Tried and True: Color Gradation

When I decided to use up some of the quills that have collected, I stumbled on one of my favorite techniques—color gradation. The weft colors change gradually instead of making distinct weft stripes. Remember the placemats on the little countermarch loom? I am weaving the last few.

Color gradation on plain weave with color and weave effects.

Using up thread left on quills for some color gradation play.

Doubled weft gives opportunity for easy color gradation.

Color and weave effects on plain weave. 8/2 cotton weft is doubled.

The quills on a double-bobbin shuttle don’t always empty at exactly the same time. The quill that has thread remaining on it goes in a box for later use. Those quills in the box are what I’m using here. For this placemat I’m letting gradient color changes happen in varying increments, according to the amount of thread left on the quill. I have five shades of 8/2 cotton, ranging from coral pink to pumpkin.

Colors for gradient weaving.

Color “sisters” play well together.

This is the perfect setup for some subtle color gradation: Five closely-related hues, a double-bobbin shuttle, and a supply of leftover quills. For best effect, I arrange the colors in order, from light to dark, or dark to light.

Color Gradation

  • Weave a section with two quills of color A (the lightest color)
  • Weave the next section with one quill of color A and one quill of color B (one shade darker than color A)
  • Weave the next section with two quills of color B
  • Weave the next section with one quill of color B and one quill of color C (one shade darker than color B)

And so on…

What could be simpler?

Color gradation.

Pumpkin color adds a pleasing subtle accent to the corals and reds in the cloth.

May you make something beautiful with the little bits that you have.

Happy weaving,
Karen

6 Comments

  • Ruth Terry says:

    Such a lovely way to play with color. I often transition from one color to another without a hard line by weaving 1 pick with new color, 4 picks with old color, 2 picks with new color, 3 picks with old color, 3 picks with new color, 2 picks with old color, 4 picks with new color, 1 pick with old color and transition complete. Will try your double bobbin change next time I am ready to play with colors. Blessings during this advent season, Ruth

    • Karen says:

      Hi Ruth, Thanks for sharing another way to transition the colors. That’s a great way to achieve a lovely gradient.

      It would be fun to do a sample piece with various ways to do color gradations. Or, that would be an interesting study group project.

      Advent blessings to you,
      Karen

  • Betsy says:

    We turned on the Spurs game the other night and I took one look at the other team’s uniform and said “gradient!” Not something you often see in a basketball uniform, lol.

    Love the placemat!

    • Karen says:

      Hi Betsy, That’s too funny! Who else is even going to notice such things? …unless we call it the popular name-“ombré,” meaning shaded in French.

      Happy weaving,
      Karen

  • Vivian says:

    I realized on a recent project the subtle transition between two light colours, in different tones added depth. I decided to shake up the mix and make the transitions much narrower in the next project and didn’t have as near an interesting effect. It needed large areas each for contrast.
    I love your pattern too

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Band Loom Time!

Before I can hem these new towels, I need to make some hanging tabs. Band loom time! Making a warp for the band loom is one way to use up some of the weft on quills that didn’t quite get emptied when weaving the towels. Of the four colors in the towels, I am using aqua, poppy, and orchid for the hanging tabs. The bright marigold, my favorite of the four colors, may bring too much attention to itself, so I’m leaving it out. A hanging tab must be a stable and firm loop that becomes a pleasing part of the towel.

Planning to weave hanging tabs for handwoven towels. Karen Isenhower

Towels, before wet finishing, are spread out with the thread colors on top. I am trying to determine which colors will work together in woven hanging tabs for all four towels.

Glimakra band loom. Hanging tabs for handwoven towels.

Eleven ends are just enough for weaving a narrow band. (The two ends in the center are doubled in the heddle and counted as one.)

Glimakra band loom, making hanging tabs for handwoven towels.

Simple symmetrical design with aqua, poppy, and orchid colors. To use as hanging tabs for towels, the band is cut into short pieces, about ten centimeters (four inches) each. Each cut tab is then sewn into the hem of a towel.

Established. Stable (root word of e-stabl-ish) and firm. That’s how important our faith is as we walk through life. Everything hangs from it. So it must be woven carefully and stitched in securely, a pleasing part of who we are. Stable and firm in faith as we live for the Lord—that’s a beautiful way to live.

May your finishing details be pleasing.

With you,
Karen

4 Comments

  • Laura says:

    Your towels are beautiful. Love the little bobbin you are using. Do you mind telling me where you got that from? Love all your posts.

    • Karen says:

      Hi Laura, Thank you! My husband carved the little band loom shuttle for me. You probably know that you can use a short cardboard quill for band weaving, but I will email the specs of the little shuttle to you in case you or someone you know wants to carve one.

      Happy weaving,
      Karen

  • Thank you for sharing the design and craft process for finishing the beautiful towels. So true is the need for a firm foundation in life. Nannette

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Glorious Weft Leftovers

I didn’t know it could look like this. The pleasant color interaction is astounding! Had I known, I may have woven the whole throw in this manner. This is the end of the warp, after 16 centimeters for the sample, 166 centimeters for the throw, and 50 centimeters for the lap blanket.

Double weave throw on the loom.

For the lap blanket I am spacing the blocks differently than for the throw. The deep plum weft has narrow and wider stripes that separate the squares into groups of three.

An ending sample is a perfect opportunity to use up weft left on the quills, and even some quills of 8/2 cotton left over from other projects. When the dark plum quill empties, others colors take its place. I put the colors one right after the other, without the dark plum separating them into squares. The fabric image that appears in front of me is mesmerizing!

Double weave sample on the loom. May be my favorite sample yet!

Softer color transitions are made by eliminating the deep plum weft stripes between colors.

Double weave sample. Karen Isenhower

Cutting off! Double weave in 8/2 cotton.

Back of fabric highlights the warp stripes, with deep plum squares. Now, for the finishing work!

Image. What we do with what we know contributes to the image of who we are. When we trust in Christ, who is the image of the invisible God, our image is renovated. We are renewed in our knowledge, aligning our image with God. What a magnificent thought! How differently we might live if we only knew how glorious the outcome will be. The Grand Weaver turns our leftover weft into his astounding masterpiece.

May you find glorious surprises in your leftover threads.

Happy weaving,
Karen

8 Comments

  • Rachel Lohman says:

    The joy of color is like being a little kid and opening your first big box of Crayons and seeing all the lovely colors – breathtaking! Thank you for that memory! Love your pieces – love your God references! Have a joyful day as you began mine!

    • Karen says:

      Hi Rachel, Yes, it is very much like that cherished box of crayons! Color seems to be an outward expression of joy.

      Thanks for your uplifting words!
      Karen

  • Karen, my first thought when seeing your final photos was that of crayons. We may be happy with the box of 24, but God gives us so many more colors if we open ourselves to Him. Your Weaving is lovely.

    Would you mind if I use part of your ending message to send to a friend soon undergoing cancer surgery to her jaw? You have such a great way with words.
    Jenny

    • Karen says:

      Jenny, Your thought about opening ourselves up to God’s abundant colors, instead of thinking our 24 is all there is, really gave me something to think about. Thank you!!

      I am honored any time you find something here you would like to share. Please do!

      Touched,
      Karen

  • 5 colors. So many variations. God is good.
    Nannette

  • Annie says:

    Quite an astounding difference! I, also, thought immediately of crayons and love what Jenny said about it. Perhaps this will be the pattern for future throws?

    Thank you for sharing your knowledge, your loom and your hospitality with me, Karen. Unfortunately, I will not be able to come for the dressing of the loom this morning.

    I hope you have a blessed day, Karen.

    • Karen says:

      Hi Annie, Interesting that several thought of crayons. I love that! Yes, I am going to keep this in mind for future throws, towels, scarves, and what-have-you.

      We’ll miss you this morning.

      Thanks!
      Karen

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Tools Day: Swedish Bobbin Winder

There’s nothing quite like the beauty and functionality of a well-designed tool. The Swedish hand bobbin winder is one of those tools. A bobbin winder is essential. Steve made a superb electric bobbin winder for me that I normally use. But at our Texas hill country home, my Swedish bobbin winder comes into play. And it is a pleasure to use. I clamp the bobbin winder on a shelf in the cabinet where I store my few weaving supplies for this location. The tube of thread sits directly below on a simple homemade spool holder.

Swedish hand bobbin winder for winding quills.

Swedish hand bobbin winder is set up in my supply cabinet. It is easy to remove and put away when I finish winding quills.

Swedish hand bobbin winder for winding quills.

Narrow spindle on the bobbin winder is the size that works for winding quills.

For these color-and-weave cotton placemats, I am using double-bobbin shuttles. So, with the impressively simple Swedish hand bobbin winder I am winding matching pairs of colorful 8/2 cotton quills.

Double-bobbin shuttles for weaving doubled weft.

Double bobbin shuttles are handy for weaving this doubled weft color-and-weave pattern.

May you have the pleasure of working with well-designed tools.

Happy weaving,
Karen

2 Comments

  • I am glad I found your blog. It visually explains how weaving should look when done right. AND—– (very important) has been kept up to date since 2013.
    Thank you.

    • Karen says:

      Hi Nannette, What a kind thing for you to say! I aim to give visual explanations, so I’m happy to hear that from you.

      Yes, I have been posting twice a week ever since I started in April 2013. Thank you for noticing!

      Happy weaving,
      Karen

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Stay Ahead of Empty Quills

What a delight to weave with just one shuttle for a change! It is relaxing to weave this Swedish lace wrap. Even moving the temple and getting up to advance the warp becomes part of the natural rhythm of weaving.

Exchanging empty quill for a filled one.

Empty quill is replaced with a filled quill from the loom bench basket. Smooth operation. My foot needn’t even leave the treadle.

There is one thing that breaks my stride. An empty quill. If I have to stop in the middle of a sequence to wind more quills, I lose momentum and sometimes I even lose my place. Solution? Stop ahead of time at a sensible place in the sequence and wind quills to put in my loom basket. Then, while weaving, it’s a seamless motion to change quills and keep going. It’s a pause instead of a dead stop.

Hemstitching at the end of this wrap.

Hemstitching at the end brings the weaving stage of this piece to a close.

We need to prepare for those times when people seem harder to love. It helps to think ahead, and fill our heart basket with the thoughts of kindness and humility that are essential to keep going. We have a good reason to love each other. We have been loved first. God so loved us that he gave his son. This is the Christmas news. God sent his son to be born here on this earth to be with us hard-to-love people and to save us. That’s good news worth celebrating!

May your heart basket be filled with love.

Christmas Blessings,
Karen

6 Comments

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