Heart of a Tiny Tapestry

Though small, this pocket-sized tapestry took a few months to complete. A car ride here, a coffee shop there, a move across town, and an imminent move across the state—this tiny tapestry has been in the background through it all.

Car-ride weaving.

Car-ride weaving.

Coffee-shop weaving.

Coffee-shop weaving.

The weft tails are neatly trimmed, but the back is completely exposed. I’m not weaving the tails in this time, nor covering them with a fabric backing. Just hold the tiny tapestry in your hand and feel it. Remember that all the pleasant color distinctions and pick-and-pick samples on the front side have a back side, too. True, the back doesn’t make as much sense. However, I want my friend who is receiving this to see and touch the heart of the weaving.

Finishing ends of small tapestry.

Using a needle to pull the warp ends back through the warp thread header. After pulling through, the warp ends are trimmed close to the surface. The weft tails are also trimmed to about 1/2″.

Steaming the tiny tapestry. 12/6 cotton warp pulls together nicely as the back of the tapestry is steamed.

Exposed back of the tiny tapestry weaving reveals trimmed weft tails.

Exposed back of the tapestry reveals trimmed weft tails.

Tiny tapestry. Visual and tactile satisfaction.

Visual and tactile satisfaction.

This is a picture of grace. Look at the heart of the matter. We so often rely on the rules. Break a rule, and you’re condemned. But Jesus is interested in the heart. A pure heart doesn’t stand condemned. This is why the gift of his forgiveness is so wonderful. God knows the exposed messy side of our tapestry. Yet, his grace sees us as perfectly covered by Christ Jesus himself.

May your hands keep making.

Simply yours,
Karen

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Dream Weave and Slow Reveal

This project is a slow reveal. I am showing what I am doing now, but I am waiting to tell what this will become. There is a flurry of preparation behind the scenes. In time, you will see what develops on the loom. You and I both will find out if I am jumping in over my head. Or, if I can, in fact, pull this off.

Warping reel with 16/2 linen for a new warp.

Warping reel with 16/2 line linen for a new warp.

Dressing the Glimakra Ideal loom with linen.

Linen shows itself to be a beautiful mess.

This is a gorgeous linen warp, with three shades of 16/2 linen: sable, northsea blue, and persian blue. I am dressing my Ideal loom to almost full weaving width: 93 centimeters. The sett is 3 ends per centimeter in a 30/10 metric reed (equivalent to 7.6 ends per inch). I am intensely eager and cautiously optimistic regarding this weaving adventure.

Linen. Dressing the loom.

Linen. Sable, northsea blue, and persian blue. Bockens linen comes with color numbers only. It is interesting to see the names given to the colors by different suppliers. These creative color names are from Vävstuga.

Ready to beam this linen warp on my Glimakra Ideal loom.

Pre-sley reed is in the beater. It’s time to grab some warping slats, slide the lease sticks forward, and beam the warp.

Love is like a hidden dream in your heart, awaiting expression. Love goes with you. It is a treasure you get to bestow on others. In some cases, your treasure may be their only hope. The God of love with us weaves the love of God in us, as his faithfulness is revealed over a lifetime. If we could see the end result the Grand Weaver has in mind, most certainly it would make us smile.

May the God of love and the love of God be with you.

Secretly,
Karen

10 Comments

  • Julia says:

    I’ve no doubt whatsoever that you will be completely successful in this endeavor. You’ve shared a few detours in your weaving, but I’ve yet to see a failure.

    • Karen says:

      Hi Julia, Thank you for your vote of confidence. I appreciate that! Hopefully, I won’t need to detour on this one.

      All the best,
      Karen

  • Linda says:

    This is fun for me to watch as I’ve never warped with pure linen.

  • Maggie Ackerman says:

    I’ve worked with a linen warp before on a rag rug and had issu s with fraying and breaking until I wet the warp while weaving. Will you have to wet this warp to weave without fraying? Gorgeous colors. Whatever this becomes will be beautiful.

    • Karen says:

      Hi Maggie, Oh yes, I know exactly what you’re talking about. I’ve had to do the same at times, putting a little dampness on the selvedge threads. But I’ve also had quite a few experiences with linen that gave me no problems whatsoever. I hope, hope, hope this one will refrain from fraying. We shall see…

      Happy weaving,
      Karen

  • Betsy Greene says:

    I’m looking forward to following this project. You’re using a very open sett. I have an idea but I will keep it to myself and see if I’m right. I like your use of a multi colored warp. It’s going to add some visual interest and depth to the … whatever. I’m quite sure you are not jumping in over your head. You are a very strong swimmer!
    Betsy

    • Karen says:

      Hi Betsy, I agree, I think the multi colored warp will add visual interest and depth. I may be able to swim this, but I’m still taking a deep breath as I jump in.

      Thanks for your encouraging words!
      Karen

  • Hmmmm..
    Monochromatic ‘starry starry night’ blues going on the warp. A visual surprise. I was expecting the high contrast of the plum blanket as I scrolled down the posting, instead of my go-to color pallet. As always the colors are wonderful (and grown up).
    ~ a yard wide— That width could be used for much. Clothing, drapery, household linens… …. I will have to wait as you share to progress.
    You are going full steam ahead with a new challenge.. Oops CHALLENGE. I am dragging my feet getting back to the new warp on my loom set up for rosepath rag rugs. I will be brave and go forward, after I complete the patched baby blanket with lime green and turquoise turtles. 🙂
    Nannette
    .

    • Karen says:

      Hi Nannette, Isn’t this one of the things we like about weaving – the CHALLENGE? Thrill and fright. But there’s no challenge at the loom that can’t be tackled and overcome.

      Rosepath rag rugs?? How fun! I’ll trade you… 😉 naw, just kidding. Go for it. You can do it!

      Happy weaving,
      Karen

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Double Weave Throw – Take Two

Nothing about the original draft is incorrect, but when I wrote it in pencil on my planning sheet, I transposed one. little. thing. The threading key. “X = plum; black square = other colors.” Exact opposite of what is written in the draft from The Big Book of Weaving, by Laila Lundell. (See When You Misread the Threading Draft, where I discover my dilemma.)

One little mistake. Big consequences.

Blind to my own mistake, even as I double check my handwritten draft.

Thanks to Fiberworks weaving software I am working out a solution. I adjusted the tie-up, so the treadle tie-ups on the first, third, fifth, and seventh shafts trade places with the tie-ups on the second, fourth, sixth, and eighth shafts. It works. And now, the one little threading error that is clearly visible seems like a breeze to correct!

Ready to weave a cotton double weave throw.

Tie-up adjustments bring the correct warp ends to the surface. Solid stripes of color are set to produce the desired design when woven.

One threading error. No big deal at this point.

One blue warp end stands out like a sore thumb. I’m glad to find this one threading error at this stage in the process.

There are times when my whole perspective needs an adjustment. It’s time for love. Love adjusts our view. At the heart level, love brings about changes in us. It re-sets our attention and motivations. Because God loved us, we can love, too. We don’t see, understand, or know everything now, which shows how incomplete we humans are. But the love that heaven knows is something we get to participate in here and now. Our cloth is far from perfected, but our love adjustments give us a glimpse of cloth from another realm.

May you make necessary adjustments.

Love,
Karen

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When You Misread the Threading Draft

What if you finish tying up the loom, eight shafts and eight treadles, having beamed, threaded, and sleyed 2,064 ends, and the first thing you see when you step on the treadles is… that you misunderstood the threading draft? Do you undo everything and re-thread? Not likely, if it took you eleven-and-a-half hours to do the threading in the first place. I am taking a deep breath. Time to walk away and think. Maybe I can adjust the tie-up, or maybe I can use it as is—a serendipitous design. Should I laugh or cry? My idea to serve my loved ones with handwoven gifts (See Weaving a Gift) is getting off to a rough start.

Double weave throw. Warp is tied on.

Warp is tied on. Ready to tie up the treadles.

Tie-up completed for eight shafts and eight treadles.

Lamms are connected. Treadle cords are positioned. Treadles are tied up. Eight shafts and eight treadles.

Double weave throw.

This view should show solid dark plum all the way across.

Double weave throw on the loom.

This view should show stripes of solid colors, not two-color stripes, with solid bands of dark plum in between.

Serve. I want to offer my best, especially when I’m making a gift for someone dear to me. It helps to look beyond the person, though, and realize my true service is to the Lord. Heart, soul, mind, and hands. I bring my misunderstandings and missteps of the heart to my Master Weaver, who has taken it on himself to make things right. And I’m reminded that as I serve someone with my weaving hands, the true gift is love. This double weave throw will be a reminder of that.

May you recover from your mistakes.

Humbly,
Karen

UPDATE: I have had a chance to put the draft on Fiberworks weaving software and work with it to adjust the tie-up. I think I found a solution. Stay tuned!

6 Comments

  • Joann says:

    Karen
    Thank you for your words of encouragement on weaving and on life. It is true about the mis-steps we make. It is also true how Jesus is always willing to help us through these times.
    Joann

  • Nannette says:

    Good morning Karen,
    My son has gifts in the kitchen second to none. His food on the buffet always wows and amaze. The ONE cake we all remember and recount with much love is the tender, chocolate layer cake that fell apart in the refrigerator before it was served. He scraped the pieces into a large mixing bowl and served it in a bowl with ice cream. It was not his plan for the cake, but it was more memorable than had it been served exactly as he planned it.
    God amazes me by how things do not always turn out exactly as planned. Often they turn out better after the dust (or chocolate) clears.
    Nannette

    • Karen says:

      Hi Nannette, So true! When I looked at the mis-threaded version on my software, it did look interesting. Even more so, the back side of the fabric is very pretty. I haven’t quite decided whether to correct my error by changing the tie-up, or not. Or maybe settle with a version that is a combination of the two.

      Thanks for sharing your story. Our family has a similar fond memory with a cake my mother-in-law made. It became known as “Flop Cake,” and has been intentionally repeated as a favorite.

      All the best,
      Karen

  • Ruth says:

    Oh Karen, what a blow! But how quickly you are recovering and you didn’t take the scissors to your project showing wonderful restraint. This throw when finished will have good memories and an important story to tell. I’m looking forward to seeing your progress and learning of the changes you make. Onward with prayerful consideration.

    • Karen says:

      Hi Ruth, Yes, it is a blow when you are excited about throwing the shuttle, and you get stopped in your tracks. But no, taking scissors to it never crossed my mind. One thing I enjoy about weaving is that there are always solutions! It may not come out as planned, but there is a way around this obstacle. That I know.

      Thank you for your kind and encouraging words!

      All the best,
      Karen

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How Long Did it Take You to Weave That?

It’s the question we expect to hear. “How long did it take you to weave that?” “…Well, hours and hours, basically.” After almost three hours of threading, I am nearly to the halfway point. How can I convey all the necessary work of dressing the loom? Or, the time it takes to practice a new skill at the loom? Or, the finishing work of twisting fringe, hand hemming, or cutting and sewing?

Threading ten shafts.

Threading ten shafts. The two newest shafts are pale compared to the others. They haven’t yet developed the golden hue of the wood around them.

With any hand-crafted article, there is more than meets the eye. Why do we want to know how long it took to make it? Are we trying to measure value, or understand the maker’s process? Or, is it simply a statement of incredulity about something we didn’t know was possible?

Threading ten shafts--in silence.

For this threading, I sit in silence. No music, no podcasts, no wandering thoughts. I’m easily thrown off by distractions, especially when threading ten shafts.

Threading linen on ten shafts.

Half of the 16/2 linen warp is threaded.

We have a Maker. He fashioned our physical selves; we see that. He also made us with heart and soul. He starts the weaving process before we are born, and takes as long as he needs for the finishing. The Lord, our Maker, includes the necessary development of our character, and the intricacy of our personality, and our dreams and hopes. We are more than meets the eye. How long does it take to make a person? A lifetime.

May you enjoy the process.

Love,
Karen

6 Comments

  • Beth says:

    This is an often-asked question. When someone want to commission, I include descriptions of all steps with estimated time spent so they better understand. I admire your ability to thread in a quiet environment as I seem to need background noise.

    The older I get, the more I understand your comment about taking a lifetime to make a human. We are constantly changing; a forever work-in-progress.

    Can’t wait to see what you’ll be making with the linen!

    • Karen says:

      Hi Beth, I think it’s the question I hear most often. I’ve never thought of writing a description of the steps and estimated times for customers. That’s a great idea.

      I need quiet if I have to count more than 4 because I’m very distractible. Haha. I started out trying to listen to a podcast and had to redo the first 20 threads.

      Yes, a forever work-in-progress!

      Happy weaving,
      Karen

  • Julia says:

    A textile artist I met one time answered the question this way: “This piece took my entire life. Everything in my life that came before this piece contributed to its creation.”

  • Cat Wycliff says:

    Julia’s comment is a version of the famous saying by Picasso when someone was incredulous about the going price of his art work. Rings so true!
    As a beginning weaver (only 2 years), I struggle mightily with warping. I always seem to have tangled threads. I am careful. I thread heddles with no music, no distractions. Just silence. I have clipped heddles, marked them with colorful counting stitch loops, used painter’s blue masking tape–all in an effort to get it right. Sadly, it never is. I always end up with floaters.

    • Karen says:

      Hi Cat, I’ve read Picasso’s quote before. ‘Tis a common thought among makers and artists.

      The learning journey can be steep at times, but it does get easier the more you practice. If you thread texsolv heddles you might find this video helpful that I made a couple years ago, if you haven’t already seen it. link – Threading Heddles

      Happy persistent weaving!
      Karen

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