My introduction to rosepath rag rugs was on a room-size loom in Joanne Hall’s magical Montana studio. I was so happy at that moment that I actually cried. It’s no surprise, then, that I relish every opportunity to weave a rosepath rag rug. And even better, to share the joy with other handweavers who may not have tried it yet. Look what came in the mail this week! The March/April 2017 issue of Handwoven, with a project by yours truly–Swedish Rosepath Rag Rug!
Not everyone loves weaving rag rugs. That’s fine. But if you’re a weaver, there is probably something that draws your interest and brings delight. A certain weave structure, silky fibers, fine threads, complex patterns, bold colors. Something. And if you’re not a weaver, there is something else that triggers your pursued interest. Find that spark that ignites joy in you!
Keep a song in your heart. Sing. Sing for joy. Sing praise to the Grand Weaver who put the seed of searching in you. A seed that bursts open with joy when ignited with a spark, and flourishes into something distinguishable. Trust the Lord with all your heart. Your heart will find its melody.
May your heart sing a joyful tune.
ATTENTION: The draft for the Swedish Rosepath Rag Rug from Handwoven is written for a sinking shed loom. Therefore, for a jack loom, you must tie up the “white” empty squares instead of the numbered squares for the pattern to show right side up as you weave.
If you are interested in weaving rag rugs, take a look at Rag Rug Tips, a new tab at the top of the page.
Those pesky string yarn weft tails! There is a lot of starting and stopping with these mug rugs. Normally, tucking a weft tail back into the shed adds a bit of extra thickness at the selvedge. So, what about this very thick weft? It has the potential to throw everything off balance. A few easy tips help minimize the distortion the thicker weft can cause.
Taming String Yarn Weft Tails
- Begin the thick weft on alternating sides. This will prevent one selvedge from building up more than the other.
- Taper the end of the string yarn, cutting it at a steep angle.
- Starting about 1 3/4″ inside the selvedge, send the shuttle through the shed toward the selvedge, going over or under the outermost warp end. Pull through until almost all of the weft tail is caught.
- In same shed, send the shuttle back through to the other side, aware of encircling the one warp end.
- Beat. (Beat on open shed. Beat again. Change sheds. Beat again.)
- Continue weaving.
- To end the thick weft, leave a 1 3/4″ tail, and taper the end of the string yarn, as before. Lay the tail back in the last shed, going around the outermost warp end. Beat.
Things happen that throw us off balance. From personal celebrations to unexpected losses. Don’t be afraid. Putting trust in the Lord minimizes the inner turmoil. The Lord is my light. He lights my way. What is there to be afraid of? Wholehearted trust in the Lord pushes fearfulness away.
May you walk in a lighted path.
This project has been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila Lundell. It includes four-shaft tapestry, as well as weft inlay techniques. Each of the four strips will be a sampling of 8-12 different patterns or techniques. The weft is all linen, in various colors and sizes. Several strands are bundled together and made into butterflies. I have the sections mapped out, but the actual designing is happening at the loom.
The box of vibrant shades of linen that sits by the loom makes me think of the wonderful colors in creation. The Grand Weaver puts an assortment of strands together, making something as only He can. The world belongs to its Maker. We are His. Sometimes we forget that it is not that He is in our universe, it is that we are in His. I love the way He puts an assortment of us together to put a splash of color on His tapestry.
May you enjoy the colors around you.
It’s this kind of detail that takes a handcrafted item up a notch. A hanging tab made from a handwoven band is more than an accent for a handwoven hand towel. The small hanging tab, mostly unnoticed, adds a statement: This towel has a purpose. It is meant to be placed where it will be used.
How to Make Hanging Tabs for Towels from a Handwoven Band:
- Mark cutting lines on the woven band. My lines are 4 1/4″ apart.
- Zigzag forward and back on both sides of the marked lines, leaving room for cutting apart.
- Cut the band apart at the marked lines, between the zigzag rows.
- Decide where and how to place the hanging tab.
- Position the tab, and push the zigzagged ends to the fold inside the pressed and folded towel hem. Pin or clip in place.
- Stitch the towel hem, securely catching the ends of the hanging tab.
- Use the towel. Enjoy!
Your prayers matter. Pray a blessing on your children and grandchildren. Your prayers add a detail to their lives that sets them apart. The blessing we ask is that they know the Lord. That they will call on the Lord. That they will say they belong to the Lord. Ultimately, our prayer is for the Lord to place them where they live out the purpose for which he has designed them.
May your prayers reach the heart of God.
This time, please permit me to share with you a short video that tells a little something about me as a handweaver. I suspect, if you are a weaver, you enjoy weaving for some of the same reasons I do. The process of turning threads into cloth never ceases to fascinate me! I weave on Glimåkra countermarch looms, with an emphasis on Swedish-style textiles. Even within that boundary, there are endless weaves to explore and techniques to try. I am deeply grateful for the opportunity to sit at a loom and weave these threads together. Thank you to Eddie Fernandez for his kind manner behind the camera and for his masterful videography.
And I can’t tell you enough what a joy it is to walk through this process with friends like you.
May you enjoy the part of the process you are in.