Quiet Friday: Kuvikas to Taqueté and video

The color is rich, the drape is fluid, and the pattern in the lustrous cloth is eye-catching. “Kuvikas to taqueté” was not an easy project. Eight shafts, double treadling, and double-bobbin shuttles with slick 8/2 Tencel weft. But the fabric is incredible!

Warp chain of 8/2 cotton.

Warp chain of 8/2 cotton hanging from warping reel.

Thanks to a unusual tie-up, two treadles are pressed simultaneously, something I had not thought possible for a countermarch loom. I started with kuvikas (summer and winter), which has tabby picks between the pattern picks. The dark teal 8/2 cotton tabby weft and the bright teal Tencel pattern weft produce a tone-on-tone effect for the square and stripe patterns. These two pieces will become the front and back of a throw pillow.

Kuvikas on the loom. (Summer and Winter)

Kuvikas panel 1 complete. I always use red thread for a cutting line between pieces, so there is no accidental cutting in the wrong place.

I then changed the treadle tie-up to switch from kuvikas to taqueté. The taqueté has no tabby weft. The teal and cream Tencel weft threads lay back-to-back, producing a double-faced fabric. This piece is being used as a table runner.

Kuvikas to taqueté, change in treadle tie-up.

Stripes in kuvikas, and then square pattern in taqueté after changing the treadle tie-up.

Finished Tencel kuvikas (summer and winter) glistens!

Finished kuvikas glistens in the sunlight.

Enjoy the little slideshow video I made for you that follows the process from three lovely aquamarine warp chains to fabric glistening in the sun on a Texas hill country table.

May you finish something that is not easy.

Happy Weaving,
Karen

Do you remember my Handwoven Thick and Thin Towels (that appeared on the cover of Handwoven), and my Black and White Towels (These Sensational Towels)? I will be teaching a workshop on that thick and thin technique at Shoppes at Fleece ‘N Flax in beautiful Eureka Springs, Arkansas August 24 – 26, 2017. You’re welcome to join us! I’d love to see you there! Contact the shop at the number below if you are interested.

Our weaving classes for May, June and July are filled ( but you can sign up on a waiting list!) and we still have a few…

Posted by Shoppes at Fleece 'N Flax on Wednesday, May 10, 2017

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Weave Amazing Taqueté Like an Octopus

I need this sample section to practice being an octopus at the loom. I switched from kuvikas to taqueté. Now I am weaving with two double-bobbin shuttles and two treadles at a time. With no intervening tabby treadles to balance my foot placement.

Kuvikas first, then taqueté. Same threading, different tie-up.

From kuvikas to taqueté. Changing the tie-up allows the loom to weave more than one structure with the same threading.

This taqueté uses the same threading as the kuvikas that preceded it. You’ve heard it said, “One change changes everything.” Try changing the tie-up. Everything changes. Treadling sequence, weft arrangement, and picks per inch. I’m struggling like a beginner with this double treadling, double double-bobbin shuttling. But I’m not quitting, because look what it weaves! The cloth is amazing.

Two double-bobbin shuttles for taqueté.

With no tabby picks in between, the double-bobbin shuttles take turns with each other.

Taqueté, with double treadling and double double-bobbin shuttling.

Each pattern block uses two treadles, pressed simultaneously. The treadling sequence changes four times for each complete row of pattern. Each block (a third) of the square-within-a-square pattern has five complete pattern rows.

One life change, good or bad, can bring a struggle. We try to move forward like we did before, but now it’s not working. Too many things are shifting at once. One thing changed, and now we are searching for sound footing. God is present even in our struggles. The warp is the same, the threading hasn’t changed, and the Grand Weaver is still at his loom. God is a very present help in trouble. God is now and near. Right now, right here. And then we get a glimpse of the cloth he is weaving… It is amazing!

May you endure through struggles.

Your weaving octopus,
Karen

5 Comments

  • Betsy says:

    Is there a trick to pushing two treadles at once on a Glimakra? I thought one couldn’t do that, and I’ve never tried it on my Standard.

    That fabric is gorgeous!

    • Karen says:

      Hi Betsy, Yes, there is a trick! It is an unusual tie-up. It works because the tie-up is done with two freestanding groups, so they can be double treadled. And some of the shafts are not tied up. I’m using a draft from The Big Book of Weaving, by Laila Lundell, pp. 164-165, where this set up is explained. I am fascinated by this fabric, and the whole fact that this is even possible!

      Happy weaving,
      Karen

  • Annette says:

    I appreciate your comments. In a world gone mad your voice is the calm in the middle of a storm – it reminds us who is in charge. God Bless.

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Skeleton Tie-Up on a Countermarch?

I’ve been told that you cannot do a skeleton tie-up on a countermarch loom. That would require pressing two treadles at the same time, which is not feasible on a countermarch. Guess what? I have a skeleton tie-up, and I’m pressing two treadles at a time for the pattern blocks in this kuvikas structure. On my countermarch!

Kukivas (summer and winter) on the loom. Karen Isenhower

Trying to establish a consistent beat so that the squares are all the same size. Making the squares a little taller than they are wide will, hopefully, produce actual squares in the end. The fabric is expected to shrink more in length than in width when it is cut from the loom, and washed and dried.

It works because the tie-up is carefully planned to avoid conflicting treadle movements. I couldn’t be more thrilled with the square-within-a-square results. Isn’t it fascinating that a design such as this can be fashioned by hand, using a simple wooden loom and a bunch of strings, with a few simple tools? And a non-standard tie-up?

Skeleton tie-up on a countermarch loom for kukivas.

Pressing two treadles at the same time is surprisingly less cumbersome than I had imagined it would be. The whole series of motions feels like a slow majestic dance.

Have you seen the sky on a moonless night? Who made that starlit fabric? Who wove the pattern of the heavens? Who put the sun in place, and set the earth on its axis? How grand and glorious are these constant features of our existence! Our human hands can create no such thing. The heavens reveal the glorious nature of God. They shout the unmistakable truth that God is our Creator. Surely, the fabric we make with our hands serves to confirm that we belong in the hands of our Maker.

May the work of your hands be a reflection of you.

In awe,
Karen

11 Comments

  • Betsy Greene says:

    Hi Karen
    This square pattern is really nice. Am I correct in thinking that kuvikas is similar to summer and winter? I have a countermarch loom also and would love to hear more details about your skeleton tie up.
    Betsy

    • Karen says:

      Hi Betsy, You are correct, kuvikas is a Finnish term for what we commonly call summer and winter.
      The double treadling is possible because of the tie-up. The pattern threads are on shafts 1 – 4, and the tie-down threads are on shafts 5 – 8. The trick is where to NOT tie up the treadles. You need two free-standing groups of shafts, so only the pattern shafts and only the tie-down shafts are tied to the treadles, besides the tabby shafts.
      And then, the first 2 treadles produce the tabby for the background. Treadles 3 & 4 bind the pattern floats. Treadles 5 – 8 control the pattern’s various blocks.

      I’m afraid I did a poor job of explaining. You can find the draft in The Big Book of Weaving, by Laila Lundell, p. 164. She does a better job of describing how it works.:)

      Happy weaving,
      Karen

  • Marcia Cooke says:

    That is gorgeous, Karen! Thanks for sharing the source of the draft, too!

    • Karen says:

      Hi Marcia, I’m glad you like it. I like it a lot, too! I’m already thinking of using this draft to make some upholstery fabric for some chairs I want to cover.

      All the best,
      Karen

  • So us how you tied up your loom please, with a diagram or photos.
    Jenny

    • Karen says:

      Great idea, Jenny, Here’s a picture taken from the back of the loom.

      Skeleton tie-up on countermarch

      From left to right, 2 treadles for tabby, 2 treadles for tie-down threads, 4 treadles for pattern. You can see that the tie-down and pattern shafts are independent of each other, which make double treadling possible.

      Does that help?

      Karen

  • Carol says:

    Hi Karen,
    I really enjoy your blog. Thank you.
    I also have a countermarch loom and am wondering how you get away with not tying up all eight shafts on every treadle. Do you know of a book that really explains countermarch ti-ups. I think I am missing something here. I must confess I am a new countermarch loom owner.

    • Karen says:

      Hi Carol, You ask some good questions!
      How do I get away with not tying up all 8 shafts on every treadle? I don’t know. I’m learning as I go. Honestly, I have not found a lot of information about weaving with this type of tie-up on a countermarch loom. I have seen it mentioned a few places, but not explained. I tell myself that it is like weaving on two four-shaft looms that work together. 🙂 That may be way off!

      The thing to remember is that this is NOT a typical tie-up for a countermarch loom. I’ll have to say, it was a little finicky to get clean sheds, so I wouldn’t recommend this for someone until they have some serious weaving on eight shafts (with a “normal” tie-up) under their belt.

      One helpful book that explains everything about a countermarch tie-up is Tying Up the Countermarch Loom, by Joanne Hall. But it doesn’t mention skeleton tie-ups. I guess I like to try things outside the norm…

      I hope you enjoy your countermarch loom as much as I enjoy mine!
      Karen

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