Quiet Friday: Swedish Rosepath Rag Rug

My introduction to rosepath rag rugs was on a room-size loom in Joanne Hall’s magical Montana studio. I was so happy at that moment that I actually cried. It’s no surprise, then, that I relish every opportunity to weave a rosepath rag rug. And even better, to share the joy with other handweavers who may not have tried it yet. Look what came in the mail this week! The March/April 2017 issue of Handwoven, with a project by yours truly–Swedish Rosepath Rag Rug!

Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.

Swedish Rosepath Rag Rug, as seen in March/April 2017 Handwoven.

Not everyone loves weaving rag rugs. That’s fine. But if you’re a weaver, there is probably something that draws your interest and brings delight. A certain weave structure, silky fibers, fine threads, complex patterns, bold colors. Something. And if you’re not a weaver, there is something else that triggers your pursued interest. Find that spark that ignites joy in you!

Beginning a rag rug.

Besides using a pre-measured tape, taking a picture at the beginning of the rug, with the yellow tape measure in view, makes it easy to replicate the hem at the end of the rug.

Temple in place, weaving Swedish rosepath rag rug.

Temple is in place, keeping the rugs a consistent width. Metal rug temples are good, but I still prefer a regular wooden Glimåkra temple for weaving rag rugs.

Weaving rosepath rag rugs. Fun!

Many rosepath variations are possible. The rug on the cloth beam uses a similar design, with different colors.

Swedish Rosepath Rag Rug. Karen Isenhower

Making paths of roses. Rosepath.

Swedish Rosepath Rag Rug.

Progress!

Seeing the reverse side of the rosepath rag rug on the loom.

Reverse side of the rug has a subtly different pattern.

Swedish rosepath rag rug on the loom. Rug in March/April 2017 Handwoven.

Cloth beam fills up with rag rugs. Pleasant sight for a rag rug weaver!

Ending the rosepath rag rug on the loom.

Ending the rug on the loom. Following the markings removes guesswork.

Keep a song in your heart. Sing. Sing for joy. Sing praise to the Grand Weaver who put the seed of searching in you. A seed that bursts open with joy when ignited with a spark, and flourishes into something distinguishable. Trust the Lord with all your heart. Your heart will find its melody.

Swedish Rosepath Rag Rug as seen in March/April 2017 Handwoven.

Published in March/April 2017 Handwoven.

May your heart sing a joyful tune.

ATTENTION: The draft for the  Swedish Rosepath Rag Rug from Handwoven is written for a sinking shed loom. Therefore, for a jack loom, you must tie up the “white” empty squares instead of the numbered squares for the pattern to show right side up as you weave.

If you are interested in weaving rag rugs, take a look at Rag Rug Tips, a new tab at the top of the page.

Happy Weaving,
Karen

18 Comments

  • Beth Mullins says:

    Congratulations, Karen, on another beautiful article!

  • Maggie Ackerman says:

    I’ve just done my first rose path rug and I loved doing it. Used tee shirt yarn from my stash. Yours is gorgeous and I can’t wait to try it. You also have some great suggestions — I love the photo idea for the hem. Much better than my notes.

    • Karen says:

      Hi Maggie, Rosepath is so much fun. I’m glad to hear you have enjoyed it, too. Yes, the photo has saved me many times. My memory and my notes are not that great.

      Happy weaving,
      Karen

  • Fran says:

    I downloaded Handwoven yesterday, and was pleasantly surprised to see your rug! Congratulations !

  • Janet says:

    Congrats Karen!! I have always loved your rugs and will be trying this out shortly:)
    Janet

  • Sandy says:

    I’ve recently returned home from a trip, then going through several days of mail found my Mar/April issue of Handwoven. I was so excited to see your Rosepath Rug article, and was happily anticipating this blog post. Congratulations! Once again thank you for your weaving & life encouragements. 🙂

    • Karen says:

      Hi Sandy, Sounds like you have me figured out. 🙂 Isn’t it exciting to get a weaving magazine in a pile of mail? Everything else has to stand still while I flip through the pages. And then, later, I sit down with it and read every page.

      Thank you for your wonderful encouragement to me. It means so much!
      Karen

  • Mary Scott says:

    Don’t you just love her!! Beautiful job on your rug!
    Thanks for sharing!
    Mary

  • Carol says:

    BEAUTIFUL !!
    Congrats. Need to run out and get a copy of Handwoven.

    Carol

  • Sandy says:

    My issue of Handwoven arrived yesterday and I was thrilled to see your article! Beautiful rug and I’m so looking forward to trying this. And checking out your tab of tips – I’ve never woven a rag rug before (I’m a fairly new weaver), though I’ve dreamed about it. I can use all the help I can get!

    • Karen says:

      Hi Sandy, You’re in for a treat. Weaving a rag rug is different than other types of weaving. You get to use some muscle! 🙂 Please let me know if you have any questions, or if I can help you in any way.

      Happy weaving,
      Karen

  • Nanette says:

    Congratulations on the article! Also, the photo reminded me I didn’t thank you after I tried your ribbon-measuring system. It works great and I really appreciated your detailed instructions. Nanette

    • Karen says:

      Nanette, I’m happy the measuring ribbon works for you! One of the places I learned about using a ribbon for measuring was at Vavstuga. So many little things can make a big difference.

      Happy Weaving,
      Karen

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Quality Rug Warp

After a few weeks of having to refrain from weaving, I am thankful that there was warp to weave one more rug. The quality of warp thread matters because it is the core of the rug. Never underestimate the value of good, strong warp thread for weaving rag rugs.

Rosepath rag rug almost complete!

First hem is going around the cloth beam. Weaving is almost complete!

I like to use 12/6 cotton from Bockens. This rug warp is a six-strand thread with high twist. The smooth, nearly-unbreakable thread enables me to ratchet up the tension on the warp. That high tension helps produce sturdy, tightly packed rugs with tidy selvedges. Knowing you are making a rug that will last is a very satisfying and enjoyable weaving experience.

Cutting off never gets old!

Cutting off never gets old.

Rosepath rag rug just finished. Karen Isenhower

Ta da! Hems are folded under for the picture. As soon as the hems are stitched, this rosepath rag rug will have its Etsy photoshoot.

With finishing nearly complete, this rag rug will be enjoyed on the floor of someone’s home. Most people aren’t aware of the structural elements of a rag rug, but they do notice quality in the finished work. People, too, have an inner core–the heart. The heart matters. The strength of our inward framework determines our outward attitudes and actions. Since true quality is found in a life that serves others, most everything comes down to a matter of the heart.

May your quality of life be noticeable.

Happy weaving,
Karen

8 Comments

  • Barbara says:

    It’s amazing how a bunch of leftovers can be combined into something so beautiful. I’m so glad you are back to weaving again.

    • Karen says:

      Thanks, Barbara, it’s good to be back in the saddle. I’ve seen you turn leftovers from the refrigerator into a beautiful meal. Now, that’s amazing! 🙂

      Karen

  • Martha says:

    Beautiful rug! Have you tried linen rug warp or poly/cotton rug warp in your work. Both of them are supposed to last far longer than cotton.

    Love your article in Handwoven magazine – lovely.

    • Karen says:

      Hi Martha, That’s a good discussion point. I have used linen rug warp for a wool rug. It’s great for that; and I think it would work well for rag rugs, but it raises the expense considerably. I’m not sure I’d find buyers for that.
      I haven’t tried poly/cotton rug warp. Some of the comparisons may be against the popular 8/4 cotton rug warp, which will certainly have a shorter life.
      It would take a lot to wear out the 12/6 cotton in a rug.

      I’m glad you saw the Handwoven article! Thanks for the compliment.

      Karen

  • D'Anne Craft says:

    Wonderful to hear you are back at the loom! Take care of yourself so you can weave on and on and on………….

  • Sandra says:

    I live in Calgary, Alberta. Our closest weaving supply shop just closed this past summer. Where would you suggest the best place would be to order 12/6 rug warp cotton? Would like to buy Canadian..

    • Karen says:

      Hi Sandra from Calgary, Welcome!
      It is disappointing to see weaving shops close…

      I’m sorry, I am not familiar with Canadian sources. I usually purchase Bockens 12/6 cotton from GlimakraUSA.com or Vavstuga.com, both in the USA.

      Happy weaving,
      Karen

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Plain Rosepath

This is a stash-busting rug, using leftover cut strips from previous rugs. Like my other rag rugs, I start with a plan. Then, I get out my fabric and make my color selections. It’s plain rosepath, without tabby picks in between, perfect for a stash buster. Snip, snip, snip. Fabric snippets are taped to my idea sheet. These are my blueprints–weaving draft, treadling order, and idea sheet with fabric snippets. I am weaving!

Rosepath rag rug on the loom.

Without tabby picks the rosepath pattern takes on a compressed form.

I can, and do, make adjustments at the loom. But I keep one question in mind. Will my choices along the way fit with the overall design of the rug? My idea sheet serves as a guiding compass. It’s a reminder of the big picture that forms a cohesive design.

Idea sheet for rag rug design.

Idea sheet hangs from the beater clip on the Glimakra Ideal loom. The treadling pattern, penciled on graph paper, and fabric snippets provide a quick reference while weaving.

Guiding principles shape our lives and enable us to make wise decisions. A compass sets the course. Use a true compass. Live in a way that pleases God. This is a valid compass for all choices and decisions. The Grand Weaver has the comprehensive design. Amazingly, He weaves our leftover fabric strips into his design, and uses them to make something useful and beautiful.

May you see your part in the overall design.

Happy weaving,
Karen

10 Comments

  • Linda de Roy Landry says:

    Karen,
    I do enjoy and look forward to reading all of you postings. Though we have not met in person, I think of you as a kindred spirit as we seem to think alike in more ways than one. Thank you for sharing and blending your faith and knowledge of weaving. It always adds a ray of light to my day and some inspiration to my weaving.
    Kind and warm regards, Linda

  • JANET PELL says:

    Dear Linda, I want to thank you for your blog, I dont make many comments but I wanted you to know that I am brightened and inspired so much by you.
    Im English and live in Italy, in the 11 years I have lived here I have only met one other weaver, I am a self taught weaver and love it, but its a lonely trek, so wanted you know how your encouragement lifts my days.

    • Karen says:

      Janet, It blesses me tremendously to know that my words and pictures reach someone like you. Good for you for pressing on, even without the camaraderie of other weavers. I’m so glad you are coming here. Make yourself at home. 🙂

      Happy weaving,
      Karen

  • Jane Smith says:

    Yes, I agree with Janet. Like her, I am pretty much a self-taught weaver who travels a lonely path. Blogs like these remind me of something that I think CS Lewis said: “We read to know we are not alone”. I am English, living in South Africa.

    • Karen says:

      Hi Jane, You make me so happy! I love the thought of connecting weavers to a community. And it’s great to hear someone quote one of my favorite authors!

      Thank you for encouraging me today.

      Karen

  • Jane Smith says:

    I really like the idea of “connecting weavers to a community”, Karen, and this blog certainly helps to do that.

    In fact, you’ve got me thinking!

  • Sandra says:

    Karen, your words and connections to weaving ( and weavers! ) is indeed inspiring. Also a self taught beginner weaver living in Alberta Canada, though I too travelled far as my husband and I moved when the military needed us to. I have found many ways to learn this artform, but I would much rather read your words and follow your journey by reading old and new posts, than join groups on Ravelry.com for inspiration. You are a great teacher and I will try to be a better “listener” … so much thanks!

    • Karen says:

      Hi Sandra,
      You have encouraged me more than you know. It’s exactly for you, and others like you, that I write. I truly cherish the connection we have as weavers and long-distance friends.

      Your friend,
      Karen

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Quiet Friday: Eight-Shaft Block Twill Rugs and More

The sample piece, a long rug and a short rug with string yarn, and a short rag rug. I look on these results with fondness. A challenge and a joy to weave! The two string yarn rugs will have bound hems when I get a chance to do that. I have world map fabric for the hems. The sample piece and the rag rug piece are destined to become cute bags. I have all the supplies–band loom-woven strap, and yarn to make a band loom-woven strap, lining material, and a handwoven remnant to use as inside pockets. Now, all I need is time. And we all have as much as we need of that.

Dressing the Loom

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with Fabric Strips for Weft

Eight-Shaft Block Twill Rugs with Stringyarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with String yarn Weft

Eight-Shaft Block Twill Rugs with Fabric Strips for Weft

Making a rag rug bag. Strap woven on band loom. Karen Isenhower

Eight-Shaft Block Twill Rugs with String yarn Weft, make bound hems.

Eight-Shaft Block Twill Rugs with String yarn Weft, making bound hems.

Making cute bag from sample piece of 8-shaft block twill weave.

In case you needed a smile today!

In case you needed a smile today. Our dear Lucia Annabella.

May you have all the time you need.

All the best to you, my dear friends,
Karen

20 Comments

  • Julia says:

    That is one beautiful Lucia Annabella! And some delightful weaving. My mother use to tell me, “You have all the time there is.”

    • Karen says:

      Hi Julia,
      As any grandmother would, I have to agree with you about Lucia Annabella. I love your mother’s words of wisdom. It would be well for all of us to remember that. Thank you for your kind words!

      Happy weaving,
      Karen

  • Gabriela says:

    Thank you, Karen. So lovely.

  • Barbara says:

    We all have time for what is important. I can choose what to put first in my life. You have placed God first and it shows in every other aspect of your life.

  • Denise says:

    Karen,
    I’m hoping you can help me, again, by giving me an idea of how much string garn it might take for a lovely rug such as the pink one shown here. Thanks in advance for your help–especially as you have other things on your mind.

    • Karen says:

      Hi Denise, It’s no trouble at all! I can tell you how much string yarn I used in total– for the sample, long rug, and short rug, and I’ll let you do the math for the length of rug you want to make. 🙂

      Lengths: Sample 17cm, Long rug 115.5cm, Short rug 42.5cm
      Midi string yarn 500m/kilo; 250g/125m per tube (#124 Dusty Coral from Vavstuga.com)
      Total yarn used: 4 tubes, with about 2-3m leftover

      I hope that helps!
      Happy Weaving,
      Karen

  • Elisabeth says:

    From one grandma to another…
    Although everything you make is just beautiful, little Lucia Annabella shines even brighter 🙂

    Love, Elisabeth

  • Angie says:

    Pictures speak a thousand words! I really enjoy seeing your weaving process and all the lovely items you make, and the beautiful grandbaby.

    As you are a weaver that gets good use from your Glimakra, may I ask where you rest your feet when not pressing a treadle? I’m almost ready to bring one into my home and while I’ve sat at one I haven’t woven more than a pass or two on it. I have a Norwood Jack loom and just slide my feet to the base of the treadle when switching. Of course, a Standard is set up differently. Thanks for your advice and any tips you may have for my Glimakra contemplation.

    • Karen says:

      Angie, First, thank you for your very sweet words. That means a lot to me!

      Glimakra? You said the magic word. 🙂 I am extremely happy with my 2 Glimakra looms, Ideal and Standard. It is all I have woven on, so I don’t have anything to compare them to.
      The Standard has a foot rest directly under the breast beam. It’s in the perfect spot for resting your feet when not pressing a treadle.

      Here are some resources I highly recommend for Glimakra loom weavers:

      Learning to Warp Your Loom, by Joanne Hall, GlimakraUSA.com
      Tying Up the Countermarch Loom, by Joanne Hall, GlimakraUSA.com
      The Big Book of Weaving, by Laila Lundell, GlimakraUSA.com or Vavstuga.com
      Dress Your Loom the Vavstuga Way: A Benchside Photo Guide, Vavstuga.com
      Dress Your Loom the Swedish Way DVD, Becky Ashenden, GlimakraUSA.com or Vavstuga.com
      Vavstuga Basics class at Vavstuga

      Please let me know if you have any more questions as you get going with your Glimakra Standard. I predict that you will love it!!

      Very happy weaving,
      Karen

  • Na says:

    Your photos including all of your finishing ideas are very helpful! Would you tell me what part of the world you are in? Just curious–since you use meters, etc.!! Grand babies are beautiful everywhere–even when they grow up.

    • Karen says:

      Hi, Na, I’m an oddball from Texas. Houston, Texas. I like to use metric for weaving — makes the calculations simpler. Also, I primarily use Swedish drafts, so I have gotten used to using metric measurements from the Swedish weaving books I have.

      Yes, grandbabies any age are the best everywhere in the world.

      Happy weaving,
      Karen

  • Gerda Hoogenboom says:

    Thank you, Karen, for all the clear pictures and inspiration. Now I am keeping my fingers crossed that there will be pictures (or even a video) of the process of binding a rug with fabric. I wonder how you reinforce the rug before sewing the binding on, and how long a cloth binding would last on a rug. It is not a quilt, after all. Every one of your posts teaches me things and leads me to ask questions I had not anticipated. The mark of a true teacher! Looking forward to seeing the finished products (on Etsy?). Greetings from France, Gerda

    • Karen says:

      Hi, Gerda, You have great questions! I can answer some of them by referring you to previous posts. But first, I want to say that’s a terrific idea to do a video tutorial of making a bound hem on a rug! Thanks for the suggestion. I think I will do that.

      (Click on the links)
      How to bind a rug with fabric: How I Make a Bound Hem
      How to reinforce the rug before sewing the binding on: Tools Day: Rag Rug Finishing Video
      How long a cloth binding lasts on a rug: I made this rug a few years ago that sits in our front hallway and is walked on every day. Blue Twill Rag Rug

      I don’t know if the items will show up on Etsy, but I will try to remember to show the pieces here when they are finished.

      Happy weaving from Houston to France,
      Karen

      • Gerda says:

        Thanks Karen for taking the time to give real answers and even to index your previous posts for me. Please remember, we do not actually deserve that much of your time! But I am gratefully reading the posts and learning. Hopefully absorbing enough to avoid crucial mistakes. Thanks again!

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Never Say Never–Floating Selvedges

I never use floating selvedges. Well,…almost never. For this block twill it does make sense to “float” the selvedges. The outermost warp ends are not threaded in the heddles–they “float” in the middle of the shed. The floating ends are wound on to the back beam with the rest of the warp. The floating selvedges provide a consistent woven edge, and prevent the skipped threads that would normally occur at the selvedge on an eight-shaft block twill. My ski shuttle enters the shed under the floating warp end, and exits the shed over the opposite floating warp end.

Floating selvedge for 8-shaft block twill mat.

Outermost warp ends are not threaded through heddles. When a treadle is pushed, the floating selvedge threads do not go up or down with the other warp ends.

Weaving with string yarn, and using floating selvedges.

Enter the shed under the floating selvedge. The curve of the ski shuttle easily slips under the floating selvedge.

Ski shuttle and floating selvedges.

Prepare to catch the shuttle by holding the floating selvedge down with your fingers.

Ski shuttle and floating selvedges.

After the tip of the ski shuttle has crossed over the floating selvedge, continue bringing the shuttle through.

It is not unusual for the Lord to wait until I’m quiet before he answers. I may gripe about the obstacles, and try to wish or pray them away. But the Lord gently moves the shuttle under or over the floating selvedge to accomplish his work. For him, it is not an obstacle, it is a necessary part of creating this kind of cloth. When I get quiet, I can see what he is doing. And it is good.

May you know when to be quiet.

Yours Truly,
Karen

14 Comments

  • Gerda says:

    Hi Karen, Thanks for the post. I recently used a floating selvedge not wound onto the warp beam, but hanging over the back with a weight. That works better for me, because the tension stays more consistent over the length of the warp (as long as I do not forget to slide the weight down occasionally). Being able to beam it is a testimony to your expertise preparing your loom. I might get there one day.

    • Karen says:

      Hi Gerda, Since this is a relatively short warp, I don’t think I will run into tension problems with the floating selvedges, but if I do, I plan to hang S-hooks on those outer warp ends to add just a little tension.

      Karen

  • Julia says:

    My mother used to tell me, “Never say what you won’t do. You’ll end up doing just that!” Boy has she been right.

  • Donna says:

    Hi Karen
    I am about to thread the heddles on some towels and the pamphlet with the patten says to use fishing line as my floating selvage. I am really hesitant to do this, wondering if it will make a loop at the edges when the line is removed. Maybe I will add in a floating selvage of the same warp thread and leave it there.

    • Karen says:

      Hi Donna, I have heard of the fishing line trick, but I’ve never tried it. I like having as little “fuss” as possible, so beaming the floating selvedges made sense to me. Like I mentioned to Gerda, if the floating selvedges become looser in tension I can always add a little weight to them.

      Karen

  • Martha says:

    HI Donna and Karen,
    Thought I would speak up regarding the use of fishing line as a floating selvage. I use fishing line along with one selvage thread on all my weaving projects, except for plain weave.

    Beam the warp with the your normal floating selvages on each side. After the warp is beamed, threaded and tied on I add a fishing line selvages to each side. The fishing line is wound around a pill container and weighted with coins – it is hung off the back beam. After the weaving is complete and the project is cut from the loom I pull only the fishing line selvage from the sides. There are no loops and the selvages look beautiful. Great way to avoid using a wooden temple and still have a great selvage.

    • Karen says:

      Hi Martha, It’s great to hear of your experience using fishing line! I can see how that would give nice, straight selvedges.

      Thanks for your input!
      Karen

  • S says:

    I’m a new weaver and was under the impression that FS are a “must” for some patterns, such as twill. But you do a lot of weaving and don’t use them, so I’m curious to know how you do it, or if you just use patterns that don’t need them? I’m currently getting ready to weave my third warp, and it’s my first time using floating selvedges. Any help would be appreciated!

    • Karen says:

      Hi, S
      Thank you for asking! As you may have guessed, floating selvedges is a hot topic among weavers. Keep in mind that I have been taught in the Swedish tradition, where floating selvedges are not used as frequently as many handweavers in the USA use them. Some of my favorite handweavers never (or seldom) use floating selvedges. I like to follow their example when I can.

      I have found that floating selvedges are not usually necessary. In some weaves you will have a small float at places in the selvedge, but that just becomes part of the design and does not usually detract from the article. Often you can eliminate the float just by starting your shuttle from the opposite side. Goose-eye twill is a tricky one. I have done goose-eye without floating selvedges (because I forgot), and have done it with floating selvedges. I like the one without FS better. But that’s just me.

      I am not fond of hanging things off the back of my loom, so I will beam the FS if I use them. There is something about the beautiful loom…I want to keep it uncluttered. Again, that’s just me. I know many wonderfully skilled weavers who do it differently.

      Happy Weaving, and welcome to this wonderful world of weaving,
      Karen

      • S says:

        Thank you, Karen. I appreciate you replying. I ended up just using the outermost thread as a FS each time I used treadle 2. On treadles 1, 3, 4, the outermost thread was caught up in the pattern anyway so I ended up with really good selveges and less fuss. I’m too new to know what the difference between weaving styles is, so I guess I have a lot to learn. Thanks again!

  • Kris says:

    Hi Karen,
    God surely answers prayer! I am a new weaver who struggles with selvedges. I recently started a simple twill pattern scarf for my husband using black handspun alpaca for the warp and medium grey handspun Shetland for the weft. I have a floating selvedge in place, but I was so unhappy with the definition of the lighter Shetland weft against the black warp. Then, I read Martha’s tip! I am a fisherwoman and like the idea of using fishing line to improve selvedges. I’m going to give it a try! Thanks Martha and Karen!

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