What to Do with Linen Leftovers

These waffle-weave washcloths are made out of my linen leftovers. For years, I’ve been saving linen scraps: the small amount left on the tube, quills that weren’t used up, thrums that I couldn’t bear to discard, and skinny warp chains from the times I accidentally wound a few extra warp ends.

Using linen leftovers for a new warp.
To make this warp, I finished off about a dozen tubes that had small amounts of 16/2 linen.
Winding a linen warp.
Putting leftover threads together.

The warp is 16/2 linen. I alternated two colors at a time in the warp, so there are interesting color-and-weave effects that outline the “waffles” in the weave.

New linen warp.
Heddles are threaded in point twill for waffle weave, alternating two colors at a time.
Afternoon sun on a new warp.
Afternoon sun is a pleasant sight on a new warp.

The linen for the weft is everything from fine 16/1 line linen to coarse 8/1 tow linen. I am purposely leaving weft tails exposed. I expect significant shrinkage, so I will trim the tails shorter after wet finishing.

How to use linen leftovers.
Linen “weft-overs” include thrums, end of tubes, and accidental warp chains.

Ideas for this project originated with Clean with Linen, by Sanna Ignell in Väv 2016 No.2, p.6, and Handtowels made of linen, by Elisabet Jansson in Happy Weaving from Vävmagasinet, p.31.

Linen waffle weave.
Linen waffle weave.

Do you have precious leftovers you’ve saved from your journey through life? Memories we don’t want to lose. And memories we wish we could forget. All these leftover threads serve as reminders that we are meant for more than what we can produce on our own. Here’s the good news. Love invites us to hand over our collection of scraps. Listen to Love. His name is Jesus. He takes our linen discards, and, with nothing wasted, weaves his beautiful story of redemption in us.

May your leftovers be given new life.

Love,
Karen

14 Comments

  • Joyce Lowder says:

    Beautifully said, Karen! And great idea! 🙂

  • Robin says:

    Fantastic idea!
    Would love to see pix of the finished wash cloth. Perhaps a future post?

    • Karen says:

      Hi Robin, Thanks for giving your thoughts! I will be happy to show pictures of the wash cloths when they are finished! I’ll be as surprised as you at the results. I expect to get 10 wash cloths from this warp, so hang on, it may take a while.

      Happy weaving,
      Karen

  • Nannette says:

    An album quilt I made for my daughter’s wedding was cobbled together of the obvious dress fabric from her childhood, but also needle work from her ancestors. Textiles too fragile to use as originally designed, but reinforced and added to the beauty of the quilt designed for the next generations to come.

    One block included a piece of weaving done on a home made loom by my husband’s grandmother.

    Leftovers from earlier generations kept to build something useful and beautiful.

    Nothing goes to waste in God’s world.

    • Karen says:

      Hi Nannette, Your quilt sounds fantastic. What a wonderful gift, full of meaning.

      “Nothing goes to waste in God’s world.” Amen!

      All the best,
      Karen

  • Linda Cornell says:

    Beautifully said!

  • Laurie says:

    Is that a plainweave hem? Does it contract the same as the waffleweave?

    • Karen says:

      Hi Laurie, Yes, I am doing a plain weave hem. I am sure it will not contract the same as the waffle weave. I expect the hem to look a bit wavy. Since this is my first time to do waffle weave, I’m waiting to see what it does for sure. 🙂

      Happy weaving,
      Karen

  • Charlotte says:

    I cannot believe, yet I must! The timing of your post – waffleweave wash cloths to my drawdown for the next project – waffleweave wash cloths! Isn’t this fun?!?!?!
    Mine will be 12/6 seine twine. The warp on the drawloom is nearly tweaked for a new run of Casita bath towels – Cottolin. The wash cloth warp will go on Julia once my Marines have come and gone. Also, for the Casita.

    The Inkle loom is warped for the hang loops…it’ll go to the mountains with us.

    Oh how I love the direction of our path and sharing it, such a sweet gift!

    • Karen says:

      Hi Charlotte, How fun! And believe it or not, yesterday I finished the drawdown for my next project on the Standard – Cottolin bath towels! Wow, you and I are really in sync.

      Love,
      Karen

  • Betty Morrissey says:

    HI!
    Can’t’ wait to see them. Love how everything finds its purpose.

    • Karen says:

      Hi Betty, With purpose there’s hope. And we all need hope. I’ll keep you posted on the progress and finishing of these washcloths. Stay tuned…

      All the best,
      Karen

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Weave Two Connected Layers

Two layers of cloth exchange places in this double weave structure. One layer of warp is solid deep plum. The other layer has stripes of bold colors. Clean lines occur where the layers switch places. So, with deep plum weft alternating with orange, blue, green, and red weft, we get a message written in clearly-defined blocks: Be invigorated with vibrant color!

Magic of double weave!

Dark plum weft alternates with the blue weft. The reverse side of the fabric has dark plum squares in long vertical color stripes.

Double weave throw. Karen Isenhower

Colors of the warp stripes are used as colors for the weft stripes. As a result, you can see the “pure” colors in a diagonal line–orange, blue, green, red–where the warp and weft colors are the same.

Double weave magic!

Variance in the blocks of colors gives the cloth a dynamic appearance. Not including the dark plum background, there are sixteen different colors of blocks as a result of the four colors being used as warp and weft.

Message. We have a message from heaven. When Jesus came to earth, he not only brought the message, he was the message. Not that we should try to be good like him. Nor that we are already good enough. But that he, the direct link to heaven, would suffer the consequences for all our misdeeds. And rise again. He willingly switched places with us—the great heaven and earth exchange. This good message brings hope and grace to all of us who live on this earthly layer. Thanks to our Grand Weaver’s faithful love, we are woven into a vibrant-color existence through faith, on this layer and the next.

May you see your surroundings in living color.

Joyful weaving,
Karen

11 Comments

  • Meg says:

    This is terribly interesting. The colors are so delicate.

    • Karen says:

      Hi Meg, The contrast between the deep plum and the other colors has a surprising effect. Working with colors never grows old!

      All the best,
      Karen

  • Chris says:

    Hi Karen,
    I love doubleweave, so many interesting effects possible. This is a terrific project.:)
    I am so pleased I discovered your blog.
    Kind regards
    Chris

    • Karen says:

      Hi Chris, Doubleweave is fascinating! This project stretches me—literally, side to side—making it a delightful challenge to weave.

      I’m delighted you found your way here!

      Happy weaving,
      Karen

  • Janet H says:

    This is just beautiful! And timely. I am currently trying to design a similar doubleweave windows draft for a throw and have come across 2 sources that explain the block design differently. I have been trying to work this out in my head, one vs the other, in my planning process and how to apply it. I confuse myself and have had to keep setting it aside and studying it again later. Seeing this post of yours, I just now realized that you have been posting about this same block design all along and your pictures are now helping me work through it. I am planning a gray background with 10-11 shades of blues, greens, purples in the “windows” for the front. I may vary the heights and widths of the windows throughout the throw…haven’t progressed to that decision yet.
    My first source for this project is in the book Loom Controlled Double Weave by Paul R. O’Connor, on pp. 42-43.
    The second source I found online: https://www2.cs.arizona.edu/patterns/weaving/webdocs/opr_8s.pdf pp. 2-4
    The two may actually be the same thing, just explained differently, so I was having a little difficulty figuring it out in my head. In the second, they are using Dark/Light instead of color letters. If I use gray for both the D and L in Block A, I’m thinking it would be the same as O’Connor’s threading. If I used the second threading, and used gray as D and my colors as L throughout, I think it would only change the appearance of the back. Am I right? If I want gray to predominate on both sides, I think I just follow O’Connor’s threading, but I think the second source (using D/L) shows the tie-up in conjunction with the treadling and would be more helpful in setting up my loom.
    I went back through your previous posts about your throw and it appears you used the second approach, the D/L threading in both blocks A and B. I would really like to know what the back of yours looks like, but I still think I want to follow the O’Connor threading. It has been incredibly helpful looking back at your posts at this point in my design process! I feel like a light went on and suddenly it is making sense to me.
    Thank you so much!!

    • Karen says:

      Hi Janet, I haven’t studied doubleweave like you have. The draft I’m using is similar to the one in the arizona.edu file. I don’t have the O’Connor book to reference. The draft I am using is from The Big Book of Weaving, by Laila Lundell, p. 176, if you want to compare it. I wound the warp with 2 ends–plum, plum; and plum, other color. The threading alternates the plum with the other color in the blocks with squares.
      I’ll post a picture of the back in a little bit.

      It’s great when a light comes on like that! Hooray!
      Karen

    • Karen says:

      Janet, Here’s a picture of the back side of the fabric!
      Back side of double weave.

      Karen

  • Janet H says:

    Karen, thank you for the view of the back! I think I understand the difference in the 2 threadings now. I also pulled out another book I have (and forgot to look at–head slap), Doubleweave by Jennifer Moore), and found an example done using the O’Connor threading that also showed how the back looks in that case.
    When I first started my comment above, it was going to be asking you a lot of questions to help me make sense of it all. As I typed, that light kept getting brighter, and I answered most of my own questions before they even got typed, so I ended up with a completely different comment than when I started. So, without even knowing it, you enlightened me! Sorry, I do tend to run on when I get wound up….
    Don’t mistake me for someone that knows what I’m doing. I think I am more of a technician (& perfectionist) than a creative artist, so I have to understand how things work (and then modify them). I do it when I sew also. Unfortunately, it means I spend more time planning (or “studying”) my projects than actually doing them. I would probably learn more if I just dove in and made things, but I guess I’m not made that way.
    I have put a request in to the library for the Lundell book, and I imagine I will end up buying it. As a technician, I am also a collector of resources and tools.
    Love your blog! You are an inspiration.

    • Karen says:

      Janet, There are many different learning styles. It’s great that you understand how you are wired! I think I’m also a technician to some degree. I enjoy systems and knowing how something works, and being able to alter that, too. But I’m also finding that I learn a lot by doing, even when I don’t understand. My mistakes — like the several I’ve made with this project — take me to greater understanding and experience. Learning is a lifelong pursuit. I’m glad about that!

      Karen

  • D’Anne says:

    Love those colors, Karen! The purple becomes a neutral background.

    • Karen says:

      Hi D’Anne, I never would have thought of purple being a neutral, but you’re right. It’s almost like a deeply colored black that sets off the other colors.

      Thanks,
      Karen

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Heddle Shortage

I am well into threading when I realize I neglected to take into account how many heddles I need for this project! I don’t have 2,064 even if I grab all of the heddles from the other loom. This double weave throw project is at a dead end until more heddles appear. I hurriedly place an order for more heddles…

Threading heddles for double weave.

This Glimåkra Standard is one of three looms that share my supply of Texsolv heddles.

Thankfully, the new heddles arrive quickly and the project is alive again.

This is what 1,000 Texsolv heddles looks like!

This is what 1,000 Texsolv heddles looks like! I didn’t want to run out again any time soon.

New Texsolv heddles - 1,000 of them!

Heddles come in bundles of 100, held together with twist ties. WARNING: DO NOT undo the twist ties before you put the heddles on the shaft bars. You’ll be sorry…

Clipping loops on new Texsolv heddles.

Before putting the heddles on the shaft bars, and while they are still tied into bundles, clip the loops at each end.

Clipping Texsolv heddle loops.

I clip the loops on both ends of the heddles. It is easy to move heddles wherever you want if the loops are cut, including repositioning individual heddles. (It is far easier to clip the loops while the heddles are still tied together.)

New heddles on the shaft bars.

There are 100 new heddles on each shaft. The heddles that are not used will be tied up and put away in my heddle box, ready for the next time I need more heddles.

Alive. This is the Easter season when we celebrate the resurrection of Jesus Christ. He died, and was made alive again! What makes it even more fantastic is what that means for us. We all have a goodness shortage. And without a source of true goodness, our lifetime self-improvement project is at a dead end. Yet, through faith in the powerful working of God, we are raised with Christ. We are made alive together with him. His true goodness becomes our living source.

New bundles of Texsolv heddles stand ready to be used!

Threading progresses. New bundles of heddles stand ready to be used!

May you be supplied with more than enough.

Happy Easter,
Karen

8 Comments

  • Beth Mullins says:

    Ugh! I can’t wait to see this once you start weaving.

  • Anonymous says:

    Oh!! The hideous heddle shortage. Been there. Good tip not to undo the twist on heddles. Loose heddles have been known to cause insanity. lol

  • Karen Simpson says:

    Easter Blessings to you and your family throughout the year!

  • Shari says:

    You are amazing! You are so generous to share with us! Your words and photographs are so helpful! As inconvenient and frustrating we can feel from making mistakes it is the way we learn for next time! Happy Easter! We have our Sedar tonight.

    • Karen says:

      Hi Shari, I’m always delighted to find out that others are interested in the things I get to share. I feel very fortunate to have people like you to connect with!

      Thank you! And your Sedar will be rich with meaning. Blessings on your special time.

      Love,
      Karen

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Transferring Warp Ends Takes Courage

There are four pairs of overlapping warp chains, with stripes to line up. I created a mess. A few options to consider: 1. Give up. 2. Weave it as is, destroying the design. 3. Use two sets of lease sticks, and expect problems with threading (2,064 ends). 4. Transfer all ends to a single set of lease sticks, arranging threads in order for each stripe.

Eight warp chains...to correct a huge winding error.

Each of four warp chains were duplicated when I realized I had wound only half the correct number of ends in each chain.

Option 4 seems the riskiest. If I lose the cross while transferring threads, I have an even bigger mess. It’s all or nothing. Go for it! Fortunately, my apprentice, Juliana, arrives in the nick of time to give me a hand.

Transferring color stripes to one set of lease sticks.

Lease cross is tied separately for each color “partial” stripe.

Transferring two warp chains to a single set of lease sticks.

Stripes from the two warp chains are transferred to a single set of lease sticks. Now the stripe colors are at their full correct width.

Preparing to transfer warp ends.

For the four center warp chains, each section of color is separated and tied at the cross. It takes an extra set of hands to transfer them in order to the primary set of lease sticks.

Delicate transfer of warp ends accomplished!

All warp ends are now successfully transferred to a single set of lease sticks. Let the loom dressing begin!

It worked! All the threads are successfully transferred to one pair of lease sticks. What a relief! I can beam the warp knowing that all is well. A beautiful double weave throw is imminent.

Pre-sleying the reed at the loom.

Warp is pre-sleyed at the loom. So far, so good.

Double weave warp ready to beam!

Ready to beam! Looking forward to this dressing and weaving experience.

We all have made a mess of our lives, and we know it. We hear of options to fix things, but one seems the riskiest: Transfer everything to God. But what if I mess that up, too? There’s good news. God transfers us. When we place our trust in Jesus Christ, God transfers us from our messy state to his good order. And the result is a weaving that showcases his workmanship—a beautiful you.

May you take a worthy risk.

With you,
Karen

8 Comments

  • Joyce Lowder says:

    Glad this worked! Even more happy that God works messes out for us! Thanks for sharing! 🙂

    • Karen says:

      Hi Joyce, It is a relief when we see things begin to work out! And what a relief it is to trust our great Lord with the most important things in life.

      All the best,
      Karen

  • Annie Lancaster says:

    I like this thought.

    And so glad the mess worked out. But I knew quitting was never an option for you, Karen!

    • Karen says:

      Annie, You are right. Quitting was a thought that flickered for a moment, but I never really considered it an option. You may know me a little to well. 😉

      Karen

  • D’Anne says:

    I know that was frustrating, Karen. Been there, done that, although with a smaller warp. Perseverance pays offf!

    • Karen says:

      D’Anne, That is so true! Perseverance does pay off! I think that is something that has been a part of me since childhood – quiet perseverance. Thanks for making me stop and reflect on that for a moment.

      Happy weaving,
      Karen

  • Linda says:

    God does fix our messes in unexpected ways. …. when we ask. And I thought 398 ends of only two colors were a challenge! Perspective and perseverance are helpful tools.

    Thank you for sharing your faith!

    Linda

    • Karen says:

      Hi Linda, It is crucial for us to have the humility to ask God for help out of our messes. Perspective and perseverance are indispensable!

      Thanks!
      Karen

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