Tied On and Tied Up

Our transition to Texas hill country is finalized this week! The looms and I will be residing in the same house again. Let the weaving resume! One loom is dressed and waiting for me. Tied on above, and tied up below. Ready to weave!

The warp is tied on to the front tie-on bar in 1-inch bundles, with 1/2-inch bundles at the selvedges. And then, I add the leveling string which makes it look neat and tidy and READY.

Leveling string flattens and evens out the warp for no-waste weaving.

Warp is tied on to the front tie-on bar. Leveling string flattens and evens out the warp for no-waste weaving.

The upper and lower lamms are positioned, and the treadle cords are added and secured. It’s fascinating how simple and basic the whole system is. And how something this simple and basic can be the framework for boundless creative expression.

Under the warp. Intriguing view.

I sit on the treadle beam when I position the lamms, and then place the treadle cords in their holes. I’m always intrigued by the view of the warp and heddles from this vantage point.

Treadle cords on eight shafts.

Treadle tie-ups don’t frighten me. It all makes sense, and is part of the loom-dressing process that I enjoy.

If we think of prayer as something that gets us out of a crisis, or words to say in order to get what we want from God, we miss the whole point of prayer. And we face disappointment. Prayer always works. The work is not our clever words, nor the checking off of our wish list. Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. We pray because we trust him. Christmas—the birth of Christ—shows us that God always steps in at the right time.

May your framework be sure.

Advent greetings,
Karen

8 Comments

  • Sue Hommel says:

    Beautiful words to awaken to this morning Karen! I’ve recently added a countermarch to my studio, and I believe your blog and joy with your Glimakra helped me in my quest for the right loom to add. I chose the Julia and after some panic at the prospect of having to build it, I just took one step…then the next, and finally, I’m weaving and loving its simplicity and design. Looking forward to see what your new warp will become!

    • Karen says:

      Good morning Sue, How exciting! The simple beauty and functionality of these looms make them a joy to weave on. They also provide a constant learning experience, which is a good thing. There’s always a discovery just ahead!

      Happy weaving,
      Karen

  • Susan San Martin says:

    I love my Toika countermarche for the same reason: simplicity, plus an endless opportunity to adjust the loom . It is easy to understand how to fiddle with the sticks after awhile. The loom expresses the deep logic of creation!

  • Anneloes says:

    “Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. ”

    Would you believe that this was the exact thing I’ve been praying over these last few days? Beautifully written.

    Before I started weaving, I thought dressing the loom would be a tiresome process to rush through in order to dtart the REAL weaving. But it turned out to be my most favourite part of weaving, and every bit as real.

    Thank you again for your beautiful words and pictures.

    • Karen says:

      Hi Anneloes, I’m constantly amazed at how the Lord ties things together for us!

      I can relate. I was afraid that dressing the loom would be too complicated or difficult to do. What a pleasant surprise to find it so rewarding and not hard at all! It’s a joy.

      I appreciate your thoughtful comments.
      Karen

  • Martha Winters says:

    Hello, Karen,
    I have learned so much about weaving, and how it relates to life, from your blog. Thank you for sharing your insights and reflections so freely and beautifully.
    I would love to know a bit more about the ‘leveling string’ at the start of your warp. I’m not familiar with this and it looks quite useful for evening out the threads from the get-go. Much appreciation for your knowledge and awesome weaving!!

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Getting Dressed to Weave

I want to wrap up in this cozy throw already. But I need to weave it first. This is an undulating twill throw that I am making for sweet Lindsay, one of my daughters-in-law. Of course, I am including enough warp to make a small throw of my own.

Getting ready to beam the warp. Back to front warping.

Four chained bouts. The 8/2 cotton warp is pre-sleyed, and the back tie-on bar has been placed through the loops at the end of the warp.

Every step of dressing the loom is fascinating. I easily get immersed in the enjoyment of the process. All the while, I’m dreaming of the finished work.

Read to beam the warp, using warping trapeze.

Warping trapeze is in place at the front of the loom. Ready to beam these soothing colors onto the warp beam.

Warp is beamed. Ready for threading.

Warp is beamed. Warp ends are counted into groups of 32 ends each, for efficiency and accuracy in threading. This will be threaded for undulating twill on eight shafts.

Dressing the loom leads to the making of cloth. Dressing our lives leads to the making of good character. Prayer is of utmost importance in dressing our lives. Prayer is not a single step in the process, but a posture of faith throughout the process. Earnest prayer reaches God. The power of prayer is not in our words, in the threads we express, but in the Grand Weaver. He receives our humble threads and weaves them into his will to bring about his beautiful cloth. Fascinating, isn’t it?

May you dream as you dress the loom.

Prayerfully,
Karen

10 Comments

  • Beth Mullins says:

    There is something soothing about dressing a loom. I can’t wait to see the weaving begin.

  • I agree- I enjoy the entire process. I think you have to or you wouldn’t continue to weave year after year!! “ you must be warped to weave” .

    • Karen says:

      Hi Maria, Yes, maybe that’s the appeal for those of us who are drawn to handweaving – the enjoyment of process, of being part of making something from beginning to end. Your weaving is so beautiful. It’s good to know you enjoy the whole process, too.

      All the best,
      Karen

  • Emonieiesha says:

    Good Morning Karen,
    I just came across your blog and what a joy. I am a beginner with a RHL and a 4 Shaft Table loom! There is nothing like creating while keeping our hearts and minds on the Creator. Happy Weaving with the one who created it all.

  • Susan Hommel says:

    Hi Karen, I love reading you warm and knowledgeable advice and have followed your weaving adventure these last few years. You even inspired my first rug attempt when you submitted your lovely rosepath pattern to Handwoven. Now I’m at a crossroad. I’ve been using my Schact standard but the draw to a Swedish loom has bitten me…. I await delivery of my Glimakra Julia countermarch next week. Here’s my question. Is there value in passing up the Glimakra set up direction in favor of Vavstugas Dress your loom the Vävstuga Way ? Thanks for any advice you can offer! Best regards, Sue

    • Karen says:

      Hi Sue, I’m excited for you! You will really enjoy your new Julia.

      The Glimakra set up and Vavstuga’s guide are completely compatible, as far as I know. I use Joanne Hall’s books and Vavstuga’s and get a great compilation of instructions. You can’t go wrong either way, or both! Don’t forget “The Big Book of Weaving.” It also has great set up (and weaving) instructions. The more, the merrier. 🙂

      Very happy weaving,
      Karen

  • How pretty the colors are.
    My skills are not there yet. Dressing the loom requires a lot of detail that my creative brain wants to ignore.

    Warping All By Yourself was my guide for dressing a loom. Front to back. I am glad you provided visual details. I will reference the next time I dress a loom and see if it speeds things up.

    About a month ago I went to the high school craft fair in Crivitz, Wi. There a woman selling the most beautifully crafted rag rugs I’ve ever seen. Nothing fancy, but even edges and beautifully chosen colors.

    She lives back in the woods in the home she shared with her late husband, south east of Green Bay and weaves. No business cards.

    I mentioned your website. She is the last hold out not on line. Her world is edged by north eastern Wisconsin. Next year I will look for her again at the Crivitz high school autumn craft fair. But earlier. The bake sale was sold out.

    I will miss your twice weekly posting. Enjoy the ride.

    Nannette

    • Karen says:

      Hi Nannette, I understand what you mean about your creative brain. My brain has trouble holding details, too.
      Having a system with specific steps helps me. I don’t try to remember the steps. I have written down the steps and keep that step-by-step list in front of me every time I warp the loom.

      Those old time rag rugs are wonderful. I have two that a friend of my grandmother made in a small country town in Missouri back in the ‘50’s.

      Thanks for sharing your thoughts.
      Karen

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Christmas Weaving Promise

This is the third and final gift promise from last Christmas. A Cornflower and Willow 8/2 cotton warp will become a throw in wavy (undulating) twill for my daughter-in-law Lindsay. I am hopeful that I will be able to finish it before Christmas. As promised. (See Weaving a Gift.)

Winding a warp with pretty Willow and Cornflower 8/2 cotton.

Winding the warp on the warping reel. Willow and Cornflower 8/2 cotton.

Warping reel. 8/2 cotton warp.

Second of four bouts for this warp.

8/2 cotton warp chain. A pretty way to start a project!

Warp chains are such a pretty way to start a project.

May you make and keep good promises.

Happy weaving,
Karen

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Stained Glass Scarf Surprise!

A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!

Stained Glass scarf warp - brilliant blue!

Four shades of blue are carefully arranged to make a brilliant blue 8/2 cotton warp.

Stained Glass scarf - on the cover of Handwoven Nov/Dec 2018.

Two scarves. I wove one to keep, and one to send to the Handwoven editorial team.

Stained Glass scarf/wrap in Handwoven Nov/Dec 2018

Swedish lace adapted from a draft by Else Regensteiner in The Art of Weaving. Her draft was for a tablecloth. I made it into a scarf/wrap instead.

Stained Glass scarf from Handwoven Nov/Dec 2018

Twisting the fringe. This cotton scarf/wrap calls for fringe that is a little bit chunky. I feel like I’m dressed and ready for fun when I wear it!

Handwoven Nov/Dec 2018 - Stained Glass scarf on the cover!

Credit: Cover Photograph by George Boe from Handwoven November/December 2018 magazine. Copyright © F+W Media 2018. Photograph of magazine by Eddie Fernandez.

May your day be filled with pleasant surprises.

Happy Weaving,
Karen

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Counting at the Cross

I am winding a lovely all-blue warp on my warping reel. When I pause, as I do regularly to count the ends, it is easy to put the winding on hold. I tuck the pair of warp ends under a section of wound warp at one of the vertical posts of the reel. That holds it, and keeps threads under tension until I’m ready to continue where I left off.

Winding a warp on a warping reel.

Pair of warp ends are held secure while I stop to count another section of ends.

I stop after winding each section. I do the counting at the cross, always counting twice. A long twisted cord (one of my choke ties) marks my place, section by section. The count needs to be an exact match, of course, with the number of ends in the pattern draft.

Counting warp ends as I wind a warp on the warping reel.

Long twisted cord helps keep track of how many ends have been counted.

Cotton warp just beamed.

After the warp is beamed, each section is counted again to prepare for threading the loom.

The Christmas season reminds us that Jesus brought grace to earth. From manger to cross. The grace of the Lord Jesus is perfectly complete. Like a planned warp, there is nothing more to add. All the threads have been counted. And they match the divine plan. Any threads of my own effort would be threads that don’t belong. The grace of forgiveness comes purely as a gift.

May your counted ends match the pattern.

Christmas blessings,
Karen

7 Comments

  • Martha says:

    Beautiful blue warp! Love your warping reel, how many yards does it hold?

    • Karen says:

      Hi Martha, This is a Glimakra warping reel, 8′ in diameter. I’m not positive how many yards it will hold, but I’m guessing probably 14-15 yards. So far, my longest warps have been about 10-12 yards. The reel works great, and I really enjoy winding warps on it.

      Karen

  • D’Anne says:

    What a lovely warp! Can’t wait to see what you’ll do with it!

  • S says:

    I really enjoy reading your blog and appreciate the time you take to write it. I have a question, too: I’ve read where you mention “counting the sections” several times for threading. What do you mean by that? What sections are you counting? Are they sections of the threading draft, and if so, how do I know what a section is on the draft?

    • Karen says:

      Hi S, That is a good clarifying question. Thanks for asking!

      What I mean by “section” is a pre-determined number of warp ends. In the case of this warp, there are regular color changes with a certain number of threads in each color, so I am counting sections of color. Many projects have all one color warp, or colors distributed in various ways. In those cases, I decide how many threads to count at a time–maybe 40, or 50–and that number of warp ends will make a “section” for counting purposes. The number of threads in a “section” doesn’t necessarily relate to the threading draft, except, of course, that the total number of warp ends must match up.

      Happy weaving,
      Karen

  • S says:

    Thank you! That makes sense and I’m going to incorporate that into my warping process. Cheers!

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