Quiet Friday: Swedish Rosepath Rag Rug

My introduction to rosepath rag rugs was on a room-size loom in Joanne Hall’s magical Montana studio. I was so happy at that moment that I actually cried. It’s no surprise, then, that I relish every opportunity to weave a rosepath rag rug. And even better, to share the joy with other handweavers who may not have tried it yet. Look what came in the mail this week! The March/April 2017 issue of Handwoven, with a project by yours truly–Swedish Rosepath Rag Rug!

Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.

Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.

Not everyone loves weaving rag rugs. That’s fine. But if you’re a weaver, there is probably something that draws your interest and brings delight. A certain weave structure, silky fibers, fine threads, complex patterns, bold colors. Something. And if you’re not a weaver, there is something else that triggers your pursued interest. Find that spark that ignites joy in you!

Beginning a rag rug.

Besides using a pre-measured tape, taking a picture at the beginning of the rug, with the yellow tape measure in view, makes it easy to replicate the hem at the end of the rug.

Temple in place, weaving Swedish rosepath rag rug.

Temple is in place, keeping the rugs a consistent width. Metal rug temples are good, but I still prefer a regular wooden Glimåkra temple for weaving rag rugs.

Weaving rosepath rag rugs. Fun!

Many rosepath variations are possible. The rug on the cloth beam uses a similar design, with different colors.

Swedish Rosepath Rag Rug. Karen Isenhower

Making paths of roses. Rosepath.

Swedish Rosepath Rag Rug.

Progress!

Seeing the reverse side of the rosepath rag rug on the loom.

Reverse side of the rug has a subtly different pattern.

Swedish rosepath rag rug on the loom. Rug in March/April 2017 Handwoven.

Cloth beam fills up with rag rugs. Pleasant sight for a rag rug weaver!

Ending the rosepath rag rug on the loom.

Ending the rug on the loom. Following the markings removes guesswork.

Keep a song in your heart. Sing. Sing for joy. Sing praise to the Grand Weaver who put the seed of searching in you. A seed that bursts open with joy when ignited with a spark, and flourishes into something distinguishable. Trust the Lord with all your heart. Your heart will find its melody.

Swedish Rosepath Rag Rug as seen in March/April 2017 Handwoven.

Published in March/April 2017 Handwoven.

May your heart sing a joyful tune.

If you are interested in weaving rag rugs, take a look at Rag Rug Tips, a new tab at the top of the page.

Happy Weaving,
Karen

18 Comments

  • Beth Mullins says:

    Congratulations, Karen, on another beautiful article!

  • Maggie Ackerman says:

    I’ve just done my first rose path rug and I loved doing it. Used tee shirt yarn from my stash. Yours is gorgeous and I can’t wait to try it. You also have some great suggestions — I love the photo idea for the hem. Much better than my notes.

    • Karen says:

      Hi Maggie, Rosepath is so much fun. I’m glad to hear you have enjoyed it, too. Yes, the photo has saved me many times. My memory and my notes are not that great.

      Happy weaving,
      Karen

  • Fran says:

    I downloaded Handwoven yesterday, and was pleasantly surprised to see your rug! Congratulations !

  • Janet says:

    Congrats Karen!! I have always loved your rugs and will be trying this out shortly:)
    Janet

  • Sandy says:

    I’ve recently returned home from a trip, then going through several days of mail found my Mar/April issue of Handwoven. I was so excited to see your Rosepath Rug article, and was happily anticipating this blog post. Congratulations! Once again thank you for your weaving & life encouragements. 🙂

    • Karen says:

      Hi Sandy, Sounds like you have me figured out. 🙂 Isn’t it exciting to get a weaving magazine in a pile of mail? Everything else has to stand still while I flip through the pages. And then, later, I sit down with it and read every page.

      Thank you for your wonderful encouragement to me. It means so much!
      Karen

  • Mary Scott says:

    Don’t you just love her!! Beautiful job on your rug!
    Thanks for sharing!
    Mary

  • Carol says:

    BEAUTIFUL !!
    Congrats. Need to run out and get a copy of Handwoven.

    Carol

  • Sandy says:

    My issue of Handwoven arrived yesterday and I was thrilled to see your article! Beautiful rug and I’m so looking forward to trying this. And checking out your tab of tips – I’ve never woven a rag rug before (I’m a fairly new weaver), though I’ve dreamed about it. I can use all the help I can get!

    • Karen says:

      Hi Sandy, You’re in for a treat. Weaving a rag rug is different than other types of weaving. You get to use some muscle! 🙂 Please let me know if you have any questions, or if I can help you in any way.

      Happy weaving,
      Karen

  • Nanette says:

    Congratulations on the article! Also, the photo reminded me I didn’t thank you after I tried your ribbon-measuring system. It works great and I really appreciated your detailed instructions. Nanette

    • Karen says:

      Nanette, I’m happy the measuring ribbon works for you! One of the places I learned about using a ribbon for measuring was at Vavstuga. So many little things can make a big difference.

      Happy Weaving,
      Karen

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Linen Butterflies

This project has been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila Lundell. It includes four-shaft tapestry, as well as weft inlay techniques. Each of the four strips will be a sampling of 8-12 different patterns or techniques. The weft is all linen, in various colors and sizes. Several strands are bundled together and made into butterflies. I have the sections mapped out, but the actual designing is happening at the loom.

Box of colorful linen for a tapestry project!

Box of linen! A variety of 16/2 line linen, 6/1 tow linen, and 8/1 tow linen.

Weft inlay with linen butterflies.

First sample strip starts with some weft inlay.

The box of vibrant shades of linen that sits by the loom makes me think of the wonderful colors in creation. The Grand Weaver puts an assortment of strands together, making something as only He can. The world belongs to its Maker. We are His. Sometimes we forget that it is not that He is in our universe, it is that we are in His. I love the way He puts an assortment of us together to put a splash of color on His tapestry.

May you enjoy the colors around you.

Happy weaving,
Karen

6 Comments

  • Melissa Myers says:

    God must love color, there is so much of it!!! I am reminded of the verse:

    New American Standard Bible
    Job 26;14
    “Behold, these are the fringes of His ways; And how faint a word we hear of Him! But His mighty thunder, who can understand?”

    Can’t wait to see the tapestry He weaves!!

  • Liberty Stickney says:

    Karen,
    Beautiful colors, can’t wait to see what comes from them. I love you loom with a view!
    Liberty

    • Karen says:

      Thanks Liberty, Colors always seem more alive to me in linen. I’m glad I get to take my time with them and enjoy the scenery, too!

      Karen

  • Marjorie says:

    I’m a new follower, with an unwarped, recently acquired, Glimakra Ideal. I love your site, and aspire to become a weaver, with the help of ALL my new weaving acquaintances. I have the Lundell book, although it may be water-marked by drooling before I’m able to weave anything from it. Watching with eagerness,

    • Karen says:

      Hi Marjorie, Welcome to the wide wonderful world of weaving! And welcome here in this corner of the weaving world. That Lundell book will step you through everything you need to know to dress your loom and make something beautiful. I’m excited for you! Let me know if there is any way I can help you along the way.

      Happy weaving,
      Karen

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New Warp Comes Alive

Put on a new warp as soon as possible. That’s my philosophy. A weaving loom should not stay bare. I am ready to begin a stack of rep weave mug rugs (my local weaving group is making them for an upcoming conference).

Cottolin warp on the warping reel.

Cottolin warp seems to light up on the warping reel. The colors become more vibrant when lined up together.

A new warp comes alive as I wind the threads on the warping reel. It is a picture of possibility! Every warp has a beginning and an end. Beginning a new warp on the loom is always exciting. And when I come near the end, I often wish I could weave a little longer.

Cottolin warp chain with vibrant colors!

Warp chain is ready for dressing the Glimåkra Ideal loom.

Pre-sleying the reed for rep weave mug rugs.

Lease sticks are in place under the reed, held up by two support sticks, and the warp has been pre-sleyed. Next step is to set up the warping trapeze.

Have you considered the warp as a metaphor for a life’s span? It is measured out in advance, with a certain type of fabric in mind. The setts, patterns, and structures vary. But they are all meant to be woven. Weft passes are like days and years. For a time, it seems like it will never end. And then, you see the tie-on bar coming over the back beam. You’re reminded that this warp is temporary. We all have this in common: We are mortal. Time is a precious gift. Every pass of the weft is a reminder of our Grand Weaver’s loving attentiveness to complete the weaving he began.

May you enjoy the gift of time.

Happy Weaving,
Karen

12 Comments

  • Deb Hazen says:

    Love the image of being a weaving in progress. As weavers, we take such care to bring projects along…we spend extra and loving energy sorting out the snarled sections. Most importantly, we are persistently present. How delightful it will be to sit at my loom tonight and reflect on my life as a weaving in perfect confidence that my Creator always has the shuttle.

    • Karen says:

      Hi Deb,

      in perfect confidence that my Creator always has the shuttle

      What a lovely way to say it! In that confidence lies true rest and peace.

      Thanks for sharing,
      Karen

  • Kate Chitwood says:

    I hope those mug rugs are going to the CHT conference ! I’ll be there – hope to see you.

  • Cindy Bills says:

    Hi, Karen,
    I’m a weaver in Michigan, new to your site. I am loving your posts! Thank you for your reminders of how all things can be seen through the eyes of our faith, and our lives made richer because we do. And we learn so much from our Lord!
    I also strive to always have something on each of my looms. Right now that is a rayon scarf in peacock colors on my 8 shaft Schacht Standard, a baby blanket in James C Brett Marble chunky on my 48 inch Ashford rigid heddle loom, and placemats on my 15 inch Cricket travel loom. My 30 inch Flip loom just became bare after finishing another smaller baby blanket in soft washable acrylics.
    Aren’t we blessed to be able to weave this life and give of our weaving skills to others?!
    Thanks in advance for the blessing of your thoughts as you continue to post them.

    • Karen says:

      Hi Cindy, Looms all active! What a treat to hear about what you have on your looms. Who would’ve thought we could gain and give so much by weaving fabric?

      Happy weaving,
      Karen

  • Debi says:

    Beautiful…both the weaving and the analogy! God bless!

  • Bruce Mullin says:

    Nice comforting thoughts!

  • Missie says:

    I’m always drawn to photos of rolls of yarn, thread, and wool. There is something about the colors and chaotic tangles that give beautiful patterns making for great composition. Also there is a nice representation of something in transition… taken something raw from nature and turning it into a transitional product full of possibilities. The colors of this warp chain are beautiful together.

    • Karen says:

      Hi Missie, I agree, a collection of (somewhat organized) yarn or thread is a good representation of transition… with all the uncertainty and unknown, yet it holds a promise of something good or useful that will come out of it. Great thoughts!

      All the best,
      Karen

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Delight of a New Warp

Warp wound onto the back beam, as seen through the beater, only adds to the expectant delight. The new warp is tied on and the treadles are tied up. The next step is to wind a quill with linen thread to put in the ready boat shuttle! This is joyous anticipation for a handweaver.

New warp on the back beam, seen through the beater.

Immanuel, God with us, Jesus Christ. He came to live among us. The one who came to save us lives among us. He delights in us, loves us, and rejoices over us. Imagine that! The Lord rejoices over you. The Grand Weaver delights in his creations. Why are we surprised?

May you be delighted and be a delight.

Merry Christmas to you,
Karen

3 Comments

  • Lynette says:

    I can identify with your joy of starting to weave a new warp! And I love your application to Jesus’ joy over us. Merry Christmas to you, too! Hope your back is feeling better.
    I’m just getting used to a “new-to-me” used Glimakra loom. I was wondering if you find that you can step on your treadles with shoes on? I need to be able to wear my shoes when I weave and am having trouble stepping on more than one treadle at a time with my shoes on. But this is only a problem when weaving a pattern requiring the middle treadles. I can step on the outer two treadles just fine for plain weave wearing shoes. Just wondering if you had this happen, and if you have a solution. Because I like a lot of things about this loom, but am seriously considering selling it because of this. It weaves 52″ wide. I’m in SW Arkansas in case you know someone who might be looking for one.

    • Karen says:

      Hi Lynette,
      You bring up an interesting dilemma. I usually have socks on to weave, and never wear shoes for weaving. Is it possible for you to try a different type of shoe? That might be easier than switching looms. A ballet-type slipper, or a moccasin of some sort would work. Another solution would be to tie up every other treadle, or tie no more than two treadles in a row, if you don’t need all the treadles.
      I’d be interested in hearing input from others who have possible solutions…

      I love the Glimakra loom, so, in my perspective, it would be worth finding a solution to make this loom work.

      Merry Christmas,
      Karen

  • Lynette says:

    Thanks so much, Karen, for your wisdom. I will try some of these options for sure. There a lot of things I like about this loom – it’s quiet, and easy to treadle even with a very tight warp. I’ve even set up some small stick “levers” at the front top of the loom that I can raise up to act as a fulcrum to move my heavy beater back on the three notches from a sitting position very easily. If anyone wants to see what they look like and how they work you can email me at meglass@gmail.com.

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Fringe Benefits

Did you notice I didn’t hemstitch these alpaca scarves on the loom? Instead, small overhand knots secure the weft. The knots provide a base for lattice fringe on one scarf, and for twisted fringe on another.

Finishing ends on a long handwoven alpaca scarf.

Purple mohair thread marks the right side of the fabric. The thread is added before the fabric is cut from the loom. Six warp ends at a time are formed into overhand knots that cinch up to the edge of the scarf.

Making lattice fringe.

Three offset rows of overhand knots form the lattice fringe.

Fringe is finished. Ready for washing and drying.

Knots at the tips of the fringe will be trimmed off after washing and drying.

Tying knots for lattice fringe is meticulous. And twisting the fringe is not much faster. But it’s not about how long it takes. I’m not a production weaver. I’m a one-of-a-kind weaver who enjoys the process of turning threads into unique cloth, no matter how long it takes. After the fringes are done, I will hand wash the scarves and let them hang to dry. Slow and steady, the scarves take shape. From the very beginning, I work with the end in mind–handcrafted artisan designer scarves.

Twisting fringe on a handwoven scarf.

By inserting a long straight pin through the center of each knot as it is formed, I can pierce the foam board at the spot where I want the knot to end up–right at the woven edge of the scarf.

Twisted Fringe

Twisted fringe dangles from the edge of the soft scarf.

Time is a gift. Time to make things. Time to finish what we make. And time to undergo our own finishing. Look up. The one who made us takes the time to do the finishing we need. Our Maker doesn’t rush or hurry. He has a beautiful end in mind. We look up to heaven as we pray, acknowledging that our Grand Weaver is on his throne. We can be thankful that our times are in his hands.

May your finishing bring beautiful results.

With you,
Karen

8 Comments

  • Linda Sloan says:

    Wonderful message…love your blog and work. What an inspiration you are!! Linda

  • Kris says:

    This message brought tears to my eyes, Karen. I don’t remember how I found you, but I am so grateful that I did!! Advent Blessings to you! You are such a Blessing to us, your readers!

  • Katie says:

    Hi Karen,

    I’m curios about one of your photo captions about using the purple mohair to mark the right side of your fabric. Is this simply to make it easy to know which side is up or is there another reason for it having to do with tying the knots?

    Thanks!

    • Karen says:

      Katie, It makes me smile to know someone reads the captions. 🙂

      I mark the right side of the fabric with a thread when it comes off the loom because sometimes it’s not easy to tell the right side from the reverse side. If it’s that close, it doesn’t usually matter, but I still like to know. By marking it right away, I don’t have to guess about it or hold it up to the light to try to tell the difference, etc.

      Secondly, if I am tying knots for fringe, like this time, I want the right side of the fabric up. My overhand knots have a front and a back to them, and I want the consistency of having the front of the knots on the right side of the fabric. These are details that most won’t notice. But that’s what sets handcrafted goods apart, isn’t it?

      I hope that makes sense.

      Thanks so much for asking!
      Happy weaving,
      Karen

  • Pam says:

    You’re right. It is HIS perfect timing that makes us who we are. HE is the author and the finisher of out faith.
    I always say that every thing we do has a little secret to tell us. The trick with the pin in the center of the knot, as it is made to insure its proper place, is just such a secret. I wondered how to do that. Now my work will be better. Thank you,Karen.
    Pam

    • Karen says:

      Hi Pam,

      Yes, it’s often the little things that make a big difference. I’m thankful that the Lord planned in the little things that make us who we are.
      So glad you found a helpful tip here!

      Karen

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