Weaving Rhythm Awakening

All the looms are bare right now. Four empty, quiet looms. But they won’t be quiet for long. I have thread/yarn and plans ready for each loom. I hear a rumbling as the looms begin to wake up. Before long, the weaving rhythm will be fully awakened in this place!

12/6 cotton rug warp in Pear and Brass for rag rugs.
Glimakra 100cm Ideal countermarch loom has moved into the spot vacated by my recently-acquired Glimakra Standard 120cm countermarch loom that we have moved to a new location.
12/6 cotton rug warp in Pear and Brass for Rosepath rag rugs.
6/2 Tuna wool for a 12-shaft double weave blanket.
Glimakra 120cm Standard countermarch loom in its favored position in our home. This loom has not been moved.
6/2 Tuna wool in Lapis Lazuli and Almond for a 12-shaft double weave blanket.
Vavstuga pre-wound warp for towel kit.
Handbuilt little 70cm countermarch loom in its perfect little corner by the windows. Pre-wound warp from Vavstuga (Mary’s Towel Kit) that my dear friend Elisabeth is letting me weave.
22/2 Cottolin in Sapphire and Yellow Ochre for towels.
Moving the Glimakra Standard loom to its new studio space.
Glimakra 120cm Standard countermarch loom…in pieces. We are moving the newest loom in the family to a room that is next to Steve’s carving workshop.
Starting to put together the new drawloom.
Glimakra Standard horizontal countermarch loom is being reassembled in its new Drawloom Studio! The drawloom boxes have been opened and parts sorted and organized. Let the fun begin!
The room is undergoing some renovations, too.
New jacks for th horizontal countermarch to fit with the drawloom attachment.
Draw attachment frame obstructs the jacks in the horizontal countermarch on the 120cm Standard loom. So Steve made all new horizontal jacks for the countermarch.
New drawloom!
Loom has an extension added at the back. We put it at its fully extended length to make sure it fits in this room. It does!
New drawloom! Just about ready to start!
Glimakra Standard with Myrehed Combination Drawloom–Shaft draw system and single unit draw system.
Unbleached 16/2 cotton for I-don’t-know-what-yet. But I will soon!
Book pictured is Drawloom Weaving, An introduction to warping and weaving on a drawloom by Joanne Hall.

May you see your best dreams unfold.

Happy, Happy Weaving,
Karen

18 Comments

  • Debbie says:

    You are gathering quite a herd of beautiful looms!

    • Karen says:

      Hi Debbie, I can’t deny it. Each one fills a purpose. However, the reality is that I can only weave on one at a time. So I think I’m done gathering looms…for now.

      Happy weaving,
      Karen

  • Kelly says:

    Wow, so many looms, it’s like a dream!

  • Betsy says:

    Oh, look at my baby all dressed up in a drawloom! I thought you couldn’t put a drawloom on a horizontal CM loom, but I guess you found a way. Very interesting! One of these days i’d like to see that. 🙂

    • Karen says:

      Hi Betsy, Your baby is just waiting for you to come and see her! As soon as I get her all dressed and ready I’ll let you know. I’d be thrilled for you to come out!

      Yours,
      Karen

  • Nannette says:

    Wow! I look forward to your postings on the progress.

  • Mary says:

    Wow!! I am excited to see what you bring forth from that draw loom!! Have fun!!

  • Alice says:

    You are an inspiration, my dear!!!!

  • Robyn Tanchum says:

    What a lucky girl you are to have so many beautiful looms! I too am a lover of Glimakras. I love their simple beauty, the way they whisper while you weave, and the ease of treadling. Can you help me with a warping question, please? Where do you put the raddle when you warp back to front? I have tried Joanne’s method of putting the raddle on the back beam, but I would prefer to rest it further toward the front, perhaps on top of the castle or even resting, clamped, to the shafts. The lease sticks would be in their usual position per Joanne’s method.
    Also, I wonder if you have any tie-up tips for the original Ideal that doesn’t have the “doorway”and extra room that the Standard has. I find the tie-ups truly tough to reach. Thank you! I LOVE your blog!

    • Karen says:

      Hi Robyn, I have never used a raddle. I just pre-sley the warp ends in a reed. So I don’t have an answer for you on that one.

      For the Ideal, I do most of the tie-ups from the front of the loom. It can help to set the treadles on a box so that you can have both hands free for the tie-ups. I also usually put in all the treadle cords first, and then attach the cords to the treadles. That seems to make it a little easier. I also take breaks so I don’t strain my back.

      I’m so happy to have you coming here. Thanks for asking great questions!
      Karen

  • Shari says:

    Amazing! You are the Gkimakra poster child!

  • Annie says:

    I am so happy to see your draw loom dreams come true, Karen. Life is good!

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Another Loom?

Guess what? I added another loom. You might think I already have plenty of looms. This one is a beautiful, well-cared-for 120 cm Glimåkra Standard countermarch loom. It’s the first real step toward another big dream—drawloom weaving. What a pleasant surprise for me to find out that the dear person handing off this loom is one of my blog friends from right here at Warped for Good! And not far from our Texas hill country home. Thank you, friend!

Bringing a loom home!

Glimakra Standard, 120 cm. The side gables fit, but just barely, in the covered bed of our Tacoma pickup truck.

Bringing a loom home with me!

Sticks. A Swedish loom is mostly a pile of sticks all fitted together just so.

There are a few things to be done before drawloom weaving becomes a reality for me.

  • Read, re-read, and review everything I can get my hands on about drawlooms and drawloom weaving, especially Joanne Hall’s new book, Drawloom Weaving, and Becky Ashenden’s DVD, Dress Your Swedish Drawloom.
  • Fix up the light-filled room in the hangar (did I tell you we have an airplane hangar on our property?) where there is ample room for the extended-length drawloom.
  • Order the drawloom attachment and supplies.
  • Move the loom to its special room in the hangar.
  • Assemble the drawloom.

In the meantime, I’ll weave a couple projects on this loom while it sits in a prized corner in our home. In our little piece of hill country. (We make our final move there next week!)

Setting up a Glimakra Standard loom.

Setting up the loom.

New loom, ready and waiting.

Ready and waiting.

Loom with a view of Texas hill country.

Loom with a view of Texas hill country. Perfect temporary spot.

May you take a step closer to your biggest dreams.

With deep gratitude,
Karen

20 Comments

  • Beth Mullins says:

    What a lovely blog friend! Most likely, she couldn’t think of anyone more deserving. The temporary spot is, well, perfect!

  • Betsy says:

    What a beautiful, light-filled spot for her! I’m sure she’ll be happy there.

  • Michele Dixon says:

    What a wonderful gift. The temporary space is fantastic. Love all the light and of course, our beautiful Texas views. Congratulations.

  • That is something I’ve wanted to do too – drawloom weaving. I heard that Glimakra is designing a drawloom attachment right now that will fit their little Julie countermarche loom. Eager to see and hear about your new adventure!

    • Karen says:

      Hi Lynette, I have so much to learn. It will be an adventure indeed. I’m glad to hear that you’re interested.

      I know you can put a drawloom on the Ideal, but I hadn’t heard that about the Julia.

      Happy weaving,
      Karen

  • Annie says:

    I saw my first drawloom this past weekend at Heritage Fair in Waco. The loom was so big and tall! A hangar is a good place for one. I couldn’t even begin to figure out how to weave with it. I am looking forward to hearing and seeing your adventures on this, Karen.

    • Karen says:

      Hi Annie, That’s the very loom that got me interested in drawloom weaving! My three times of weaving at Homestead on that loom got me hooked.

      Happy weaving,
      Karen

  • Wow!!
    So much to learn. I look forward to your posts as you explore the new loom.

    Nannette

  • Vivian says:

    Wonderful big step! Wonderful story! Thank you

  • Janet says:

    Karen
    I am also looking for a drawloom or a suitable loom I can convert, if you should come across one in the future would appreciate if you keep me in mind.
    Janet

    • Karen says:

      Hi Janet, Where do you live? I’ll let you know if I hear of anything.

      This gives me a great idea for a future post – Where to look for used weaving equipment.

      Thanks,
      Karen

  • Janet says:

    I’m just down from Red Scottie fibers but willing to take a road trip. Thanks Karen, still loving the rug I made with you at Debbie’s 🙂

  • Ruth says:

    Thank you for another wonderful post. The first few pictures remind me of my recent purchase, move and set up of my Glimakra loom. You inspired me to learn to weave on a Glimakra loom and I took the plunge. I’m close to finishing setting at my “new” loom and taking her for a test spin – just tying up treadles is left and we are ready to go (I think). It is always a pleasure to learn from you. Blessings, Ruth

    • Karen says:

      Hi Ruth, That’s Fantastic! Oh, you have a wonderful learning journey in front of you. Enjoy the ride!

      Let me know if I can assist in any way!

      Love,
      Karen

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Dream Weave and Slow Reveal

This project is a slow reveal. I am showing what I am doing now, but I am waiting to tell what this will become. There is a flurry of preparation behind the scenes. In time, you will see what develops on the loom. You and I both will find out if I am jumping in over my head. Or, if I can, in fact, pull this off.

Warping reel with 16/2 linen for a new warp.

Warping reel with 16/2 line linen for a new warp.

Dressing the Glimakra Ideal loom with linen.

Linen shows itself to be a beautiful mess.

This is a gorgeous linen warp, with three shades of 16/2 linen: sable, northsea blue, and persian blue. I am dressing my Ideal loom to almost full weaving width: 93 centimeters. The sett is 3 ends per centimeter in a 30/10 metric reed (equivalent to 7.6 ends per inch). I am intensely eager and cautiously optimistic regarding this weaving adventure.

Linen. Dressing the loom.

Linen. Sable, northsea blue, and persian blue. Bockens linen comes with color numbers only. It is interesting to see the names given to the colors by different suppliers. These creative color names are from Vävstuga.

Ready to beam this linen warp on my Glimakra Ideal loom.

Pre-sley reed is in the beater. It’s time to grab some warping slats, slide the lease sticks forward, and beam the warp.

Love is like a hidden dream in your heart, awaiting expression. Love goes with you. It is a treasure you get to bestow on others. In some cases, your treasure may be their only hope. The God of love with us weaves the love of God in us, as his faithfulness is revealed over a lifetime. If we could see the end result the Grand Weaver has in mind, most certainly it would make us smile.

May the God of love and the love of God be with you.

Secretly,
Karen

10 Comments

  • Julia says:

    I’ve no doubt whatsoever that you will be completely successful in this endeavor. You’ve shared a few detours in your weaving, but I’ve yet to see a failure.

  • Linda says:

    This is fun for me to watch as I’ve never warped with pure linen.

  • Maggie Ackerman says:

    I’ve worked with a linen warp before on a rag rug and had issu s with fraying and breaking until I wet the warp while weaving. Will you have to wet this warp to weave without fraying? Gorgeous colors. Whatever this becomes will be beautiful.

    • Karen says:

      Hi Maggie, Oh yes, I know exactly what you’re talking about. I’ve had to do the same at times, putting a little dampness on the selvedge threads. But I’ve also had quite a few experiences with linen that gave me no problems whatsoever. I hope, hope, hope this one will refrain from fraying. We shall see…

      Happy weaving,
      Karen

  • Betsy Greene says:

    I’m looking forward to following this project. You’re using a very open sett. I have an idea but I will keep it to myself and see if I’m right. I like your use of a multi colored warp. It’s going to add some visual interest and depth to the … whatever. I’m quite sure you are not jumping in over your head. You are a very strong swimmer!
    Betsy

    • Karen says:

      Hi Betsy, I agree, I think the multi colored warp will add visual interest and depth. I may be able to swim this, but I’m still taking a deep breath as I jump in.

      Thanks for your encouraging words!
      Karen

  • Hmmmm..
    Monochromatic ‘starry starry night’ blues going on the warp. A visual surprise. I was expecting the high contrast of the plum blanket as I scrolled down the posting, instead of my go-to color pallet. As always the colors are wonderful (and grown up).
    ~ a yard wide— That width could be used for much. Clothing, drapery, household linens… …. I will have to wait as you share to progress.
    You are going full steam ahead with a new challenge.. Oops CHALLENGE. I am dragging my feet getting back to the new warp on my loom set up for rosepath rag rugs. I will be brave and go forward, after I complete the patched baby blanket with lime green and turquoise turtles. 🙂
    Nannette
    .

    • Karen says:

      Hi Nannette, Isn’t this one of the things we like about weaving – the CHALLENGE? Thrill and fright. But there’s no challenge at the loom that can’t be tackled and overcome.

      Rosepath rag rugs?? How fun! I’ll trade you… 😉 naw, just kidding. Go for it. You can do it!

      Happy weaving,
      Karen

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How Long Did it Take You to Weave That?

It’s the question we expect to hear. “How long did it take you to weave that?” “…Well, hours and hours, basically.” After almost three hours of threading, I am nearly to the halfway point. How can I convey all the necessary work of dressing the loom? Or, the time it takes to practice a new skill at the loom? Or, the finishing work of twisting fringe, hand hemming, or cutting and sewing?

Threading ten shafts.

Threading ten shafts. The two newest shafts are pale compared to the others. They haven’t yet developed the golden hue of the wood around them.

With any hand-crafted article, there is more than meets the eye. Why do we want to know how long it took to make it? Are we trying to measure value, or understand the maker’s process? Or, is it simply a statement of incredulity about something we didn’t know was possible?

Threading ten shafts--in silence.

For this threading, I sit in silence. No music, no podcasts, no wandering thoughts. I’m easily thrown off by distractions, especially when threading ten shafts.

Threading linen on ten shafts.

Half of the 16/2 linen warp is threaded.

We have a Maker. He fashioned our physical selves; we see that. He also made us with heart and soul. He starts the weaving process before we are born, and takes as long as he needs for the finishing. The Lord, our Maker, includes the necessary development of our character, and the intricacy of our personality, and our dreams and hopes. We are more than meets the eye. How long does it take to make a person? A lifetime.

May you enjoy the process.

Love,
Karen

8 Comments

  • Beth says:

    This is an often-asked question. When someone want to commission, I include descriptions of all steps with estimated time spent so they better understand. I admire your ability to thread in a quiet environment as I seem to need background noise.

    The older I get, the more I understand your comment about taking a lifetime to make a human. We are constantly changing; a forever work-in-progress.

    Can’t wait to see what you’ll be making with the linen!

    • Karen says:

      Hi Beth, I think it’s the question I hear most often. I’ve never thought of writing a description of the steps and estimated times for customers. That’s a great idea.

      I need quiet if I have to count more than 4 because I’m very distractible. Haha. I started out trying to listen to a podcast and had to redo the first 20 threads.

      Yes, a forever work-in-progress!

      Happy weaving,
      Karen

  • Julia says:

    A textile artist I met one time answered the question this way: “This piece took my entire life. Everything in my life that came before this piece contributed to its creation.”

  • Cat Wycliff says:

    Julia’s comment is a version of the famous saying by Picasso when someone was incredulous about the going price of his art work. Rings so true!
    As a beginning weaver (only 2 years), I struggle mightily with warping. I always seem to have tangled threads. I am careful. I thread heddles with no music, no distractions. Just silence. I have clipped heddles, marked them with colorful counting stitch loops, used painter’s blue masking tape–all in an effort to get it right. Sadly, it never is. I always end up with floaters.

    • Karen says:

      Hi Cat, I’ve read Picasso’s quote before. ‘Tis a common thought among makers and artists.

      The learning journey can be steep at times, but it does get easier the more you practice. If you thread texsolv heddles you might find this video helpful that I made a couple years ago, if you haven’t already seen it. link – Threading Heddles

      Happy persistent weaving!
      Karen

  • Deborah R Meyer says:

    I am writing a book and one of my characters is a weaver. I know nothing about weaving and would like to know the answer to this question. How long does it tale to make a small throw rug? Just approximately is ok. I just have no clue. Thank you so much.

    • Karen says:

      Hi Deborah, It can take a few hours to dress the loom to get it ready to weave, so it’s more efficient to dress the loom for several rugs at a time. Dressing the loom entails winding the warp threads to measure them, and then step-by-step putting the threads on the loom in order, threading each thread through the eye of a heddle, and then sleying the threads through dents (slots) of the weaving reed. After tying the threads on to the front, and tying up the treadles to connect them to the shafts, the weaver is ready to weave. For a rag rug, the actual weaving time for a small rug might be 3-4 hours. If it’s a weft-faced wool rug, it will take four times as long as that to weave it. After a rug is cut from the loom it still requires finishing, such as tying all the ends into knots and then hemming, or twisting the ends into fringe.

      I hope that gives you a good idea of the time it takes to weave a small rug.

      All the best,
      Karen

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Miles and Miles to Weave

I just reached the quarter-of-the-way mark. After completing a long border at the beginning of this runner, I have been weaving the same two blocks over and over. And over. Really? I’m only a fourth of the way there? This long table runner is a marathon, not a sprint.

M's and O's on the loom.

Unbleached cotton warp and half-bleached linen weft. The checkerboard appearance of this sålldräll (M’s and O’s) will become rounded when taken off the loom, and, even more so when wet-finished.

Reached the quarter-of-the-way mark!

Weaving reaches the “1/4” mark on the pre-measured tape. Only 3/4 of the way to go! 🙂

I am already thinking about the rag rug project that’s up next. The plans are written out. The rug warp is waiting on my shelf. And it has been too long since I’ve had rag rugs on the loom. As you know, rag rugs are my favorite. If I’m not careful, impatience creeps in.

M's and O's table runner on the loom.

Keep weaving, winding more quills, and making fabric.

M's and O's on the loom.

Beginning border of the table runner is going around the cloth beam.

Look up to heaven. When you pray, it’s a signal that you want the Lord of heaven to get involved. It’s a way of saying you don’t have everything you need on your own. Like patience. And gratitude. He brings you back to remember how much you enjoy the mechanics of weaving–throwing the shuttle back and forth, gliding your feet across the treadles, making threads turn into cloth. Living a dream come true. Miles and miles of Sålldräll (M’s and O’s)? Yes, please. I’m happy with that.

May you live your dream.

Gratefully,
Karen

10 Comments

  • Tiny Beunk says:

    This is SO unbeleavable! Just yesterday I made MY warp to weave this same weave! I use red for accent, just like VÄV showed it. Curious for your result.

  • Mary Lawver says:

    Beautiful Karen. So subtle and so striking. And your selvedges. I know, practice!
    Mary

    • Karen says:

      Hi Mary, I do love vibrant colors, but I’m fond of the neutral colors, too, with their subtlety and elegance. Yes, practice -mindful practice- improves just about anything.

      Thanks for taking time to comment!
      Karen

  • Cindy Bills says:

    Thanks as always for sharing! I often fight impatience when I get a project on the loom, weave a foot or so, realize it’s going to work and see how it’s turning out. Then my mind begins my next project and I begin to lose interest in the one I’m doing.
    Our Lord uses weaving to teach us many things, doesn’t He?! I’m weaving and praying and I suddenly realize this is a habit of mine across many areas of my life, this “beginning to execute” then losing initial interest and wanting to move on to something new. I AM a finisher, but too wrapped up in that initial thrill…
    As a writer, this can be deadly to my work. Starting a book and losing interest half-way through… and our Lord begins to teach me while I’m weaving. Throw the shuttle, like you said; BE HERE in this moment; revel in the joy of creation itself rather than concentrating on anything else. And practice patience in all things. Thank you for reminding me of recent lessons learned! 🙂

    • Karen says:

      Hi, Cindy, I love hearing what you’ve been learning. Life is rich with teachable moments. “Practice patience in all things.” – This would be a great motto to hang on the wall in the weaving studio. What better way to practice than weaving!

      All the best,
      Karen

  • Nanette says:

    I’m sort of there too, but haven’t lost patience YET. A 6 foot runner, with border. BUT mine is a multi-color 8 shaft overshot long repeat, so it isn’t too boring yet either, and rather challenging since it is on a table loom using a 5-lever lift plan instead of treadles. My mantra: ” the process, not the product” and the process includes concentration and hopefully perfection! Your ribbon-measuring technique has been a big help. Thanks for sharing. Nanette

  • Karen says:

    Sometimes the long repitition, instead of frustration, gives me a kind of peaceful or comforting feeling. Relaxing because I know that particular cycle. Peace of mind, heart.

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