Warped for Good Ten Year Milestone!

Warped for Good is ten years old today! To celebrate I offer you some stats and thoughts and thank you’s.

Number of years: 10

I started this blog when I was still new to weaving. This is a learning journey, and you have been learning with me. THANK YOU!

End of weaving Figs and Coffee. Must wait a bit to roll it out. First I am weaving off the remainder of the warp.


Number of email subscribers: 1000

I started with a handful of friends (about 8 or 10) and a few curious family members. I’m incredibly grateful to those first few who allowed me to test my writing skills on them! I am more than astonished that many, many people trust me to bring them news of what’s happening on my looms. I count all of you as friends, and I am so thankful to have you come sit in my studio with me!

End of this rosepaththreaded warp. This is a lovely way to use up surplus butterfiles that are left from weaving the tapestries. I arranged the butterflies to give a soft progression of value change.

Number of blog posts: 781

Some of you remember when I posted twice a week. When Steve retired four years ago, I slowed down to one post a week.

I am determined to keep weaving until the warp runs out, or I run out of butterflies, whichever comes first. The warp ran out first!


Number of floor looms: 5

Warped for Good started with one 120cm Glimåkra Standard Countermarch loom. I didn’t mean to end up with five floor looms. It just happened. (We’re not counting the band loom or rigid heddle looms.) A big thank you to my friend Joanne Hall who threw open the door to floor loom weaving when I first knocked on that door.

Warping slats separate the pieces on the warp. I leave at least 20cm between pieces so I have enough length to tie knots or braid ends in a tapestry edging.


Nickname: Miss Weave-a-lot

This is husband’s nickname for me because I weave a lot. Steve gets my heartfelt thanks for encouraging me every day.

Finishing includes several steps adding up to many hours. Braiding ends into a tapestry edging, clipping weft tails, stitching weft tails down near the sides, hand hemming the top and bottom. The three main pieces will have a backing that I will stitch on, and a means for hanging or mounting.


Number of months taken off: 6

I have taken a pause for the month of July the past six years.

Two smaller sample pieces have a thicker braided edge. I will leave the braid exposed and tack down the loose warp ends on the back of the pieces.


Number of missed posts (except for the July pauses): 0 (zero)

I started learning watercolor sketching a few months ago for the purpose of making tapestry cartoons from my own sketches. I used a slice of this sketch of my morning coffee and figs for my first attempt to “weave a watercolor sketch.” You can expect more watercolor sketch tapestries in the future as I gain more sketching skills.


Most common email request: Electric Bobbin Winder parts list from Tools Day: Electric Bobbin Winder.

Thank you to Steve for making things for me. Thank you to my Warped for Good friends for every email you send me. I’m especially thrilled when you show me pictures of what you are weaving!

Most visited post: More than Meets the Eye

Very first Warped for Good post: Hidden Strength

Heaven and Earth

Number of delayed meals: Too many to count (according to Steve)

Needless to say, I am thankful to have married a very patient man.

Figs and Coffee

Why the name Warped for Good?
Warped for Good is a metaphor for living a purposeful life as a believer in Jesus. God is the Grand Weaver who warps the loom. My life is the warp. Jesus Christ is the good. The weft is the daily living that aligns with the Master’s plan. Interacting with people, making friends, and sharing interests are all part of that plan. I’m truly grateful to my Grand Weaver for all the friends I’ve gained through this humble home of Warped for Good.

Monarch Wing

May you mark your milestones.

IMPORTANT INFORMATION: Warped for Good emails are ending today. Please bookmark this site so you can come right here and enjoy this weaving journey with me. Think about setting a reminder for yourself to come and see what’s happening on these looms. See you soon!

Warped for good,
Karen

No Trapezoidal Tapestries

When you see that you are near the end of the tapestry, the temptation is to hurry up and finish. I have done that before, unfortunately. When I rush, the first thing to go is adequate bubbling of the weft. The consequence is distortion because of draw-in. It is most noticeable after the tapestry is off the loom and looks more like a trapezoid than a rectangle.

Pictorial tapestry based on a simple watercolor and ink sketch.
I can see the end of the cartoon under the warp. There is still plenty to weave, but there is less detail in the image going forward.

Ending well is as important as beginning well. So, even though I can see the end of the Figs and Coffee cartoon under the warp, I am deliberately slowing my pace to stay attentive to the sweetly-satisfying technicalities that make a good tapestry. When this cloth beam is unrolled, I will be able to say, “I gave it my best.” And I enjoyed every minute of it!

May you have pleasant endings.

Here’s a link to last week’s post, in case you missed it: Glimåkra Standard by the Front Door.

All my best,
Karen

Tapestry with No Intention to Hurry

I call it Figs and Coffee, but the figs and the coffee are barely recognizable at this point. The image will make sense when it is complete. In the meantime, I am continually intrigued by the fascinating interplay of colors. You can expect me to keep adding to the tapestry until it is complete. It’s nice to not be in a hurry.

Warping slat hangs from the ends of the beater and sits below the warp. The suspended slat keeps the cartoon right under the warp. I use a quilter’s clip on each side to hold the cartoon in exact position.
Every time I advance the warp I examine the positioning of the cartoon to make sure it matches up with marks I have made on the warp in key places.
Regular stops to step back and see if I need to make color or contrast adjustments keeps me on track. Thus, the need to backtrack and undo rows of weaving is infrequent.
Corner window setting for this hand-built loom reinforces my intention to not be in a hurry.

May you keep moving toward completion.

Happy weaving,
Karen

Have enough Colors of Yarn?

I don’t want to tell you how many different colors I have of wool yarn. Most of it is 6/2 Tuna and 6/1 Fårö, but I have a good collection of other wool yarns, too. If it’s wool, I include it in my tapestry weaving. I have all of it arranged according to a 5-step value scale.

Yarn butterfly is equivalent to about 4 strands of 6/2 Tuna. I’m composing a color in the medium-dark value range.

If I combine the colors of wool just right, I can make the exact color I need for a tapestry detail. This is the challenge on which I thrive. There are never enough colors. Or, so it seems. The truth is, I have more than enough color options. Besides, for tapestry, the exact hue of a color is not nearly as important as the value of a color in relation to the colors around it.

Tapestry in progress. I carefully select yarns, mostly according to color value.
The cart beside the loom holds all the possible colors I may need for this Figs and Coffee small tapestry. I stop frequently to evaluate the colors and the value contrasts in the weaving.

The Most High God, Creator of heaven and earth, Creator of color, makes himself known. Take a look outside. Everywhere we look there is more color than we know how to express. So, in our humble attempts to make yarn butterflies in exact colors, we are showing that we are indeed made in our Creator’s image.

May you see all the color around you.

Your friend,
Karen

Enough Time to Weave

The best things take time. Time (years) to know what you want to learn. Time to study, time to practice, time to put into practice what you’ve studied. By the time you finish a work of art you have invested more hours than most observers will ever realize. If you have ever made anything, you know the most common question you are asked: How long did it take you to make that? Answer: A lifetime, really.

Tapestry progresses row by row.
Cartoon under the warp is held in place with a plastic clip on each side. Center warp end is marked so I can line up the cartoon horizontally. Horizontal marks on the warp and on the cartoon provide for accurate vertical alignment.
Boat shuttle with 6/1 tow linen rests on the side frame. Linen picks are woven between pattern rows of wool colors in this style of tapestry.
As I weave, I pay attention to the cartoon that is visible beneath the warp to see where to make color changes.
At the end of my time at the loom I stand back and look at the progress. And then, I stand up on a stepstool to get a good view from above. And then, I pull out my little monocular and look through the back of it to see what I can see from a distance. What I see: one cut fig and a couple more figs emerging. You will see what I see when this is off the loom and hanging on the wall across the room. All it takes is time.

Time is the greatest gift. We always have enough time. How will we invest it?

May your lifetime reveal the good investments you’ve made.

Happy weaving all the time,
Karen