Looms Quietly Waiting

Merry Christmas Eve to you. Looms are quietly waiting to resume their rhythm. Meanwhile, songs of joy and hope fill the air because the Savior of the world is born.

Pictorial tapestry on Glimakra Standard loom. Only 6 cm remaining.
1. The Standard
Pictorial tapestry, with only 6 centimeters of the cartoon remaining.
Rosepath rag rug completed on the Glimakra Ideal loom.
2. The Ideal
Second rosepath rag rug completed. Two short rugs yet to be woven on this warp.
Wool handwoven scarves.
3. The Little Loom
First of two scarves is started. I am using the Stardust draft by Mona Nielsen, published in Happy Weaving, from Vävmagasinet, but with yarn and colors of my choosing.
Drawloom getting set up for weaving rag rugs with single unit drawloom.
4. The Drawloom
Warp is threaded and tied-on. Single-unit draw cords have been prepared. Next step: Attaching draw cords to pattern units. And then, tie up treadles and start weaving!

May your night be silent and holy, calm and bright.

Happy Holy-days,
Karen

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I Forgot to Tie the Cross

It’s not a good feeling when you discover that you did not tie the lease cross on one of the warp bouts. When you wind a warp, it’s the cross that keeps the ends in proper order. I carefully tie both sides of the cross before removing the bout from the warping reel. This time, though, I inadvertently tied only part of the cross, which is, essentially, not tying the cross at all.

Realigning threads at the cross.
Working from right to left, I separate one pair of ends at a time to try to recreate the proper order of the warp ends. After every few strands, I insert the lease sticks and tie the cross. Fortunately, the bout on the left was tied properly before it left the warping reel.
Ready to pre-sley the reed and beam the warp.
Ready to pre-sley the reed and beam the warp.

I make my best guess to recreate the thread order, inserting the lease sticks little by little. And as I beam the warp there are several twists that threaten the whole process, getting hung up at the reed. But I coax the warp through at a snail’s pace, not forcing anything.

New wool warp being beamed.
I beam the warp and stop frequently to check the yarn for twists on the front side of the reed. No combing my fingers through the warp, which could lead to uneven warp tension. I lightly flick any twist-ups in front of the reed with my fingers to help keep them moving.

Eventually, the warp is successfully beamed. What a relief!

New warp ready for threading.
Now that the warp is beamed, there is no more concern about misaligned ends. The ends are now in the proper order as they appear on the lease sticks.

Things that matter become misaligned when we or those around us mess up. Some of the ensuing twists and conflicts spell disaster. It’s not a good feeling. We start to imagine that we’re alone and forgotten. You are not forgotten. Baby Jesus of the real Christmas story grew to manhood for a clear purpose. He came in pursuit of you and me, gently calling, never forcing, ever loving us, to put our threads back in order again through his cross. What a relief!

May your threads be put in order.

Good Christmas,
Karen

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Imagine Rag Rugs on the Drawloom

Rag rug weaving on the drawloom! I can only imagine the delight. In the meantime, the drawloom is getting dressed. It takes time to group the pattern heddles into units, add lingos, thread pattern shafts, thread eight ground shafts, sley the reed, move the ground shafts and pattern shafts to their positions, and tie on. After I finish all that I can think about adding all the single-unit draw cords and finish tying up. Whew!

Winding a warp for the next drawloom project.
Warping reel is in a corner of the drawloom studio. When not in use, the reel is folded up and pushed against the wall.
Warp chains of 12/6 cotton rug warp. Drawloom rag rugs!
Warp chains of 12/6 cotton rug warp.
Drawloom - rug warp is ready for threading.
Warp is beamed and ready for threading.

I became acquainted with the single-unit drawloom at Joanne Hall’s studio (see Drawlooms in Montana), but this is my first go at it on the drawloom in my studio. Because of the reward that awaits, I will gladly tackle all the tasks of dressing this loom. Weaving rag rugs on a drawloom will be phenomenal!

Pattern heddles and weights for prepping the drawloom.
Pattern heddles are hanging on the breast beam for grouping into pattern units. A lingo is hung on each unit.
Threading the drawloom.
Pattern heddles have been threaded. You can see the lingos hanging below. Ground heddles are now being threaded. Straight draw threading on eight ground shafts.

Joy sees hidden treasure. We go to great lengths to unearth high-value treasure. Jesus did this, seeing us as the reward. That’s what Christmas celebrates. Jesus left his splendor in heaven to come to earth as a baby. He entered this world and endured the worst because of the joy set before him. He did it all for the joy of having us in fellowship with God. We come to him and find that we are the Grand Weaver’s reward.

May your joy be full.

Joy to you,
Karen

16 Comments

  • Beth Mullins says:

    I must admit that I find this mind-boggling and will be sitting back, admiring your work on this one. 😉 Amazing!

    • Karen says:

      Hi Beth, It’s all part of the process, so it just means taking a step at a time. I enjoy the steps to get there, but I sure am looking forward to weaving this.

      Thanks,
      Karen

  • Geri Rickard says:

    Ooohhh, I can’t wait to see this!

  • Janet giardina says:

    Good morning Karen,
    I’m just coming to the end of my first draw warp, 16/2, and I’m very curious to see the end result of using the drawloom to weave rag rugs and the 12/6 warp. Look forward to the process and end result.
    Janet

    • Karen says:

      Hi Janet, Congratulations on completing your first drawloom warp! I have wondered about weaving rag rugs on the drawloom ever since I began to understand what can be done with a drawloom. I’m eager to jump in!

      Happy weaving,
      Karen

  • Betsy says:

    Ooooh, I can’t wait to see how this looks!!

  • Joanne Hall says:

    Bravo, yes, joy indeed. I have loved this type of project, but I have not put it on my loom. I look forward to seeing your photos as you progress through this warp and weave the rug.
    Joanne

    • Karen says:

      Hi Joanne, Your encouragement means a lot to me. It’s comforting to know that you are looking over my shoulder. We’re going to have fun with this!

      Joy indeed,
      Karen

  • Lyna says:

    Looks fascinating! How long is your warp? As complicated as dressing the drawloom looks, I’d be inclined to put on a looooog warp!

    • Karen says:

      Hi Lyna, Yes, a long warp would make perfect sense. I’m still in the learning stages, though, so I want a lot of practice in dressing the drawloom. This warp is long enough to weave two large rugs.

      Happy weaving,
      Karen

  • Carol Berry says:

    Hi Karen,
    I am eager to see the rag rugs you weave on your drawloom. What is the sett, using the 12/6 rug warp? and why have you chosen an 8-shaft ground weave? Your blog posts are a joy!
    All the Best, Carol Berry

    • Karen says:

      Hi Carol, I’m using a 35/10 metric reed and the sett is 7 ends per cm. The ends are doubled. That’s close to 18 doubled ends per inch.
      I’m using a draft by Kerstin Ålsling-Sundberg from “Damast,” edited by Lillemor Johansson. Her draft calls for the eight-shaft ground weave. When I have more experience I’ll be able to tell you why.

      Thanks for joining in!
      Karen

  • Sue MacLeod says:

    I really enjoy reading your blog. It is so inspirational to see all that you do. I am looking forward to see the progression of this project.

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Wary Weaving

Sugar Pie has been waiting in the wings. Now, his nose wriggles up to the fell line. The day that Ari and Lucia went with me to visit my neighbor, their attention went to the cute furry thing in the rabbit hutch. At first, the bunny was wary, but before long, Sugar Pie was nibbling carrot slivers from Lucia’s hand.

Beginning the bunny in the large pictorial tapestry.
First pick of brown for the bunny’s nose.

Now, I’m the wary one. The rabbit will make or break this tapestry. I made notes when I wove the rabbit on a narrow sample warp several weeks ago. With careful review of my notes, I am inching forward, giving attention to value contrasts that shape and define the animal. The good news is that when I reach the end of Sugar Pie’s soft, furry back, I will be at the tapestry’s finish line.

Color changes are outlined on the tapestry cartoon.
Color changes are outlined on the cartoon with colored pencil.
Pictorial tapestry in progress. "Siblings"
Ari and Lucia, two of my grandchildren, in a moment of childhood wonder. This tapestry tries to capture that wonder.

In trying times, our senses are heightened. Will we flourish, or merely squeak by? In all the confusion, where is clarity? In the chaos, where do we find calm? The Lord extends an open hand. The open hand is an invitation. Come and taste. Trust. Find deep satisfaction that reaches the soul. Courageously inch up to the greatest challenge of your life.

May you step into a worthwhile challenge.

With you,
Karen

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Yarn Is My Paint

The best thing about weaving a pictorial tapestry? Having a cartoon to follow, with row-by-row definition. This Siblings tapestry has its joys and challenges. It is a joy to weave Ari’s hair, as if I get to comb his locks into place. At the same time, it’s a challenge to see up close what can only be recognized at a distance. Lucia’s shirt is a joy to weave because of the bright colors and distinct shading. But what a challenge to get the right value of turquoise for the leg of the rabbit hutch in relation to the value of orange in Lucia’s left shoulder.

Five different shades of butterflies for this hair.
Ari’s hair has butterflies in five different shades of brown. Sometimes while handling the yarn, it almost seems like real hair. And I reminisce about my sisters and I braiding each others’ hair way back when.
Color decisions in a pictorial tapestry.
Trying to find the right hue for the turquoise rabbit hutch. Choosing a darker hue helps make Lucia’s shoulder appear closer than the hutch leg.

The yarn is my paint. I make decisions and adjustments as I see how the colors interact. Under the warp, of course, is my cartoon with all the details—outline, hues, value changes. That cartoon is constant, unchanging, and reassuring. It’s the key to this whole process.

Under the warp is the detailed cartoon.
Right under the warp is the detailed cartoon. Hues are lightly colored in with color pencil, and value distinctions are penciled in.
Siblings tapestry in progress. Glimakra Standard loom.
Right at halfway on the Siblings tapestry.

In the joys and challenges we face, we make decisions based on what we see. Take a look below the surface. Look through the warp to see the cartoon. True love is in the details. Jesus instructs and guides through his love. Constant, unchanging, and reassuring. It makes perfect sense to follow the Maker’s cartoon.

Cartoon under the tapestry.
Cartoon held in place with a suspended warping slat and some plastic quilter’s clips.

May you grow in love.

With joy,
Karen

4 Comments

  • Beth says:

    I admire your patience…and very much so, your talent.

    • Karen says:

      Hi Beth, Thank you so much for your thoughtful insights. You’re making me reflect on patience and talent. Patience doesn’t seem hard for me most of the time—at the loom, at least. I like the whole slow process, so I’m not in a hurry about it. Talent, on the other hand, seems elusive. I think patience and talent may be related. The more patient I am to practice what I know, the more talented I get. 🙂

      Happy weaving,
      Karen

  • Nannette says:

    Good morning Karen,
    You are an artist nose to toes. To do the weaving that you do requires a working skill of the craft. No matter how much I tried, the skill to make music from the viola was not possible because the craft was beyond my physical ability. As much as the mind desires, without the craftsmanship foundation to describe creativity, nothing happens. Mathematics, so necessary with science and engineering and business. Color theory with the visual. Mechanical understanding of the instrument, viola or loom or CNC or human body.
    You are constantly sharing as you explore the craft of weaving. Your craftsmanship is honed to the best it can be. With that, the blessing of being an artist occurred. It is like running barefoot in a field as a child with no cares… Just the freedom of no boundaries.
    God has blessed you with being a textile artist and you have extended that to the world with your blog.
    Praise God. Thank you Karen.
    Nannette

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