In my bin of handwoven fabric, most of the pieces are leftovers, like a short section from the end of a towel warp, or a colorful sampling of weft from the beginning of a warp. But a few of these woven treasures are good-sized pieces that can be used to make something. So, since I want to make a bag for my large Freja tapestry frame, I look through my selection of handwoven fabric pieces.
Piecing handwoven fabric to get the large side panels needed for the bag.Lightweight fusible interfacing is applied to the back of the fabric. I adapted and enlarged McCall’s pattern 3894, and used the pattern instructions for the sequence of steps to make the bag.Patterned band woven on the band loom, used for straps on the bag.Topstitching with red thread.
I find just what I need! Coming across these two significant lengths of fabric is like getting reacquainted with old friends. The meter of red and black cotton eight-shafttwill is something I wove in a Vavstuga class. And the blue cotton warp-printed yardage is fabric I wove to make a tiered skirt, a favorite garment that hangs in my closet. (See Quiet Friday: Handwoven Skirt.)
Bag with Freja loom is ready for a travel excursion in the Casita.In the Casita.Casita tapestry for quiet evenings in Big Bend state park in Texas. I may be able to finish it on this trip.Blue cotton warp-printed fabric, red eight-shafttwill, and patterned band from the band loom. Treasures from the past, assembled together for a joyful today.
Treasures from the past come into today to bring value and meaning. Put treasures in your today that will add value to tomorrow. Everything can change in a day, so we can’t put our confidence in tomorrow. But every new day is from the Lord, who holds the future in his hands. Today is a gift. Live it fully. Who knows? Your joy today may be tomorrow’s treasure.
This throw has fringe. It seems appropriate for a homestyle cotton wrap. Fringe says comfortable, casual, and playful. I do not mind the time it takes to twist the threads to make this tactile edging. It’s a satifying close to a worthwhile project. After all, who can resist running their fingers through soft twisted fringes?
Knots on the ends of the fringes are trimmed off after washing and drying the throw.
Reminisce with me through the start-to-finish process of making this eight-shaft undulating twill throw for my lovely daughter-in-law Lindsay.
Transition. Changes. Adventure into the unknown. That describes 2018 for Steve and me. When I review my weaving history for the year, everything on the loom is attached to a memory. Like an old song that awakens our thoughts to past experiences, the Lizardtapestry certainly sparks in me revived memories of our transition season and the moving of looms. See Quiet Friday: Tapestry in Transition.
Steve unscrews a bolster that holds one side of the warp beam so I can remove the warp beam.
I began 2018 with a plan to weave coordinated fabrics for our Texas hill country home—towels, upholstery for bar stools, and placemats, explained in this post: Harmonized Weaving for the New Year.Accomplished! I also committed to weaving a gift for each of my three daughters (daughter and two son’s wives), as described in this post: Weaving a Gift. Accomplished two out of three! The final gift is nearing halfway on the loom right now.
Cotton throw has hemstitching at the beginning. The ends will be twisted for fringe when it’s taken from the loom.
Eight-shafttwill in an undulating pattern. Single-shuttle weaving gets me off to a fast start for 2019.
2019 is a continuation of transition, changes, and adventure, as we tiptoe into this retirement chapter. A drawloom is in the forecast, as well as some travel tapestry weaving, and more rag rugs, towels, scarves, and throws. And anything else we can think up. It’s going to be a good year! Thank you for coming along. I’m grateful to have you as a friend.
Threadingfourshafts is straightforward because the heddles fit perfectly between four fingers and a thumb. Threading eight shafts is tricky because we don’t have that many fingers! Thankfully, threading eight shafts can be as straightforward as threading four shafts. I like to think of it as four shafts in the back, and four shafts in the front.
Set a small group of heddles apart on each shaft to prepare for threading the next group of ends.
Pick up the next threading group of ends and bring it to the front, on the left side of the separated heddles.
Lace the threading group of ends under, over, under, over the fingers of your left hand, palm up.
Left hand becomes tensioning device for threading the heddles. I like to put my index finger in between the two parts of the cross, as separated by the lease sticks.
Wrap left hand index finger around the group of heddles on shaft one (the shaft nearest the back of the loom), the middle finger around heddles on shaft two, the ring finger around heddles on shaft three, the pinky around heddles on shaft four, and bring the thumb around to hold it all loosely together.
Each warpend is taken in order from between the lease sticks, and then threaded through the heddles in order.
Thread the first four heddles—1, 2, 3, 4.
With the right hand, hold the group of warp ends taut, and open the fingers of the left hand to release the heddles.
Keeping the group of warp ends loosely laced around the fingers, slide the left hand toward you to thread the next four heddles—5, 6, 7, 8. Position your fingers around the heddles on each shaft, as you did for the first four shafts.
Left hand slides toward the front of the loom to thread the next four heddles. It helps to hold the warp ends taut with the right hand while the left hand is repositioned.
After threading the second set of heddles, follow the same procedure as before and slide the left hand back again to thread 1, 2, 3, 4.
Continue sliding the left hand forward and back, until the threading is completed for that group of ends.
Check the threading group for accuracy, and then tie the group of ends together in a loose slip knot.
Always check for accuracy before moving on to the next threading group.
Complete the threading across the warp. And then, step back and admire the beauty of a beamed and threaded loom.
Shafts are raised high for good access and visibility for threading, and for checking for accuracy.
Threading is complete. Cotton throw. 8/2 cotton, undulating (wavy) twill on eight shafts.
May you find efficient methods for the work of your hands.
Though small, this pocket-sized tapestry took a few months to complete. A car ride here, a coffee shop there, a move across town, and an imminent move across the state—this tiny tapestry has been in the background through it all.
The weft tails are neatly trimmed, but the back is completely exposed. I’m not weaving the tails in this time, nor covering them with a fabric backing. Just hold the tiny tapestry in your hand and feel it. Remember that all the pleasant color distinctions and pick-and-pick samples on the front side have a back side, too. True, the back doesn’t make as much sense. However, I want my friend who is receiving this to see and touch the heart of the weaving.
Using a needle to pull the warpends back through the warp thread header. After pulling through, the warp ends are trimmed close to the surface. The weft tails are also trimmed to about 1/2″.
Steaming the tiny tapestry. 12/6 cotton warp pulls together nicely as the back of the tapestry is steamed.
Exposed back of the tapestry reveals trimmed weft tails.
Visual and tactile satisfaction.
This is a picture of grace. Look at the heart of the matter. We so often rely on the rules. Break a rule, and you’re condemned. But Jesus is interested in the heart. A pure heart doesn’t stand condemned. This is why the gift of his forgiveness is so wonderful. God knows the exposed messy side of our tapestry. Yet, his grace sees us as perfectly covered by Christ Jesus himself.
