All the Looms

The plan to keep every loom dressed is easy when there is only one loom. Now that I have four floor looms, it’s a tough plan to follow. The drawloomcheck. The Glimåkra Standard, dressed in Tuna wool—check. The two smaller looms are threaded, and just need tying on and tying up. So, I’m well on my way! The end of the first warp on the drawloom is in view, however. That means the drawloom will soon be back in the queue. And so it goes.

Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Warp for cottolin towels.
Warp for cottolin towels is threaded on the little hand-built loom.
Opphämta on the drawloom.
Opphämta on the drawloom. Pattern weft is 6/1 Fårö wool. The right side of the fabric is seen underneath, as it comes around the breast beam.
Threading heddles on the Glimåkra Ideal.
Threading heddles on the Glimåkra Ideal.
Blue and Almond Tuna wool warp.
Blue and Almond Tuna wool warp is tied on in 1″ sections.

I like to stay a step ahead of my looms. I’m ready to wind a new warp as soon as I finish cutting off. It’s the cycle of weaving. But I have trouble staying ahead.

Tying up treadles on the Glimakra countermarch.
Twelve shafts. Twelve upper lamms. Twelve lower lamms. Twelve treadles. This is an amazing system.
Warp is tied on. Ready for rag rugs!
Warp is tied on. Ready to add the leveling string.
Loom is dressed for small wool double weave blanket.
Loom is dressed. Treadle cords are adjusted. Ready for weaving!
End of warp on the drawloom.
End of warp comes near the pattern heddles. This is my first drawloom warp, so I’m waiting to see how far I can weave until I lose a good shed. So far, so good.
My first drawloom warp.
Closing chapter of my first drawloom warp. I’ll keep “turning pages” until the shed disappears.

We have good plans for our lives. But often, it’s tough to follow those plans. Too many things happen at once, and we don’t know how to stay ahead of it all. The thing to remember is that our plans stem from our inner commitments. When we commit our ways to the Lord, trusting him, he leads us through our days. Trust turns plans into achievements. And those are the plans worth pursuing.

May your best plans succeed.

Happy Weaving,
Karen

15 Comments

  • Robin says:

    I love your posts. You are such an inspiration. And it is so evident you went to vavstuga, using the techniques she taught. Going there for the basics class was a little retirement gift to myself last year.

    • Karen says:

      Hi Robin, Going to Vavstuga Basics was one of my best moves. I learned things from Becky Ashenden that I use every day. I’m glad you’ve had the Vavstuga experience, too!

      Happy weaving,
      Karen

  • Beth says:

    Robin is right, you are an inspiration! Your work is impeccable and motivating. I have only two looms and can’t seem to get them going at the same time.

    • Karen says:

      Hi Beth, The truth about multiple looms is that you can only weave on one loom at a time.

      Now that all the looms are threaded I may focus on one loom at a time and weave it off. …unless I get distracted by another loom and decide to weave a little on it…

      Thank you for your kind words,
      Karen

  • Nannette says:

    Good morning Karen,

    About this time last year I warped up my homemade loom at the top of my skill set in rosepatth, then life got in the way. Last week I started a 6 week class at the Fiberwood studio near by. Chosen pattern is rosepath, to get my skills where they need to be (and girls night out with a friend).

    Such joy to know you have also chosen rosepath to show on your blog.

    God does provide to the ready student.

    Nannette

    • Karen says:

      Hi Nannette, I’m happy to hear you are interested in rosepath. Rosepath rag rugs are at the top of my list of favorite things to weave. It’s been way too long since I’ve had them on the loom.

      Happy weaving,
      Karen

  • Maria says:

    I just finished my first “ throw” . It was 46 wide in the reed. I had a terrible time keeping the edges and the floater broke a few times. Not my best weaving to say the least. How wide do you do your blankets and do you have any tips for weaving wide pieces? I would love to try the Tuna wool- what epi do you use for it?
    Thanks Karen!
    Maria Navarra

    • Karen says:

      Hi Maria, I know what you mean about facing challenges with a wide weave. I don’t use floating selvedges, so I can’t answer to that. I do use a temple. I find the temple helps me get consistent selvedges with wider widths. The weaving width of my biggest loom is 47″, and I have woven nearly that full width. Getting just the right tension on the warp is necessary, so that it’s just tight enough. If it’s a bit too loose, my shuttle wants to fall through.

      Here’s a page from Vavstuga’s website with a “recipe” for a Tuna wool blanket. I would go with that for a first time Tuna wool throw. It makes a terrific throw. http://store.vavstuga.com/product/yarn-borg-woo-tuna.html

      The one I have on the loom right now is double weave, and the sett is pretty dense, so it takes some patience and practice to make the wool open up with a decent shed.

      Happy weaving,
      Karen

  • Karen says:

    The last time I got both of my looms warped at the same time I took a photo….so I could prove I did it and so I could remember it….ha. Thank you for your encouragemment and inspiration, including a journey of faith.

    • Karen says:

      Hi Karen, Don’t forget it has taken me about 3 months to finally get all the looms (almost) dressed. Haha. There’s never a chance to get bored around here.

      All the best,
      Karen

  • Annie says:

    Good morning, Karen. Thank you for the inspiration regarding best laid plans.

    And the inspiration for weaving. I purchased a Megado recently and I am struggling with the follow through and putting it into use. Life does try to side track. However, I need to remember to hang onto the plan and trust in God.

    Hopefully, I will get to the Hill Country one day to visit.

    • Karen says:

      Hi Annie, We would be delighted to have you come for a visit!

      There are many things in life more important than dressing looms. I’m sure those are the things you are attending to.

      I have found that I can make it a practice to go to the drawloom every morning after breakfast, even if for a short time. And, it surprises me how those minutes add up over time and now I’m almost at the end of the warp. I think, How did that happen?

      All the best,
      Karen

  • Liz says:

    I am so blown away with how prolific you are with weaving! It takes me all day to dress my little Schacht! I am inspired watching your work! Thank You!!

    • Karen says:

      Hi Liz, It’s all one step at a time, little by little, day after day. It adds up. I think you’re doing quite well to dress your loom in a day!

      Happy weaving,
      Karen

Leave a Reply


Beaming Double Weave

This is double weave on twelve shafts. One layer is the gorgeous lapis lazuli blue. The other layer is neutral almond for contrast. I am spreading and beaming this 6/2 Tuna wool warp with two sets of lease sticks—one set for each layer/color.

Big fat warp chains. Tuna wool for double weave.
Big fat warp chains. Double weave on twelve shafts, with 6/2 Tuna wool for warp and weft.

When you have two sets of lease sticks, though, it is a serious challenge to get the two colors to alternate correctly as you move the end loops to a separate stick. The ends on the stick are then transferred to the back tie-on bar. I did breathe a sigh of relief when everything was finally lined up and in order.

Double weave. Ready to beam the wool warp.
Two sets of lease sticks carries the challenge of having clear visibility of the lease cross in both warp layers. After one or two do-overs, all the yarn is successfully moved to the back tie-on bar. Moving from right to left, I separate and straighten each warp end on the tie-on bar. Only a few more left to straighten.
Ready to beam this wool double weave warp.
Back tie-on bar all in order. Now ready to move the pre-sley reed to the beater and begin beaming the warp.

And I’m reminded again how beautiful a beamed warp is. It’s worth the challenges.

Tuna wool warp on Glimakra Standard.
Warp beam and back beam show the beamed warp.
Wool warp separated into threading groups.
Separated into threading groups for the next phase of dressing the loom.

That beautifully ordered wool on the back tie-on bar, now hidden from view, is an essential element for quality handwoven cloth. Kindness is that way. It’s a core trait deep in one’s character that is revealed in interactions with others. Kindness makes you beautiful. It’s not something you try to be. It’s something we wear. It’s our inner being dressed in the character of Christ.

May you be dressed in kindness.

Affectionately yours,
Karen

4 Comments

  • So much more to learn.
    Thank you for showing the way.
    Nannette

    Off topic… My goal today is to post photos of the Wasaukee February 15, 2019 snow fall that the fuel truck had to deliver to. And my Yooper husband played in. Thank you for the the intense color of your post. White on white is nice in small doses.

  • Elaine says:

    Beautiful! What are you making? And, what is on the back beam? It looks white and the beam looks wider. Your posts are inspiring in so many way. Thank you

    • Karen says:

      H Elaine, Thank you!

      You may be referring to the aluminum beam cover I have on the back beam (I have one on the breast beam, too). It protects the wood from getting grooves in it from the beam cords that run over it while beaming the warp. It’s a normal-size back beam, but I can see how the aluminum cover makes it look wider.

      I’m making a small wool blanket.

      Happy weaving,
      Karen

Leave a Reply


Weaving Rhythm Awakening

All the looms are bare right now. Four empty, quiet looms. But they won’t be quiet for long. I have thread/yarn and plans ready for each loom. I hear a rumbling as the looms begin to wake up. Before long, the weaving rhythm will be fully awakened in this place!

12/6 cotton rug warp in Pear and Brass for rag rugs.
Glimakra 100cm Ideal countermarch loom has moved into the spot vacated by my recently-acquired Glimakra Standard 120cm countermarch loom that we have moved to a new location.
12/6 cotton rug warp in Pear and Brass for Rosepath rag rugs.
6/2 Tuna wool for a 12-shaft double weave blanket.
Glimakra 120cm Standard countermarch loom in its favored position in our home. This loom has not been moved.
6/2 Tuna wool in Lapis Lazuli and Almond for a 12-shaft double weave blanket.
Vavstuga pre-wound warp for towel kit.
Handbuilt little 70cm countermarch loom in its perfect little corner by the windows. Pre-wound warp from Vavstuga (Mary’s Towel Kit) that my dear friend Elisabeth is letting me weave.
22/2 Cottolin in Sapphire and Yellow Ochre for towels.
Moving the Glimakra Standard loom to its new studio space.
Glimakra 120cm Standard countermarch loom…in pieces. We are moving the newest loom in the family to a room that is next to Steve’s carving workshop.
Starting to put together the new drawloom.
Glimakra Standard horizontal countermarch loom is being reassembled in its new Drawloom Studio! The drawloom boxes have been opened and parts sorted and organized. Let the fun begin!
The room is undergoing some renovations, too.
New jacks for th horizontal countermarch to fit with the drawloom attachment.
Draw attachment frame obstructs the jacks in the horizontal countermarch on the 120cm Standard loom. So Steve made all new horizontal jacks for the countermarch.
New drawloom!
Loom has an extension added at the back. We put it at its fully extended length to make sure it fits in this room. It does!
New drawloom! Just about ready to start!
Glimakra Standard with Myrehed Combination Drawloom–Shaft draw system and single unit draw system.
Unbleached 16/2 cotton for I-don’t-know-what-yet. But I will soon!
Book pictured is Drawloom Weaving, An introduction to warping and weaving on a drawloom by Joanne Hall.

May you see your best dreams unfold.

Happy, Happy Weaving,
Karen

18 Comments

  • Debbie says:

    You are gathering quite a herd of beautiful looms!

    • Karen says:

      Hi Debbie, I can’t deny it. Each one fills a purpose. However, the reality is that I can only weave on one at a time. So I think I’m done gathering looms…for now.

      Happy weaving,
      Karen

  • Kelly says:

    Wow, so many looms, it’s like a dream!

  • Betsy says:

    Oh, look at my baby all dressed up in a drawloom! I thought you couldn’t put a drawloom on a horizontal CM loom, but I guess you found a way. Very interesting! One of these days i’d like to see that. 🙂

    • Karen says:

      Hi Betsy, Your baby is just waiting for you to come and see her! As soon as I get her all dressed and ready I’ll let you know. I’d be thrilled for you to come out!

      Yours,
      Karen

  • Nannette says:

    Wow! I look forward to your postings on the progress.

  • Mary says:

    Wow!! I am excited to see what you bring forth from that draw loom!! Have fun!!

  • Alice says:

    You are an inspiration, my dear!!!!

  • Robyn Tanchum says:

    What a lucky girl you are to have so many beautiful looms! I too am a lover of Glimakras. I love their simple beauty, the way they whisper while you weave, and the ease of treadling. Can you help me with a warping question, please? Where do you put the raddle when you warp back to front? I have tried Joanne’s method of putting the raddle on the back beam, but I would prefer to rest it further toward the front, perhaps on top of the castle or even resting, clamped, to the shafts. The lease sticks would be in their usual position per Joanne’s method.
    Also, I wonder if you have any tie-up tips for the original Ideal that doesn’t have the “doorway”and extra room that the Standard has. I find the tie-ups truly tough to reach. Thank you! I LOVE your blog!

    • Karen says:

      Hi Robyn, I have never used a raddle. I just pre-sley the warp ends in a reed. So I don’t have an answer for you on that one.

      For the Ideal, I do most of the tie-ups from the front of the loom. It can help to set the treadles on a box so that you can have both hands free for the tie-ups. I also usually put in all the treadle cords first, and then attach the cords to the treadles. That seems to make it a little easier. I also take breaks so I don’t strain my back.

      I’m so happy to have you coming here. Thanks for asking great questions!
      Karen

  • Shari says:

    Amazing! You are the Gkimakra poster child!

  • Annie says:

    I am so happy to see your draw loom dreams come true, Karen. Life is good!

Leave a Reply


Process Review: Comfy Throw With Fringe

This throw has fringe. It seems appropriate for a homestyle cotton wrap. Fringe says comfortable, casual, and playful. I do not mind the time it takes to twist the threads to make this tactile edging. It’s a satifying close to a worthwhile project. After all, who can resist running their fingers through soft twisted fringes?

Finished handwoven cotton throw.
Knots on the ends of the fringes are trimmed off after washing and drying the throw.

Reminisce with me through the start-to-finish process of making this eight-shaft undulating twill throw for my lovely daughter-in-law Lindsay.

Beaming the warp.
Dressing the Great Room loom.
Heddles are threaded.
Sleying the reed on Glimakra Standard.
Ready to tie on.
Eight shafts.
All tied on.
Testing, testing...
Eight-shaft undulating twill in 8/2 cotton.
Cloth beam is filling!
Weave to the end mark.
Hemstitching at the end of the cotton throw.
Playing with pattern. 8-shaft twill.
End of warp is near.
8-shaft twill. Fun with patterns.
Cutting off!
Getting ready to twist fringe.
Twisting fringe on cotton throw.
Before wet finishing.
After wet-finishing.
Trimming off the knots at the end of fringes.
Finished 8-shaft twill cotton throw. With fringe!

May you have plenty of fringe benefits.

Happy Weaving,
Karen

16 Comments

  • Maria says:

    Really nice- what are the dimensions?

    • Karen says:

      Hi Maria, Thanks! The hand and drape are just what I was hoping for.

      This had a lot of weft-wise shrinkage. On the loom, 109.3 cm width x 166 cm length (43″ x 65″), not including fringe. Finished piece after wet finishing is 86 cm x 149.5 cm (34″ x 59″). That’s about 21% shrinkage in width and 10% in length. The fringe length before twisting was 20 cm (8″), and finished is 12 cm (4.75″).

      All the best,
      Karen

  • Susan Gruen says:

    Love the colors looks so soft
    How did you wet finish?susan Gruen

    • Karen says:

      Hi Susan, The cotton does feel nice and soft, which I like.

      I washed it in cool water on the delicate cycle, and no spin. I used Eucalan wash and included a couple Color Catcher sheets (which both turned dark blue). I squeezed water out of it with a large beach towel and then put it in the dryer on a medium heat setting, along with the beach towel. I pulled it out of the dryer while it was still a little damp.

      I will tell my daughter-in-law that she can throw this in the washer and dryer without worry. It may shrink a little more, and it will be wise to use a Color Catcher for a couple more washes.

      Thanks for asking,
      Karen

  • Marjorie says:

    How big are your tie-on bundles? You are such an inspiration to me! Love your color choices!

    • Karen says:

      Hi Marjorie, I am honored that you would consider anything from my hand an inspiration for you!

      I tie on in 1-inch bundles, and 1/2-inch bundles at the selvedges. These small bundles help evenly distribute the ends and make for an easy start to weaving.

      Happy weaving,
      Karen

  • Nflood says:

    Thank you for your inspiration. Love to see the progress pictures.

  • Laura says:

    Like your threading hook, what brand is it?
    Your throw is beautiful! Thanks for all your inspiration. Where to you find the time?!

    • Karen says:

      Hi Laura, I use the Vavstuga Reed Hook. It fits really well in my hand. You can get it at Vavstuga.com.

      I’m glad you like the throw. I tried wrapping up in it, and I like it, too! 🙂

      Where do I find the time? Haha, I never feel like I spend enough time at the loom. I always wish I had more time for this!

      Happy weaving,
      Karen

  • Maggie Ackerman says:

    This really beautiful. I love the colors. I noticed you had 2 knots in your twisted fringe. Could you tell me why?
    Maggie

    • Karen says:

      Hi Maggie, You asked a great question!

      I tie a preliminary knot on each group of fringe ends first. I do it for two reasons – 1. It’s easier for the alligator clip of the fringe twister to grasp a small knot than a group of threads. 2. After wet finishing I cut off the knot, which has all the fuzzy ends from going through the washer and dryer. And I’m left with clean-cut ends. I have a video about using the fringe twister that explains it a little more: How to Use a Fringe Twister. It’s part of this post – Quiet Friday: Cotton Scarves. And here’s another post about twisting fringe – Tools Day: Fringe Twister.

      And one happy coincidence – Today, I happen to be wearing the cotton scarf that’s in the video.

      Happy weaving,
      Karen

  • Alice says:

    This throw is gorgeous! I love the color and drape. Wow! It looks like the way you tie on to the loom allows you to get started weaving right away.

    • Karen says:

      Hi Alice, You make me smile with your enthusiasm!

      Yes, two things make it easy to start weaving the warp right off. 1. Tie small bundles, as mentioned earlier. 2. Tie on a leveling string. This is really the magic. You can read about it in this post – Tools Day: Leveling String .

      Happy weaving,
      Karen

Leave a Reply


Hemstitching Thread

Hemstitching gives a secure and pretty edge for the fringe on this cotton throw. At the beginning of the throw, I measure out a length of the weft thread for the stitching. And now, at the end, I roll off enough thread from the shuttle’s quill to use for the final hemstitching.

Finishing the cotton throw.
Wanting to finish, I weave the final few centimeters of the throw after dark.

Mark on tape shows I've woven to the end.
Mark on the measure tape shows I have woven to the end of the throw.

I’m always afraid of cutting the length of thread too short. So, I measure off four times the width of the warp, with a pinch extra just in case. That’s too long, and I know it. But I do it anyway. And then, I have a very long thread to pull through every stitch, with the tangles and knots that go with it.

Hemstitching is underway.
Hemstitching is underway.
Hemstitching a cotton throw.
Hemstitching thread is longer than needed. Three times the width of the warp should be plenty.

In trying to be perfect, I miss perfection by a long shot. If I measure out more than enough of my own goodness, surely I’ll have plenty to enter heaven, right? But the perfection of heaven requires perfection. It’s impossible for me to be good enough, smart enough, or successful enough to reach perfection. Heaven is for the imperfect. We, the imperfect, enter heaven’s perfection by trusting in the only perfect one, Jesus Christ. His goodness, measured out for us, is precisely enough.

May you know when enough is enough.

Happy weaving,
Karen

6 Comments

Leave a Reply