Weaving History Carries Memories – Year in Review Video

Transition. Changes. Adventure into the unknown. That describes 2018 for Steve and me. When I review my weaving history for the year, everything on the loom is attached to a memory. Like an old song that awakens our thoughts to past experiences, the Lizard tapestry certainly sparks in me revived memories of our transition season and the moving of looms. See Quiet Friday: Tapestry in Transition.

Removing the warp beam. Relocating the loom.

Steve unscrews a bolster that holds one side of the warp beam so I can remove the warp beam.

I began 2018 with a plan to weave coordinated fabrics for our Texas hill country home—towels, upholstery for bar stools, and placemats, explained in this post: Harmonized Weaving for the New Year. Accomplished! I also committed to weaving a gift for each of my three daughters (daughter and two son’s wives), as described in this post: Weaving a Gift. Accomplished two out of three! The final gift is nearing halfway on the loom right now.

Hemstitching at the beginning of the cotton throw.

Cotton throw has hemstitching at the beginning. The ends will be twisted for fringe when it’s taken from the loom.

Eight-shaft twill in an undulating pattern. Lightweight cotton throw.

Eight-shaft twill in an undulating pattern. Single-shuttle weaving gets me off to a fast start for 2019.

2019 is a continuation of transition, changes, and adventure, as we tiptoe into this retirement chapter. A drawloom is in the forecast, as well as some travel tapestry weaving, and more rag rugs, towels, scarves, and throws. And anything else we can think up. It’s going to be a good year! Thank you for coming along. I’m grateful to have you as a friend.

May you have much to look forward to.

Blessings to you,
Karen

8 Comments

  • Beth Mullins says:

    You’ve had an exciting and productive year. Wishing you all the best in 2019 and beyond.

  • Diane Leblanc says:

    I look forward to each post. I have had my loom for 38 years and it is retirement that finally gave me the time to weave and learn as I have always wished for. I am learning so many things I am inspired by weavers in my guild into their 80’s who are still weaving and learning. I wish us both a good weaving year in 2019

    • Karen says:

      Hi Diane, It is wonderful to have fellow weavers like you on this journey with me. Learning new things is one thing I look forward to in 2019!

      Happy weaving,
      Karen

  • ellen santana says:

    well i’m real happy to have you too. i did that undulating twill in wool a couple of times and it shrank like crazy. do you find that in cotton also? happy new year to you and your husband. ellen

    • Karen says:

      Hi Ellen, It’s good to hear from you!

      I haven’t done undulating twill in cotton before, so we shall see about the shrinkage. I’ll be sure to mention it when I take measurements after washing.

      Blessed new year to you,
      Karen

  • Nannette says:

    Remarkable year!!

    Please continue sharing.

    Kind regards,

    Nannette

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New Year of Weaving Progress

This year is different. I’m going to get organized, keep every loom dressed, and bake fruit pies for my husband! Alas, good intentions are not a reliable measure of what my progress will be. I always want to do more than what I manage to get done.

Finishing work for cotton placemats.

Before washing and drying the fabric I examine it. I look for errors and clip off any weft tails.

Luggage ribbons made from handwoven scraps.

I cut the placemats to a uniform size. Scraps that were cut off will be used as ribbons to mark luggage for my daughter’s family as they prepare to travel. I simply zigzagged the edges of the scraps.

I washed, pressed, hemmed, and pressed again the twelve placemats. Finishing is finished. It’s a nice way to end one year and start the next. Measurable progress.

Pressing handwoven placemats.

Pressing in the dining room.

Twelve handwoven cotton placemats.

Twelve handwoven placemats. No two alike. Basket weave, color and weave effects. 8/2 cotton warp and weft.

Thankfully, our value isn’t wrapped up in what we accomplish. Or what we don’t. We need the Lord’s grace. It’s strength that’s beyond our own strength. Grow in grace. Grow in strength. That’s my prayer this year for you and for me.

New handwoven cotton placemats.

Welcome. Grace spoken here.

May your value be wrapped up in grace.

Happy New Weaving Year,
Karen

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Tried and True: Color Gradation

When I decided to use up some of the quills that have collected, I stumbled on one of my favorite techniques—color gradation. The weft colors change gradually instead of making distinct weft stripes. Remember the placemats on the little countermarch loom? I am weaving the last few.

Color gradation on plain weave with color and weave effects.

Using up thread left on quills for some color gradation play.

Doubled weft gives opportunity for easy color gradation.

Color and weave effects on plain weave. 8/2 cotton weft is doubled.

The quills on a double-bobbin shuttle don’t always empty at exactly the same time. The quill that has thread remaining on it goes in a box for later use. Those quills in the box are what I’m using here. For this placemat I’m letting gradient color changes happen in varying increments, according to the amount of thread left on the quill. I have five shades of 8/2 cotton, ranging from coral pink to pumpkin.

Colors for gradient weaving.

Color “sisters” play well together.

This is the perfect setup for some subtle color gradation: Five closely-related hues, a double-bobbin shuttle, and a supply of leftover quills. For best effect, I arrange the colors in order, from light to dark, or dark to light.

Color Gradation

  • Weave a section with two quills of color A (the lightest color)
  • Weave the next section with one quill of color A and one quill of color B (one shade darker than color A)
  • Weave the next section with two quills of color B
  • Weave the next section with one quill of color B and one quill of color C (one shade darker than color B)

And so on…

What could be simpler?

Color gradation.

Pumpkin color adds a pleasing subtle accent to the corals and reds in the cloth.

May you make something beautiful with the little bits that you have.

Happy weaving,
Karen

6 Comments

  • Ruth Terry says:

    Such a lovely way to play with color. I often transition from one color to another without a hard line by weaving 1 pick with new color, 4 picks with old color, 2 picks with new color, 3 picks with old color, 3 picks with new color, 2 picks with old color, 4 picks with new color, 1 pick with old color and transition complete. Will try your double bobbin change next time I am ready to play with colors. Blessings during this advent season, Ruth

    • Karen says:

      Hi Ruth, Thanks for sharing another way to transition the colors. That’s a great way to achieve a lovely gradient.

      It would be fun to do a sample piece with various ways to do color gradations. Or, that would be an interesting study group project.

      Advent blessings to you,
      Karen

  • Betsy says:

    We turned on the Spurs game the other night and I took one look at the other team’s uniform and said “gradient!” Not something you often see in a basketball uniform, lol.

    Love the placemat!

    • Karen says:

      Hi Betsy, That’s too funny! Who else is even going to notice such things? …unless we call it the popular name-“ombré,” meaning shaded in French.

      Happy weaving,
      Karen

  • Vivian says:

    I realized on a recent project the subtle transition between two light colours, in different tones added depth. I decided to shake up the mix and make the transitions much narrower in the next project and didn’t have as near an interesting effect. It needed large areas each for contrast.
    I love your pattern too

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Guest Weavers

We finished another placemat over the weekend. We, meaning a few guest weavers – and me. I had a small tribe of eager weavers, aged eleven to seventeen. I didn’t give beginner work to these beginners. We did what was required for this color-and-weave project on the loom—double-bobbin shuttles, two (and sometimes three) shuttles at a time, two-pick stripes, advancing the warp, placing the temple, and more. Another placemat completed, with only one broken warp end along the way. I call that a win!

Guest weaver. First time, but not the last!

Quietly watching me, and taking in the details, this young weaver grasped the essentials, and began weaving in a graceful manner. After just a few minutes, Madison told me she could do this all day. That sounds like a budding weaver to me!

New weaver, with great attention to detail!

Sean is an attentive listener, closely following every instruction. He happily donned the weaving apron. And the Gingher snips on a woven band were hanging around his neck, ever ready to be used.

Young weavers at the loom.

Jenson joins in to lend his observation skills while his brother does the weaving.

New young weaver.

Ashley is someone who takes initiative. She enjoyed the challenge of learning something new, and quickly was weaving with very little assistance.

Cotton placemats on the loom.

Broken warp end repaired. Placemat complete. Eight more placemats to go!

Isn’t it delightful to share what you enjoy, and then see the spark of delight and accomplishment on a young person’s face? This is another good reason to make and keep family friends.

May you share your delights.

Love,
Karen

6 Comments

  • Julia says:

    It is always fun to see the eyes of new weavers light up when experiencing for the first time the magic of making cloth! I’m curious about the weaving apron – can you speak about it some more?

    • Karen says:

      Hi Julia, Yes, It is fun to see the expressions when they see magic happen at their fingertips.

      The apron? You’ve given me a great idea! I will write about the weaving apron on my next Tools Day post. For now, suffice it to say that the apron protects my clothes and protects the cloth on the breast beam.

      Thank you!
      Karen

  • Beth Mullins says:

    You’re making such a positive impact in their young lives. I’m also curious about the weaving apron. Does it hold magic? 😉

    • Karen says:

      Hi Beth, I like the idea of making a positive impact on the next generation. At the same time, I find that they are making a positive impact on me, as well.

      Thanks to you and Julia, I know what my next Tools Day post will be—the magical weaving apron. 😉

      Happy weaving,
      Karen

  • Joanna says:

    I volunteered to demonstrate moderately hands-on weaving on an antique rug loom at a local history museum to school classes a couple of years ago. We get kiddoes from kindergarten through fifth grade. Before the first group I had some doubts about how it was going to go. Wow! Fantastic! I think more budding weavers are on their way and I’m excited for school to start in the autumn.

    • Karen says:

      Hi Joanna, It’s always great to see young people become interested in handweaving and other handwork crafts. That sounds like a fun loom to weave on, too!

      Karen

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Not the Easiest Way to Weave

I considered making a matching set, but at the loom I get an inclination to explore. Hence, no two placemats are alike. A change in the weft changes everything. New colors emerge! Slate and apple green on a coral warp become periwinkle and avocado. If you look closely, though, you can still see the underlying coral and camel stripes of the warp.

Cotton placemats on the loom with color and weave effects.

Second placemat uses red and orange in the weft. These colors work with the coral in the warp to bring out a distinctive color-and-weave effect in the design.

Three double-bobbin shuttles—this is not the easiest way to weave. I am carrying the colors up the selvedge, so it gets tricky when all three shuttles end up on the same side. Nevertheless, this is the joy of weaving a challenge. How and where to set the shuttles down, and which hand picks them up—ever aiming for efficiency. Newly-formed colors and technical pursuits—this is a handweaver’s thrill of discovery!

Three double bobbin shuttles for this color and weave placemat.

Beginning of the third placemat shows variation in pattern and color choices. Three double bobbin shuttles put my manual dexterity to the test.

Color and weave variations.

Coral and camel warp stripes form the base of the design. Pattern variations are produced by varying the number of picks per weft color.

Imagine the thrill of discovery that awaits us in heaven! Love permeates heaven. Like a narrow-striped warp, love is written into the fabric. The environment there is love, where pride and selfishness don’t exist. Blending of colorful personalities will be such as we’ve never seen. All to the glory of our Grand Weaver. And how marvelous that through Christ we’ve been given everything needed to practice that kind of love here and now. Double bobbin shuttles, and all.

May you rise to the challenge.

Love,
Karen

6 Comments

  • Ruth says:

    Karen,
    Thanks so much for the color show this morning. It is snowing once again up north and I am so ready for spring and color. The close up of your placemat makes my heart sing! And the double bobbin shuttles with their color are beautiful. Blessings to you and yours.

  • Liberty Stickney says:

    Beautiful colors Karen! Geez, I have problems with 2 shuttles, someday I’ll make it to 3!!!
    Libby

    • Karen says:

      Hi Liberty, Three shuttles is a little crazy. I may make it easier on myself for the placemats after this. I’m enjoying the colors, too!

      Happy weaving,
      Karen

  • Elisabeth says:

    I really like that they are all different but have the same warp (core). It’s almost llike human beings 🙂 They are all beautiful!

    • Karen says:

      Hi Elisabeth, I see it the same way. I think it will make an interesting set. Yes, humans are all made in the image of God. What could be more beautiful?

      Thanks,
      Karen

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