Quiet Friday: Lizard Tapestry

This is the moment we’ve been waiting for! We finally get to see the whole tapestry. This lizard has given me quite a ride! I have learned plenty. Things I’m happy with myself about, like drawing a cartoon from a photograph, following the cartoon details, making and keeping track of butterflies. And some things I’d like to improve, like choosing colors that give the best contrast, managing the cartoon under the tapestry, and choosing where to pick the floats. I’m eager to do four-shaft tapestry again so I can learn some more!

I wove the fringe into an edging, ending with a small braid. Next, I will tack the edging and braids to the back, clip weft tails on the back, and sew on a backing fabric. And then, I’ll find a special place to hang this Lizard tapestry in our Texas hill country home, just a half mile from the place I saw and photographed the cute little green anole in the first place.

Finishing the ends on the Lizard tapestry.

Finishing the ends.

 

Lizard Tapestry.

Lizard Tapestry. Next steps are clipping weft tails on the back, adding a backing, and hanging in our Texas hill country home.

May your learning experiences take you for an exciting ride.

Happy Weaving,
Karen

~Change Is Coming~
With Steve’s approaching retirement, I am implementing some adjustments for Warped for Good. Friday posts will become less frequent, and by December you will receive new posts only on Tuesdays. Today is my final Quiet Friday post, something I’ve enjoyed doing once a month for the five and-a-half years Warped for Good has been active.

I invite you to continue joining with me on this weaving journey at Warped for Good!

24 Comments

  • Beth Mullins says:

    The lizard is wonderful! It will be right at home in the Texas hill country.

    I’m happy for Steve and you! I have so enjoyed your bi-weekly posts as they bring bright spots to my mornings and will continue looking forward to weekly posts.

    All the best!

  • Betsy says:

    You captured him beautifully! I love that little lizard half smile. We see them a lot on our deck, and on the tree that grows just a few feet from the patio door.

    I will miss the second weekly posts, but hope you and Steve enjoy retirement as much as we do.

    • Karen says:

      Hi Betsy, Of the many critters we’ve seen out here, the little green anole is the cutest, and maybe the most harmless. 🙂

      I’m glad to hear you enjoy the retirement season. I think we have a lot to look forward to.

      All the best,
      Karen

  • Robin says:

    This is so inspiring. I have never even thought of doing tapestry on my big loom!
    Love it! How long did it take you? Looks like a LOT of work!

    • Karen says:

      Hi Robin, This was on the loom for five months. Part of that time, though, we had a lot of disruptions, including moving to a new location.
      You’re right, it was a lot of work. But I really enjoyed the whole process!

      All the best,
      Karen

  • Cute little guy.

    Nice job.

    Nannette

  • Rachel Lohman says:

    Wishing you all the best in retirement with blessings surrounding both of you. .I have enjoyed the bi-weekly “warping” and learned a lot from you. Never knew that a tapestry could be done on the loom as you shared with us. The lizard will give color and joy wherever he is hung. Will miss you on Friday mornings but look forward to Tuesday’s! Thank you for sharing your knowledge and joy in the weaving of life. God bless!

  • susie weitzel says:

    Even more beautiful than I was imagining. Best wishes in retirement. So happy for both of you. Your talent and imagination are so inspiring. You have encouraged me to try projects I would not have tried otherwise. Again best wishes

  • Liberty says:

    Oh Karen, he is fabulous, I just love it!! What a long journey the two of you were on!
    Sorry to see you will be with us only once a week now, but I know you and Steve will be having a great time enjoying retirement now!!
    Hugs and love to you my friend,
    Liberty

    • Karen says:

      Hi Liberty, This was on the loom longer than I’d like to admit, but I enjoyed every part of it!

      It’s great to have you on this journey with me.

      Your friend,
      Karen

  • D’Anne says:

    Karen,
    Your little lizard turned out beautifully! What size is the finished piece? Hope we get to see him at the November WOW meeting.

    • Karen says:

      Hi D’Anne, I haven’t measured it yet, but on the loom it was about 36” x 48”. I’ll bring it to the meeting next week!

      Thanks for your sweet encouragement to me!
      Karen

  • Tonya Leach says:

    Karen,
    Where did you learn 4 shaft tapestry? I am fascinated! I will also miss your more frequent posting but I do hope you and yours enjoy retirement!

    • Karen says:

      Hi Tonya, I have not seen very many examples of four-shaft tapestry like this.

      I learned it from Joanne Hall, who generously shares her knowledge and experience. Her work is amazing and something I’d like to emulate. I have a long way to go in that regard.

      Helena Hernmarck is another person I’m aware of who weaves in a similar style. I’ve studied pictures in a book I have of her work.

      I found one other individual on Instagram from Sweden who has examples of this type of four-shaft tapestry. I’m always on the hunt for this kind of tapestry to observe.

      Thanks for your kind sentiments,
      Karen

  • Lyna says:

    Thank you for bringing us along on your lizard tapestry journey! If possible, could you show how you finish it–how close do you trim the tails, how the warp ends are handled, how the backing fabric is attached, how is it hung?
    Or just say “Look it up in this ___ book,” because we know you are busy going into another season of life! Looking forward to Tuesdays!
    God bless, Lyna

    • Karen says:

      Hi Lyna, It’s my pleasure to have you come with me on this journey! Everything is better with friends along.

      I’ll do my best to show the finishing that I do, though I’m still learning that part, too.
      I did make a little video a while back that shows the method I use to finish the warp ends. You can see it at the end of this post – Quiet Friday: Little Tapestry Diary.

      Thanks for being here,
      Karen

  • It looks wonderful, until I saw your lizard it hadn’t occurred to me that a floor loom could be used for tapestry; one day I might have to try it too.

    • Karen says:

      Hi Rachelle, I like using the floor loom for tapestry. This was my first attempt doing that, and I intend to do it again! Who knows, maybe I’ll have to add another loom just for tapestry. 🙂

      Thanks!
      Karen

  • Karen Reff says:

    That’s pretty amazing!

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Double Weave Throw – Take Two

Nothing about the original draft is incorrect, but when I wrote it in pencil on my planning sheet, I transposed one. little. thing. The threading key. “X = plum; black square = other colors.” Exact opposite of what is written in the draft from The Big Book of Weaving, by Laila Lundell. (See When You Misread the Threading Draft, where I discover my dilemma.)

One little mistake. Big consequences.

Blind to my own mistake, even as I double check my handwritten draft.

Thanks to Fiberworks weaving software I am working out a solution. I adjusted the tie-up, so the treadle tie-ups on the first, third, fifth, and seventh shafts trade places with the tie-ups on the second, fourth, sixth, and eighth shafts. It works. And now, the one little threading error that is clearly visible seems like a breeze to correct!

Ready to weave a cotton double weave throw.

Tie-up adjustments bring the correct warp ends to the surface. Solid stripes of color are set to produce the desired design when woven.

One threading error. No big deal at this point.

One blue warp end stands out like a sore thumb. I’m glad to find this one threading error at this stage in the process.

There are times when my whole perspective needs an adjustment. It’s time for love. Love adjusts our view. At the heart level, love brings about changes in us. It re-sets our attention and motivations. Because God loved us, we can love, too. We don’t see, understand, or know everything now, which shows how incomplete we humans are. But the love that heaven knows is something we get to participate in here and now. Our cloth is far from perfected, but our love adjustments give us a glimpse of cloth from another realm.

May you make necessary adjustments.

Love,
Karen

10 Comments

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Bold Color and Weave

Remember the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking color-and-weave effect that I expected. The problem is not the threading, nor the colors.

Color and weave using single weft instead of doubled weft.

Nice and pretty, but lacking the boldness of the planned color-and-weave effect.

Aha! I overlooked an important detail on the treadling draft—the weft is supposed to be doubled. That changes everything! Since there is very little excess warp for this project I need to back up and start over.

Backing up the weaving. Clipping through weft threads. Yikes!

Backing up. After loosening warp tension, I carefully clip the weft threads down the center of the warp. I go at a snail’s pace to avoid accidentally snipping any warp ends.

Backing up. Weft removal, one pick at a time.

Removal, one pick at a time. I press the treadles in reverse order to pull out each row of weft threads.

Weft has been removed. Now ready to start over!

Back to the start. Sufficient weft has been removed. Now I am ready to start over.

I am losing the nice and pretty fabric. But it is being replaced with something better—fabric with a bold color-and-weave effect.

Two double-bobbin shuttles with color and weave.

This is the color-and-weave effect I was looking for! Two double-bobbin shuttles carry the weft threads.

Color and weave for placemats.

First placemat is a “Joseph’s coat” combination of colors. Bold color-and-weave effect has a striking pattern.

I would like my life to be nice and pretty, easy and comfortable. But if I get closer to the Grand Weaver’s intentions, I see something different—a bold strength of purpose. Not necessarily easy. God’s will is better than mine. When we aim to understand his will, we see details that we’ve overlooked. It affects how we walk through life. We take his doubled weft threads to replace our well-meaning attempts. The result is a beautiful display of striking life-changing effects.

May you be mindful of the important details.

With you,
Karen

8 Comments

  • Annie says:

    I love your analogy and courage to cut out all that work. It did look nice before but wow! Such a great difference with such a small change. An encouragement to make small changes in life as they may lead to great overall improvements.

    Have a great day, Karen!

  • Cynthia says:

    Hi Karen, I used to work for your husband in Tulsa. Love your work. My cousin weaves and I have shared your blog with her, she sure enjoys.

  • Ruth says:

    Good Morning Karen,
    Thanks for sharing your technique for unweaving. To correct mistakes I’ve literally thrown the shuttle across my warp threads to take back many inches of weaving. This seems a much gentler way to save a warp. I like your calm approach to correcting an error and enjoying the outcome. Blessings to you and yours, Ruth

    • Karen says:

      Hi Ruth, I do think removing the weft this way is less damaging to the warp. Even if I don’t clip through the center, I usually cut the weft and pull it out rather than send it back with the shuttle if it’s more than one or two picks. This is especially important if the warp is linen, which is much more susceptible to breakage from abrasion than this cotton warp I have here.

      One thing I enjoy about weaving is that just about anything can be corrected!

      Happy weaving,
      Karen

  • SM says:

    These are, as all your projects are, beautiful! Is this a little like doubleweave? You see the back on the front and the front on the back?

    • Karen says:

      Hi SM, I appreciate your sweet compliment!

      This is much simpler than double weave. This is actually plain weave with two treadles. It’s the arrangement of stripes in warp and weft that give it visual complexity. This fabric is the same on front and back. It’s amazing what can happen with color and weave!

      Happy weaving,
      Karen

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What a Web We Weave

Threading errors happen. But you can reduce their occurrence. After beaming a warp, I count the warp ends into threading groups before I start threading. Always. This is the first step in reducing threading errors.

Beamed linen warp. Tied into threading groups.

Beamed linen warp. Ends are counted into threading groups, and tied in loose slip knots.

The second step in nearly eliminating threading errors is to check every threaded group right after it’s threaded, thread by thread. These intentional steps expose mistakes early in the process. I would rather find an error now than later.

Threading ten shafts.

After a group of warp ends is threaded I check every thread to make sure it is on the correct shaft.

Threading ten shafts. How to avoid errors.

View from the back beam. Every thread is now in its proper place. Two ends had ended up on wrong shafts, so threads were taken back out and corrections made. Threading ten shafts can get confusing, so it is critical that I check my work.

Did the spider check for threading errors before weaving her intricate pattern? Did she know her invisible web could be seen on a dew-rich foggy morning?

Napping spider on her almost invisible web.

Napping spider on her almost invisible web.

Spider's web in dew-rich foggy morning.

Early morning dew reveals the outlines of the spider’s web. Not wanting to be seen, the spider quickly climbs away to hide when I come close to her woven threads.

Our world tells us to make enemies, and hate haters. To grip what is mine, and demand my rights. It’s in my human nature to be that way. But love is different. Love your enemy, do good instead of hate, pray for those who mistreat you. Is that possible? Yes, if you know the love of God firsthand. Love makes you different. It changes you, making you want to take account of your attitudes, and check your motives. Count threading groups, and check the threading. There will be errors as you weave, but they are learning experiences, not fights. Remember, the invisible web we weave may not be as invisible as we think.

May you be different.

With love,
Karen

4 Comments

  • Annie says:

    Good morning, Karen!

    I have never seen ten shafts threaded before. The first thing that came to mind was “This must have been the inspiration for Shakespeare’s line “Oh, what a tangled web we weave, when first we practice to deceive.” The play it appears in is escaping me for the moment. In comparing the spider web to the one on your loom, the spider web seems rather simple!

    Thank you for sharing your thoughts this morning. Have a wonderful day and weekend.

    Annie

    • Karen says:

      Hi Annie,
      Shakespeare’s quote is certainly on target.

      I watched the spider start weaving her web a couple weeks ago. Very meticulous and precise, it seemed. So fascinating! It’s amazing how something so fragile can be so strong. As far as simple? Yes, mine is considerably more complicated…and will last a bit longer, too.

      Thanks for chiming in! I enjoy hearing your thoughts!
      Karen

  • Cat Wycliff says:

    What a lovely way to describe how love makes us different. And your practical ideas on re-threading and checking it twice deserve to often be repeated. I need to remind myself of your patient practice.

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Weave Amazing Taqueté Like an Octopus

I need this sample section to practice being an octopus at the loom. I switched from kuvikas to taqueté. Now I am weaving with two double-bobbin shuttles and two treadles at a time. With no intervening tabby treadles to balance my foot placement.

Kuvikas first, then taqueté. Same threading, different tie-up.

From kuvikas to taqueté. Changing the tie-up allows the loom to weave more than one structure with the same threading.

This taqueté uses the same threading as the kuvikas that preceded it. You’ve heard it said, “One change changes everything.” Try changing the tie-up. Everything changes. Treadling sequence, weft arrangement, and picks per inch. I’m struggling like a beginner with this double treadling, double double-bobbin shuttling. But I’m not quitting, because look what it weaves! The cloth is amazing.

Two double-bobbin shuttles for taqueté.

With no tabby picks in between, the double-bobbin shuttles take turns with each other.

Taqueté, with double treadling and double double-bobbin shuttling.

Each pattern block uses two treadles, pressed simultaneously. The treadling sequence changes four times for each complete row of pattern. Each block (a third) of the square-within-a-square pattern has five complete pattern rows.

One life change, good or bad, can bring a struggle. We try to move forward like we did before, but now it’s not working. Too many things are shifting at once. One thing changed, and now we are searching for sound footing. God is present even in our struggles. The warp is the same, the threading hasn’t changed, and the Grand Weaver is still at his loom. God is a very present help in trouble. God is now and near. Right now, right here. And then we get a glimpse of the cloth he is weaving… It is amazing!

May you endure through struggles.

Your weaving octopus,
Karen

5 Comments

  • Betsy says:

    Is there a trick to pushing two treadles at once on a Glimakra? I thought one couldn’t do that, and I’ve never tried it on my Standard.

    That fabric is gorgeous!

    • Karen says:

      Hi Betsy, Yes, there is a trick! It is an unusual tie-up. It works because the tie-up is done with two freestanding groups, so they can be double treadled. And some of the shafts are not tied up. I’m using a draft from The Big Book of Weaving, by Laila Lundell, pp. 164-165, where this set up is explained. I am fascinated by this fabric, and the whole fact that this is even possible!

      Happy weaving,
      Karen

  • Annette says:

    I appreciate your comments. In a world gone mad your voice is the calm in the middle of a storm – it reminds us who is in charge. God Bless.

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