Weaving Rhythm Awakening

All the looms are bare right now. Four empty, quiet looms. But they won’t be quiet for long. I have thread/yarn and plans ready for each loom. I hear a rumbling as the looms begin to wake up. Before long, the weaving rhythm will be fully awakened in this place!

12/6 cotton rug warp in Pear and Brass for rag rugs.
Glimakra 100cm Ideal countermarch loom has moved into the spot vacated by my recently-acquired Glimakra Standard 120cm countermarch loom that we have moved to a new location.
12/6 cotton rug warp in Pear and Brass for Rosepath rag rugs.
6/2 Tuna wool for a 12-shaft double weave blanket.
Glimakra 120cm Standard countermarch loom in its favored position in our home. This loom has not been moved.
6/2 Tuna wool in Lapis Lazuli and Almond for a 12-shaft double weave blanket.
Vavstuga pre-wound warp for towel kit.
Handbuilt little 70cm countermarch loom in its perfect little corner by the windows. Pre-wound warp from Vavstuga (Mary’s Towel Kit) that my dear friend Elisabeth is letting me weave.
22/2 Cottolin in Sapphire and Yellow Ochre for towels.
Moving the Glimakra Standard loom to its new studio space.
Glimakra 120cm Standard countermarch loom…in pieces. We are moving the newest loom in the family to a room that is next to Steve’s carving workshop.
Starting to put together the new drawloom.
Glimakra Standard horizontal countermarch loom is being reassembled in its new Drawloom Studio! The drawloom boxes have been opened and parts sorted and organized. Let the fun begin!
The room is undergoing some renovations, too.
New jacks for th horizontal countermarch to fit with the drawloom attachment.
Draw attachment frame obstructs the jacks in the horizontal countermarch on the 120cm Standard loom. So Steve made all new horizontal jacks for the countermarch.
New drawloom!
Loom has an extension added at the back. We put it at its fully extended length to make sure it fits in this room. It does!
New drawloom! Just about ready to start!
Glimakra Standard with Myrehed Combination Drawloom–Shaft draw system and single unit draw system.
Unbleached 16/2 cotton for I-don’t-know-what-yet. But I will soon!
Book pictured is Drawloom Weaving, An introduction to warping and weaving on a drawloom by Joanne Hall.

May you see your best dreams unfold.

Happy, Happy Weaving,
Karen

18 Comments

  • Debbie says:

    You are gathering quite a herd of beautiful looms!

    • Karen says:

      Hi Debbie, I can’t deny it. Each one fills a purpose. However, the reality is that I can only weave on one at a time. So I think I’m done gathering looms…for now.

      Happy weaving,
      Karen

  • Kelly says:

    Wow, so many looms, it’s like a dream!

  • Betsy says:

    Oh, look at my baby all dressed up in a drawloom! I thought you couldn’t put a drawloom on a horizontal CM loom, but I guess you found a way. Very interesting! One of these days i’d like to see that. 🙂

    • Karen says:

      Hi Betsy, Your baby is just waiting for you to come and see her! As soon as I get her all dressed and ready I’ll let you know. I’d be thrilled for you to come out!

      Yours,
      Karen

  • Nannette says:

    Wow! I look forward to your postings on the progress.

  • Mary says:

    Wow!! I am excited to see what you bring forth from that draw loom!! Have fun!!

  • Alice says:

    You are an inspiration, my dear!!!!

  • Robyn Tanchum says:

    What a lucky girl you are to have so many beautiful looms! I too am a lover of Glimakras. I love their simple beauty, the way they whisper while you weave, and the ease of treadling. Can you help me with a warping question, please? Where do you put the raddle when you warp back to front? I have tried Joanne’s method of putting the raddle on the back beam, but I would prefer to rest it further toward the front, perhaps on top of the castle or even resting, clamped, to the shafts. The lease sticks would be in their usual position per Joanne’s method.
    Also, I wonder if you have any tie-up tips for the original Ideal that doesn’t have the “doorway”and extra room that the Standard has. I find the tie-ups truly tough to reach. Thank you! I LOVE your blog!

    • Karen says:

      Hi Robyn, I have never used a raddle. I just pre-sley the warp ends in a reed. So I don’t have an answer for you on that one.

      For the Ideal, I do most of the tie-ups from the front of the loom. It can help to set the treadles on a box so that you can have both hands free for the tie-ups. I also usually put in all the treadle cords first, and then attach the cords to the treadles. That seems to make it a little easier. I also take breaks so I don’t strain my back.

      I’m so happy to have you coming here. Thanks for asking great questions!
      Karen

  • Shari says:

    Amazing! You are the Gkimakra poster child!

  • Annie says:

    I am so happy to see your draw loom dreams come true, Karen. Life is good!

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Process Review: Twelve Placemats

Twelve placemats just came off the loom! Now, for the finishing work. Measuring, examining, repairing, washing and drying, and hemming. Soon they will be ready to dress the table for a home-cooked meal. Mmmm… The focus is on food and fellowship. The placemats are there to catch the drips and crumbs. And then, washed and made ready for the next meal.

8/2 cotton for placemats.

Striped warp is beamed.

Tied on and ready to weave.

Color and Weave placemats.

Color and weave produces different patterns.

Weaving in the afternoon shadows.

Weaving placemats in a sunny corner.

Variety of stripes with color and weave placemats.

Sisters in the color family!

Color gradation and color and weave.

Interesting shadows at the loom.

Christmas. While our focus is on food and fellowship, a beautiful mystery plays out right in front of us. A baby named Jesus entered the world. Christmas celebrates this. Jesus came to take away our offenses, catching our drips and crumbs. The mystery of God is glorious. This is the mystery: Jesus takes our stains, and we who trust in him come out washed and made ready for glory. This is good news, for which a weary world rejoices!

Weaving at night by the fire, Christmas lights reflected.

Plain weave placemats in color and weave.

The End!

Cutting off! Twelve 8/2 cotton placemats.

May your table be dressed for good times.

Have a glorious Christmas,
Karen

28 Comments

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Tried and True: Color Gradation

When I decided to use up some of the quills that have collected, I stumbled on one of my favorite techniques—color gradation. The weft colors change gradually instead of making distinct weft stripes. Remember the placemats on the little countermarch loom? I am weaving the last few.

Color gradation on plain weave with color and weave effects.

Using up thread left on quills for some color gradation play.

Doubled weft gives opportunity for easy color gradation.

Color and weave effects on plain weave. 8/2 cotton weft is doubled.

The quills on a double-bobbin shuttle don’t always empty at exactly the same time. The quill that has thread remaining on it goes in a box for later use. Those quills in the box are what I’m using here. For this placemat I’m letting gradient color changes happen in varying increments, according to the amount of thread left on the quill. I have five shades of 8/2 cotton, ranging from coral pink to pumpkin.

Colors for gradient weaving.

Color “sisters” play well together.

This is the perfect setup for some subtle color gradation: Five closely-related hues, a double-bobbin shuttle, and a supply of leftover quills. For best effect, I arrange the colors in order, from light to dark, or dark to light.

Color Gradation

  • Weave a section with two quills of color A (the lightest color)
  • Weave the next section with one quill of color A and one quill of color B (one shade darker than color A)
  • Weave the next section with two quills of color B
  • Weave the next section with one quill of color B and one quill of color C (one shade darker than color B)

And so on…

What could be simpler?

Color gradation.

Pumpkin color adds a pleasing subtle accent to the corals and reds in the cloth.

May you make something beautiful with the little bits that you have.

Happy weaving,
Karen

6 Comments

  • Ruth Terry says:

    Such a lovely way to play with color. I often transition from one color to another without a hard line by weaving 1 pick with new color, 4 picks with old color, 2 picks with new color, 3 picks with old color, 3 picks with new color, 2 picks with old color, 4 picks with new color, 1 pick with old color and transition complete. Will try your double bobbin change next time I am ready to play with colors. Blessings during this advent season, Ruth

    • Karen says:

      Hi Ruth, Thanks for sharing another way to transition the colors. That’s a great way to achieve a lovely gradient.

      It would be fun to do a sample piece with various ways to do color gradations. Or, that would be an interesting study group project.

      Advent blessings to you,
      Karen

  • Betsy says:

    We turned on the Spurs game the other night and I took one look at the other team’s uniform and said “gradient!” Not something you often see in a basketball uniform, lol.

    Love the placemat!

    • Karen says:

      Hi Betsy, That’s too funny! Who else is even going to notice such things? …unless we call it the popular name-“ombré,” meaning shaded in French.

      Happy weaving,
      Karen

  • Vivian says:

    I realized on a recent project the subtle transition between two light colours, in different tones added depth. I decided to shake up the mix and make the transitions much narrower in the next project and didn’t have as near an interesting effect. It needed large areas each for contrast.
    I love your pattern too

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Two Kinds of Dressing

Before everyone arrives for our Thanksgiving family gathering, I am making pie crust for the pecan pie, dough for my “famous” cranberry bread, and doing the prep to make Gram’s turkey dressing. Each family is bringing their contributions to the meal (feast). Thanksgiving Day is a flurry of activity with too many cooks in the kitchen—just how we like it! And sitting at the table with the feast before us, we give thanks. Thanks to each other, and to our Creator. We are blessed!

Making perfect pecan pie for Thanksgiving.

Thanksgiving feast prep. It takes two pastry chefs to make the perfect pecan pie.

And before everyone arrives I also manage to sley the reed on the Standard. A different kind of dressing—loom dressing.

Sleying the reed.

Two ends per dent in a 45/10 metric reed.

Sleying the reed.

I sit “inside” the loom on my loom bench to sley the reed.

Next step - tying on!

After the reed is sleyed, I remove the loom bench, lower the shafts, and move the countermarch to the front of the loom. Then, I place the reed in the beater and make sure it is centered. Next step–tying on!

Fresh warp on the back beam. Magical!

Getting dressed. Oh the beauty of a fresh warp going over the back beam! Magical.

A feast for the eyes and hands and heart. Thankful indeed!

May you give thanks,
Karen

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Quiet Friday: Linen Satin Dräll

This is one of those weaving projects that puts you on top of the world. Everything about it. Linen, ten shafts, five-shaft satin weave, ten treadles, gorgeous Moberg damask shuttle, single-shuttle rhythm, full-body weaving, magical fabric. I did have more than my share of knots in the warp, and a few skipped threads and selvedge loops. But you will see no evidence of those glitches now. All you will see is the natural beauty of linen, with its characteristic unevenness. And the reflective satin dräll weave, with its light-catching trickery.

The warp is Bockens unbleached 16/2 line linen. Two of the towels use 16/1 golden bleached linen for the weft. At my husband’s request, the remaining three towels have 16/2 linen weft, in ecru. The thicker weft helps make these into robust absorbent handtowels. A table square finishes off the set.

Enjoy the process with me as I reminisce over the start-to-finish pleasure of weaving these towels.

Winding a linen warp.

Linen warp chains.

Tying on the linen warp.

Tying up 10 treadles on a countermarch!

Sampling weft colors on a linen warp.

Sunlit linen damask weaving.

Hidden patterns in the 5-shaft satin.

Linen 5-shaft satin dräll!

Beautiful Moberg damask shuttle.

Spliced warp ends.

Linen satin dräll on the loom.

End of the warp is near. So many warp end repairs!

Cutting off! Linen 5-shaft satin dräll.

Just off the loom--linen 5-shaft satin.

Glimakra band loom. Hanging tabs for towels.

Ready to sew handwoven hanging tabs on new linen towels.

Just off the loom--linen 5-shaft satin handtowels.

Handwoven linen towel with handwoven hanging tab.

Handwoven set of linen satin dräll towels. Karen Isenhower

May you find pleasure in what you do.

Happy Weaving,
Karen

18 Comments

  • Beth Mullins says:

    Exquisite, Karen!

  • JAN says:

    Nice finishing touch with hand woven hanging tab. Had you ever though of putting another one in the middle of the long edge so the towel can be hung on a hook above the sink?

    • Karen says:

      Hi JAN, I haven’t done that, but it’s a great idea. I would need to figure out how to attach it, since there is not a hem on the side. These tabs would be a little too thick to fold the ends under, but could certainly do that with tabs made with thinner threads. Have you done it?

      Thanks,
      Karen

  • Janet says:

    Beautiful towels and beautifully woven!

  • Betsy says:

    Wonderful towels! And I’m so impressed that your husband knows enough about yarn to recommend 16/2 over 16/1.

    Your little bowl of pegs next to the treadles reminds me of my last project, huck placemats. I could remember the treadling, but not the 18 repeats. So I had a bowl like yours with 18 pegs, and after every repeat I moved one peg to another bowl. And every once in a while I’d crawl around the Julia counting the repeats in case I made a mistake, lol.

    • Karen says:

      Hi Betsy, Haha, I may have given the wrong impression about my husband. He specified thicker, less dainty towels, and I chose the appropriate size of linen.

      What a great way to keep track of repeats. I’m going to remember that!

      Happy weaving,
      Karen

  • Nancy Nordquist says:

    These are absolutely beautiful! Than you for sharing so many photos and details of the process.

  • Joanne Hall says:

    Yes, this weave is magical and so fun to weave. And thank you for the beauticul photos. Did you use your phone to take these photos?
    Joanne

    • Karen says:

      Hi Joanne, I feel so “at home” weaving something like this. It is satisfying and rewarding.

      I use my iPhone 7 for all my photos. Steve has a very nice digital SLR camera, but I do best with the simple little iPhone. And it’s always in my pocket or on the table beside me. I take way too many pictures, and then I whittle them down to my very favorites to share here.

      Happy weaving,
      Karen

  • Barb says:

    Beautiful design, beautifully woven. The joy & pleasure you have in weaving shows in every finished project. Each time you use these towels, you will be reminded of your enjoyment of the process of weaving. Thank you for sharing your talents and inspiring other weavers to find that joy!

    • Karen says:

      Hi Barb, Your thoughtful comments mean so much! If I can inspire another weaver to find a little more joy in this wonderful weaving process, that would be fantastic!
      Part of the pleasure of having towels like this in my home is getting to see others enjoy the results, too.

      Thanks so much,
      Karen

  • Angela says:

    Beautiful and inspirational!

  • Gretchen says:

    Love these Karen!! So simple and classic… and perfect! Beautiful.

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