Imagine Rag Rugs on the Drawloom

Rag rug weaving on the drawloom! I can only imagine the delight. In the meantime, the drawloom is getting dressed. It takes time to group the pattern heddles into units, add lingos, thread pattern shafts, thread eight ground shafts, sley the reed, move the ground shafts and pattern shafts to their positions, and tie on. After I finish all that I can think about adding all the single-unit draw cords and finish tying up. Whew!

Winding a warp for the next drawloom project.
Warping reel is in a corner of the drawloom studio. When not in use, the reel is folded up and pushed against the wall.
Warp chains of 12/6 cotton rug warp. Drawloom rag rugs!
Warp chains of 12/6 cotton rug warp.
Drawloom - rug warp is ready for threading.
Warp is beamed and ready for threading.

I became acquainted with the single-unit drawloom at Joanne Hall’s studio (see Drawlooms in Montana), but this is my first go at it on the drawloom in my studio. Because of the reward that awaits, I will gladly tackle all the tasks of dressing this loom. Weaving rag rugs on a drawloom will be phenomenal!

Pattern heddles and weights for prepping the drawloom.
Pattern heddles are hanging on the breast beam for grouping into pattern units. A lingo is hung on each unit.
Threading the drawloom.
Pattern heddles have been threaded. You can see the lingos hanging below. Ground heddles are now being threaded. Straight draw threading on eight ground shafts.

Joy sees hidden treasure. We go to great lengths to unearth high-value treasure. Jesus did this, seeing us as the reward. That’s what Christmas celebrates. Jesus left his splendor in heaven to come to earth as a baby. He entered this world and endured the worst because of the joy set before him. He did it all for the joy of having us in fellowship with God. We come to him and find that we are the Grand Weaver’s reward.

May your joy be full.

Joy to you,
Karen

16 Comments

  • Beth Mullins says:

    I must admit that I find this mind-boggling and will be sitting back, admiring your work on this one. 😉 Amazing!

    • Karen says:

      Hi Beth, It’s all part of the process, so it just means taking a step at a time. I enjoy the steps to get there, but I sure am looking forward to weaving this.

      Thanks,
      Karen

  • Geri Rickard says:

    Ooohhh, I can’t wait to see this!

  • Janet giardina says:

    Good morning Karen,
    I’m just coming to the end of my first draw warp, 16/2, and I’m very curious to see the end result of using the drawloom to weave rag rugs and the 12/6 warp. Look forward to the process and end result.
    Janet

    • Karen says:

      Hi Janet, Congratulations on completing your first drawloom warp! I have wondered about weaving rag rugs on the drawloom ever since I began to understand what can be done with a drawloom. I’m eager to jump in!

      Happy weaving,
      Karen

  • Betsy says:

    Ooooh, I can’t wait to see how this looks!!

  • Joanne Hall says:

    Bravo, yes, joy indeed. I have loved this type of project, but I have not put it on my loom. I look forward to seeing your photos as you progress through this warp and weave the rug.
    Joanne

    • Karen says:

      Hi Joanne, Your encouragement means a lot to me. It’s comforting to know that you are looking over my shoulder. We’re going to have fun with this!

      Joy indeed,
      Karen

  • Lyna says:

    Looks fascinating! How long is your warp? As complicated as dressing the drawloom looks, I’d be inclined to put on a looooog warp!

    • Karen says:

      Hi Lyna, Yes, a long warp would make perfect sense. I’m still in the learning stages, though, so I want a lot of practice in dressing the drawloom. This warp is long enough to weave two large rugs.

      Happy weaving,
      Karen

  • Carol Berry says:

    Hi Karen,
    I am eager to see the rag rugs you weave on your drawloom. What is the sett, using the 12/6 rug warp? and why have you chosen an 8-shaft ground weave? Your blog posts are a joy!
    All the Best, Carol Berry

    • Karen says:

      Hi Carol, I’m using a 35/10 metric reed and the sett is 7 ends per cm. The ends are doubled. That’s close to 18 doubled ends per inch.
      I’m using a draft by Kerstin Ålsling-Sundberg from “Damast,” edited by Lillemor Johansson. Her draft calls for the eight-shaft ground weave. When I have more experience I’ll be able to tell you why.

      Thanks for joining in!
      Karen

  • Sue MacLeod says:

    I really enjoy reading your blog. It is so inspirational to see all that you do. I am looking forward to see the progression of this project.

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Conversation with Joanne Hall

Drive up to this storybook cottage, and you can tell there is something special about it. It’s the home of Ed and Joanne Hall. When I arrive, Joanne greets me and takes me down the hand-crafted pine stairs to her delightful weaving studio dotted with floor looms.

Storybook cottage in Montana mountains.
Driving up to the Hall’s home and Joanne’s weaving studio in Montana.
Welcome!
Välkommen = Welcome

I recently had the joy of learning the ins and outs of drawloom weaving in this storybook studio in Montana. After the class ended, Joanne and I sat at her kitchen table to share some thoughts about weaving.

Joanne Hall
Joanne Hall
Photo credit: Ed Hall

Come join us, and sit in on our conversation…

If you could keep only one loom, what would it be?

The 59” Glimåkra Standard. That would be my loom, with a drawloom. A big loom is easier to set up, easier to warp because I can step inside it, and easier to weave on than a little loom. As you get older you need every advantage you can get.

Butterflies, woven by Joanne Hall on a single unit drawloom.
Butterfly piece was woven on the very first warp Joanne put on her drawloom. The warp is 20/2 cotton, unbleached; and the weft is 16/1 linen.
Being a tapestry weaver, I had to add more colors, so I laid in some colors and then I put a little gold leaf here and there. I did not want to add anything that looked like embroidery. I wanted my new work on the drawloom to have all the elements woven in.
– Joanne Hall

What would you weave on that loom?

I would mostly make narrow warps. I could weave some blankets or larger things, as well, because it’s easy on that loom. It is easy to beat and so easy to treadle. I could also weave tapestry on it.

Describe the drawloom you would use.

With the Myrehed combination, I would have both the shaft drawloom and the single unit drawloom. I do like images, like tapestry weaving, so I would enjoy weaving with the single unit drawloom.

Story of the Immigrants, woven by Joanne Hall on single unit drawloom.
Story of the immigrants.
Three of my grandparents immigrated from Sweden to America. This tells the story of their journey–walking, riding, then endless days on the boat, then walking again, all the way to Minnesota.
– Joanne Hall

Are there any weaving secrets you’d like to share?

One important thing to know is to wind a warp with more than one thread, especially a long warp. It is easier to beam and you will prevent problems when you wind with two or more threads. And doing so may also have a positive effect on weaving that warp.

Another thing to consider is that once you start weaving, plan to invest in good equipment. Some weavers start out buying the smallest, least expensive equipment. That’s okay for getting started, but don’t spend too much time with inferior equipment. Once you start warping looms, get a big vertical warping reel that is more than two yards around. You can wind a warp in half an hour, an hour at the most. And the warp will be more even and accurate than one wound on smaller equipment.

If someone wants to learn more about weaving, what is a good way to start?

Go someplace where you can take a class weaving on floor looms, even if you have never woven before. Keep in mind that researching online can be more confusing than helpful. In a class you will learn much faster and you will probably get better information.

Church Door by Joanne Hall.
Front door of Joanne’s father’s father’s (grandfather’s) church in the small town of Ör, in Dalsland, Sweden. The “6” near the door was part of the date on the church, 1661.
Woven on single unit drawloom by Joanne Hall.
Wooden Shoes, woven by Joanne Hall.
From a photo Joanne took in a small red house in an outdoor museum in the place where her mother’s family lived. These wooden shoes were on a rag rug in front of the fireplace.
Woven on single unit drawloom by Joanne Hall.
Fence in Sweden, woven by Joanne Hall.
Fence that is typical of fences all over Sweden. This came from a photo of the fence around an outdoor museum in Falköping Sweden, Joanne’s mother’s grandparent’s home.
Single unit drawloom, woven by Joanne Hall.

Any final thoughts?

In Sweden, weavers guilds are different than they are here in the US. Most everyone in Sweden can join a guild, called a vävstuga, which in Sweden is a place with looms—floor looms, big floor looms. You meet there as often as you want, and you can weave on floor looms in the company of other weavers, who are very helpful. If we had that, it would be wonderful.

That would be wonderful, indeed! I think I got a little taste of that, right here in your Montana studio. Thank you!

Happy Weaving,
Karen and Joanne

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Drawlooms in Montana

Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.

Gorgeous Montana mountains by Joanne's weaving studio.
View from Hall Lane, in front of Joanne and Ed’s home.

Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.

Single unit drawloom weaving.
Single unit drawloom has the capability of weaving imagery, and even words, like “Lost Valley,” the name of our Texas hill country home.
Single unit drawloom in Joanne Hall's weaving studio.
Single unit drawloom in Joanne Hall’s weaving studio.
Half-heddle sticks for weaving opphämta.
Joanne demonstrates how to use half-heddle sticks and shows us some opphämta samples.
Shaft drawloom weaving. 6/2 tuna wool warp and weft.
Pattern has Xs that show where to pull the shaft draw handles. The red dot of a straight pin keeps my place as I follow the rows from bottom to top.
Shaft drawloom in Joanne Hall's studio.
Pulled pattern shaft handles are secured in the hook bar.
Weights hang on the pattern units in the drawloom.
Normally, one two-ounce U-shaped weight hangs on each pattern unit. In this case, with 6/2 Tuna wool, two weights hang on each pattern unit.
Drawloom samplers unrolled! 6/2 tuna wool warp and weft.
Wool yardage and samplers are unrolled and cut off the 120cm Glimåkra Standard loom. Oh, the colors and patterns!

Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.

Distributing pattern heddles on the drawloom.
Deb separates pattern heddles that will be placed on the next pattern shaft.
Pointed threading of pattern heddles on the drawloom.
After undoing some beginner errors, we finally have all the pattern heddles in order (pointed threading) on the eleven pattern shafts.
Weights under the drawloom.
One weight hangs on the long heddles of each six-thread pattern unit.
In the loom together! Karen (me), Cathleen, and Deborah enjoy the expertise and kindness of Joanne.
Eight-pointed star on the shaft drawloom at Joanne Hall's drawloom class.
New 16/2 cotton warp on the shaft drawloom. I emptied a few quills to weave the traditional eight-pointed star pattern. Meanwhile, Joanne watched treadles, lamms, and shafts to fine tune the sheds. Everything is just right!

Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.

Wool shaft drawloom sampler.
Wool shaft drawloom sampler, at home now in my drawloom studio.
Shaft drawloom sampler from Joanne Hall's drawloom class.
Reverse side of wool sampler was face up on the loom.
Single unit drawloom sampler.
Single unit drawloom sampler. Our Lost Valley home, with details that remind us of our 2018 transition year.
Draw cords and handles are in place on the new drawloom.
Draw cords and handles are in place. Forty more will be added soon.
Shaft drawloom is just about ready for first project!
Shaft drawloom is ready. Single unit drawloom parts will be added later.
Please excuse me now while I go wind a warp!

May your imperfections be greeted with grace.

Love and grace,
Karen

~What are your questions? Joanne has answers~

Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.

16 Comments

  • Nancy Malcolm says:

    Oh, how lucky you are! I am searching for the loom, then take her class. It seems to be taking forever!!

    • Karen says:

      Hi Nancy, I know what you mean. I searched for quite a while, too, to find a loom. And then, all of a sudden, at just the right time, there it was! You have a lot to look forward to.

      All the best,
      Karen

  • Marilyn Cann says:

    Karen, my brain tingles at all the learning you did last week! The picture of Montana way lovely too, but I added to that my knowledge that it was bitterly cold in that part of the country! Have fun playing with your drawloom when you get set.

    • Karen says:

      Hi Marilyn, So much learning! Hopefully, the important parts will stick with me.

      It was cold, but we didn’t get the bitter Artic cold that some places were getting last week. I think they got some of that right after we Texans left. Whew!

      Happy weaving,
      Karen

  • Nannette says:

    Good morning Karen,

    The draw down loom is something I did not know existed. At first glance, confusing. As I continued reading, exciting.

    I look forward to your adventures.

    Blessings,

    Nannette

    • Karen says:

      Hi Nannette, It has taken me a while to peel off the confusion about drawlooms. I think I’m beginning to understand how they work. I’m super excited to get the whole thing set up!

      Thanks,
      Karen

  • Shari says:

    Amazing! The complexity and beauty and feeling so empowered to make beautiful textiles.

    • Karen says:

      Hi Shari, It seems complex until you start to understand it. It’s really pretty simple—just sticks and strings that do specific things. It opens up a world of beautiful weaving!

      All the best,
      Karen

  • Elisabeth says:

    I am so happy you got your drawloom, and that you were able to take Joanne’s class this soon.
    Your weaving journey har been amazing, and it is such a pleasure to be invited into your weaving world through your blog!

    Elisabeth

    • Karen says:

      Hi Elisabeth, I feel very fortunate that the timing of everything has worked out so smoothly.

      It’s wonderful to get to share my weaving journey with friends like you!

      Happy weaving,
      Karen

  • D’Anne says:

    I enjoyed seeing the pictures and reading your commentary, Karen. Is that your drawloom in the last photos? Have a wonderful time learning and weaving, and thanks for sharing your journey.

  • Janet says:

    I’m so excited to hear about your recent trip, Debbie and I are headed there in April and I can’t wait!!
    Janet

  • Thank you for sharing your experience and photos. Beautiful work. I am heading out there mid April and so looking forward to it. For some unexplainable reason I am so drawn to the big Swedish looms and the drawloom. I have an older Glimakra standard in storage and getting time with kind Joanne and the class I will know if it’s something for me or not. I will likely be less experienced than the other participants and your last paragraph is a reminder to not compare myself or lack of expertise but to enjoy.

    • Karen says:

      Hi Denise, Since you are drawn to the big Swedish looms, I am confident that it will be a great joy for you to weave on them. I’m excited for you! Your class with Joanne will be just what you need! No need to worry about lack of expertise. Just go with an attitude willing to learn. Enjoy!

      (And I know two others in the April class. You’ll be in GREAT company!)

      All the best,
      Karen

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