Band Loom Time!

Before I can hem these new towels, I need to make some hanging tabs. Band loom time! Making a warp for the band loom is one way to use up some of the weft on quills that didn’t quite get emptied when weaving the towels. Of the four colors in the towels, I am using aqua, poppy, and orchid for the hanging tabs. The bright marigold, my favorite of the four colors, may bring too much attention to itself, so I’m leaving it out. A hanging tab must be a stable and firm loop that becomes a pleasing part of the towel.

Planning to weave hanging tabs for handwoven towels. Karen Isenhower

Towels, before wet finishing, are spread out with the thread colors on top. I am trying to determine which colors will work together in woven hanging tabs for all four towels.

Glimakra band loom. Hanging tabs for handwoven towels.

Eleven ends are just enough for weaving a narrow band. (The two ends in the center are doubled in the heddle and counted as one.)

Glimakra band loom, making hanging tabs for handwoven towels.

Simple symmetrical design with aqua, poppy, and orchid colors. To use as hanging tabs for towels, the band is cut into short pieces, about ten centimeters (four inches) each. Each cut tab is then sewn into the hem of a towel.

Established. Stable (root word of e-stabl-ish) and firm. That’s how important our faith is as we walk through life. Everything hangs from it. So it must be woven carefully and stitched in securely, a pleasing part of who we are. Stable and firm in faith as we live for the Lord—that’s a beautiful way to live.

May your finishing details be pleasing.

With you,
Karen

4 Comments

  • Laura says:

    Your towels are beautiful. Love the little bobbin you are using. Do you mind telling me where you got that from? Love all your posts.

    • Karen says:

      Hi Laura, Thank you! My husband carved the little band loom shuttle for me. You probably know that you can use a short cardboard quill for band weaving, but I will email the specs of the little shuttle to you in case you or someone you know wants to carve one.

      Happy weaving,
      Karen

  • Thank you for sharing the design and craft process for finishing the beautiful towels. So true is the need for a firm foundation in life. Nannette

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My Loom Is a Pipe Organ

Threading twelve shafts in three blocks is like having three four-shaft looms all in one. The three simple block patterns can be arranged in various ways, giving me infinite design options for these towels. There will be no two alike. Double weave gives us crisp lines between colors, producing amazing cloth! This is another instance where weaving on this Glimåkra Standard feels like sitting at a big pipe organ, where glorious color patterns are the music of the loom.

Twelve-shaft double weave. Endless possibilities!

Exciting color combinations!

All this with only four colors! The magic of double weave.

First towel on the warp has multiple weft color changes.

Squares in double weave hand towels.

Second towel has squares and fewer weft color changes.

Cottolin towels on the loom in doubleweave!

As the first towel wraps around the cloth beam, the second towel nears its hem.

Faith. Faith in the powerful working of God is like exploring the possibilities of handweaving. You know the systems are in place for something amazing, but you find it takes a lifetime to discover all the glorious wonders. Double weave is just a glimpse of that glory. I have faith that there is Oh so much more. Likewise, our faith in God is an ongoing discovery of his works and his ways. With every glimpse of his glory and goodness, we know there is Oh so much more. Eternity won’t be long enough… And maybe heaven will be filled with music that explodes in color.

May you know the thrill of discovery.

With faith,
Karen

6 Comments

  • Betsy says:

    Those are works of art! I’d be thinking of framing one.

    And you had me looking at the Glimakra price list, wondering how much it would take to expand my Standard to 12 shafts. 🙂

    • Karen says:

      Hi Besty, The first three towels will go to my daughter. There should be enough warp after that for one more towel, or table runner, or maybe a framed piece. That’s a great idea. Thanks!

      You can do almost as much with 8 shafts. But, I have to admit 12 shafts is nice.

      Happy weaving,
      Karen

  • Annie says:

    Love these colors, Karen! And the variety of the patterns is amazing! I can’t wait to learn Doubleweave. Your daughter will treasure these and I expect everyone in Chile will want a pair as well.

    I am looking forward to seeing you on the 6th.

  • Janet Hageman says:

    Karen, These towels look amazing! Did you pre-plan the patterning for each towel, or are you “winging it” as you weave?

    • Karen says:

      Hi Janet, For the pattern on the first towel I was making it up as I went. After that, I got out some graph paper and crayons and planned it out. Having a plan saves quite a bit of time at the loom. It’s fun to create different patterns.

      Happy weaving,
      Karen

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Weave Past the Mid Mark

“Mid” marks the halfway point on every pre-measured tape I make. I like to know when I’m starting the second half of something. It’s a target before I reach it, and a passing milestone after I cross that line.

Middle line marks the halfway point in the weaving.

Pre-measured twill tape has a line at the halfway point, marked “Mid.” Tail from a spliced warp end will be trimmed in the finishing process.

As I’m weaving this throw, my thoughts jump ahead. I will have a few skipped threads to fix, and spliced warp ends to clip. I think about how I will hem the piece, and wash and dry it. In what special manner shall I present the finished throw to my beloved daughter-in-law? And, my mind goes to the twelve-shaft double weave towels for my daughter that are up next, with the flowery threads beckoning me from the shelves.

Cotton double weave on the loom.

Double weave with eight shafts. 8/2 cotton.

Shelves of weaving thread!

Do you see the aqua, poppy, marigold, and orchid cottolin threads that are ready to jump off the shelves and be woven into hand towels?

I’d like to know where I am in the span of my life. There is no “Mid” mark, though, is there? I’m not in charge of that measured tape. Faith in Christ, love, and perseverance—these form a foundation. A solid foundation is security for life. In this security, I think about what I need to repair and resolve and finish. And how to leave intangible gifts that outlive me. And I think about the glory that awaits. Imagine fabric of unbridled creativity in colors only heaven knows!

May your second half be better than your first.

With you,
Karen

8 Comments

  • Meg says:

    What a awesome, beautiful, fantastic piece. And congrats to midway.

  • Written like the creative soul God created you as.

    Midway is hard to place with life on Earth. It is not as ‘tangible’ as your weaving. I often wonder why some people have a very short midpoint and others…. much longer… What have they left behind to continue on through others?

    Even so, having been gifted hand woven fabric from another generation, I cannot help but look at your sparkling colors and see the colors they will fade to be with time. Is the softness that time brings to dyes also a softness God gives to our memories left behind.

    Blessings,

    Nannette

    • Karen says:

      Hi Nannette, The items I have of my grandmother’s handwork is faded, as you say. Her memory lives on in me, and is softly faded to the point I only remember the good things about her.

      Thanks for sharing your thoughts,
      Karen

  • Annie says:

    Good morning, Karen. At my age, I have no doubt that I have long since passed my mid point although I didn’t really wake up to that fact until I hit fifty. The first half of my life, I believed the tangible was so important; but in the second half, I believe that it is the intangible we leave behind that will be the longest lasting.
    After seeing so many beautiful handcrafted items in second hand stores, I realized that what I valued as family heirlooms to be handed down through the generations with stories may not be valued as such by the recipient of my work.
    So I just try to concentrate on the enjoyment of creating whatever I make, make what I like and hope that someone else might value it.

    • Karen says:

      Hi Annie, I agree with you that the intangible seems more important now. The values we pass on will outlast the things we hand down.

      Blessings,
      Karen

  • Linda Cornell says:

    Thank you all for your reflections, uncannily, similar to my own recently… the Holy Spirit weaving through our lives. Can you recommend 4 shaft double weave patterns for baby blankets? Though the blankets will probably not last, hopefully the love that weaves them will cover those new little lives.

    • Karen says:

      Hi Linda, The only 4-shaft double weave I’ve done was a double-width throw. The double weave baby blankets I’ve woven were on 8-shafts. Both the double-width and the 8-shaft double weave projects were from The Big Book of Weaving, by Laila Lundell.

      Your love will definitely have the longest-lasting impact.

      All the best,
      Karen

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Weave Two Connected Layers

Two layers of cloth exchange places in this double weave structure. One layer of warp is solid deep plum. The other layer has stripes of bold colors. Clean lines occur where the layers switch places. So, with deep plum weft alternating with orange, blue, green, and red weft, we get a message written in clearly-defined blocks: Be invigorated with vibrant color!

Magic of double weave!

Dark plum weft alternates with the blue weft. The reverse side of the fabric has dark plum squares in long vertical color stripes.

Double weave throw. Karen Isenhower

Colors of the warp stripes are used as colors for the weft stripes. As a result, you can see the “pure” colors in a diagonal line–orange, blue, green, red–where the warp and weft colors are the same.

Double weave magic!

Variance in the blocks of colors gives the cloth a dynamic appearance. Not including the dark plum background, there are sixteen different colors of blocks as a result of the four colors being used as warp and weft.

Message. We have a message from heaven. When Jesus came to earth, he not only brought the message, he was the message. Not that we should try to be good like him. Nor that we are already good enough. But that he, the direct link to heaven, would suffer the consequences for all our misdeeds. And rise again. He willingly switched places with us—the great heaven and earth exchange. This good message brings hope and grace to all of us who live on this earthly layer. Thanks to our Grand Weaver’s faithful love, we are woven into a vibrant-color existence through faith, on this layer and the next.

May you see your surroundings in living color.

Joyful weaving,
Karen

11 Comments

  • Meg says:

    This is terribly interesting. The colors are so delicate.

    • Karen says:

      Hi Meg, The contrast between the deep plum and the other colors has a surprising effect. Working with colors never grows old!

      All the best,
      Karen

  • Chris says:

    Hi Karen,
    I love doubleweave, so many interesting effects possible. This is a terrific project.:)
    I am so pleased I discovered your blog.
    Kind regards
    Chris

    • Karen says:

      Hi Chris, Doubleweave is fascinating! This project stretches me—literally, side to side—making it a delightful challenge to weave.

      I’m delighted you found your way here!

      Happy weaving,
      Karen

  • Janet H says:

    This is just beautiful! And timely. I am currently trying to design a similar doubleweave windows draft for a throw and have come across 2 sources that explain the block design differently. I have been trying to work this out in my head, one vs the other, in my planning process and how to apply it. I confuse myself and have had to keep setting it aside and studying it again later. Seeing this post of yours, I just now realized that you have been posting about this same block design all along and your pictures are now helping me work through it. I am planning a gray background with 10-11 shades of blues, greens, purples in the “windows” for the front. I may vary the heights and widths of the windows throughout the throw…haven’t progressed to that decision yet.
    My first source for this project is in the book Loom Controlled Double Weave by Paul R. O’Connor, on pp. 42-43.
    The second source I found online: https://www2.cs.arizona.edu/patterns/weaving/webdocs/opr_8s.pdf pp. 2-4
    The two may actually be the same thing, just explained differently, so I was having a little difficulty figuring it out in my head. In the second, they are using Dark/Light instead of color letters. If I use gray for both the D and L in Block A, I’m thinking it would be the same as O’Connor’s threading. If I used the second threading, and used gray as D and my colors as L throughout, I think it would only change the appearance of the back. Am I right? If I want gray to predominate on both sides, I think I just follow O’Connor’s threading, but I think the second source (using D/L) shows the tie-up in conjunction with the treadling and would be more helpful in setting up my loom.
    I went back through your previous posts about your throw and it appears you used the second approach, the D/L threading in both blocks A and B. I would really like to know what the back of yours looks like, but I still think I want to follow the O’Connor threading. It has been incredibly helpful looking back at your posts at this point in my design process! I feel like a light went on and suddenly it is making sense to me.
    Thank you so much!!

    • Karen says:

      Hi Janet, I haven’t studied doubleweave like you have. The draft I’m using is similar to the one in the arizona.edu file. I don’t have the O’Connor book to reference. The draft I am using is from The Big Book of Weaving, by Laila Lundell, p. 176, if you want to compare it. I wound the warp with 2 ends–plum, plum; and plum, other color. The threading alternates the plum with the other color in the blocks with squares.
      I’ll post a picture of the back in a little bit.

      It’s great when a light comes on like that! Hooray!
      Karen

    • Karen says:

      Janet, Here’s a picture of the back side of the fabric!
      Back side of double weave.

      Karen

  • Janet H says:

    Karen, thank you for the view of the back! I think I understand the difference in the 2 threadings now. I also pulled out another book I have (and forgot to look at–head slap), Doubleweave by Jennifer Moore), and found an example done using the O’Connor threading that also showed how the back looks in that case.
    When I first started my comment above, it was going to be asking you a lot of questions to help me make sense of it all. As I typed, that light kept getting brighter, and I answered most of my own questions before they even got typed, so I ended up with a completely different comment than when I started. So, without even knowing it, you enlightened me! Sorry, I do tend to run on when I get wound up….
    Don’t mistake me for someone that knows what I’m doing. I think I am more of a technician (& perfectionist) than a creative artist, so I have to understand how things work (and then modify them). I do it when I sew also. Unfortunately, it means I spend more time planning (or “studying”) my projects than actually doing them. I would probably learn more if I just dove in and made things, but I guess I’m not made that way.
    I have put a request in to the library for the Lundell book, and I imagine I will end up buying it. As a technician, I am also a collector of resources and tools.
    Love your blog! You are an inspiration.

    • Karen says:

      Janet, There are many different learning styles. It’s great that you understand how you are wired! I think I’m also a technician to some degree. I enjoy systems and knowing how something works, and being able to alter that, too. But I’m also finding that I learn a lot by doing, even when I don’t understand. My mistakes — like the several I’ve made with this project — take me to greater understanding and experience. Learning is a lifelong pursuit. I’m glad about that!

      Karen

  • D’Anne says:

    Love those colors, Karen! The purple becomes a neutral background.

    • Karen says:

      Hi D’Anne, I never would have thought of purple being a neutral, but you’re right. It’s almost like a deeply colored black that sets off the other colors.

      Thanks,
      Karen

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Heddle Shortage

I am well into threading when I realize I neglected to take into account how many heddles I need for this project! I don’t have 2,064 even if I grab all of the heddles from the other loom. This double weave throw project is at a dead end until more heddles appear. I hurriedly place an order for more heddles…

Threading heddles for double weave.

This Glimåkra Standard is one of three looms that share my supply of Texsolv heddles.

Thankfully, the new heddles arrive quickly and the project is alive again.

This is what 1,000 Texsolv heddles looks like!

This is what 1,000 Texsolv heddles looks like! I didn’t want to run out again any time soon.

New Texsolv heddles - 1,000 of them!

Heddles come in bundles of 100, held together with twist ties. WARNING: DO NOT undo the twist ties before you put the heddles on the shaft bars. You’ll be sorry…

Clipping loops on new Texsolv heddles.

Before putting the heddles on the shaft bars, and while they are still tied into bundles, clip the loops at each end.

Clipping Texsolv heddle loops.

I clip the loops on both ends of the heddles. It is easy to move heddles wherever you want if the loops are cut, including repositioning individual heddles. (It is far easier to clip the loops while the heddles are still tied together.)

New heddles on the shaft bars.

There are 100 new heddles on each shaft. The heddles that are not used will be tied up and put away in my heddle box, ready for the next time I need more heddles.

Alive. This is the Easter season when we celebrate the resurrection of Jesus Christ. He died, and was made alive again! What makes it even more fantastic is what that means for us. We all have a goodness shortage. And without a source of true goodness, our lifetime self-improvement project is at a dead end. Yet, through faith in the powerful working of God, we are raised with Christ. We are made alive together with him. His true goodness becomes our living source.

New bundles of Texsolv heddles stand ready to be used!

Threading progresses. New bundles of heddles stand ready to be used!

May you be supplied with more than enough.

Happy Easter,
Karen

8 Comments

  • Beth Mullins says:

    Ugh! I can’t wait to see this once you start weaving.

  • Anonymous says:

    Oh!! The hideous heddle shortage. Been there. Good tip not to undo the twist on heddles. Loose heddles have been known to cause insanity. lol

  • Karen Simpson says:

    Easter Blessings to you and your family throughout the year!

  • Shari says:

    You are amazing! You are so generous to share with us! Your words and photographs are so helpful! As inconvenient and frustrating we can feel from making mistakes it is the way we learn for next time! Happy Easter! We have our Sedar tonight.

    • Karen says:

      Hi Shari, I’m always delighted to find out that others are interested in the things I get to share. I feel very fortunate to have people like you to connect with!

      Thank you! And your Sedar will be rich with meaning. Blessings on your special time.

      Love,
      Karen

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