Most Unusual Tapestry Tool

Suddenly, I am able to see the tapestry on the loom from a distant vantage point. Aha! I can see that the left shoulder of Lucia is nicely defined, and that her shoulder appears to be in front of the turquoise rabbit hutch. What I am not able to discern up close becomes crystal clear from a distance. I have an unusual tool in the basket at my loom bench that gives me this advantage. Binoculars! I use them whenever I want to get a better sense of the overall context, color, and definition of what I am weaving in the tapestry. By peering through the WRONG side of the binoculars I am able to view the tapestry as if from a great distance. It is just the help I need to keep pursuing this mystery of weaving wool butterflies on a linen warp to make a recognizable, memorable image.

Pictorial tapestry in progress.
Each row is a new adventure.
Pictorial tapestry on the Glimakra Standard loom.
Photo image of the complete scene sits in the windowsill by my loom. I frequently refer to the photo as I weave.
Binoculars - unusual tool at the weaving loom.
I wish I could show you what I can see through the wrong end of the binoculars. It always surprises me how the image is clearly shaped at a distance.
Weaving a picture of my grandchildren.
Skin tones blend for the area of Lucia’s neck that is coming into focus. Before long, I will get to play with her flyaway hair.
Weaving a pictorial tapestry of my grandchildren.
Greater distance from the tapestry provides more clarity of context. But still, we only get to see the slice of the image that is in view on the loom. It takes faith and patience for the rest.

May you gain the perspective you need.

Blessings,
Karen

10 Comments

  • Joyce Lowder says:

    Great discovery, Karen! Who would have thought it? Thanks for sharing! 🙂

    • Karen says:

      Hi Joyce, A few years ago I saw a picture of another tapestry weaver looking at her work through a monocle, and that gave me the idea.

      All the best,
      Karen

  • Beth says:

    Ingenious!!

  • Nannette says:

    What pretty colors. I can’t wait to see it completed.

    • Karen says:

      Hi Nannette, I’m looking forward to that, too.

      Thanks,
      Karen

      • Nannette says:

        Back in town. I met with a builder to add a 4 season sunroom to the retirement house, back in the Wisconsin woods. I could have set up the loom in the basement and woven through the winter. But why have a home on the most beautiful piece of God’s world if you can’t enjoy it.

        Back to topic. Are you weaving this tapestry on the rosepath set up? If so, how are you keeping track of the pattern as you weave?
        Nannette

        • Karen says:

          Hi Nannette, Your sunroom sounds delightful.

          Great question. I have a very low-tech way of keeping track of my rosepath treadling sequence. I drew a small arrow with a black Sharpie on a small piece of blue painters tape. My weaving draft is hanging at the top of the beater on the right-hand side. Every time I am ready to move to the next treadle I move that little piece of tape to point to the corresponding square on the treadling draft.

          All the best,
          Karen

  • Kelly says:

    Wow, this piece will certainly be a labour of love! How rewarding it will be to finish.

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Process Review: Twelve Placemats

Twelve placemats just came off the loom! Now, for the finishing work. Measuring, examining, repairing, washing and drying, and hemming. Soon they will be ready to dress the table for a home-cooked meal. Mmmm… The focus is on food and fellowship. The placemats are there to catch the drips and crumbs. And then, washed and made ready for the next meal.

8/2 cotton for placemats.

Striped warp is beamed.

Tied on and ready to weave.

Color and Weave placemats.

Color and weave produces different patterns.

Weaving in the afternoon shadows.

Weaving placemats in a sunny corner.

Variety of stripes with color and weave placemats.

Sisters in the color family!

Color gradation and color and weave.

Interesting shadows at the loom.

Christmas. While our focus is on food and fellowship, a beautiful mystery plays out right in front of us. A baby named Jesus entered the world. Christmas celebrates this. Jesus came to take away our offenses, catching our drips and crumbs. The mystery of God is glorious. This is the mystery: Jesus takes our stains, and we who trust in him come out washed and made ready for glory. This is good news, for which a weary world rejoices!

Weaving at night by the fire, Christmas lights reflected.

Plain weave placemats in color and weave.

The End!

Cutting off! Twelve 8/2 cotton placemats.

May your table be dressed for good times.

Have a glorious Christmas,
Karen

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Anticipation in the Final Stretch!

I can see the end of the warp! Finishing is in sight. And then, my daughter phones, “Mom! I’m headed to the hospital. This baby is ready!” Weaving suddenly becomes far less important… That was two weeks ago, and little Ari was born. Now, back at the loom, I’ll cross the finish line on this linen upholstery fabric before the day is over.

End of warp is near.

End of warp is seen on the back tie-on bar as it makes its final round on the warp beam.

Cotton double weave baby blanket covers newborn grandson.

Double weave cotton baby blanket covers baby Ari as he peacefully sleeps.

When the back tie-on bar becomes visible, it’s the beginning of the end. And then, the moment the back tie-on bar comes over the back beam I celebrate. It’s the final stretch!

Linen color-and-weave upholstery fabric.

Linen color-and-weave upholstery fabric.

Over the back beam, and lease sticks are removed.

Lease sticks are untied and removed after the back tie-on bar comes over the back beam. Two pairs of lease sticks were used with this striped warp.

We are participants in a great mystery! Christ in us. For those unfamiliar with the tools and methods of handweaving, it’s a mystery how threads can become cloth. But the handweaver knows. The great mystery of God is that Christ may dwell in us. For those who receive him, the peace of Christ rules within. His presence is woven in.

Short distance left to weave this linen fabric!

Short distance left to finish weaving this linen fabric.

The anticipation of finished cloth is nothing in relation to the anticipation of a new baby in the family. Imagine the anticipation of our holy Father to see the glorious threads of Christ woven in us.

May you participate in the mystery.

Happy weaving,
Karen

16 Comments

  • Linda Cornell says:

    Beautiful weaving, beautiful baby, beautiful Savior!

    Congratulations!

    God bless you and your family.

    Linda Cornell

  • Kay Larson says:

    Thank you for your blog. I love reading it each day with my breakfast. What a beautiful baby. Congratulations. You double weave blanket is lovely. What yarn did you use if I may ask? Many blessings to you and your family. God’s peace.
    Kay

    • Karen says:

      Hi Kay, It’s an honor to think of sharing breakfast time with you!
      The double weave blanket is 8/2 cotton, warp and weft. The sett was 5 ends per cm (about 12 epi), each layer, which is a loose sett, almost gauzy.

      All the best blessings,
      Karen

  • Linda Adamson says:

    Congrats on the beautiful grandson! Enjoy your blog.
    Linda

  • Annie says:

    Congratulations to you and your family on Ari’s arrival! Babies bring their own welcome.

  • Anonymous says:

    Wow, how can you think about anything else but Ari!!! What a beautiful boy! What a blessing for you and your family!!

    • Karen says:

      Hi Liberty, I don’t live in the same city as Ari, otherwise I would be cooing over him instead of sitting at the loom. 🙂 He is a good-lookin’ baby boy, that’s for sure. I’m pretty biased, as I should be.

      Thanks for sharing your sentiments!
      Karen

  • Betty A Van Horn says:

    WOW too cute Karen, what a joy! Congratulations. Love that God sees each new Christian with the same joy. I love the blanket around Ari.

    • Karen says:

      Hi Betty, Yes, what a wonderful thought… that God welcomes each trust-er in Jesus as a new family member.
      The blanket suits Ari pretty well.

      Love,
      Karen

  • Cynthi says:

    I love all your pics including that cute baby. Makes you want to kiss those cheeks off.

  • tsw says:

    Congratulations to your family on the new arrival!
    I noticed the double lease sticks and was wondering why you used them double. I’ve never seen that before. Is there an advantage? Special circumstance that benefits from them? Thanks in advance.

    Theo

    • Karen says:

      Hi Theo, Thanks! Good eye to notice the double lease sticks. I mention the subject in this post: Simpler Warp Stripes. Basically, I had two separate warp chains, each with their own lease sticks, in order to put narrow stripes on the loom without having to cut and tie all the color changes while winding the warp.

      Happy weaving,
      Karen

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Amazing Five-Shaft Satin Dräll

Ten shafts and ten treadles. Isn’t it fascinating how all those parts synchronize and work together to turn threads into cloth? It’s a mystery unless you’ve been in the weaver’s seat. Even then, it’s a wonder. Especially when you see linen threads turn into this amazing five-shaft satin dräll!

All-linen 5-shaft satin dräll on a Glimåkra Standard loom.

Linen warp and weft in five-shaft satin dräll. A temple is a standard tool when I weave with linen. No draw-in means no broken selvedge warp ends…so far, at least.

There are three towels left on this warp, but I am weaving the remainder as one long piece. I will cut it into separate towels after it’s off the loom. Or, I might change my mind and leave it long as a table runner.

Linen 5-shaft satin dräll. Unbleached warp, ecru weft.

Warp is unbleached linen and the weft is ecru, also linen. The subtle difference in color highlights the dräll pattern in the fabric.

Mystery. The mystery of the ages is that Christ can dwell in us. Understand that? No, but I do understand a weaver sitting at the loom, managing the threads and throwing the shuttle to produce a specific fabric. What if I invite Jesus Christ to take control of everything being woven in my life? That is a mystery worth pursuing.

May you find your way into a good mystery.

Happy weaving new year,
Karen

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Dressed with Colors in Linen

Are you wondering which color arrangement I chose for the linen lace scarves? It wasn’t an easy decision. After weighing all the opinions and advice, color-wrapped card #7 won. I added a neutral stripe on both sides to frame the color sequence, and I varied the width of the stripes, thanks to Fibonacci. The result is that you can hardly distinguish where each stripe begins and ends. The stripes blend into each other, with the magenta stripes grabbing the most attention. (Visit Tools Day: Color Wrapping and Color Wrapping Take Two to follow the discussion about choosing the color arrangement for this warp.)

Dressing the loom with linen.

Linen on the warp beam. The colors blend from one end to the other, framed by bands of unbleached and golden bleached threads on each side. Lease sticks, tied to the back beam, maintain the order of the threads.

It makes sense to think things through before committing a linen warp to the loom. My excitement builds as the loom is dressed. We will soon see the woven results when I experiment with weft options. I am secretly hoping for iridescence. I can imagine it, but I won’t see it until the weaving happens, and the light catches the airy interlaced threads.

Threading the loom with linen.

Each thread is inserted through the eye of a heddle.

Color choices are inconsequential compared to other choices we make, but commitment is something many decisions have in common. We are invited into a personal walk with Jesus Christ. It is no small thing to consider an agreement with the Master. Like dressing a loom, it is a commitment. The excitement comes when you realize that iridescence and other mysteries may come true before your very eyes.

May you have a life filled with the glow of iridescence.

For good,
Karen

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