Tapestry and Inlay Sampler

It is satisfying to see this ambitious project take shape on the loom! When finished, this sampler of tapestry and inlay techniques will be a handy reference as well as a colorful hanging for the wall. It’s a much-anticipated project from The Big Book of Weaving, by Laila Lundell!

Tapestry and inlay sampler with linen weft.

Practicing parallelogram shapes.

Linen butterflies are usedf for twill inlay.

Linen butterflies are used for the twill inlay. Turns are made below the warp.

I don’t always understand the instructions, in which case I struggle, doing the best I can. But the more I progress, the more I understand. I am finding out what works. The text, Swedish translated to English, about unfamiliar techniques is helpful, but I often wish I had the author looking over my shoulder to guide me.

Loom with a view. Linen tapestry/inlay sampler.

Loom with a view. Time flies, even with slow weaving, at this Texas hill country loom.

Threads on the underside. Tapestry / inlay sampler in linen.

Weaving from the front. Weft tails are taken to the back of the weaving.

Where do we get instructions for living? We may consider entering the kingdom of God for that. But Jesus also spoke of the kingdom of God entering us. Invite the King in. That’s when His ways become our ways. Instead of struggling through instructions, we find ourselves learning His will by doing what we know to do. Life is a sampler, with occasions to learn, to struggle, and to soar. Let’s weave our living sampler in the shadow of the Grand Weaver, Himself.

May your sampler show what you’ve learned.

Happy weaving,
Karen

Leave a Reply


If a Warp End Is Frayed…

I noticed that a warp end was starting to fray, but I kept on weaving. I thought I could make it past the weak spot. Well, I was wrong. The warp end broke. So much for happy weaving! A broken warp end at the selvedge is no fun, especially on a weft-faced piece like this. Looking back, I wish I had taken time to splice in a new length of thread when I first noticed the weakness. But at the time, I didn’t want to be bothered with that. I just wanted to weave.

Tapestry / inlay sampler on small countermarch loom.

Weaving right along. I start to notice some abrasion on the warp end at the right selvedge. I’ll be extra careful. I can keep weaving and enjoy myself, right???

Broken selvedge end on the right. Ugh.

Warp end on the right selvedge frayed to the breaking point. Gone! The weaving must be removed far enough back to reach at least 1/2″ of the warp end in front of the break. That reaches back into the red portion–the first section of the sampler.

Tapestry / inlay sampler on small countermarch loom.

Pin is inserted to secure a new selvedge warp end. The fourth end from the right showed some fraying, so I am splicing in a new piece of 12/9 cotton warp. Learned my lesson.

Original selvedge warp end is now being spliced back in (green flathead pin). Second splice is complete, with thread tail hanging out, to be trimmed after this is off the loom.

Tapestry and inlay sampler. Spliced warp ends fix frayed threads.

Two sections of the tapestry and inlay sampler are complete.

We tell ourselves if we do what we want, we will be happy. That’s a delusion. Happiness will fail you. It doesn’t last. I was only happy weaving until the thread broke. There is something better than happiness. Faithfulness. It’s better to be faithful in the moment, even if it puts a delay on being happy. Faithfulness lasts. Next time, I hope to choose the long satisfaction of faithfulness over the short-lived gain of happiness.

May your broken selvedge ends be few.

Faithful weaving,
Karen

Leave a Reply


When to Start Over

I have started this tapestry sampler three times. The biggest problem was the header. I had so much draw-in that warp ends were breaking at the selvedges. Cut off and tie back on. I knew what to do–bubble the weft. But again, the second time, I had too much draw-in. Maybe I can ease the width back out to where it should be… Nope. After several hours of weaving with beautiful linen butterflies, and breaking more warp ends, I gave up.

Texas hill country wildflowers!

Texas hill country wildflowers fill the landscape with color.

I carefully removed all of the linen weft, and took out all of the header. Start over. Again. I did what I should have done from the start. Bubble the weft MORE. It works! Now I have a great starting place for the tapestry weaving to flourish. Until I had a good header, I was wasting my time trying to make the tapestry work.

Beginning of linen tapestry sampler.

Successful header is the foundation for this hem of bleached and unbleached linen. Tapestry sampler begins with some color shading, using butterfly bundles of linen in vivid colors, borrowed from the wildflowers.

Windows beside the little loom light up the linen tapestry sampler.

Windows let in the Texas hill country sunshine.

Texas wild flower bouquet. Monksbelt cloth on the table.

Monksbelt cloth on the table borrows the colors of the wildflower bouquet.

Words are like a header for our view of the world. Words shape our thinking. Listen carefully to test words, like you test food on your plate by tasting it before eating the whole thing. Test the words you hear. And only swallow what is right and good. If the header is good, your tapestry can flourish.

May you hear words that pass the test.

With you,
Karen

As a follow up to Quiet Friday: Favorite Weaving Books, Besty Greene sent me this picture. I love it!

Hi Karen
I am sending you this message in the theme of your last blog post. Ta da! A rug inspired by your project in Handwoven.
Betsy

Rag rug inspired by Handwoven project.

Rag rug by Betsy Greene.

 

2 Comments

  • Cate Kauffman says:

    I’m curious to know what you mean by bubble the warp. I’m unfamiliar with that term.

    • Karen says:

      Hi Cate, Bubbling the weft (not warp) is placing the weft in waves, or bubbles, across the shed. Click here to read my definition in the Weaving Glosssry: Bubbling. And here is a picture of bubbling the weft. I didn’t get a picture of placing the weft for the header, but this is a picture of the hem area of the tapestry.
      Bubbling the Weft

      Karen

Leave a Reply


Linen Butterflies

This project has been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila Lundell. It includes four-shaft tapestry, as well as weft inlay techniques. Each of the four strips will be a sampling of 8-12 different patterns or techniques. The weft is all linen, in various colors and sizes. Several strands are bundled together and made into butterflies. I have the sections mapped out, but the actual designing is happening at the loom.

Box of colorful linen for a tapestry project!

Box of linen! A variety of 16/2 line linen, 6/1 tow linen, and 8/1 tow linen.

Weft inlay with linen butterflies.

First sample strip starts with some weft inlay.

The box of vibrant shades of linen that sits by the loom makes me think of the wonderful colors in creation. The Grand Weaver puts an assortment of strands together, making something as only He can. The world belongs to its Maker. We are His. Sometimes we forget that it is not that He is in our universe, it is that we are in His. I love the way He puts an assortment of us together to put a splash of color on His tapestry.

May you enjoy the colors around you.

Happy weaving,
Karen

6 Comments

  • Melissa Myers says:

    God must love color, there is so much of it!!! I am reminded of the verse:

    New American Standard Bible
    Job 26;14
    “Behold, these are the fringes of His ways; And how faint a word we hear of Him! But His mighty thunder, who can understand?”

    Can’t wait to see the tapestry He weaves!!

  • Liberty Stickney says:

    Karen,
    Beautiful colors, can’t wait to see what comes from them. I love you loom with a view!
    Liberty

    • Karen says:

      Thanks Liberty, Colors always seem more alive to me in linen. I’m glad I get to take my time with them and enjoy the scenery, too!

      Karen

  • Marjorie says:

    I’m a new follower, with an unwarped, recently acquired, Glimakra Ideal. I love your site, and aspire to become a weaver, with the help of ALL my new weaving acquaintances. I have the Lundell book, although it may be water-marked by drooling before I’m able to weave anything from it. Watching with eagerness,

    • Karen says:

      Hi Marjorie, Welcome to the wide wonderful world of weaving! And welcome here in this corner of the weaving world. That Lundell book will step you through everything you need to know to dress your loom and make something beautiful. I’m excited for you! Let me know if there is any way I can help you along the way.

      Happy weaving,
      Karen

Leave a Reply


Sweet Little Loom with a View!

Steve thought I should have another loom, so he used his carpentry skills to build a 27-inch Swedish-style four-shaft countermarch loom! It’s beautiful. It’s incredible! In preparation for retirement in a few years, we found a place in beautiful Texas hill country to call (our future) home. For now, it’s a place to gather with children and grandchildren on occasional weekends. And a place to put a sweet little loom.

Making weaving loom parts.

Making weaving loom parts.

Making weaving loom parts. Treadles.

Six treadles ready.

Putting the new little handbuilt loom together!

Final Touch. Tightening the cradles for the top of the hanging beater.

Maiden warp for a new sweet little loom.

Putting on the maiden warp of 12/9 cotton seine twine.

Ready to take the loom apart to move it.

Loom is ready to be disassembled. Warp is wrapped up on the warp beam. Blue duffel bags will hold all the loom parts except for the side frames and the beater, to be transported to the new location.

And it only gets better. We situated the petite loom by the corner windows in the living room. At the loom, I have the best seat in the house, with an amazing view of God’s creation. The loom tells me my husband knows me very well. And the view tells me the Lord knows me, too.

Loom with a view! Texas hill country.

Threading heddles while enjoying the hill country view!

Grandchildren, loom, view... heaven on earth!

Can there be a better setting? Grandchildren playing, loom, view…

Sweet little loom with a view!

Sweet little loom with a view! Heavenly!

None of us can come to God on our own terms. Not by our wisdom. Not by our strength. Only through humility do we find God. Humility opens our heart to God. That’s when we see how much He has done to get our attention to tell us He knows us and loves us. My special loom with a view is an example of what it’s like to be known and deeply loved.

May you know you are loved.

Blessings,
Karen

26 Comments

  • Beautiful Karen. An inspiring blog to exemplify how necessary it is for us to be grateful for the ‘simple’ things in life. My loom with a view has a delightful panorama of the Pacific Ocean on the east coast of Australia, south of Sydney. And today I picked up (another!) little sweet loom, a Louet Jane – for small delicate treasures.

    • Karen says:

      Hi Alison, It sounds like you enjoy a gorgeous setting! Yes, gratitude is essential, isn’t it?
      We have a way of finding space for those sweet little looms…

      Happy weaving,
      Karen

  • Meg bush says:

    What a lovely post!

  • Beth Mullins says:

    Oh, my goodness! It is beautiful! Not only does your husband know you well, he obviously loves you very much. What a treasure. I look forward to seeing the first project from this lovely loom.

    • Karen says:

      Hi Beth, It is treasure indeed!
      I have a project on the loom that’s been on my weaving “bucket list” for a while – a four-shaft tapestry sampler. Pictures coming soon.

      Karen

  • Martha says:

    What a loving present your husband made for you! Enjoy your new petite loom with the beautiful view.

  • Cindie says:

    Oh my gosh, what a beautiful little loom, what woodworking talent your husband has. And yes, what a beautiful view!

    • Karen says:

      Hi Cindie, Yes, my husband is very meticulous and an excellent woodworker. This was not an easy project–it certainly was a labor of love!

      All the best,
      Karen

  • Marcia Cooke says:

    This is SO cool! (I couldn’t help but think of the loom plans I found in my husband’s bookcase several years after his death…..and of all the weaving tools he could have made for me had he survived cancer.) I love your setting, too….thanks for sharing this post!

    • Karen says:

      Dear Marcia, I see you know what it is like to be loved. How sweet to find those plans… I’m sorry for your loss. I’m glad that this triggered fond memories – those memories are a blessing.

      Love to you,
      Karen

  • Carol says:

    A real dream come true for a weaver! I am also very grateful for a studio that I enjoy and a husband who has given up his garage to allow me a place to enjoy the talents and use the gifts God has given me. The view is not as wonderful as yours, but I am most grateful for it and now to be able to teach my granddaughter to weave, another to paint, and a grandson to crochet my heart is full.

    • Karen says:

      Hi Carol, The loving surroundings are every bit as important as the view. It sounds like you have a perfect space for using your gifts and pouring into the next generation! That’s wonderful!

      All the best,
      Karen

  • Margaret Scheirman says:

    What a beautiful team you two make and this loom exemplifies this! And how beautiful of you to share the story like this!

    • Karen says:

      Hi Margaret! It’s great to hear from you. Yes, we are a team–companions for life. Nick W, back in college days, was the one who told Steve to aim for companionship in marriage. Best advice ever!

      Thanks for stopping in!
      Karen

  • limor Johnson says:

    Karen,
    Your Journey as a weaver is impressive and your willing to share in great detail is very much appreciated.I’m a new weaver and I’m learning a lot from your posts and videos.
    Are you going to use a book with patterns for your new a 4 shafts loom? Can you share your favorite book on weaving?
    Thanks!

    • Karen says:

      Hi Limor, It makes me very happy to know you are learning from things you find here! You ask a great question. In fact, I am using a project from The Big Book of Weaving, by Laila Lundell to start the journey on this little loom. The project is called, “Four Decorative Sample Strips.” That also happens to be my favorite book on weaving. 🙂

      Thanks for asking,
      Karen

  • Melissa says:

    Hello Karen, I learned to weave at age 16. Then due to kids, job, life, i wasn’t able to weave for about 20. I am now able to weave again. YEA! It just makes me happy. I have looked a weaver’s blogs, all very talented weavers!!!, but like your the best and keep coming back to it. i admire the quality and creativity in your weaving and the fact you are a Christian. I am looking to use my weaving to augment my spiritual gift of encouragement. Thank you for the beautiful site and beautiful words.

    • Karen says:

      Melissa, I’m touched! It’s a pleasure to have you joining me here. Our world needs your gift of encouragement. I hope you soar with that!!
      I know you have encouraged me today. Thanks!

      Happy Weaving (and don’t worry about little typos. I only noticed your kind sentiments.) 🙂
      Karen

  • Anonymous says:

    Ops, I see I didn’t proof read my comment. 🙁

  • Marcia says:

    It’s awesome Karen! I just came back from Lawrence, Kansas, and the yarn shop there is filled with weaving supplies. The tiny yarn shop in Grand Rapids has them too. Whenever I see the supplies, I think of you!

    • Karen says:

      Marcia, I know that shop in Kansas! I used to wander in the Yarn Barn just to browse the yarn when I was a student at KU. That was way before I had any notion about weaving. That is so sweet that you think of me when you see weaving supplies. I think of you when I see amazing knitted items – “I know somebody who makes things like that!”

      Thanks for dropping in here!
      Karen

  • Shearling says:

    Very cute loom! Looks like a wee Glimakra School loom. Be sure to mark it with date and maker!

    BTW, the Shelburne Museum in Shelburne, Vermont has a very old chest of drawers with the names of all the owners over the generations carved into its top. We should all do that to our looms, maybe!

    • Karen says:

      Hi Shearling, It is much like one of those Glimakra School looms. If we could have found one of those, I don’t think we (Steve) would have needed to make one. Thanks for the thought about marking it with the date and name of the maker! We hadn’t thought of that. Will do!

      It would be great to have a piece of the history on the loom, wouldn’t it? Oh, the stories the old looms could tell.

      Happy Weaving,
      Karen

  • […] been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila […]

Leave a Reply