Everything Is Fixable

Every now and then I forget where I left off. This happens when I get interrupted when I am not quite finished with a sequence at the end of a weaving session, or when I get interrupted when I am just getting started back on the loom. Often, the interruptions are my own thoughts going in different directions. The only loss is a few dozen weft threads that get pulled out one by one, plus the time it takes to pull them out and weave the right ones back in. Everything is fixable.

Sometimes it is necessary to backtrack. I was at a pause in weaving. When I came back to it I forgot to put in the gray weft stripe. Pulled out more rows than I wish, then resumed weaving, starting with the gray stripe.
No more troubles, just attentive weaving.
Still several meters to go on these bathroom curtains! 24/2 cotton, M’s and O’s, gray stripe is 16/2 cotton

I have come to the unfortunate realization that I am probably short on blue weft yarn and green weft yarn. This project is using yarn from my excess, and the warp yarn was measured out just so. I miscalculated on the weft yarn. My solution is to space the blue and the green weft stripes further apart. If I still run out of either color I will finish with the colors I do have. I may end up liking it better that way. Everything is fixable.

Blue weft at the front edge makes a lovely contrast with the poppy and the pumpkin warp colors.
Cart by the loom holds shuttles and yarn. You can see that I am using a 120 cm reed in a 70 cm loom. I can get away with it by having the loom in the corner of the room.
Winter wool indoors and spring blooms outdoors. Brage wool for an autumn/winter cape. Goose-eye twill on four shafts.

I did not imagine that one of the single-unit draw cords on the drawloom could snap in two while I am putting it on the hook bar. But it happened! Now what? I’m able to finish the 6-thread unit by tying a knot and maneuvering threads this way and that way. This is not acceptable for weaving the rest of the warp, however, nor even for the rest of this napkin. I just so happen to have a fancy clip that Steve brought to me a couple weeks ago, saying, “I thought you might be able to use this somewhere.” It is the perfect temporary fix for this shortened draw cord. I will replace the broken draw cord before starting the next critter napkin (roadrunner). Everything is fixable.

Wild turkey is running with his head cut off for a few days. The single-unit draw cord that raises the threads at the turkey’s chin snapped when I put it on the hook bar. I finished the 6-thread unit for that chin by tying a knot in the end of the draw cord. I need to make a permanent fix, though, because the knot makes the draw cord just a little too short.
As a temporary fix, I found a double caribiner clip that is just the right size to hold the draw cord. Before I start weaving the next critter, I will try to replace this broken draw cord with a new one.
Wild Turkey – finished!
Chart beside the loom shows my row-by-row plan for the image being woven.

Yesterday we enjoyed Easter, the day of celebrating the resurrection of Jesus Christ from the dead. We are lost without Him, suffering from our own errors, miscalculations, and brokenness. The Heavenly Father raised Jesus from the dead to prove to us that Jesus is Lord. Everything is fixable in Him.

May you find the solution you need.

Your weaving friend, Karen

Extraordinary Animals on the Drawloom

Armadillo, fox, porcupine, jackrabbit, and deer are leading the critter parade. The twelve napkins will include the most common, the most interesting, and the most unusual animals that visit our backyard here in Texas Hill Country. The white-tailed deer are the most common, by far.

Feet first. The white-tailed buck is taller than he is wide, so his feet touch the bottom border. Pulled single-unit draw cords are seen on the hook bar pegs above the beater.
Just past the midway mark on this napkin, as seen on the measuring ribbon pinned on the side.
Having a large chart beside the loom helps me keep track of each row as the weaving progresses. One pattern shaft draw handle is pulled, which forms the pattern on the side borders. The single unit draw cords form the center image.

This white-tailed buck is one that Steve photographed on our property. I use Affinity Designer on my computer to turn a photo into a silhouette that I can use for my drawloom chart. It is a thrill to see the image emerge in the threads on the loom. From animal in our yard, to photo, to graphic chart, to threads on the loom! The common is made extraordinary.

The draw handles are pulled for the checkerboard pattern that goes across the bottom and top borders of the napkin.
Antlers of the buck reach nearly to the top border. Hem area is teal blue.
Before the buck, there is the jackrabbit. And before the jackrabbit is the porcupine. And the fox and armadillo before that are in hibernation on the cloth beam.

Even more extraordinary is what our Lord Jesus does with a common human like you or me who puts faith in him. As you look at the threads on his loom, you begin to see that it is his image being woven in you.

May your days be extraordinary.

Happy New Year,
Karen

One Napkin at a Time

Jack the Jackrabbit is ready to hop on over the breast beam. It is time to design the next napkin. I design one at a time and then weave it. We have the armadillo, the porcupine, the gray fox, and the jackrabbit. Up next is a white-tailed deer. Steve took a photo of a white-tailed buck on our property last week. I will use that photo as the basis for my deer design.

Finished to the top of Jack’s ears.
Chart shows row-by-row pulls for pattern-shaft handles and single-unit cords. One draw handle is pulled for each row of the side border.

I enjoy paying attention to the amazing wildlife around us. Some, like the porcupine, are seldom seen, and others, like the white-tailed deer are in view all the time. These napkins will be a record of the critters we have purposely noticed here on the property around our home in Texas Hill Country.

Black border hem finishes off this jackrabbit napkin. The fox looks us as he turns ’round the cloth beam.

We notice what we want to notice. When we make a point to notice the blessings of the Lord we start seeing his hand in less obvious places. When we turn our heart to understand his ways he starts filling in the gaps of our understanding. It’s good to keep a record of the blessings that we notice. Thank you, Lord!

What blessings have you noticed lately? Let us know in the comments.

May you have too many blessings to count.

Happy Weaving,
Karen

Drawloom Porcupine in Four Hours

After only four hours at the drawloom I have a porcupine! That’s an hour a day, four days in a row.
I enjoy the design-making process. It is rewarding to work out the details on the computer. The next reward is to see the printed version ready to take to the drawloom. When I first see the feet of the critter woven on the loom, I do a happy dance. And now that the porcupine is moving on around the breast beam, this feeling of accomplishment is the greatest reward. Nine more critter napkins to go, with many more rewards. Jackrabbit is next!

Day 1: Teal hem, gold border, black background, and porcupine feet! Happy Dance!
Day 2: Porcupine snout and tail reach into border areas. I use single units in irregular border areas like these, instead of the simpler pattern shafts that I use for the rest of the border areas.
Day 3: Second half of the porcupine is mostly the quills on its back. This is easy single-unit draw cords in combination with simple pattern shaft draw handles for the side borders. (Only 2 draw handles are needed for the side borders.)
Day 4: Finish up the top of the porcupine, the black background, the gold border, and then a blue hem area (not shown). Now I’m hopping off to design the jackrabbit.

Look for daily rewards. What rewards are you seeing lately?

May you be richly rewarded every day.

Happy weaving,
Karen

Fox on the Drawloom Is Simply Complex

Gray Fox is showing his stride. That bushy tail is impressive. On the drawloom I get to determine exactly where that tail will swish. Where the tail crosses into the side border, I switch from pulling one pattern shaft draw handle to pulling individual single unit draw cords. That’s where the complexity of the combination drawloom really shines. It gives me extraordinary flexibility for weaving the designs I have in mind.

Hem area is black. Wide gold checked border goes across the bottom and top of the napkin, and up both sides.
Pattern shafts hold the units needed for the horizontal and vertical borders. The vertical border checks are produced with just two pattern shafts. Where the vertical border is interrupted, I am able to choose the single units needed to fill the pattern. (This also means that I use single units directly across on the left border, too.)
Just past midway on this napkin.

In some ways I think of the drawloom as a tool of simplicity. Despite the countless cords and shafts, every piece has a simple purpose. Each single unit draw cord, for example, simply lifts a single unit of 6 threads. That’s all it does. Complexity is a matter of perspective.

May you enjoy the simple things you find in complexity.

All the best,
Karen