Rag Rugs with a Zillion Threads

It thrills me to weave rag rugs again! This is spaced rep, and I am weaving almost the full width of this 100 cm (39″) Glimåkra Ideal. That means there are zillions of threads involved. 724 warp ends, to be exact.

Getting ready to weave spaced rep rag rugs.

Spaced rep is warp faced, but the weft is not completely covered. There is enough space between warp ends for some of the fabric-strip weft to show.

This is a type of warp rep, but it is not completely warp faced because there is space between the warp ends. It is also similar to the thick-and-thin weaving I have done with hand towels. Thick weft (fabric strips) alternates with thin weft (12/6 cotton rug warp). Pattern blocks change with two thick picks in a row.

Stripes for spaced rep rag rugs.

Stripes on the warp beam and back beam is a handsome sight.

With all those threads these rugs are made to last. They will outlast me, I’m sure. And my children, and grandchildren. But eventually, even these rugs will wear out.

Testing weft options for some rag rugs.

Testing weft options and trying out block patterns.

Everything but God ages and wears out. Even this earth and the heavens that we see will someday wear out. That’s when it’s good to know the Maker. He keeps those who have made him their trust. And, when we wear out and come to and end, he has a place for us where we will enjoy him forever.

May you make things that last and last.

Happy weaving,
Karen

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Make Magical Fabric

Another magical experience at the loom! Double weave lets you weave two separate layers of fabric simultaneously. And then, the top and bottom layers can switch places in defined blocks. I don’t know who thought this up, but they were brilliant!

Double weave cotton baby blanket on the loom.

Cotton baby blanket for a dear friend’s first grandchild. This friend is amazed at the weaving process, and says that this woven fabric looks calming. Careful arrangement of the two shuttles ensures that the double-weave selvedges are woven closed.

The hard part was tying up the treadles. For a countermarch, working with eight shafts requires a more delicate balance under the loom. For a while, I was concerned that I might not get more than two decent sheds on this. But after several adjustments, I finally got a great shed with every treadle! Someone who looks at the final cloth will never know the effort that took place behind the scenes. But they may wonder at the amazement of handwoven cloth. Or not. (You’ve probably met someone who is not duly impressed with handwoven goods.)

Double weave baby blanket on the loom.

Long stripes in the middle of the baby blanket. I added dashed lines at the ends of the stripes for added detail interest.

Double weave cotton baby blanket on the loom.

Beginning sample reaches the cloth beam. Sample area at the beginning of the warp was used to test weft colors and to practice getting the appropriate weft density.

What do we see as ordinary that, truth be known, is full of wonder? One person may interpret an unusual event as an amazing sign from God. Another person experiences the same event and considers it nothing more than happenstance. If I say I won’t believe until I see evidence, I will never find evidence that satisfies me …even if I come face-to-face with a miracle. Keep the wonder. When you see handwoven cloth, let the work of the Maker’s hands bring wonder and awe. And know there are significant hidden details that are beyond our grasp.

May your fabrics be magical.

Happy weaving,
Karen

8 Comments

  • Betty A Van Horn says:

    WOW – it is absolutely gorgeous – two ‘sea colors!’ I definitely want to be on the look out for His amazing provision.

    Blessings!

    • Karen says:

      Hi Betty, These are enjoyable colors to work with!
      If we keep our eyes open to look for His provision, we will certainly see it in our lives.

      Thanks!
      Karen

  • Julia Weldon says:

    Gorgeous weaving, as always! Each day we all see miracles right before our eyes. Our very lives are a miracle.

    • Karen says:

      Hi Julia, It’s fascinating to think of the intricacies of how we are made. It’s not hard to see the Creator’s handiwork if we are looking for it.

      Thanks!
      Karen

  • Ruth says:

    What a lovely gift to be weaving. So interesting to be working on a double weave blanket for my son and his wife at the same time you are doing the baby blanket. Gifting to special people is part of the joy of weaving.

    • Karen says:

      Hi Ruth, I agree, it’s a joyful thing to give handwoven treasures to special people. That’s cool that you have double weave on your loom, too.

      Happy weaving,
      Karen

  • Liberty Stickney says:

    Hi Karen,
    I’m dressing my loom right now for dish towels in the same way, I’m excited to try it! I’ll let you know how it goes.
    Hugs,
    Liberty

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Weave Amazing Taqueté Like an Octopus

I need this sample section to practice being an octopus at the loom. I switched from kuvikas to taqueté. Now I am weaving with two double-bobbin shuttles and two treadles at a time. With no intervening tabby treadles to balance my foot placement.

Kuvikas first, then taqueté. Same threading, different tie-up.

From kuvikas to taqueté. Changing the tie-up allows the loom to weave more than one structure with the same threading.

This taqueté uses the same threading as the kuvikas that preceded it. You’ve heard it said, “One change changes everything.” Try changing the tie-up. Everything changes. Treadling sequence, weft arrangement, and picks per inch. I’m struggling like a beginner with this double treadling, double double-bobbin shuttling. But I’m not quitting, because look what it weaves! The cloth is amazing.

Two double-bobbin shuttles for taqueté.

With no tabby picks in between, the double-bobbin shuttles take turns with each other.

Taqueté, with double treadling and double double-bobbin shuttling.

Each pattern block uses two treadles, pressed simultaneously. The treadling sequence changes four times for each complete row of pattern. Each block (a third) of the square-within-a-square pattern has five complete pattern rows.

One life change, good or bad, can bring a struggle. We try to move forward like we did before, but now it’s not working. Too many things are shifting at once. One thing changed, and now we are searching for sound footing. God is present even in our struggles. The warp is the same, the threading hasn’t changed, and the Grand Weaver is still at his loom. God is a very present help in trouble. God is now and near. Right now, right here. And then we get a glimpse of the cloth he is weaving… It is amazing!

May you endure through struggles.

Your weaving octopus,
Karen

5 Comments

  • Betsy says:

    Is there a trick to pushing two treadles at once on a Glimakra? I thought one couldn’t do that, and I’ve never tried it on my Standard.

    That fabric is gorgeous!

    • Karen says:

      Hi Betsy, Yes, there is a trick! It is an unusual tie-up. It works because the tie-up is done with two freestanding groups, so they can be double treadled. And some of the shafts are not tied up. I’m using a draft from The Big Book of Weaving, by Laila Lundell, pp. 164-165, where this set up is explained. I am fascinated by this fabric, and the whole fact that this is even possible!

      Happy weaving,
      Karen

  • Annette says:

    I appreciate your comments. In a world gone mad your voice is the calm in the middle of a storm – it reminds us who is in charge. God Bless.

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Linen Butterflies

This project has been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila Lundell. It includes four-shaft tapestry, as well as weft inlay techniques. Each of the four strips will be a sampling of 8-12 different patterns or techniques. The weft is all linen, in various colors and sizes. Several strands are bundled together and made into butterflies. I have the sections mapped out, but the actual designing is happening at the loom.

Box of colorful linen for a tapestry project!

Box of linen! A variety of 16/2 line linen, 6/1 tow linen, and 8/1 tow linen.

Weft inlay with linen butterflies.

First sample strip starts with some weft inlay.

The box of vibrant shades of linen that sits by the loom makes me think of the wonderful colors in creation. The Grand Weaver puts an assortment of strands together, making something as only He can. The world belongs to its Maker. We are His. Sometimes we forget that it is not that He is in our universe, it is that we are in His. I love the way He puts an assortment of us together to put a splash of color on His tapestry.

May you enjoy the colors around you.

Happy weaving,
Karen

6 Comments

  • Melissa Myers says:

    God must love color, there is so much of it!!! I am reminded of the verse:

    New American Standard Bible
    Job 26;14
    “Behold, these are the fringes of His ways; And how faint a word we hear of Him! But His mighty thunder, who can understand?”

    Can’t wait to see the tapestry He weaves!!

  • Liberty Stickney says:

    Karen,
    Beautiful colors, can’t wait to see what comes from them. I love you loom with a view!
    Liberty

    • Karen says:

      Thanks Liberty, Colors always seem more alive to me in linen. I’m glad I get to take my time with them and enjoy the scenery, too!

      Karen

  • Marjorie says:

    I’m a new follower, with an unwarped, recently acquired, Glimakra Ideal. I love your site, and aspire to become a weaver, with the help of ALL my new weaving acquaintances. I have the Lundell book, although it may be water-marked by drooling before I’m able to weave anything from it. Watching with eagerness,

    • Karen says:

      Hi Marjorie, Welcome to the wide wonderful world of weaving! And welcome here in this corner of the weaving world. That Lundell book will step you through everything you need to know to dress your loom and make something beautiful. I’m excited for you! Let me know if there is any way I can help you along the way.

      Happy weaving,
      Karen

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Wavy Twill Rythym

I’m happy when I find my weaving rhythm, and I’m almost there with this scarf. This alpaca yarn is a weaver’s dream. No warp ends are breaking, and the weft compliantly scoots into place. That means I can put most of my attention on other details.

All those "oops" as I learn the treadling at the beginning of the warp.

Getting the kinks out at the start of the warp. 1-2-3-4-5-6-7-8; 1-3-5-7; 2-4-6-8. I always plan enough warp to be able to practice first. I have plenty of “oops” in the first few inches.

This wavy 8-shaft twill has straight twill threading, which means the pattern is in the treadling. It’s not difficult treadling…once you get the hang of it. But, as usual, it takes practice. It is tricky to find and correct errors because of the subtle curve in the pattern. The more practice I get, the smoother the weaving goes, and the fewer errors I make. There is no shortcut to the kind of confidence that comes from attentive practice.

Alpaca scarf, weaving in the afternoon sun.

Weaving in the afternoon sun. Whimsically weaving a bit of sunlight into the cloth.

Alpaca scarf on the loom. 8-shaft wavy twill.

When weaving rhythm takes off, quality improves, as does weaving enjoyment.

Did you know you are gifted? There are skills and insights that come easier for you than for other people. The gifts that God put in you, that are in your DNA, set you apart. Practice them to gain confidence. Put your attention on using your gifts. You may be surprised how much your gifts bless others. Finding your rhythm is worth the effort it takes. (And, on the subject of DNA, here’s an interesting perspective from Sarah H. Jackson, Textile Artist.)

May you unwrap your gifts.

With you,
Karen

17 Comments

  • Julia says:

    Oooo! Undulating twill. When I was a relatively new weaver, I was delighted to learn I could weave something so complex looking on my four harness loom. Yours is gorgeous and the alpaca yarn must feel so soft and delicious. I love the gentle color of your yarn.

    • Karen says:

      Hi Julia, Yes, this alpaca yarn is amazingly soft; and the natural alpaca color is so soothing to work with. And the undulating twill never gets old. It’s a very satisfying project.

      Karen

  • Lynette says:

    Karen, I enjoy so much reading your posts. It helps me in my weaving skills and gives me neat ideas to try. It also is encouraging to me in my walk with God. I recently got an older Glimakra standard loom I’m having fun getting acquainted with. What is the easiest way to move the beater back (and then forward again) on the notches? Do you use both hands, and put one under he beater and one on the upper cross bar to hoist it back? Mine weaves 52″ so is a rather heavy beater. I don’t want to have to get up to do it, because that is why I’m moving it – to avoid having to get up as often to release the ratchet. Just wondering how to do it with the least amount of body strain.

    • Karen says:

      Hi Lynette, It makes me so happy that you find value in what you read here.

      On my smaller Ideal loom, I can “pick up” the beater at the upper crossbar with both hands and move it back or forward a notch. Not so on the Standard. Mine is 47″, and it’s heavy for me, so I move one side at a time. I put one hand under the beater, with my elbow on the breast beam for support. The other hand is on the upper cross bar. I mostly use the front two notches. To move it to the third notch is a bit of a strain for me, so I usually avoid that.

      Happy weaving,
      Karen

  • Laura Rider says:

    Hi Karen, Looking forward to seeing the Alpaca scarf when finished…too bad we won’t be able to feel it…soft and cuddly, I’m sure, not to mention beautiful. I’m really curious about the breast beam on the loom, can you tell us about it.
    Happy weaving and thank you,
    Laura

    • Karen says:

      Hi Laura, I sure wish you could come over here and feel this soft and cuddly alpaca!

      The breast beam has an aluminum guard on it. What you see at the front of the breast beam is the fabric protector, aka “belly board.” It is a thin piece of wood that slips in at sides of the front of the breast beam, and protects the fabric from abrasion as it rounds the breast beam. As the weaver, I can lean right onto the breast beam without rubbing the fabric.

      Karen

  • Nanette says:

    Would you explain how you are using the tape/ribbon as a measuring device? I REALLY need to improve my system! Enjoying your posts very much. Nanette

    • Karen says:

      Hi Nanette, Thanks for asking.

      I use twill tape, but grosgrain ribbon works, too. I mark the beginning and end measurement of the project onto the tape with a fine tip Sharpie. If there are hems, I include markings for that, too. I like to write the total # of inches or cm on the tape so I can reuse it without measuring it. I mark a line on the tape at the midway point, and if it’s a long project, I mark the 1/4 and 3/4 points on the tape. When you have an inch or two woven, line up the starting line and pin the tape to the woven fabric using two straight pins. Leapfrog the pins as you advance the warp.

      I hope that makes sense.

      Happy weaving,
      Karen

      • Nanette says:

        Very professional! If I can find some tape on hand I will use this idea for the baby blanket I just started. You are very kind to answer all the questions people ask of you–and still get so much done! Nanette

  • Margaret says:

    New reader of your blog here, thanks for your interesting projects! Are you willing to share your draft for this turned undulating twill? I fiddled around on the weaving software and couldn’t quite get mine to look like yours. Thanks!

    • Karen says:

      Hi Margaret, Welcome! It’s great to have you.

      Many of my drafts start from ideas in Swedish weaving books, and I write the draft out with pencil and graph paper. This one came from “The Big Book of Weaving,” by Laila Lundell. I don’t have the book in front of me right now, so I’m sorry I can’t tell you the page number. The project in the book has “Wavy Twill” in the title.

      Thanks for your interest,
      Karen

  • Missie Hills says:

    Yes! I’m always telling people that everyone has a gift. You just have to find it. Then when you do, you should respect it by putting in the hours to develop it into something great.

    • Karen says:

      Missie, Good point. It does take hours and hours to develop a gift. Sometimes we think if we are gifted at something we shouldn’t have to work at it. But success comes when effort and time are invested in the gift.

      Karen

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