Weave Past the Mid Mark

“Mid” marks the halfway point on every pre-measured tape I make. I like to know when I’m starting the second half of something. It’s a target before I reach it, and a passing milestone after I cross that line.

Middle line marks the halfway point in the weaving.

Pre-measured twill tape has a line at the halfway point, marked “Mid.” Tail from a spliced warp end will be trimmed in the finishing process.

As I’m weaving this throw, my thoughts jump ahead. I will have a few skipped threads to fix, and spliced warp ends to clip. I think about how I will hem the piece, and wash and dry it. In what special manner shall I present the finished throw to my beloved daughter-in-law? And, my mind goes to the twelve-shaft double weave towels for my daughter that are up next, with the flowery threads beckoning me from the shelves.

Cotton double weave on the loom.

Double weave with eight shafts. 8/2 cotton.

Shelves of weaving thread!

Do you see the aqua, poppy, marigold, and orchid cottolin threads that are ready to jump off the shelves and be woven into hand towels?

I’d like to know where I am in the span of my life. There is no “Mid” mark, though, is there? I’m not in charge of that measured tape. Faith in Christ, love, and perseverance—these form a foundation. A solid foundation is security for life. In this security, I think about what I need to repair and resolve and finish. And how to leave intangible gifts that outlive me. And I think about the glory that awaits. Imagine fabric of unbridled creativity in colors only heaven knows!

May your second half be better than your first.

With you,
Karen

8 Comments

  • Meg says:

    What a awesome, beautiful, fantastic piece. And congrats to midway.

  • Written like the creative soul God created you as.

    Midway is hard to place with life on Earth. It is not as ‘tangible’ as your weaving. I often wonder why some people have a very short midpoint and others…. much longer… What have they left behind to continue on through others?

    Even so, having been gifted hand woven fabric from another generation, I cannot help but look at your sparkling colors and see the colors they will fade to be with time. Is the softness that time brings to dyes also a softness God gives to our memories left behind.

    Blessings,

    Nannette

    • Karen says:

      Hi Nannette, The items I have of my grandmother’s handwork is faded, as you say. Her memory lives on in me, and is softly faded to the point I only remember the good things about her.

      Thanks for sharing your thoughts,
      Karen

  • Annie says:

    Good morning, Karen. At my age, I have no doubt that I have long since passed my mid point although I didn’t really wake up to that fact until I hit fifty. The first half of my life, I believed the tangible was so important; but in the second half, I believe that it is the intangible we leave behind that will be the longest lasting.
    After seeing so many beautiful handcrafted items in second hand stores, I realized that what I valued as family heirlooms to be handed down through the generations with stories may not be valued as such by the recipient of my work.
    So I just try to concentrate on the enjoyment of creating whatever I make, make what I like and hope that someone else might value it.

    • Karen says:

      Hi Annie, I agree with you that the intangible seems more important now. The values we pass on will outlast the things we hand down.

      Blessings,
      Karen

  • Linda Cornell says:

    Thank you all for your reflections, uncannily, similar to my own recently… the Holy Spirit weaving through our lives. Can you recommend 4 shaft double weave patterns for baby blankets? Though the blankets will probably not last, hopefully the love that weaves them will cover those new little lives.

    • Karen says:

      Hi Linda, The only 4-shaft double weave I’ve done was a double-width throw. The double weave baby blankets I’ve woven were on 8-shafts. Both the double-width and the 8-shaft double weave projects were from The Big Book of Weaving, by Laila Lundell.

      Your love will definitely have the longest-lasting impact.

      All the best,
      Karen

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Weave Two Connected Layers

Two layers of cloth exchange places in this double weave structure. One layer of warp is solid deep plum. The other layer has stripes of bold colors. Clean lines occur where the layers switch places. So, with deep plum weft alternating with orange, blue, green, and red weft, we get a message written in clearly-defined blocks: Be invigorated with vibrant color!

Magic of double weave!

Dark plum weft alternates with the blue weft. The reverse side of the fabric has dark plum squares in long vertical color stripes.

Double weave throw. Karen Isenhower

Colors of the warp stripes are used as colors for the weft stripes. As a result, you can see the “pure” colors in a diagonal line–orange, blue, green, red–where the warp and weft colors are the same.

Double weave magic!

Variance in the blocks of colors gives the cloth a dynamic appearance. Not including the dark plum background, there are sixteen different colors of blocks as a result of the four colors being used as warp and weft.

Message. We have a message from heaven. When Jesus came to earth, he not only brought the message, he was the message. Not that we should try to be good like him. Nor that we are already good enough. But that he, the direct link to heaven, would suffer the consequences for all our misdeeds. And rise again. He willingly switched places with us—the great heaven and earth exchange. This good message brings hope and grace to all of us who live on this earthly layer. Thanks to our Grand Weaver’s faithful love, we are woven into a vibrant-color existence through faith, on this layer and the next.

May you see your surroundings in living color.

Joyful weaving,
Karen

11 Comments

  • Meg says:

    This is terribly interesting. The colors are so delicate.

    • Karen says:

      Hi Meg, The contrast between the deep plum and the other colors has a surprising effect. Working with colors never grows old!

      All the best,
      Karen

  • Chris says:

    Hi Karen,
    I love doubleweave, so many interesting effects possible. This is a terrific project.:)
    I am so pleased I discovered your blog.
    Kind regards
    Chris

    • Karen says:

      Hi Chris, Doubleweave is fascinating! This project stretches me—literally, side to side—making it a delightful challenge to weave.

      I’m delighted you found your way here!

      Happy weaving,
      Karen

  • Janet H says:

    This is just beautiful! And timely. I am currently trying to design a similar doubleweave windows draft for a throw and have come across 2 sources that explain the block design differently. I have been trying to work this out in my head, one vs the other, in my planning process and how to apply it. I confuse myself and have had to keep setting it aside and studying it again later. Seeing this post of yours, I just now realized that you have been posting about this same block design all along and your pictures are now helping me work through it. I am planning a gray background with 10-11 shades of blues, greens, purples in the “windows” for the front. I may vary the heights and widths of the windows throughout the throw…haven’t progressed to that decision yet.
    My first source for this project is in the book Loom Controlled Double Weave by Paul R. O’Connor, on pp. 42-43.
    The second source I found online: https://www2.cs.arizona.edu/patterns/weaving/webdocs/opr_8s.pdf pp. 2-4
    The two may actually be the same thing, just explained differently, so I was having a little difficulty figuring it out in my head. In the second, they are using Dark/Light instead of color letters. If I use gray for both the D and L in Block A, I’m thinking it would be the same as O’Connor’s threading. If I used the second threading, and used gray as D and my colors as L throughout, I think it would only change the appearance of the back. Am I right? If I want gray to predominate on both sides, I think I just follow O’Connor’s threading, but I think the second source (using D/L) shows the tie-up in conjunction with the treadling and would be more helpful in setting up my loom.
    I went back through your previous posts about your throw and it appears you used the second approach, the D/L threading in both blocks A and B. I would really like to know what the back of yours looks like, but I still think I want to follow the O’Connor threading. It has been incredibly helpful looking back at your posts at this point in my design process! I feel like a light went on and suddenly it is making sense to me.
    Thank you so much!!

    • Karen says:

      Hi Janet, I haven’t studied doubleweave like you have. The draft I’m using is similar to the one in the arizona.edu file. I don’t have the O’Connor book to reference. The draft I am using is from The Big Book of Weaving, by Laila Lundell, p. 176, if you want to compare it. I wound the warp with 2 ends–plum, plum; and plum, other color. The threading alternates the plum with the other color in the blocks with squares.
      I’ll post a picture of the back in a little bit.

      It’s great when a light comes on like that! Hooray!
      Karen

    • Karen says:

      Janet, Here’s a picture of the back side of the fabric!
      Back side of double weave.

      Karen

  • Janet H says:

    Karen, thank you for the view of the back! I think I understand the difference in the 2 threadings now. I also pulled out another book I have (and forgot to look at–head slap), Doubleweave by Jennifer Moore), and found an example done using the O’Connor threading that also showed how the back looks in that case.
    When I first started my comment above, it was going to be asking you a lot of questions to help me make sense of it all. As I typed, that light kept getting brighter, and I answered most of my own questions before they even got typed, so I ended up with a completely different comment than when I started. So, without even knowing it, you enlightened me! Sorry, I do tend to run on when I get wound up….
    Don’t mistake me for someone that knows what I’m doing. I think I am more of a technician (& perfectionist) than a creative artist, so I have to understand how things work (and then modify them). I do it when I sew also. Unfortunately, it means I spend more time planning (or “studying”) my projects than actually doing them. I would probably learn more if I just dove in and made things, but I guess I’m not made that way.
    I have put a request in to the library for the Lundell book, and I imagine I will end up buying it. As a technician, I am also a collector of resources and tools.
    Love your blog! You are an inspiration.

    • Karen says:

      Janet, There are many different learning styles. It’s great that you understand how you are wired! I think I’m also a technician to some degree. I enjoy systems and knowing how something works, and being able to alter that, too. But I’m also finding that I learn a lot by doing, even when I don’t understand. My mistakes — like the several I’ve made with this project — take me to greater understanding and experience. Learning is a lifelong pursuit. I’m glad about that!

      Karen

  • D’Anne says:

    Love those colors, Karen! The purple becomes a neutral background.

    • Karen says:

      Hi D’Anne, I never would have thought of purple being a neutral, but you’re right. It’s almost like a deeply colored black that sets off the other colors.

      Thanks,
      Karen

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Dream Weave and Slow Reveal

This project is a slow reveal. I am showing what I am doing now, but I am waiting to tell what this will become. There is a flurry of preparation behind the scenes. In time, you will see what develops on the loom. You and I both will find out if I am jumping in over my head. Or, if I can, in fact, pull this off.

Warping reel with 16/2 linen for a new warp.

Warping reel with 16/2 line linen for a new warp.

Dressing the Glimakra Ideal loom with linen.

Linen shows itself to be a beautiful mess.

This is a gorgeous linen warp, with three shades of 16/2 linen: sable, northsea blue, and persian blue. I am dressing my Ideal loom to almost full weaving width: 93 centimeters. The sett is 3 ends per centimeter in a 30/10 metric reed (equivalent to 7.6 ends per inch). I am intensely eager and cautiously optimistic regarding this weaving adventure.

Linen. Dressing the loom.

Linen. Sable, northsea blue, and persian blue. Bockens linen comes with color numbers only. It is interesting to see the names given to the colors by different suppliers. These creative color names are from Vävstuga.

Ready to beam this linen warp on my Glimakra Ideal loom.

Pre-sley reed is in the beater. It’s time to grab some warping slats, slide the lease sticks forward, and beam the warp.

Love is like a hidden dream in your heart, awaiting expression. Love goes with you. It is a treasure you get to bestow on others. In some cases, your treasure may be their only hope. The God of love with us weaves the love of God in us, as his faithfulness is revealed over a lifetime. If we could see the end result the Grand Weaver has in mind, most certainly it would make us smile.

May the God of love and the love of God be with you.

Secretly,
Karen

10 Comments

  • Julia says:

    I’ve no doubt whatsoever that you will be completely successful in this endeavor. You’ve shared a few detours in your weaving, but I’ve yet to see a failure.

    • Karen says:

      Hi Julia, Thank you for your vote of confidence. I appreciate that! Hopefully, I won’t need to detour on this one.

      All the best,
      Karen

  • Linda says:

    This is fun for me to watch as I’ve never warped with pure linen.

  • Maggie Ackerman says:

    I’ve worked with a linen warp before on a rag rug and had issu s with fraying and breaking until I wet the warp while weaving. Will you have to wet this warp to weave without fraying? Gorgeous colors. Whatever this becomes will be beautiful.

    • Karen says:

      Hi Maggie, Oh yes, I know exactly what you’re talking about. I’ve had to do the same at times, putting a little dampness on the selvedge threads. But I’ve also had quite a few experiences with linen that gave me no problems whatsoever. I hope, hope, hope this one will refrain from fraying. We shall see…

      Happy weaving,
      Karen

  • Betsy Greene says:

    I’m looking forward to following this project. You’re using a very open sett. I have an idea but I will keep it to myself and see if I’m right. I like your use of a multi colored warp. It’s going to add some visual interest and depth to the … whatever. I’m quite sure you are not jumping in over your head. You are a very strong swimmer!
    Betsy

    • Karen says:

      Hi Betsy, I agree, I think the multi colored warp will add visual interest and depth. I may be able to swim this, but I’m still taking a deep breath as I jump in.

      Thanks for your encouraging words!
      Karen

  • Hmmmm..
    Monochromatic ‘starry starry night’ blues going on the warp. A visual surprise. I was expecting the high contrast of the plum blanket as I scrolled down the posting, instead of my go-to color pallet. As always the colors are wonderful (and grown up).
    ~ a yard wide— That width could be used for much. Clothing, drapery, household linens… …. I will have to wait as you share to progress.
    You are going full steam ahead with a new challenge.. Oops CHALLENGE. I am dragging my feet getting back to the new warp on my loom set up for rosepath rag rugs. I will be brave and go forward, after I complete the patched baby blanket with lime green and turquoise turtles. 🙂
    Nannette
    .

    • Karen says:

      Hi Nannette, Isn’t this one of the things we like about weaving – the CHALLENGE? Thrill and fright. But there’s no challenge at the loom that can’t be tackled and overcome.

      Rosepath rag rugs?? How fun! I’ll trade you… 😉 naw, just kidding. Go for it. You can do it!

      Happy weaving,
      Karen

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Building Blocks in Double Weave

Troubles. What troubles? All is forgotten now that the shuttle is ready to soar. After my threading misadventure and correction, I’m ready to weave! But first… The treadle tie-ups need adjustments. And then, after weaving a couple inches, a few more adjustments. Now the shed is nearly perfect on every treadle. Ready, set, wait a minute… Sample. Which shuttle goes where to lock in the weft? How many picks make a square? Is my beat consistent?

Waterfall of colorful threads over the back beam!

Like a spectacular waterfall, warp ends splash with color over the back beam. First adjustments have been made to treadle tie-ups. Ready to start weaving the sample.

Sample first. Double weave throw about to begin.

Sample gives opportunity to practice and experiment. Checking shed clearances, weft color tryouts, synchronizing two shuttles, consistent beating–a few of the reasons why it makes sense to sample first.

After completing the sample, I am now weaving the wide dark plum beginning border of the double weave throw. In a few inches I will be enjoying the colorful blocks that we have all been waiting for. Building blocks. Success, setbacks, adjustments, and practice, all build a foundation of weaving experience.

Beginning dark plum border of a double weave throw.

Here it is. The real thing. The beginning border of the actual double weave throw.

Build. If I’m not careful, my attention goes to the building up of myself. Yet, love focuses on others to build them up. It’s through a process of success, setbacks, adjustments, and practice that love flourishes. When your strong desire is to see the colorful blocks of the weave, you press through until you see it. Love is even stronger than that. Our example is Christ. His love makes the pattern of love possible in us.

May you build on what you learn.

Happy weaving,
Karen

16 Comments

  • Joann says:

    What a beautiful blanket that is going to be.
    Joann

  • Joyce Lowder says:

    Gorgeous! Love the dark plum background and border and the beautiful squares of many colors! Reminds me of Joseph’s Coat of Many Colors! Bravo, Karen! 🙂

  • Beth says:

    You are resilient! It’s going to be beautiful. Kudos!

    • Karen says:

      Hi Beth, Well, I guess I would say I’m determined. I’m not going to let a problem, or two, or three, stop me. Haha!

      Happy weaving,
      Karen

  • Rachel says:

    Thank you for sharing your gift and love! It is an encouragement for all of us! Not only are the fibers woven but your words of love from God. As a beginner Weaver I have felt the love of God every time I sit at my loom. May He continue to bless you, your works and your blog!

    • Karen says:

      Hi Rachel, It is interesting that you say you feel the love of God when you sit at the loom. I can relate to that. I have often sensed that the Lord’s grace has placed me at the loom, where I find such satisfaction and joy.

      Thank you!
      Karen

  • Cindy Bills says:

    You did it! And it is made more special by the love you have shown as you refused to give up on this project, meant as a gift to that one you love. It reminds me of how important our struggles to love are, in light of Christ’s love for us.
    Blessings!

    • Karen says:

      Hi Cindy, We know the struggle is worth it—with weaving and with love—when we consider the glorious outcome.

      Blessings to you,
      Karen

  • Good morning Karen,
    There is so much to learn between the first pot holder and using plum to make the colors sing.
    I’ve got to re-read your earlier postings to see how to adjust the shed to even out the tension. It is forgivable in a rag rug. But, now I now there are new skill to explore.
    Thank you for sharing your journey so others can follow in your trail.
    Nannette.

    • Karen says:

      Hi Nannette, One thing that delights me about weaving is that there is no end of things to learn. If you enjoy learning, the weaving loom is the place to be!

      Thanks for coming along,
      Karen

  • Pamela Graham says:

    Hi Karen,
    I can’t begin to express how much your blog has meant to me since I discovered it a few months ago. I have read all your posts and learned, among other things, how important it is to be brave as a hand weaver. You take bravery to new heights!
    I have questions about this beautiful throw: is it double width with double weave blocks? How wide will the finished throw be?
    P.S. I’m heading to Vavstuga in a little over a week for the basics class and can’t wait. Thanks to your posts I think I will be able to keep up.
    Thank you for sharing your journey.
    Pam

    • Karen says:

      Hi Pam, Your thoughtful words make my heart sing! I’m so happy that you have learned useful things here. I’m humbled that someone has read all my posts! Whew, I call that brave. 🙂
      I’m sure your time at Vavstuga will be rewarding. I’d love to hear how it goes for you, if you would drop me a line after you get back!

      This throw is double weave, meaning two layers of fabric are woven at the same time, but it is not double width. For this double weave, the two layers change places where the blocks change, so the upper and lower layer are interlocked, and the weft at the sides interlock, too. For something double width, it’s the same two-layer concept, but the layers interlock only on one selvedge, so it can unfold when off the loom. This throw is 103cm (about 41”) weaving width.

      Very happy weaving,
      Karen

  • Michelle says:

    It’s lovely–and so is your perseverance and generosity in sharing! You are an inspiration!

    • Karen says:

      Hi Michelle, You are so kind! I’m very fortunate that I get to share what I enjoy with interested friends like you.

      Happy weaving,
      Karen

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Double Weave Throw – Take Two

Nothing about the original draft is incorrect, but when I wrote it in pencil on my planning sheet, I transposed one. little. thing. The threading key. “X = plum; black square = other colors.” Exact opposite of what is written in the draft from The Big Book of Weaving, by Laila Lundell. (See When You Misread the Threading Draft, where I discover my dilemma.)

One little mistake. Big consequences.

Blind to my own mistake, even as I double check my handwritten draft.

Thanks to Fiberworks weaving software I am working out a solution. I adjusted the tie-up, so the treadle tie-ups on the first, third, fifth, and seventh shafts trade places with the tie-ups on the second, fourth, sixth, and eighth shafts. It works. And now, the one little threading error that is clearly visible seems like a breeze to correct!

Ready to weave a cotton double weave throw.

Tie-up adjustments bring the correct warp ends to the surface. Solid stripes of color are set to produce the desired design when woven.

One threading error. No big deal at this point.

One blue warp end stands out like a sore thumb. I’m glad to find this one threading error at this stage in the process.

There are times when my whole perspective needs an adjustment. It’s time for love. Love adjusts our view. At the heart level, love brings about changes in us. It re-sets our attention and motivations. Because God loved us, we can love, too. We don’t see, understand, or know everything now, which shows how incomplete we humans are. But the love that heaven knows is something we get to participate in here and now. Our cloth is far from perfected, but our love adjustments give us a glimpse of cloth from another realm.

May you make necessary adjustments.

Love,
Karen

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