Process Review: First Drawloom Warp
- By Karen
- March 26, 2019
- 15 Comments
There are two questions I hear most often. 1. How long did it take? 2. What is it going to be? These are hard questions to answer. I admit that I stumble around to find satisfying answers. 1. How long? Hours and hours. 2. Cloth. It is going to be cloth. What will the cloth be used for? I don’t know. But when I need a little something with a pretty design, I’ll know where to find it. There are two finished pieces, though, from this first drawloom warp: the Heart-Shaped Baskets table runner (adapted from a pattern in Damask and Opphämta, by Lillemor Johansson), and a small opphämta table topper that I designed on the loom. The rest are samplers, experiments, tests, and just plain fun making-of-cloth. Oh, and I wondered if I could take the thrums and make a square braid…just for the fun of it.

I will let the pictures tell the story of this first drawloom warp.
May you have plenty of things to make just for fun.
Happy Weaving,
Karen
15 Comments
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Tools Day: Cartoon Trials
- By Karen
- October 9, 2018
- 2 Comments
Making a cartoon for a lizard tapestry this size is quite a process. First, I enlarge the photograph. Then, I trace the outlines of the details onto a sheet of clear acetate. Next, to make the cartoon, I trace the bold Sharpie lines of the acetate image onto interfacing material meant for pattern making. But next time, it will be different.

Tracing outlines from the enlarged photograph onto the sheet of acetate. Photo image on the iPad helps clarify which distinctive lines to draw.

White poster board under the acetate makes the Sharpie lines visible. The interfacing material lays on top of the acetate so I can trace the lines to make my cartoon.
I don’t plan to use this interfacing material again for a cartoon. It is not stiff enough. As the tapestry progresses it becomes more and more difficult to keep the cartoon from puckering and creasing in places. A better option would have been stiffer buckram, like I used for my transparencies. (See – Quiet Friday: Painting with Yarn and Animated Images.) But I am not able to find buckram in sufficient width.

Interfacing material is susceptible to puckers and creases. Unevenness in the cartoon can result in a distorted woven image on the tapestry.
After I finished weaving the lizard portion of the tapestry, I decided to experiment. I removed the interfacing cartoon and switched to the acetate sheet instead. There’s no puckering with this one! It is much easier to line up the cartoon with the weaving. It has drawbacks, though. Noisy! When I beat in the weft it makes thunderstorm sound effects. (Not so great for our temporary apartment life.) It’s also harder to see the cartoon lines. And the magnets I use to hold the cartoon slip out of place too easily.

Slat holds the cartoon up to the warp. To beat the weft, I move the slat out of the way of the beater, just under the fell line. The sheet of plastic would be a good prop for making sounds effects for a film about a thunderstorm.
Next time... White paper, like the gorgeous tapestry cartoon I have seen in Joanne Hall’s studio. That’s what I’ll use. Next time…

Joanne Hall in her Montana studio. This is the cartoon she made for her impressive Bluebonnets tapestry that hangs on display in a Dallas hospital.
May you learn from your experiments.
All the best,
Karen
2 Comments
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Good morning Karen,
My interest is always drawn to how things work. Tapestry is not an easy medium to work in. But, oh… Such beautiful results.
Could the widths of the buckram be spliced together?
May you continue to find new paths to explore.
Nannette
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Little Experiments on the Loom
- By Karen
- June 16, 2017
- 4 Comments
This is my attempt to add a fascinating detail. I alternated white and brass-colored ends in the warp stripe. In a similar fashion, I alternated colors in the weft stripe, too. It’s an experiment. The short columns that emerge in the weft stripe are a result of this thread arrangement. The outcome looks promising. Wet finishing will reveal the final effects of this low-risk exploration.

M’s and O’s (Sålldräll) with a warp stripe and weft stripe that have alternating light and dark threads.
I like to do experiments on the loom. Little risks open up possibilities and ideas for future projects. Every learning experience is a step that leads to insight for future learning. And I have so much more to learn!
Step-by-step learning has some common ground with finding a good path for life. Walking the right path is like walking in the early morning. The dim light of dawn gradually increases and the pathway becomes more and more clear as the sun rises to the full light of day. Our Creator gave us a lighted path. The learning experiences from our experiments and explorations in life help us discover the path of the Lord, where the light beckons us. Walk in the light. It’s where we can see the next good step.
Happy weaving,
Karen
4 Comments
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Not clear from photos or text exactly what you did. Could you share draft? Thank you
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I also like to do a little experimentation on the loom, and always plan extra warp to give me that opportunity. It sounds like you did a little planning in advance with the warp stripe to allow playing with weft stripes as borders or accents. Very smart use of your time, and a great way to play!
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Swedish Overshot Experience
- By Karen
- May 13, 2016
- 6 Comments
Experience builds on experience. The more I practice the classic Swedish weave structures, the more freedom I have in the process. Dice weave, halvdräll, and, now, this monksbelt, are all related. These are variations of overshot. I am putting what I know into practice, even though this is the first time I have woven monksbelt on my own loom. (My prior experience with monksbelt was first in a workshop with Joanne Hall, and then, under Becky Ashenden’s tutelage at Vävstuga Swedish Classics.)
Plan projects from start to finish, dress the loom single-handedly, use complex threading and complicated treadling, and weave with multiple shuttles. Do you relish these challenges? It is possible to weave things that don’t require as much training or practice. You can find a pattern on Pinterest or in a magazine, and do what “everybody” is doing. Not much is required of “everybody” in the crowd.

Swedish overshot, such as monksbelt, uses two shuttles–one for fine thread, and one for the thicker pattern weft. Warp is 16/2 cotton. Ground weave weft is 16/2 cotton. Pattern weft is 6/1 Fårö wool. Sett is 22 1/2 ends per inch. Weft density is 30 pattern picks per inch, with 2 tabby picks in between.
But some people strive to learn, and practice what they learn, building on previous experience. Consider truth. You are responsible for the truth you know. The more you are taught, the more that is required of you. And as you practice the truth you know, you discover the freedom that comes along in the process.
May you grow in experience.
Happy weaving,
Karen
6 Comments
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I’ve yet to try Monk’s Belt but your weaving is inspiring.
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I have never woven Monks Belt but find it so exciting as I watch it come off of
your loom. It looks like magic. I have put it on the list of projects for my
4 shaft loom. Then I check out dice weave and halvdrall and my mind started to race with possibilities. Weaving is great for starting the creative process.
Thank you so much for sharing. -
I love your monk’s belt with all the color changes in both pattern and ground.
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One Mini Rag Rug
- By Karen
- February 23, 2016
- 10 Comments
I am calling this miniature rag rug experiment a success! Oh what fun to play with colorful fabric to make rosepath designs in rag rugs. This sample size is great for trying out various designs and color combinations. Pure delight for a rag rug weaver like me!

Mini rag rug on the loom with rosepath design.
I am cutting this first “rug” off. After finishing the ends and hemming the little rug, I will see if adjustments are needed before weaving the rest of the warp. It’s the details I’m interested in–sett, weft density, finished dimensions, selvedges, design, balance of color, size of hem. All of these assessments affect my plans for the remaining warp. I am excited about weaving more of these mini rugs! I smile to think of it.

Favorite artisan coffee mug is right at home on the cute little rug. Finished rag rug measures 6 x 10 1/2″ / 15 x 26.5cm.
The Lord is intricately involved in the lives of those who belong to Him. He delights in details that require His guidance. It is as if the Lord is holding my hand, especially when I need guidance to navigate life’s challenges. The Lord delights in helping us. After all, what He is making is much more exciting than anything found on our looms.
May you find delightful details in the work of your hands.
Happy weaving,
Karen
10 Comments
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Never thought of sampling rugs. Good idea! Patterns and colours for rosepath; going to do that! Thanks.
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Watch out!! Doll house buffs will be calling for rugs. It’s so cute; can’t wait to see the finished large one, and just imagine a couple sewn together, as a carpet. LP&J, lindalinda
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How many epi do you do?
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Very nice! I’ve never done anything but plain weave for rag rugs and runners. And I do delight in buying funny and fun fabrics! I wait for them to go on sale at a place like Joann’s and get a big stack and the cutting lady wonders what on earth I am making with all the kooky prints.
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“The Lord delights in helping us.” Sigh. I needed to be reminded of that, Karen. Thank you!
And I love how the rag rug turned out. 🙂
They are both beautiful! I love the blanket stitch look around the heart piece.
Hi Beth, Thank you so much! Ah, blanket stitch – I hadn’t thought of it as that, but you’re right, it does have that look. I like having a border.
All the best,
Karen
Amazing.
Thank you!
All are lovely.
Thanks so much, Sandy!
Karen
Thank you…looks amazing! Your last comment gave me pause. I spin all the time for the enjoyment and just to make the yarn. However, I really weave with project in mind, never just for the enjoyment and experimentation. Going to have to change…..
Hi Karen, Sometimes we’re too hard on ourselves and strive to be “productive.” But there is value in doing creative things just for the sake of being creative. Besides being fun, that’s where a lot of learning happens for me.
Happy weaving,
Karen
So beautiful! 10 total shafts needed for the heart runner?
Do you sell the pattern or is it available somewhere?
Hi Joni, there are 4 ground shafts and 10 drawloom pattern shafts, plus the “x” shaft for selvedges. The pattern is in “Damask and Opphämta,” by Lillemor Johansson.
Without a drawloom, this pattern would need many more shafts.
Thanks!
Karen
Sorry I don’t know why it came up anonymous
Man, when someone asks me how long it takes to weave, the answer is always different. So much goes into the designing, warping and threading that makes it hard to calculate time. As you know, some pieces are less labor intensive than others.
Hi Linda, So true! There are so many variables.
Karen
Wow, Karen! Each piece is beautiful! It would definitely be fun to create all those designs.
Hi Annie, It’s been so enjoyable to see the possibilities for designs. I made a few of them by re-working some old cross-stitch patterns.
Thanks!
Karen