Keep Threading Those Heddles

It will be worth it. 896 threads through these heddles, and then two ends per dent in the reed. This is the necessary dressing of the loom. I do it nine minutes, thirty-five minutes, and twenty-two minutes at a time. I do not accomplish it in one sitting. After accumulating almost five hours of threading, I’m ready to sley the reed.

Threading heddles.

Colored threads are 16/2 cotton, thicker than the 24/2 unbleached cotton threads.

Threading Heddles

Checking for threading errors before tying the group of ends into a loose slip knot.

It is easy to lose concentration when there are so many ends. The M’s and O’s threading has just enough variation in it to make me wonder if I did keep it all in the correct sequence. We will find out. The threading, correct or not, is always revealed as the fabric is woven.

Texsolv heddles of four shafts. Glimåkra Ideal.

Texsolv heddles on four shafts, threaded. Glimåkra Ideal.

Sley the reed. Glimåkra Ideal.

Two ends per dent are sleyed in this 22.5-dent-per-inch reed.

What is faith? Faith is putting your trust in something you have good reason to think is true. Stand firm, immovable, in your trust in the Lord. You put threads in the heddles because you have good reason to think these threads will become fabric. Don’t quit. Keep coming back to it. Be strong in faith. And do it from a framework of love. Your framework is always revealed in the cloth of your life.

May you stay strong.

Happy threading,
Karen

2 Comments

  • Anonymous says:

    Thank you for your encouragement on having faith. It was a very good start to my morning ☺️
    Anxious to see this project woven too. Your patience and fortitude for taking on difficult projects amazes me, a fellow weaver!
    Carolee

    • Karen says:

      Good morning, Carolee,
      Patience and fortitude are virtues, so thank you for that compliment. One reason I enjoy weaving so much is there are continual opportunities to stretch my knowledge and experience.

      Happy weaving,
      Karen

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Stripes on the Warp Beam

Why are stripes appealing? Stripes on the loom look good. I don’t usually wind warps in advance. I like to wind a warp and put it directly on the loom. But, recently, when I wasn’t able to weave, I was able wind warps. Now, one of those warps is beamed, and soon I’ll be weaving some striped plattväv towels.

Striped warp for cottolin and linen towels. Glimakra Ideal.

Narrow stripes wrap around the back beam. Next step is threading heddles. One step closer to weaving towels…

This draft is from one of my favorite Swedish weaving books, Kalasfina Vävar, by Ann-Kristin Hallgren. I changed the colors and modified the stripes, while attempting to keep the attractive appeal of the original stripe design. We will see the full effect when weaving begins. The warp is the first part of the picture. The weft always brings a transformation. The golden bleached linen, in this case, won’t change the warp, but it will create a fresh palette.

Black and white photo shows the color values.

Making a black and white photo is a good way to see the color values.

Faith and truth are partners. Truth becomes clear through faith. Warp and weft. Truth and faith. A fabric of convictions is woven to hand to the next generation. The good news of Jesus Christ is a message of faith and truth. The truth doesn’t change; but it comes alive when woven with faith.

May your convictions be securely woven.

Yours truly,
Karen

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Autumn Alpaca

Autumn is the perfect time of year to plan alpaca scarves. This three-ply alpaca yarn is dreamy. The thing I love about winding a warp like this is the feel of the soft yarn as it goes through my fingers. This warp is going on the big loom for an eight-shaft wavy twill.

Winding a warp of alpaca yarn for scarves.

Counting cord is used to keep track of the number of ends that are wound onto the warping reel. This warp was counted 40 ends at a time.

The first pass around the warping reel must be correct, which is why I measure the distance first with a guide string. After the first pass, I simply follow the correct path around until all 136 alpaca ends have been included. I am already starting to dream about the eventual soft and cozy scarves.

100% alpaca in a 3-ply yarn, preparing warp for weaving scarves.

100% alpaca in a 3-ply yarn.

Alpaca warp chain.

Following the path of the guide string is like having faith to follow Christ. Faith grows in good soil. And there is no better soil than Christ himself. I don’t yet see the scarves, but it’s not hard for me to imagine what they will be like. I have touched the yarn, and the completed warp chain is a sweet preview. When we see what Christ has completed, faith takes root and gives us reason to trust him for everything else.

May your roots grow down into good soil.

The Three Rosepath Rag Rugs For Now have been hemmed and are listed in my Etsy shop. Take a look!

Yours,
Karen

4 Comments

  • Missie says:

    I hope to see your alpaca scarves in your Etsy shop!

  • Olivia Stewart says:

    Like you, I have some alpaca waiting to be used. But as a new weaver, I have hesitated. Could you share what your plans are for the sett and also the weft? The alpaca is so beautiful, I want to be sure I use it correctly. Thank you for the help.

    • Karen says:

      Hi Olivia, Alpaca is such a lovely fiber, it makes sense to hesitate and do your research before putting it on the loom. One thing that will make a difference for the sett is the size of the yarn. The weave structure also makes a difference.

      The yarn I am using here is Yarn & Soul Superfine 400 from WEBS, a 3-ply, about 1814 yd/lb. I am using a sett of about 16 epi (2 ends per dent in an 8-dent reed), 16 ppi. (same yarn for weft) structure – Twill

      Here are alpaca yarns in other weights I have used, and the setts for those:
      Berroco Ultra Alpaca 50% Alpaca, 50% Wool from Yarn Barn KS, about 983 yd/lb. Sett 10 epi, 10 ppi (same yarn for weft) structure – Goose-eye twill
      Knit One Crochet Too Cria Lace 65% Fine Alpaca, 35% Tencel from WEBS, about 2504 yd/lb. Sett 15 epi, 15 ppi (same yarn for weft) – plain weave and lace weave

      Happy Weaving,
      Karen

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Two Short Rugs Finish the Warp

Two short rugs finish off this warp. One has a treadling sequence that produces a delightfully different pattern; and the other one has fabric strips for weft, making it a rag rug. I am scheduled for back surgery this week, so I have been working hard (a few minutes at a time) to get this project off the loom. I know I am facing some new limitations in the coming weeks.

Stringyarn weft for 8-shaft block twill rug.

New treadling sequence. Stringyarn weft makes a well-defined pattern.

Rag rug in an 8-shaft block twill. Karen Isenhower

Fabric strips, cut 2cm (3/4″) wide, are used for the weft. The intriguing pattern in the weave structure is more subtle with print fabric than with the stringyarn weft.

Time for cutting off! 8-shaft block twill rugs.

Time for cutting off!

Pain and weakness heighten our understanding of what truly matters. Faith, family, friends. The Lord, Himself, is a safe place for those who come to him for shelter. When we are feeble, he directs our hearts to a place of strength. He invites us into the protective shelter of his mighty and loving presence. You’ll find me resting there. And don’t be surprised to see a portable loom in my hands before too long.

May your heart be at rest.

Yours,
Karen

PS I have prepared and scheduled my Quiet Friday post in advance so you won’t have to miss the unrolling of these eight-shaft block twill rugs!

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Young Weaver

I had a visitor this week. You might be surprised to see what a seven-year-old can do. Young Jamie picked out her colors, wound fabric strips on the ski shuttle, and wove a small rag rug. Almost all by herself! She helped me advance the warp, and remove warping slats as they came off the back beam.

Young weaver at the loom making her first rag rug.

After twisting the weft at the selvedge, Jamie angles the weft in the shed before beating. And this seven-year-old has plenty of strength to pack the weft in tightly with the beater.

It was rewarding to see my little friend catch on so quickly. She believed me when I told her she could weave a rag rug; and she trusted me to show her what to do. Weaving was a success because Jamie listened well, and followed my instructions. After she left, I wove the warp thread header, cut the rug from the loom, and tied the knots, leaving fringe. Now Jamie has her own little handwoven rag rug!

First rag rug by a seven-year-old weaver. Glimakra Ideal floor loom.

Warp ends are secured with overhand knots. The fringe adds a playful touch to Jamie’s first rag rug.

Trust in God is a bold thing; it is confidence in God through all of life’s challenges. Beware of anything that tempts you to question your trust in God. He comes beside us and faithfully guides as we walk through life. God is someone we can trust. When we listen well and follow instructions, he weaves something good through our hands.

May you listen well.

Trusting,
Karen

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