Imagine Rag Rugs on the Drawloom
- By Karen
- December 3, 2019
- 16 Comments
Rag rug weaving on the drawloom! I can only imagine the delight. In the meantime, the drawloom is getting dressed. It takes time to group the pattern heddles into units, add lingos, thread pattern shafts, thread eight ground shafts, sley the reed, move the ground shafts and pattern shafts to their positions, and tie on. After I finish all that I can think about adding all the single-unit draw cords and finish tying up. Whew!



I became acquainted with the single-unit drawloom at Joanne Hall’s studio (see Drawlooms in Montana), but this is my first go at it on the drawloom in my studio. Because of the reward that awaits, I will gladly tackle all the tasks of dressing this loom. Weaving rag rugs on a drawloom will be phenomenal!


Joy sees hidden treasure. We go to great lengths to unearth high-value treasure. Jesus did this, seeing us as the reward. That’s what Christmas celebrates. Jesus left his splendor in heaven to come to earth as a baby. He entered this world and endured the worst because of the joy set before him. He did it all for the joy of having us in fellowship with God. We come to him and find that we are the Grand Weaver’s reward.
May your joy be full.
Joy to you,
Karen
16 Comments
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Wary Weaving
- By Karen
- November 19, 2019
- 3 Comments
Sugar Pie has been waiting in the wings. Now, his nose wriggles up to the fell line. The day that Ari and Lucia went with me to visit my neighbor, their attention went to the cute furry thing in the rabbit hutch. At first, the bunny was wary, but before long, Sugar Pie was nibbling carrot slivers from Lucia’s hand.

Now, I’m the wary one. The rabbit will make or break this tapestry. I made notes when I wove the rabbit on a narrow sample warp several weeks ago. With careful review of my notes, I am inching forward, giving attention to value contrasts that shape and define the animal. The good news is that when I reach the end of Sugar Pie’s soft, furry back, I will be at the tapestry’s finish line.


In trying times, our senses are heightened. Will we flourish, or merely squeak by? In all the confusion, where is clarity? In the chaos, where do we find calm? The Lord extends an open hand. The open hand is an invitation. Come and taste. Trust. Find deep satisfaction that reaches the soul. Courageously inch up to the greatest challenge of your life.
May you step into a worthwhile challenge.
With you,
Karen
3 Comments
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Amen
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Thank you so much for your words of wisdom today. The lord is with us all and loves and encourages. May your day be blessed with joy.
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Most Unusual Tapestry Tool
- By Karen
- October 29, 2019
- 10 Comments
Suddenly, I am able to see the tapestry on the loom from a distant vantage point. Aha! I can see that the left shoulder of Lucia is nicely defined, and that her shoulder appears to be in front of the turquoise rabbit hutch. What I am not able to discern up close becomes crystal clear from a distance. I have an unusual tool in the basket at my loom bench that gives me this advantage. Binoculars! I use them whenever I want to get a better sense of the overall context, color, and definition of what I am weaving in the tapestry. By peering through the WRONG side of the binoculars I am able to view the tapestry as if from a great distance. It is just the help I need to keep pursuing this mystery of weaving wool butterflies on a linen warp to make a recognizable, memorable image.





May you gain the perspective you need.
Blessings,
Karen
10 Comments
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Great discovery, Karen! Who would have thought it? Thanks for sharing! 🙂
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Ingenious!!
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What pretty colors. I can’t wait to see it completed.
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Wow, this piece will certainly be a labour of love! How rewarding it will be to finish.
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Yarn Is My Paint
- By Karen
- October 15, 2019
- 4 Comments
The best thing about weaving a pictorial tapestry? Having a cartoon to follow, with row-by-row definition. This Siblings tapestry has its joys and challenges. It is a joy to weave Ari’s hair, as if I get to comb his locks into place. At the same time, it’s a challenge to see up close what can only be recognized at a distance. Lucia’s shirt is a joy to weave because of the bright colors and distinct shading. But what a challenge to get the right value of turquoise for the leg of the rabbit hutch in relation to the value of orange in Lucia’s left shoulder.


The yarn is my paint. I make decisions and adjustments as I see how the colors interact. Under the warp, of course, is my cartoon with all the details—outline, hues, value changes. That cartoon is constant, unchanging, and reassuring. It’s the key to this whole process.


In the joys and challenges we face, we make decisions based on what we see. Take a look below the surface. Look through the warp to see the cartoon. True love is in the details. Jesus instructs and guides through his love. Constant, unchanging, and reassuring. It makes perfect sense to follow the Maker’s cartoon.

May you grow in love.
With joy,
Karen
4 Comments
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I admire your patience…and very much so, your talent.
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Good morning Karen,
You are an artist nose to toes. To do the weaving that you do requires a working skill of the craft. No matter how much I tried, the skill to make music from the viola was not possible because the craft was beyond my physical ability. As much as the mind desires, without the craftsmanship foundation to describe creativity, nothing happens. Mathematics, so necessary with science and engineering and business. Color theory with the visual. Mechanical understanding of the instrument, viola or loom or CNC or human body.
You are constantly sharing as you explore the craft of weaving. Your craftsmanship is honed to the best it can be. With that, the blessing of being an artist occurred. It is like running barefoot in a field as a child with no cares… Just the freedom of no boundaries.
God has blessed you with being a textile artist and you have extended that to the world with your blog.
Praise God. Thank you Karen.
Nannette
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Process Review: Drawloom Jewels
- By Karen
- September 24, 2019
- 6 Comments
It is exciting when Maverick walks by. Although he never comes in my drawloom studio, he does stop for a moment to look my way. You’ll see him in the slideshow video below. But what happens inside the studio is even more exciting, especially when it’s time for cutting off!

This is Tuna wool, so I expect some shrinkage, but how much? I take careful measurements before and after wet finishing. Besides the main piece of fabric that I’m using for a garment, I have two sample pieces. I can experiment with the samples before wet finishing my garment fabric.
Here are my findings:
Sample 1. Hand wash and air dry.
10% shrinkage in width; 13% shrinkage in length.
Sample 2. Machine wash (3 minutes agitation on a gentle cycle, with a short spin) and machine dry (low setting) till damp, finish with air drying.
13% shrinkage in width; 14% shrinkage in length.
~How to do the shrinkage calculations~
First measurement (on the loom) minus the second measurement (after washing and drying) equals the difference. The difference divided by the first measurement equals the percentage difference.
For example, 50 cm – 43.5 cm = 6.5; 6.5 / 50 = 0.13; 13% shrinkage.
The first sample fabric is softer than the unwashed fabric, but not as soft as I’d like. The second sample fabric is beautifully soft, like a nice warm sweater. So, with confidence, I wet finish the garment fabric—with great results. It’s perfect for the fall/winter vest that I’ll soon be wearing, made from this fabric!


Enjoy this photo show of the drawloom process.
May you enjoy the process you’re in.
Happy Weaving,
Karen
6 Comments
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Wow, that’s going to make a stunning vest!
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Good morning Karen,
You have been busy. Love the colors interwoven to form the base colors. Blue and green ..
I had a handed down stash of ’70s yarn. Scratchy and thick. Not something good for anything but macrame planters. But I needed rug. It was crocheted and eventually washed. The result was the softest wool imaginable.
Wool can be surprising.
Nannette -
That will be a lovely warm vest, Karen. You are producing beautiful fabric on your new drawloom.
I must admit that I find this mind-boggling and will be sitting back, admiring your work on this one. 😉 Amazing!
Hi Beth, It’s all part of the process, so it just means taking a step at a time. I enjoy the steps to get there, but I sure am looking forward to weaving this.
Thanks,
Karen
Ooohhh, I can’t wait to see this!
Hi Geri, You and me, both!
Karen
Good morning Karen,
I’m just coming to the end of my first draw warp, 16/2, and I’m very curious to see the end result of using the drawloom to weave rag rugs and the 12/6 warp. Look forward to the process and end result.
Janet
Hi Janet, Congratulations on completing your first drawloom warp! I have wondered about weaving rag rugs on the drawloom ever since I began to understand what can be done with a drawloom. I’m eager to jump in!
Happy weaving,
Karen
Ooooh, I can’t wait to see how this looks!!
Hi Betsy, It’s getting exciting around here!
Happy weaving,
Karen
Bravo, yes, joy indeed. I have loved this type of project, but I have not put it on my loom. I look forward to seeing your photos as you progress through this warp and weave the rug.
Joanne
Hi Joanne, Your encouragement means a lot to me. It’s comforting to know that you are looking over my shoulder. We’re going to have fun with this!
Joy indeed,
Karen
Looks fascinating! How long is your warp? As complicated as dressing the drawloom looks, I’d be inclined to put on a looooog warp!
Hi Lyna, Yes, a long warp would make perfect sense. I’m still in the learning stages, though, so I want a lot of practice in dressing the drawloom. This warp is long enough to weave two large rugs.
Happy weaving,
Karen
Hi Karen,
I am eager to see the rag rugs you weave on your drawloom. What is the sett, using the 12/6 rug warp? and why have you chosen an 8-shaft ground weave? Your blog posts are a joy!
All the Best, Carol Berry
Hi Carol, I’m using a 35/10 metric reed and the sett is 7 ends per cm. The ends are doubled. That’s close to 18 doubled ends per inch.
I’m using a draft by Kerstin Ålsling-Sundberg from “Damast,” edited by Lillemor Johansson. Her draft calls for the eight-shaft ground weave. When I have more experience I’ll be able to tell you why.
Thanks for joining in!
Karen
I really enjoy reading your blog. It is so inspirational to see all that you do. I am looking forward to see the progression of this project.
Hi Sue, Thank you so much! It’s a pleasure to share these weaving pursuits with like-minded people like you.
Happy weaving,
Karen