Tag: grand weaver

Linen Weft Colors Tell the Story

Karen

Two-block broken twill is a soothing pattern to weave because of its regular rhythm. Even though this is eight shafts, it is not complicated. Simple is good.

Four colors of weft are arranged in a repeated order. Warp is 22/2 cottolin. Weft is 8/1 tow linen. This is the second of twelve placemats on this warp on the Glimåkra Julia.

Instead of assigning a different solid color to each placemat, I am using all four weft colors in each one. The colors are arranged in an order that gives the appearance of gradated color. 8/1 tow linen: blue, then green, then teal, then black; repeat, repeat, repeat. There is no set number of picks for each color. Instead, I am changing from one color to the next in an irregular fashion, letting each color softly flow into the next. Regular two-block pattern; irregular color changes.

Keep it simple. The Lord’s pattern for our lives is not complicated. The Lord goes before us. As we follow him, all those irregular changes that happen in our lives turn into a lovely display of softly flowing gradated color. We can rest in that. From this color to the next…

May you find a soothing rhythm to life.

Keep weaving,
Karen

Have enough Colors of Yarn?

Karen

I don’t want to tell you how many different colors I have of wool yarn. Most of it is 6/2 Tuna and 6/1 Fårö, but I have a good collection of other wool yarns, too. If it’s wool, I include it in my tapestry weaving. I have all of it arranged according to a 5-step value scale.

Yarn butterfly is equivalent to about 4 strands of 6/2 Tuna. I’m composing a color in the medium-dark value range.

If I combine the colors of wool just right, I can make the exact color I need for a tapestry detail. This is the challenge on which I thrive. There are never enough colors. Or, so it seems. The truth is, I have more than enough color options. Besides, for tapestry, the exact hue of a color is not nearly as important as the value of a color in relation to the colors around it.

Tapestry in progress. I carefully select yarns, mostly according to color value.
The cart beside the loom holds all the possible colors I may need for this Figs and Coffee small tapestry. I stop frequently to evaluate the colors and the value contrasts in the weaving.

The Most High God, Creator of heaven and earth, Creator of color, makes himself known. Take a look outside. Everywhere we look there is more color than we know how to express. So, in our humble attempts to make yarn butterflies in exact colors, we are showing that we are indeed made in our Creator’s image.

May you see all the color around you.

Your friend,
Karen

Another Rug Unfurled

Karen

I’ve been working on this spaced rep rag rug for a while. I should know what it looks like. So why does unrolling the cloth beam make me feel like a child on Christmas morning awaiting a surprise? It’s because I see only a small portion of the rug at any one time while I am weaving.

Middle section of rug has red fabric strips for weft.
Rows of stripes between sections of the rug.
Third section of rug has dark green fabric strips as weft.
Gimåkra Standard, 120cm. My favorite.
Do you see the flaw in the warp thread (12/6 cotton)? Fortunately, I have already woven the hem and the 6 picks of the warp-thread header. How’s that for a perfect ending? I am cutting off this rug and will tie back on for the next rug. The flaw in the thread will be cut away.
Ready to tie back on very soon.

Not until I cut it off and see the whole rug unfurled on the floor do I really grasp the story this rug is telling. The surprise is pleasant. Threads and fabric strips, and a weaver’s hands (mine), have turned written plans into a compelling story to beautify our surroundings.

It is easy to untie all the knots on the tie-on bar. That gives me plenty of length for tying warp ends into overhand knots in the finishng process.
Unfurled on the floor. First view is a pleasant surprise.

Our Grand Weaver excels at taking simple threads and odd pieces of cloth to create a lasting story. He weaves his plans into our lives to draw us nearer to himself. We see only short segments at a time. From beginning to end, though, our Lord’s skilled and scarred hands demonstrate his love to us. The finished work is more than we imagine.

Warp ends have been knotted, and hem turned under and hand stitched. This rug is ready to beautify the room.

May you experience the joy of pleasant surprises.

Happy Weaving,
Karen

Elegant Linen at the Top

Karen

Linen puts elegance in the picture. That’s why I am using 16/2 linen to make hanging loops for my three Christmas Snowflake banners. Before I hang the festive banners, though, I am embracing Thanksgiving. More than a food-filled holiday, Givingthanks is a treasure-filled way of living.

Short warping sticks on the warp beam of the Glimåkra Band Loom help the linen warp threads wind on with even tension. Blue basket underneath catches the warping sticks as they fall when I advance the warp.
Band made with 16/2 linen, warp and weft, is a sturdy band. The saturated blue shows off the glimmering luster of linen.
I like to weave as far as I possibly can, sometimes squeezing the last few weft picks through an increasingly smaller shed. Until it is nearly impossible to do one more pick.
Weaving to the end.
Cutting off reveals a lustrous woven band, perfect for the Christmas Snowflake Banners.

Our heavenly Father’s faithfulness is displayed like a banner in our lives when we attach the elegance of a thankful heart to everything we encounter. This season of gratitude extends for a lifetime.

Christmas Snowflake Banners, woven on the drawloom. Each banner will have three or more loops at the top edge, through which a rod will be inserted for suspending the festive banners for display.

Enter his gates with thanksgiving, and his courts with praise. Give him thanks. Praise his name. For the LORD is good. His loyal love endures, and he is faithful through all generations.

May you overflow with thanks.

Thankful for you,
Karen

Image in the Cloth

Karen

I am starting to see a fig. This tapestry is a short story about fresh figs and a cup of coffee. My full attention is on weaving while I’m at the loom. I’m always looking for the moment that a recognizable image forms in the woven wool and linen cloth. Attention flows from desire. And when I am weaving, there is no other place I’d rather be.

When I look through my monocular I get a distinct view of the first part of the fig.
Colors of wool (primarily 6/2 Tuna and 6/1 Fårö) are combined in butterflies to represent color values and hues that will become an image of a cut fig–mostly recognizable from a distance. An exciting challenge!

When our affections are set on the Lord Jesus, there is no other place we’d rather be than sitting in prayerful conversation with him. And, I imagine he is delighted when he sees his own image formed in us.

May you desire the best things.

Happy Weaving,
Karen