug from "Favorite Rag Rugs," by Tina Ignell.

Rosepath rag rug. My very first rosepath rag rug is positioned in a prominent place in our home where it is seen and stepped on every day. Much to my delight.
Ignell, Tina, and Catherine Zienko. “Favorite Rag Rugs: 45 Inspiring Weave Designs.” North Pomfret, VT: Trafalgar Square Books, 2007.

Rosepath rag rug in "Alla Tiders Trasmattor."

Another rosepath rag rug. No end to rosepath rag rug possibilities, it seems.
Hallgren, Ann-Kristin, and Monica Hallén. “Alla Tiders Trasmattor.” Akantus Edition, 2007. (“All Time Rag Rugs”)

Rosepath rag rug.

Rosepath rag rug uses alternating weft colors in the plain weave sections, adding visual texture.

"Stardust" scarf from "Happy Weaving from Vävmagasinet."

Called “warp-faced combination weave” in the book. I don’t know what else to call it. I wove this scarf when I didn’t know exactly what I was doing yet. If you see any mistakes, just think of them as “design elements.”
Johansson, Lillemor, Charlotta Bosson, Conny Bernhardsson, and Katie Zienko. “Happy Weaving from Vävmagasinet.” Glimåkra: Vävhästen, 2004.

Classic twill towels, from "Simple Weaves," by Björk and Ignell

Cottolin twill towels. I have a small sample piece. All the towels I wove are happily drying hands and dishes in homes of family and friends.
Björk, Birgitta Bengtsson, Tina Ignell, and Bengt Arne Ignell. “Simple Weaves: over 30 Classic Patterns and Fresh New Styles.” North Pomfret, VT: Trafalgar Square, 2012.

Double binding rag rug, from "Swedish Rag Rugs 35 New Designs."

Double binding rag rug. This sweet rug is resting in my Etsy shop, waiting for a new home.
Johansson, Lillemor, Pia Wedderien, Marie Rolander, Conny Bernhardsson, and Katie Zienko. “Swedish Rag Rugs: 35 New Designs.” Glimåkra: Vävhästen, 1995.

May you play as much music as you can find.

…and speaking of Etsy! The original River Stripe Towels and Table Centerpiece Cloth that I wove are now listed in the Warped for Good Etsy Shop. And there may still be one River Stripe Towel Set Pre-Wound Warp Instructional Kit (Workshop in a Box) left! UPDATE: THE KIT HAS BEEN SOLD.

Happy Weaving,
Karen

4 Comments

  • "Blekinges sommarfågel" says:

    You are an inspiration to those who are not able attend weaving courses in Sweden, but successfully forge ahead experimenting guided by the skillfully written and illustrated Swedish weaving texts, using high quality, oftentimes fine gauge imported yarn of natural materials. Keep weaving and inspiring others with your blog!

    • Karen says:

      “Blekinges sommarfågel,” The skillfully written and illustrated Swedish weaving texts open up a world of possibilities. I love to take a stack of the books and thumb through the pages, just to dream of what I might weave someday.

      Thank you for sending such encouraging words!

      All the best,
      Karen

  • kim says:

    I’ve lately been thinking about weaving as I think about cooking, and weaving book as I think about cook books.

    While we are learning, we start with something we see in a book or magazine (a recipe) and maybe weave that as it is, or make some small change like color (ingredients.) Maybe we are brave enough to tweak the “recipe” and use a different fiber, or a thicker one or thinner one. Then, once we have the basics down (boiling eggs, steaming rice, mashing potatoes) we can build on that knowledge and compose our own recipes (pattern combinations.)

    Books are inspiration. Thank you for sharing, and thank you for YOUR endless inspiration.

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Quiet Friday: Swedish Rosepath Rag Rug

My introduction to rosepath rag rugs was on a room-size loom in Joanne Hall’s magical Montana studio. I was so happy at that moment that I actually cried. It’s no surprise, then, that I relish every opportunity to weave a rosepath rag rug. And even better, to share the joy with other handweavers who may not have tried it yet. Look what came in the mail this week! The March/April 2017 issue of Handwoven, with a project by yours truly–Swedish Rosepath Rag Rug!

Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.

Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.

Not everyone loves weaving rag rugs. That’s fine. But if you’re a weaver, there is probably something that draws your interest and brings delight. A certain weave structure, silky fibers, fine threads, complex patterns, bold colors. Something. And if you’re not a weaver, there is something else that triggers your pursued interest. Find that spark that ignites joy in you!

Beginning a rag rug.

Besides using a pre-measured tape, taking a picture at the beginning of the rug, with the yellow tape measure in view, makes it easy to replicate the hem at the end of the rug.

Temple in place, weaving Swedish rosepath rag rug.

Temple is in place, keeping the rugs a consistent width. Metal rug temples are good, but I still prefer a regular wooden Glimåkra temple for weaving rag rugs.

Weaving rosepath rag rugs. Fun!

Many rosepath variations are possible. The rug on the cloth beam uses a similar design, with different colors.

Swedish Rosepath Rag Rug. Karen Isenhower

Making paths of roses. Rosepath.

Swedish Rosepath Rag Rug.

Progress!

Seeing the reverse side of the rosepath rag rug on the loom.

Reverse side of the rug has a subtly different pattern.

Swedish rosepath rag rug on the loom. Rug in March/April 2017 Handwoven.

Cloth beam fills up with rag rugs. Pleasant sight for a rag rug weaver!

Ending the rosepath rag rug on the loom.

Ending the rug on the loom. Following the markings removes guesswork.

Keep a song in your heart. Sing. Sing for joy. Sing praise to the Grand Weaver who put the seed of searching in you. A seed that bursts open with joy when ignited with a spark, and flourishes into something distinguishable. Trust the Lord with all your heart. Your heart will find its melody.

Swedish Rosepath Rag Rug as seen in March/April 2017 Handwoven.

Published in March/April 2017 Handwoven.

May your heart sing a joyful tune.

ATTENTION: The draft for the  Swedish Rosepath Rag Rug from Handwoven is written for a sinking shed loom. Therefore, for a jack loom, you must tie up the “white” empty squares instead of the numbered squares for the pattern to show right side up as you weave.

If you are interested in weaving rag rugs, take a look at Rag Rug Tips, a new tab at the top of the page.

Happy Weaving,
Karen

20 Comments

  • Beth Mullins says:

    Congratulations, Karen, on another beautiful article!

  • Maggie Ackerman says:

    I’ve just done my first rose path rug and I loved doing it. Used tee shirt yarn from my stash. Yours is gorgeous and I can’t wait to try it. You also have some great suggestions — I love the photo idea for the hem. Much better than my notes.

    • Karen says:

      Hi Maggie, Rosepath is so much fun. I’m glad to hear you have enjoyed it, too. Yes, the photo has saved me many times. My memory and my notes are not that great.

      Happy weaving,
      Karen

  • Fran says:

    I downloaded Handwoven yesterday, and was pleasantly surprised to see your rug! Congratulations !

  • Janet says:

    Congrats Karen!! I have always loved your rugs and will be trying this out shortly:)
    Janet

  • Sandy says:

    I’ve recently returned home from a trip, then going through several days of mail found my Mar/April issue of Handwoven. I was so excited to see your Rosepath Rug article, and was happily anticipating this blog post. Congratulations! Once again thank you for your weaving & life encouragements. 🙂

    • Karen says:

      Hi Sandy, Sounds like you have me figured out. 🙂 Isn’t it exciting to get a weaving magazine in a pile of mail? Everything else has to stand still while I flip through the pages. And then, later, I sit down with it and read every page.

      Thank you for your wonderful encouragement to me. It means so much!
      Karen

  • Mary Scott says:

    Don’t you just love her!! Beautiful job on your rug!
    Thanks for sharing!
    Mary

  • Carol says:

    BEAUTIFUL !!
    Congrats. Need to run out and get a copy of Handwoven.

    Carol

  • Sandy says:

    My issue of Handwoven arrived yesterday and I was thrilled to see your article! Beautiful rug and I’m so looking forward to trying this. And checking out your tab of tips – I’ve never woven a rag rug before (I’m a fairly new weaver), though I’ve dreamed about it. I can use all the help I can get!

    • Karen says:

      Hi Sandy, You’re in for a treat. Weaving a rag rug is different than other types of weaving. You get to use some muscle! 🙂 Please let me know if you have any questions, or if I can help you in any way.

      Happy weaving,
      Karen

  • Nanette says:

    Congratulations on the article! Also, the photo reminded me I didn’t thank you after I tried your ribbon-measuring system. It works great and I really appreciated your detailed instructions. Nanette

    • Karen says:

      Nanette, I’m happy the measuring ribbon works for you! One of the places I learned about using a ribbon for measuring was at Vavstuga. So many little things can make a big difference.

      Happy Weaving,
      Karen

  • Bonnie Wilker says:

    Karen, it was wonderful to see your work recognized in Handwoven! What a well deserved honor! Your work is beautifully striking and so is your testimony to our Lord. May He who is the master weaver continue to bless your endeavors as you continue to serve Him.
    Bonnie Wilker

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Quiet Friday: Risky Way to Fix a Threading Error

We all have threading errors from time to time. This time I completely transposed the threading on shafts one and two. I saw the error when I started weaving; the pattern in the cloth was not as it should be. After a few days of contemplating, arguing with myself, and studying the error, I decided on an ingenious and risky fix (I hinted at it in My Best Weaving Stunt to Date!). Switch the two mis-threaded shafts. Yikes! One slip up could bring the whole warp down–figuratively and literally. I caught myself holding my breath several times through the process. Gently hopeful, but not 100% sure that my plan would work. Thankfully, it did work.

The threading went from this

Threading error and a risky fix. Switch 2 shafts!

Shafts 1 and 2 (counting from back to front) have been threaded incorrectly. Shaft 1 should be 2, and 2 should be 1.

to this

Risky way to fix a threading error. Video.

Shaft bars 1 and 2, upper and lower, have been switched. The operation was similar to transferring lease sticks in the back-to-front warping process.

Here’s a short video that shows the maneuvers I did to correct the error. No re-threading needed! The kuvikas square within a square wins!

May you be brave enough to take appropriate risks when needed.

Happy Problem Solving,
Karen

22 Comments

  • Beth Mullins says:

    Whoa! That was some ingenious maneuvering!

  • Julia says:

    Brilliant! Of course in the video it looks completely smooth and safe! The dramatic music helps to relate some of the risk that was involved, however.

    • Karen says:

      Julia, It makes me smile that you mentioned the music. I was hoping the music would help convey that risk factor.
      I did feel quite accomplished when I finished the operation and found it worked!

      Karen

  • Marie says:

    A quick thought, if shaft 1 and 2 are in the wrong threading sequence, why not change the tie-up. Risk factor very low.

    • Karen says:

      Marie, That may be what I should have done. But when I tried changing the tie-up on my weaving software, I got confused and couldn’t get it to work out. I could visualize the results of switching the shafts, so I went with that. On one occasion at Vavstuga, I watched Becky do a masterful switching of heddles from one shaft to another, so I think I was inspired to try something heroic. 🙂

      Karen

  • Marcia Cooke says:

    Having actually dropped shafts (don’t ask), I am not brave enough to do it on purpose! Kudos!!

    • Karen says:

      Hi Marcia, I have *almost* dropped shafts before, so I know how it can happen! But this was not much different than transferring the lease sticks to the back of the reed. That always makes me nervous, too. Every step, I stopped, looked, and thought it out before making a move.

      Karen

  • Peg Cherre says:

    My question was just like Marie’s. Seems like a much easier way to go. Maybe the fact that you were on a countermarche loom made this more complex????

    But your fix was impressive!!

    • Karen says:

      Hi Peg, I don’t think the countermarch made a difference. My problem was I couldn’t quite figure out how to change the tie-up. Seems kind of simple now, but it stumped me at the time…

      At least now we know this can be done…

      Karen

  • ellen santana says:

    way over my head, but congratulations. maybe you should work for nasa. es

    • Karen says:

      Hi Ellen, I’m afraid NASA wouldn’t want me. My math skills are just strong enough to plan a weaving project, and not much more than that. But, if they need someone to move heddles around, they can call me.

      Karen

  • Karen says:

    Now, that made me hold my breath! Well played…..

  • Martha says:

    Whew, I was holding my breath just watching the process. Well played!

    • Karen says:

      Martha, These Swedish countermarch looms are so adjustable and flexible, otherwise it wouldn’t be possible at all. I’m glad I have Texsolv heddles!

      Karen

  • Alison says:

    Well done. Clever girl Karen. Thank you so much for sharing!

  • Nanette says:

    I don’t think this would work with a jack loom with solid frame shafts, do you? But maybe changing the tie up would be easier on that kind of loom, too. Anyway, I was proud that I thought of changing the tie up even before reading the comments! And, actually, couldn’t figure out even with the video just how you did it. I won’t even ask how you happened to make such an error…just thank you for sharing that you did!

    • Karen says:

      Hi Nanette, You’re right, this wouldn’t work with a jack loom with solid frame shafts, or with metal heddles. Hopefully, you’ll never make this kind of mistake, but changing the tie-up should work.

      I don’t know how I made that mistake, either. My brain was just thinking in reverse for those two shafts. It took me quite a while to even see the error, because my brain kept seeing the two sets of heddles in reverse.

      Happy weaving,
      Karen

  • Joanna says:

    I’m totally confused, not unusual. Was what you were doing was moving the heddles from S1 forward to S2’s position and S2’s heddles back to the S1 position by putting the heddles on a temporary stick and dragging them forward or backward and then re-inserting the shaft stick? Don’t the heddles and the temporary stick get hung up on the other heddles or the warp? I’m astounded! Very well done indeed.

    • Karen says:

      Joanna, You described it perfectly! That’s exactly what I did. I only had to put in a temporary stick (a warping slat) on the first shaft heddles. Then I could move the second shaft to the first shaft place. I then repeated the process under the warp. The only things that got in the way were the shaft bar cords that hold the upper shaft bars. I undid them and reconnected after the transfer. And the shaft-to-lamm cords under the warp had to be released, and then reconnected.

      I decided to do it when I surveyed the situation and thought, if only I could just slide those heddles forward on the warp, and slide the others back. That got my wheels turning.

      Karen

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Quiet Friday: Cartoon House Cartoon

The fascinating thing about weaving a transparency is that it feels like color-by-number with yarn. There are similarities to tapestry weaving, for sure. But this seems ten times faster. I found it to be engaging and fun! I echo what my transparency-weaving friend says when it’s time to stop and do something else, “Just one more row…”

Linen warp chain awaits beaming.

Warp chain of 16/2 golden bleached linen, before beaming the warp.

Threading heddles in the Glimakra Standard. Coffee and notes at hand.

Threading heddles in my little playhouse, with project notes by my side, and a cup of coffee on the side cart.

Adding the leveling string to a linen warp.

Leveling string is added with extra care so that abrasion of the linen warp is kept to a minimum.

Butterflies are made from the hefty cotton chenille yarn.

Butterflies are made from the hefty cotton chenille yarn.

Weaving a transparency. Glimakra Standard loom.

Weaving without a cartoon. I am counting warp ends to keep the pattern angle consistent.

Transparency weaving on the loom, with buckram cartoon.

Cartoon has been added. The pattern weft follows the lines drawn on the buckram cartoon, which is pinned in place.

Cartoon removed at the end of the transparency weaving.

Cartoon is removed.

Ending a woven transparency.

Now, for the end of the warp…

New transparency, ready for hanging!

After the main transparency with the zigzags, I had room to play on the remaining warp. I made another cartoon–a “cartoon” house. This gave me a chance to use a few more yarn butterflies, without it being overwhelming. Home. Sweet. Home.

Cartoon for playtime at the end of the warp. Transparency weaving.

“Cartoon” house cartoon. Ready for playtime at the end of the warp.

Weaving a small transparency. Cartoon House.

With several butterflies going at once, the transparency weaving gets even more interesting!

Transparency weaving. Linen warp and weft. Cotton chenille pattern weft.

Now, the actual end of the warp is here.

Cartoon house just off the loom!

Cartoon house just off the loom.

Welcome home! Transparency weaving. Karen Isenhower

Welcome home! Home. Sweet. Home.

May you enjoy the fascination of learning something new.

Happy Weaving,
Karen

6 Comments

  • Beth says:

    I love these, Karen! You are truly one of the most inspiring weavers out there!

    • Karen says:

      Dear Beth, It fills me with joy to be able to share what I love to do with friends like you. I’m grateful that something I do can inspire others. Your work has certainly inspired me, as well!

      Best to you,
      Karen

  • Sandy says:

    Thank you for sharing your new thing. My guild friends & I will be attending the Mid Atlantic Fiber Arts (MAFA) conference this summer, my friends are taking the workshop “Weaving aTransparency” with Bobbie Irwin. I’m so excited for them! I never heard of weaving transparencies before, you’ve given us a cool demonstration to build our anticipation of the MAFA workshops.
    Looking forward to learning something new in July at MAFA 2017

    • Karen says:

      Hi Sandy, How exciting! I just looked at the MAFA workshop choices. Wow, you have some terrific options! It would be hard to choose. Bobbie Irwin’s class looks great. I think you and your friends are going to have a fabulous time!

      All the best,
      Karen

  • Cindie says:

    I haven’t done a transparency in years – these are wonderful. I’ve so enjoyed seeing your work in progress. You’re making me want to think about a transparency in the not too distant future.

    And for Sandy who commented above, many years ago my guild brought Bobbie Irwin to teach the transparency workshop – it was the most fun. I went home and tried it using fishing line – a challenge but neat end result.

    • Karen says:

      Hi, Cindie, I know I’ll be doing this again in the near future. I hope you do, too. We can compare notes!
      Fishing line!? Now, that’s very interesting! I’d like to see that.

      Karen

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