Quiet Friday: Lizard Tapestry

This is the moment we’ve been waiting for! We finally get to see the whole tapestry. This lizard has given me quite a ride! I have learned plenty. Things I’m happy with myself about, like drawing a cartoon from a photograph, following the cartoon details, making and keeping track of butterflies. And some things I’d like to improve, like choosing colors that give the best contrast, managing the cartoon under the tapestry, and choosing where to pick the floats. I’m eager to do four-shaft tapestry again so I can learn some more!

I wove the fringe into an edging, ending with a small braid. Next, I will tack the edging and braids to the back, clip weft tails on the back, and sew on a backing fabric. And then, I’ll find a special place to hang this Lizard tapestry in our Texas hill country home, just a half mile from the place I saw and photographed the cute little green anole in the first place.

Finishing the ends on the Lizard tapestry.

Finishing the ends.

 

Lizard Tapestry.

Lizard Tapestry. Next steps are clipping weft tails on the back, adding a backing, and hanging in our Texas hill country home.

May your learning experiences take you for an exciting ride.

Happy Weaving,
Karen

~Change Is Coming~
With Steve’s approaching retirement, I am implementing some adjustments for Warped for Good. Friday posts will become less frequent, and by December you will receive new posts only on Tuesdays. Today is my final Quiet Friday post, something I’ve enjoyed doing once a month for the five and-a-half years Warped for Good has been active.

I invite you to continue joining with me on this weaving journey at Warped for Good!

24 Comments

  • Beth Mullins says:

    The lizard is wonderful! It will be right at home in the Texas hill country.

    I’m happy for Steve and you! I have so enjoyed your bi-weekly posts as they bring bright spots to my mornings and will continue looking forward to weekly posts.

    All the best!

  • Betsy says:

    You captured him beautifully! I love that little lizard half smile. We see them a lot on our deck, and on the tree that grows just a few feet from the patio door.

    I will miss the second weekly posts, but hope you and Steve enjoy retirement as much as we do.

    • Karen says:

      Hi Betsy, Of the many critters we’ve seen out here, the little green anole is the cutest, and maybe the most harmless. 🙂

      I’m glad to hear you enjoy the retirement season. I think we have a lot to look forward to.

      All the best,
      Karen

  • Robin says:

    This is so inspiring. I have never even thought of doing tapestry on my big loom!
    Love it! How long did it take you? Looks like a LOT of work!

    • Karen says:

      Hi Robin, This was on the loom for five months. Part of that time, though, we had a lot of disruptions, including moving to a new location.
      You’re right, it was a lot of work. But I really enjoyed the whole process!

      All the best,
      Karen

  • Cute little guy.

    Nice job.

    Nannette

  • Rachel Lohman says:

    Wishing you all the best in retirement with blessings surrounding both of you. .I have enjoyed the bi-weekly “warping” and learned a lot from you. Never knew that a tapestry could be done on the loom as you shared with us. The lizard will give color and joy wherever he is hung. Will miss you on Friday mornings but look forward to Tuesday’s! Thank you for sharing your knowledge and joy in the weaving of life. God bless!

  • susie weitzel says:

    Even more beautiful than I was imagining. Best wishes in retirement. So happy for both of you. Your talent and imagination are so inspiring. You have encouraged me to try projects I would not have tried otherwise. Again best wishes

  • Liberty says:

    Oh Karen, he is fabulous, I just love it!! What a long journey the two of you were on!
    Sorry to see you will be with us only once a week now, but I know you and Steve will be having a great time enjoying retirement now!!
    Hugs and love to you my friend,
    Liberty

    • Karen says:

      Hi Liberty, This was on the loom longer than I’d like to admit, but I enjoyed every part of it!

      It’s great to have you on this journey with me.

      Your friend,
      Karen

  • D’Anne says:

    Karen,
    Your little lizard turned out beautifully! What size is the finished piece? Hope we get to see him at the November WOW meeting.

    • Karen says:

      Hi D’Anne, I haven’t measured it yet, but on the loom it was about 36” x 48”. I’ll bring it to the meeting next week!

      Thanks for your sweet encouragement to me!
      Karen

  • Tonya Leach says:

    Karen,
    Where did you learn 4 shaft tapestry? I am fascinated! I will also miss your more frequent posting but I do hope you and yours enjoy retirement!

    • Karen says:

      Hi Tonya, I have not seen very many examples of four-shaft tapestry like this.

      I learned it from Joanne Hall, who generously shares her knowledge and experience. Her work is amazing and something I’d like to emulate. I have a long way to go in that regard.

      Helena Hernmarck is another person I’m aware of who weaves in a similar style. I’ve studied pictures in a book I have of her work.

      I found one other individual on Instagram from Sweden who has examples of this type of four-shaft tapestry. I’m always on the hunt for this kind of tapestry to observe.

      Thanks for your kind sentiments,
      Karen

  • Lyna says:

    Thank you for bringing us along on your lizard tapestry journey! If possible, could you show how you finish it–how close do you trim the tails, how the warp ends are handled, how the backing fabric is attached, how is it hung?
    Or just say “Look it up in this ___ book,” because we know you are busy going into another season of life! Looking forward to Tuesdays!
    God bless, Lyna

    • Karen says:

      Hi Lyna, It’s my pleasure to have you come with me on this journey! Everything is better with friends along.

      I’ll do my best to show the finishing that I do, though I’m still learning that part, too.
      I did make a little video a while back that shows the method I use to finish the warp ends. You can see it at the end of this post – Quiet Friday: Little Tapestry Diary.

      Thanks for being here,
      Karen

  • It looks wonderful, until I saw your lizard it hadn’t occurred to me that a floor loom could be used for tapestry; one day I might have to try it too.

    • Karen says:

      Hi Rachelle, I like using the floor loom for tapestry. This was my first attempt doing that, and I intend to do it again! Who knows, maybe I’ll have to add another loom just for tapestry. 🙂

      Thanks!
      Karen

  • Karen Reff says:

    That’s pretty amazing!

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Only Five Centimeters!

Five centimeters is not very far! That’s all that‘s left of this Lizard tapestry. I expect to cut it off in a day or two. What a delight this first attempt at four-shaft tapestry has been!

Nearing completion of Lizard tapestry on four shafts!

Close to cutting off! The Lizard will soon appear in the completed woven image.

Nobody makes a masterpiece on their first try. It takes practice—lots of it. And that’s something I’m eager to do. The experience has been richly satisfying as a weaver. I am invigorated by the challenge of paying attention to a cartoon, and then watching the image grow on the loom. It’s like painting by number, only better. I get to “make” the paint with multiple strands of yarn.

Afternoon sun on the wool tapestry image.

Afternoon sun gives an added dimension to the wool tapestry image.

Coming to the end of this four-shaft tapestry.

Many weft color changes are in the last few centimeters, which keeps it interesting. And I don’t mind the slow pace because I don’t really want the experience to end.

We need something to guide us. We need to align our lives with a sure standard of truth, like matching up the image being woven with the center warp end, so we won’t drift off course. Pay attention to the truth. There are persuasive arguments and countless opinions, but isn’t it truth that helps makes sense of reality? God opens our eyes and hearts to see truth. And as we pay attention to truth, and align with it, we get to experience the amazing view of his tapestry being woven all around us.

May you know when to pay attention.

Happy weaving,
Karen

8 Comments

  • susie weitzel says:

    I have been following this tapestry closely. So very anxious to see the finished work of art.

  • Margaret says:

    Thank you for your weaving words. May your day be blessed.

  • Marjorie Clay says:

    Can you explain briefly how the multiple shafts work in creating this tapestry? When I think of tapestry, I think of Navajo weaving, which is essentially plain weave. How do the different sheds available on a 4-shaft loom work on a tapestry?

    • Karen says:

      Hi Marjorie, Most tapestry is woven on two shafts. With four shafts I can thread the loom for plain weave and a rosepath or twill threading, and then I have plain weave and a patterned weave for the tapestry. This Lizard tapestry has a rosepath threading. I became interested in this type of tapestry after seeing some of Joanne Hall’s tapestries, and pictures of Helena Hernmarck’s tapestries. This is a new endeavor for me, so I’m still learning how it all works (or should work).

      Karen

  • Liberty says:

    I’m so excited to see it!!
    Liberty

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Weaving La Perlita

One reason I am making friends with this large Freja tapestry frame is Steve’s quickly advancing retirement date. The day after his final work day we are picking up La Perlita, our new Casita travel trailer. We are looking forward to some fun times. Steve will have his carving knives for whittling. And I’ll have my loom. And yarn. What more could we ask for?

Making a tapestry cartoon.

For the cartoon, I enlarged the picture from the Casita brochure, and then drew my own background around it.

Tapestry of our new Casita - "La Perlita."

Home again, after staying with and playing with my young grandsons. The weaving represents a week’s worth of naps.

Tapestry of our new Casita travel trailer!

Using technique similar to the four-shaft tapestry on my Glimakra Ideal loom. This gives me a chance to add more depth and texture to the tapestry image. With this technique, some warp does show.

May you have something to look forward to.

Happy weaving,
Karen

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Tools Day: Cartoon Trials

Making a cartoon for a lizard tapestry this size is quite a process. First, I enlarge the photograph. Then, I trace the outlines of the details onto a sheet of clear acetate. Next, to make the cartoon, I trace the bold Sharpie lines of the acetate image onto interfacing material meant for pattern making. But next time, it will be different.

Tracing photograph to make a tapestry cartoon.

Tracing outlines from the enlarged photograph onto the sheet of acetate. Photo image on the iPad helps clarify which distinctive lines to draw.

Making a tapestry cartoon.

White poster board under the acetate makes the Sharpie lines visible. The interfacing material lays on top of the acetate so I can trace the lines to make my cartoon.

I don’t plan to use this interfacing material again for a cartoon. It is not stiff enough. As the tapestry progresses it becomes more and more difficult to keep the cartoon from puckering and creasing in places. A better option would have been stiffer buckram, like I used for my transparencies. (See – Quiet Friday: Painting with Yarn and Animated Images.) But I am not able to find buckram in sufficient width.

Unwanted creases in the tapestry cartoon.

Interfacing material is susceptible to puckers and creases. Unevenness in the cartoon can result in a distorted woven image on the tapestry.

After I finished weaving the lizard portion of the tapestry, I decided to experiment. I removed the interfacing cartoon and switched to the acetate sheet instead. There’s no puckering with this one! It is much easier to line up the cartoon with the weaving. It has drawbacks, though. Noisy! When I beat in the weft it makes thunderstorm sound effects. (Not so great for our temporary apartment life.) It’s also harder to see the cartoon lines. And the magnets I use to hold the cartoon slip out of place too easily.

Using a sheet of acetate for a tapestry cartoon.

Slat holds the cartoon up to the warp. To beat the weft, I move the slat out of the way of the beater, just under the fell line. The sheet of plastic would be a good prop for making sounds effects for a film about a thunderstorm.

Next time... White paper, like the gorgeous tapestry cartoon I have seen in Joanne Hall’s studio. That’s what I’ll use. Next time

Joanne Hall and her tapestry cartoon!

Joanne Hall in her Montana studio. This is the cartoon she made for her impressive Bluebonnets tapestry that hangs on display in a Dallas hospital.

May you learn from your experiments.

All the best,
Karen

2 Comments

  • Good morning Karen,

    My interest is always drawn to how things work. Tapestry is not an easy medium to work in. But, oh… Such beautiful results.

    Could the widths of the buckram be spliced together?

    May you continue to find new paths to explore.

    Nannette

    • Karen says:

      Hi Nannette, Yes, in hindsight I could have used the buckram crossways, and continued the pattern across the separate pieces. The other advantage I see with the paper is the ability to color the design, and work from that. I’d like to try that.

      Karen

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Weave Beyond Your Momentum

Do you remember that I said the background is less interesting to weave? I take that back! Blending these colors and forming the shapes is no less interesting than weaving the lizard. The green anole is the featured subject, filled with detail and many minute color changes. Weaving that lizard was a skill stretcher! But as I continue, I am weaving details of a different kind. The background is a log, not easily recognizable. It’s like looking at wood grain patterns through a magnifying glass. I’m hopeful everything in the final image will fit together when we see it from a distance.

Four-shaft tapestry. Shading and texture.

Color, shading, and texture work together to make the surface appear uneven. Some areas look as if they are raised, and others, especially the dark places, look like they are indented.

Detail of lizard tapestry.

After about three more warp advancements, the lizard and his green toes will be nowhere to be seen.

Four-shaft tapestry. Glimakra Ideal.

Little by little…

View of the tapestry in the direction it will hang.

Standing on a chair, I get a view of the tapestry in the direction it will hang. This is only one slice of the tapestry image, but it helps me imagine what the finished piece will be like.

Continue. I don’t want to lose momentum just because I finally made it through the hardest part. Keep going, being faithful to what you know to do. Faithful to what you know is true. Don’t be fooled by compelling, convincing, and subtle messages that divert from the truth. Continue walking by faith, trusting the outline, the cartoon, that the Grand Weaver prepared for us. It will all fit together when we see it from heaven’s eternity. That’s real hope.

May you keep your momentum.

In faith,
Karen

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