Wary Weaving
- By Karen
- November 19, 2019
- 3 Comments
Sugar Pie has been waiting in the wings. Now, his nose wriggles up to the fell line. The day that Ari and Lucia went with me to visit my neighbor, their attention went to the cute furry thing in the rabbit hutch. At first, the bunny was wary, but before long, Sugar Pie was nibbling carrot slivers from Lucia’s hand.

Now, I’m the wary one. The rabbit will make or break this tapestry. I made notes when I wove the rabbit on a narrow sample warp several weeks ago. With careful review of my notes, I am inching forward, giving attention to value contrasts that shape and define the animal. The good news is that when I reach the end of Sugar Pie’s soft, furry back, I will be at the tapestry’s finish line.


In trying times, our senses are heightened. Will we flourish, or merely squeak by? In all the confusion, where is clarity? In the chaos, where do we find calm? The Lord extends an open hand. The open hand is an invitation. Come and taste. Trust. Find deep satisfaction that reaches the soul. Courageously inch up to the greatest challenge of your life.
May you step into a worthwhile challenge.
With you,
Karen
3 Comments
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Process Review: Drawloom Jewels
- By Karen
- September 24, 2019
- 6 Comments
It is exciting when Maverick walks by. Although he never comes in my drawloom studio, he does stop for a moment to look my way. You’ll see him in the slideshow video below. But what happens inside the studio is even more exciting, especially when it’s time for cutting off!

This is Tuna wool, so I expect some shrinkage, but how much? I take careful measurements before and after wet finishing. Besides the main piece of fabric that I’m using for a garment, I have two sample pieces. I can experiment with the samples before wet finishing my garment fabric.
Here are my findings:
Sample 1. Hand wash and air dry.
10% shrinkage in width; 13% shrinkage in length.
Sample 2. Machine wash (3 minutes agitation on a gentle cycle, with a short spin) and machine dry (low setting) till damp, finish with air drying.
13% shrinkage in width; 14% shrinkage in length.
~How to do the shrinkage calculations~
First measurement (on the loom) minus the second measurement (after washing and drying) equals the difference. The difference divided by the first measurement equals the percentage difference.
For example, 50 cm – 43.5 cm = 6.5; 6.5 / 50 = 0.13; 13% shrinkage.
The first sample fabric is softer than the unwashed fabric, but not as soft as I’d like. The second sample fabric is beautifully soft, like a nice warm sweater. So, with confidence, I wet finish the garment fabric—with great results. It’s perfect for the fall/winter vest that I’ll soon be wearing, made from this fabric!


Enjoy this photo show of the drawloom process.
May you enjoy the process you’re in.
Happy Weaving,
Karen
6 Comments
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Wow, that’s going to make a stunning vest!
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Good morning Karen,
You have been busy. Love the colors interwoven to form the base colors. Blue and green ..
I had a handed down stash of ’70s yarn. Scratchy and thick. Not something good for anything but macrame planters. But I needed rug. It was crocheted and eventually washed. The result was the softest wool imaginable.
Wool can be surprising.
Nannette -
That will be a lovely warm vest, Karen. You are producing beautiful fabric on your new drawloom.
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Weaving a Personal Logo
- By Karen
- August 20, 2019
- 6 Comments
This logo goes back to at least 1982. It is on the underside of a bowl I made that year in my one-and-only pottery class. kmi for Karen Marie Isenhower. This personal logo will be woven into my upcoming pictorial tapestry. I know how I want the image to look, but it’s not easy to weave it successfully. I am practicing on a sample warp.

I am starting with the little cartoon that I used when I wove the Lizard tapestry last year (see Quiet Friday: Lizard Tapestry), thinking I can improve in the weaving of it.

Nope. It’s not any better. I am redrawing the cartoon to spread the letters out further.

Nope. Now, the letters are too spread out.
Finally, I reach a happy medium.

Yes. This attempt is successful. Now I am ready to weave my personal stamp into the new tapestry project.



You were made on purpose for a purpose. When the Grand Weaver created you He started a masterpiece with your initials on it. He develops the cartoon and lays out the colorful butterflies of yarn, with your personal logo in mind. Finish what He started. It takes a lifetime. In the end, my personal logo, never quite perfect, will diminish. And His royal insignia, embroidered in threads of gold, becomes the label on my life’s tapestry.
May you see your great value.
With you,
Karen
6 Comments
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What a neat logo, it looks great!
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It’s fantastic!! I hope you’re able to figure out how to include your logo in all of your weavings.
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Nice.
It is so easy to forget we are indeed artists because what we do is part of our life’s breath.The logo is a reminder of the blessing.
Nannette
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Tried and True: Five Reasons Sampling Makes Sense
- By Karen
- August 13, 2019
- 12 Comments
Why sample? It means using more warp and weft. And it means waiting longer to start to the “real” project. What do I gain from it, anyway? Is it a waste of resources and time?
I can’t imagine putting on a warp that didn’t have room up front for sampling. There’s more than one reason to put on sufficient warp to weave a sample. It makes perfect sense, especially if there is anything new or unfamiliar about your planned project.
Five Reasons to Add Extra Warp for Sampling

1 Space to play. I want plenty of room to play, and to practice techniques that are new to me.
2 Room to try out designs. By weaving a portion of my designs, I am able to determine what works, and what adjustments need to be made.
3 Warp for testing weft colors. Only when woven can I see the full effect of each potential weft color.
4 Time to gain a consistent beat. When I start the main project, I want to have woven enough to be able to “feel” how firmly or softly I need to move the beater.
5 The best reason of all! It’s always good to have enough warp on the loom that you can invite friends and family to enjoy some weaving time. …Before your main project is in progress.





May you give yourself room to play.
Yours truly,
Karen
12 Comments
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Lovely, Karen! Your advice is well taken! Also love seeing your friends checking out the draw loom. 🙂
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Sample, sample, sample. I love to sample. When I need a break from big projects I’ll dress the loom with a narrow warps and play with new-to-me drafts. Great advice!
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It is lovely, visiting your Blog, today. There is a Casita gathering Feb. 12th on Lake Belton. If you and Steve could sign up, I think you would thoroughly enjoy it. We play games, at night. Have music (mostly guitars, ukuleles), enjoy potlucks. I usually spend a few minutes with Sarah in her Saori studio and then…we piddle. I can send you more information, if you think you might be free.
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Good morning Karen,
I’ve done samples in others textiles, but never considered samples in weaving. Must do. It would have been one less garage rug when weaving overshot.Thank you for your wisdom.
Nannette
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Ha ha ha! What a novel idea. What a delight that you invite friends and fa,ily to try your loom.
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A sample also gives you an opportunity to test finishing methods–especially if you are using some unlabeled mystery yarns.
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Pictorial Tapestry Weaving
- By Karen
- June 4, 2019
- 21 Comments
Inspired by some of Joanne Hall’s exquisite large tapestries, I have been taking steps to learn her techniques. This fascinating style that is unique to Joanne enables her to weave large tapestries at a comfortable pace. My Lizard tapestry last year was a step in this direction. (See Quiet Friday: Lizard Tapestry.) One thing that the lizard taught me is how much more I need to learn. So, you can imagine my delight in having the opportunity to take a Pictorial Tapestry Weaving workshop taught by Joanne Hall last week! (Contemporary Handweavers of Texas Conference in Fort Worth was the setting.)


Things to remember: Don’t beat hard. Bubble the weft more. Color theory is invaluable for adding depth and intensity. Simplify the cartoon. And countless more bits of insight and instruction! I am invigorated in my pursuit to develop these tapestry skills. Expect to see a tapestry on my 120cm Glimåkra Standard in coming days.










I find myself pondering how experiences fall into place in our lives. There are times when the stepping stones seem to be set out before us, showing the way, when we don’t know exactly where we are going. The Lord knows where I am going. He knows me. And he kindly sets out the next steps. Perhaps he smiles as he sees our delight when we figure out that we are the bundles of yarn in his tapestry.
May your joy in learning never cease.
Happy Weaving,
Karen
21 Comments
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Thank you for sharing this. It is so interesting.
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Beautiful! Looking forward to seeing your progress. I don’t have the patience for tapestry.
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Wow! Karen, you are always doing something amazing! Thank you for sharing the workshop since I was unable to attend any this year.
I am curious as to how you were able to bring your loom. It doesn’t look very portable.
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Oh my darling Karen! It is wonderful, reading your blog, this morning. En route to the Navajo Nation, our vehicle died in Albuquerque. What a story I have to share…His goodness to us…to place His people in our path…each one learning of us and needing prayer for themselves and their families. What a miraculous day He had planned.
Thank you for being YOU! Thank you for taking such grand pictures from our workshop with Joanne. It passed by us all too quickly. -
So fun to re-live the class through your pictures! Love your lily, that came out very well. I still haven’t put the Julia back together, I want to give it new dowels, so a trip to Lowe’s is on the list.
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It is so uplifting to learn from your heroes. It is a well of kindness that keeps on giving. Thank you for sharing. I appreciate the breakdown of technique and you were able to make tapestry seem just a little more approachable.
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Hi Karen, thanks for another great post. Joanne’s wildflower tapestry is a marvel. I’m wondering where she managed to find so many colors in what appears to be the same weight of yarn. Was it perhaps woven in the era of the famous Paternayan yarns (gone now and sadly missed)?
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Hi Joanna,
As Karen said, we used 2 ply Swedish wools, Tuna, 109 colors available from Glimakra. We can extend the color choices by also using the Faro yarn,an additional 74 colors, using two strands as one. I did some dyeing for the Texas Wildflowers tapestry, as it is hard to get clear pastel colors.
Joanne
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Amazing. Beautiful.
Right place. Right time. The rose path warp on my loom is exceeding my filler on some rag rugs. This technique has inspired me to weave the last rug as a tapestry in a simple design from stringers of red currants.
Always an inspiration. Always a blessing.
Thank you.
Nannette -
What a treat to open your blog for the first time since I signed up and see my little pear! I had so much to learn and Joanne stuffed as much as she could into my sponge of a brain. Not sure where it will lead, but such an intriguing path!
Amen
Thank you so much for your words of wisdom today. The lord is with us all and loves and encourages. May your day be blessed with joy.
Hi Margaret, I appreciate your thoughtful words. Thanks for the joy!
Karen