Tools Day: Cartoon Trials

Making a cartoon for a lizard tapestry this size is quite a process. First, I enlarge the photograph. Then, I trace the outlines of the details onto a sheet of clear acetate. Next, to make the cartoon, I trace the bold Sharpie lines of the acetate image onto interfacing material meant for pattern making. But next time, it will be different.

Tracing photograph to make a tapestry cartoon.

Tracing outlines from the enlarged photograph onto the sheet of acetate. Photo image on the iPad helps clarify which distinctive lines to draw.

Making a tapestry cartoon.

White poster board under the acetate makes the Sharpie lines visible. The interfacing material lays on top of the acetate so I can trace the lines to make my cartoon.

I don’t plan to use this interfacing material again for a cartoon. It is not stiff enough. As the tapestry progresses it becomes more and more difficult to keep the cartoon from puckering and creasing in places. A better option would have been stiffer buckram, like I used for my transparencies. (See – Quiet Friday: Painting with Yarn and Animated Images.) But I am not able to find buckram in sufficient width.

Unwanted creases in the tapestry cartoon.

Interfacing material is susceptible to puckers and creases. Unevenness in the cartoon can result in a distorted woven image on the tapestry.

After I finished weaving the lizard portion of the tapestry, I decided to experiment. I removed the interfacing cartoon and switched to the acetate sheet instead. There’s no puckering with this one! It is much easier to line up the cartoon with the weaving. It has drawbacks, though. Noisy! When I beat in the weft it makes thunderstorm sound effects. (Not so great for our temporary apartment life.) It’s also harder to see the cartoon lines. And the magnets I use to hold the cartoon slip out of place too easily.

Using a sheet of acetate for a tapestry cartoon.

Slat holds the cartoon up to the warp. To beat the weft, I move the slat out of the way of the beater, just under the fell line. The sheet of plastic would be a good prop for making sounds effects for a film about a thunderstorm.

Next time... White paper, like the gorgeous tapestry cartoon I have seen in Joanne Hall’s studio. That’s what I’ll use. Next time

Joanne Hall and her tapestry cartoon!

Joanne Hall in her Montana studio. This is the cartoon she made for her impressive Bluebonnets tapestry that hangs on display in a Dallas hospital.

May you learn from your experiments.

All the best,
Karen

2 Comments

  • Good morning Karen,

    My interest is always drawn to how things work. Tapestry is not an easy medium to work in. But, oh… Such beautiful results.

    Could the widths of the buckram be spliced together?

    May you continue to find new paths to explore.

    Nannette

    • Karen says:

      Hi Nannette, Yes, in hindsight I could have used the buckram crossways, and continued the pattern across the separate pieces. The other advantage I see with the paper is the ability to color the design, and work from that. I’d like to try that.

      Karen

Leave a Reply


Weave Beyond Your Momentum

Do you remember that I said the background is less interesting to weave? I take that back! Blending these colors and forming the shapes is no less interesting than weaving the lizard. The green anole is the featured subject, filled with detail and many minute color changes. Weaving that lizard was a skill stretcher! But as I continue, I am weaving details of a different kind. The background is a log, not easily recognizable. It’s like looking at wood grain patterns through a magnifying glass. I’m hopeful everything in the final image will fit together when we see it from a distance.

Four-shaft tapestry. Shading and texture.

Color, shading, and texture work together to make the surface appear uneven. Some areas look as if they are raised, and others, especially the dark places, look like they are indented.

Detail of lizard tapestry.

After about three more warp advancements, the lizard and his green toes will be nowhere to be seen.

Four-shaft tapestry. Glimakra Ideal.

Little by little…

View of the tapestry in the direction it will hang.

Standing on a chair, I get a view of the tapestry in the direction it will hang. This is only one slice of the tapestry image, but it helps me imagine what the finished piece will be like.

Continue. I don’t want to lose momentum just because I finally made it through the hardest part. Keep going, being faithful to what you know to do. Faithful to what you know is true. Don’t be fooled by compelling, convincing, and subtle messages that divert from the truth. Continue walking by faith, trusting the outline, the cartoon, that the Grand Weaver prepared for us. It will all fit together when we see it from heaven’s eternity. That’s real hope.

May you keep your momentum.

In faith,
Karen

4 Comments

Leave a Reply


Grow Lizard Grow

There are no growth spurts with this lizard. He is certainly growing, but at a slow and steady rate. If I can keep this pace of about ten centimeters a week, I will be able to finish this tapestry before we move from the apartment—our temporary residence. The timeline is set. Will this slow-going, slow-growing lizard cross the finish line before I must dismantle the loom again? Time will tell. I have woven fifty centimeters. I have seventy-five centimeters to go.

Weaving a tapestry of a lizard.

Lizard’s foot and leg are starting to disappear around the breast beam on the right-hand side of the loom.

Many wool butterflies in action for this detailed tapestry.

Head of the lizard is visible on the cartoon under the warp. Many wool butterflies crowd each other, due to frequent color changes in the details.

Weaving the lizard's mouth and eye. Tapestry fun!

Lizard is visibly growing. Currently working on the red mouth and blue eye.

Grow. We are woven together by loving each other. Each of us, like strands of wool yarn, with our own degree of hue, saturation, and value, not to mention twist and plies, are united with each other when we hold fast to Jesus Christ, the designer and weaver. His tapestry grows, not in spurts, but slow and steady, year after year, century after century. Always teaching us to love his way—sacrificially. And we know he has just enough time to finish the tapestry masterpiece that he has envisioned from the very beginning.

May you see slow and steady progress in things that matter.

Happy Weaving,
Karen

4 Comments

  • Liz Dewsnap says:

    I love how you ‘weave in’ truths from God’s word and His love into your posts. AND….you weaving is amazing! I have been weaving a short time and would love to have more time to devote to this delightful craft! Also knit, do paper crafts & sew. And I help care for aging parents and delightful grand boys. Never enough time to do all I would like – I guess I will have to wait till the kingdom :-). So much joy!!!

    • Karen says:

      Hi Liz, You are in a very active season right now! It’s good you are enjoying what’s in front of you. Weaving is my favorite creative activity, so I go to the loom as often as I can.

      Thanks for taking time to comment!
      Happy weaving,
      Karen

  • Good morning Karen,

    I saw your post while waiting for the storms to pass over before heading north for a few days of exciting kitchen garden work.

    On the up side.. Local food pantries will accept an excess of fresh produce from home gardens. The trial garden my son put in is very successful and many will share God’s abundance this growing season.

    On the down side… it has been a few months since picking up a shuttle and I suspect it is accumulating dust.

    The detail of the lizard tapestry requires thoughts to focus on nothing but what you are doing. Not the temporary housing. Not the tying up of one life to transfer to another. Not when to contact the movers, or how are the grand babies doing. Just….. where would God put this color? Just saying that makes me calm down, and it is not my project.

    Let’s all enjoy the moment.

    Nannette

Leave a Reply


Lizard Tapestry Disruption

I started the Lizard tapestry right before our big disruption. Selling your house means that every in-process project instantly becomes vulnerable. Yikes! After a sleepless night, I contacted my friend Joanne Hall. Can this weaving be saved? Yes!, she assured me, as she gave me instructions for dismantling the loom.

Getting ready to dismantle loom for relocation.

Yarn supply is packed up, including all the wool butterflies.

Getting ready to dismantle loom for moving.

Cartoon is removed.

Everything is logical about the process. Undo things, tie parts together, take things apart. And I don’t have to cut off the weaving? No. Remove the beam cords from the cloth beam. It’s that simple.

Lamms and treadles removed for moving the loom.

Lamms and treadles have been taken off.

Moving a loom without ruining a tapestry in progress!

Beam cords are removed from the cloth beam.

Removing the warp beam. Relocating the loom.

Steve unscrews a bolster that holds one side of the warp beam so I can remove the warp beam.

Warp beam removed! Hope to put this back together.

Holding the precious bundle!

Taking the loom apart.

Taken apart. Tapestry, reed, and shafts are rolled and bundled up in the fish beach towel.

Now all I have to do is wait

Relocating my loom.

Everything fits in the car, ready for transport.

All the dust has settled, the house transaction is done, and the loom has been re-located and put back together. It’s the first thing you see when you enter our ground-floor apartment.

Getting ready to re-assemble loom.

New location for the loom is in the living room of our apartment.

Simple Swedish loom assembling.

Simple Swedish loom assembling.

Re-assembling my loom after relocating.

Re-attaching the bolster to hold the warp beam.

Re-assembling loom after relocating.

Tapestry in view.

Using a spare heddle as a cord threader.

Spare Texsolv heddle works as a cord threader (I forgot to pack the “real” cord threader) to re-attach the cords on the cloth beam.

What about the Lizard? Can I resume where I left off? Good news: IT WORKED!

Ready to weave after relocating the loom!

Everything is put back together. Beam cords are re-attached. Yarn is unpacked. Warp is tensioned.

Lizard four-shaft tapestry.

Lizard foot grips the breast beam as weaving resumes!

When have you had to wait? Something you dearly long for is unreachable for a while. Waiting for the Lord is always waiting with hope. I trusted my friend’s advice. So, my hope was strong while I waited to see this lizard take shape again. In a similar way, I can trust the Lord when there is a disruption. Wait with strong hope. Wait for the grace to begin again.

May you wait patiently.

Happy Weaving,
Karen

12 Comments

  • Kay Larson says:

    It looks like your move went pretty smoothly. Your tapestry looks so fun. I look forward to seeing completed. I treasure your posts.

    • Karen says:

      Hi Kay, It didn’t feel smooth while we were in the midst of it all, but now that things are relatively quiet again, I guess you’re right— It did go pretty smoothly.

      This tapestry is fun indeed. I’m looking forward to long uninterrupted sessions to enjoy it!

      Thank you for your sweet words.
      Karen

  • Beth Mullins says:

    So glad this worked out for you!

  • Betsy says:

    Joanne is such a help! I took my Julia from TX to WI for a workshop last May and went through the same process using her instructions. At least I didn’t have to worry about a project, just the header had been woven. The Julia gables come apart, so everything fit in a box except the back uprights. So cool.

    I will be looking forward to seeing that lizard emerge further.

    • Karen says:

      Betsy, Sounds like the Julia is a perfect workshop loom! Joanne has a wealth of knowledge and experience. It’s sweet that she is so willing to help.

      This lizard is going to get a lot of my attention in the next few weeks.

      Happy weaving,
      Karen

  • Good morning.
    I set up my new to me home made floor loom at a weekend house. There was 12″ of my first project on it when we decided to sell that house and look for our future retirement home. As it was dismantled each connection was marked with the same number using a sharpie. When it was put back back together 1 was matched up with 1… and so on. Now it is set up to dismantle and take anywhere.

    The people who designed looms were remarkable inspired.

    Blessings to all.

    Nannette

  • Annie says:

    I love the advice to “Wait with strong hope.” There are times when that advice is sorely needed.

    I, also, look forward to hearing about your adventures, Karen. And this one was a big one! It is a good thing that your apartment has a large living room!

    May you enjoy your temporary home.

    • Karen says:

      Hi Annnie, I, too, often need a reminder to wait with strong hope. When things are difficult, hope can begin to waver.

      I don’t know if I would say this apartment has a large living room. The loom takes up a pretty good chunk of it. Fortunately, the room is large enough. 🙂

      All the best,
      Karen

  • Barb says:

    Thank you for for your posts, I have learned so much by reading them. And right now, just what I needed to deal with my own transitions. All the decisions and disruptions related to remodeling, selling a loom, and buying a new loom have been weighing me down. I have my eyes on a used Glimakra Standard, but it’s 1,800 miles away….. The pictures of moving your loom have been very helpful. Perfectly put, I can now wait with strong hope.

    I’m happy that your move has gone so well & you are temporarily settled.

    Thank you!

    • Karen says:

      Hi Barb, I do understand the impact of life transitions. It can be stressful when you’re in the middle of it!

      I’m glad to hear that you are holding onto strong hope. Remember, just about everything is temporary.

      Hugs,
      Karen

Leave a Reply


Tapestry Territory

Here we go on this adventure! The yarn is plentiful, and sorted into color groups by value. I have tweaked and updated the cartoon, putting measurement marks along the edges and adding shading to places where I want texture. I wove a header after the sample, but it drew in too much. I pulled it out and redid it, making sure to use adequate weft this time. I am now ready! I’m walking into four-shaft tapestry territory!

Beginning of a four-shaft tapestry.

Background begins with wool butterflies in shades of black.

Wool butterflies for a four-shaft tapestry on the Glimakra Ideal.

Several butterflies are introduced across the beginning section of the four-shaft tapestry.

Four-shaft tapestry just beginning.

Linen weft is used between some of the wool picks.

Walking. It’s how we live our life. Step by step into an unknown future. To walk in a manner worthy of the Lord, we follow the Grand Weaver’s cartoon, which he reveals to us, sometimes row by row. And he supplies us with the yarn butterflies in the right colors and values to create the tapestry of his design. We may never see his whole cartoon, but we have the sure hope of seeing the finished tapestry in all its glory!

May you be ready for an adventure.

Happy weaving,
Karen

4 Comments

  • Jan Hayman says:

    Hi Karen
    I’m watching this project unfold with a lot of interest! I’m curious about why you are using more than two shafts for a tapestry. Are you going after a blended edge along your color changes? Are you threading in a twill or rosepath?
    Your warp colors are adding some color to the cloth.

    • Karen says:

      Hi Jan, The four shafts enable me to use a rosepath threading. Unlike traditional tapestry, this is not completely weft faced, so the warp colors do show intentionally. I’m not sure that it gives a more blended edge along the color changes, but this style of tapestry weaving has an appeal to me because I can weave a larger pictorial tapestry at a little faster pace. I also have the option of adding some texture in places to enhance the design. So far, these first few inches remind me of weaving transparencies, which I very much enjoy.

      Thank you for joining in! It’s even better when I get to enjoy this with others.

      Happy weaving,
      Karen

  • Karen,
    Your words have me thinking. It is at the end we all see the tapestry. There are colors that are experienced once in their glory and never again. Without them the tapestry would not shine. There are colors much like the warp that is always there as a foundation to hold all the color woven under and over and — peaking through just enough to modify the woven colors. And when all is complete…. are we not by the grace of God all parts of the tapestry?

Leave a Reply