Linen Butterflies

This project has been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila Lundell. It includes four-shaft tapestry, as well as weft inlay techniques. Each of the four strips will be a sampling of 8-12 different patterns or techniques. The weft is all linen, in various colors and sizes. Several strands are bundled together and made into butterflies. I have the sections mapped out, but the actual designing is happening at the loom.

Box of colorful linen for a tapestry project!

Box of linen! A variety of 16/2 line linen, 6/1 tow linen, and 8/1 tow linen.

Weft inlay with linen butterflies.

First sample strip starts with some weft inlay.

The box of vibrant shades of linen that sits by the loom makes me think of the wonderful colors in creation. The Grand Weaver puts an assortment of strands together, making something as only He can. The world belongs to its Maker. We are His. Sometimes we forget that it is not that He is in our universe, it is that we are in His. I love the way He puts an assortment of us together to put a splash of color on His tapestry.

May you enjoy the colors around you.

Happy weaving,
Karen

6 Comments

  • Melissa Myers says:

    God must love color, there is so much of it!!! I am reminded of the verse:

    New American Standard Bible
    Job 26;14
    “Behold, these are the fringes of His ways; And how faint a word we hear of Him! But His mighty thunder, who can understand?”

    Can’t wait to see the tapestry He weaves!!

  • Liberty Stickney says:

    Karen,
    Beautiful colors, can’t wait to see what comes from them. I love you loom with a view!
    Liberty

    • Karen says:

      Thanks Liberty, Colors always seem more alive to me in linen. I’m glad I get to take my time with them and enjoy the scenery, too!

      Karen

  • Marjorie says:

    I’m a new follower, with an unwarped, recently acquired, Glimakra Ideal. I love your site, and aspire to become a weaver, with the help of ALL my new weaving acquaintances. I have the Lundell book, although it may be water-marked by drooling before I’m able to weave anything from it. Watching with eagerness,

    • Karen says:

      Hi Marjorie, Welcome to the wide wonderful world of weaving! And welcome here in this corner of the weaving world. That Lundell book will step you through everything you need to know to dress your loom and make something beautiful. I’m excited for you! Let me know if there is any way I can help you along the way.

      Happy weaving,
      Karen

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Quiet Friday: Cartoon House Cartoon

The fascinating thing about weaving a transparency is that it feels like color-by-number with yarn. There are similarities to tapestry weaving, for sure. But this seems ten times faster. I found it to be engaging and fun! I echo what my transparency-weaving friend says when it’s time to stop and do something else, “Just one more row…”

Linen warp chain awaits beaming.

Warp chain of 16/2 golden bleached linen, before beaming the warp.

Threading heddles in the Glimakra Standard. Coffee and notes at hand.

Threading heddles in my little playhouse, with project notes by my side, and a cup of coffee on the side cart.

Adding the leveling string to a linen warp.

Leveling string is added with extra care so that abrasion of the linen warp is kept to a minimum.

Butterflies are made from the hefty cotton chenille yarn.

Butterflies are made from the hefty cotton chenille yarn.

Weaving a transparency. Glimakra Standard loom.

Weaving without a cartoon. I am counting warp ends to keep the pattern angle consistent.

Transparency weaving on the loom, with buckram cartoon.

Cartoon has been added. The pattern weft follows the lines drawn on the buckram cartoon, which is pinned in place.

Cartoon removed at the end of the transparency weaving.

Cartoon is removed.

Ending a woven transparency.

Now, for the end of the warp…

New transparency, ready for hanging!

After the main transparency with the zigzags, I had room to play on the remaining warp. I made another cartoon–a “cartoon” house. This gave me a chance to use a few more yarn butterflies, without it being overwhelming. Home. Sweet. Home.

Cartoon for playtime at the end of the warp. Transparency weaving.

“Cartoon” house cartoon. Ready for playtime at the end of the warp.

Weaving a small transparency. Cartoon House.

With several butterflies going at once, the transparency weaving gets even more interesting!

Transparency weaving. Linen warp and weft. Cotton chenille pattern weft.

Now, the actual end of the warp is here.

Cartoon house just off the loom!

Cartoon house just off the loom.

Welcome home! Transparency weaving. Karen Isenhower

Welcome home! Home. Sweet. Home.

May you enjoy the fascination of learning something new.

Happy Weaving,
Karen

6 Comments

  • Beth says:

    I love these, Karen! You are truly one of the most inspiring weavers out there!

    • Karen says:

      Dear Beth, It fills me with joy to be able to share what I love to do with friends like you. I’m grateful that something I do can inspire others. Your work has certainly inspired me, as well!

      Best to you,
      Karen

  • Sandy says:

    Thank you for sharing your new thing. My guild friends & I will be attending the Mid Atlantic Fiber Arts (MAFA) conference this summer, my friends are taking the workshop “Weaving aTransparency” with Bobbie Irwin. I’m so excited for them! I never heard of weaving transparencies before, you’ve given us a cool demonstration to build our anticipation of the MAFA workshops.
    Looking forward to learning something new in July at MAFA 2017

    • Karen says:

      Hi Sandy, How exciting! I just looked at the MAFA workshop choices. Wow, you have some terrific options! It would be hard to choose. Bobbie Irwin’s class looks great. I think you and your friends are going to have a fabulous time!

      All the best,
      Karen

  • Cindie says:

    I haven’t done a transparency in years – these are wonderful. I’ve so enjoyed seeing your work in progress. You’re making me want to think about a transparency in the not too distant future.

    And for Sandy who commented above, many years ago my guild brought Bobbie Irwin to teach the transparency workshop – it was the most fun. I went home and tried it using fishing line – a challenge but neat end result.

    • Karen says:

      Hi, Cindie, I know I’ll be doing this again in the near future. I hope you do, too. We can compare notes!
      Fishing line!? Now, that’s very interesting! I’d like to see that.

      Karen

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Small Tapestry Looms

The Hokett loom is proof that we don’t need everything we want. Simplicity often comes with fewer features, but it is still enough. I finished weaving one small tapestry sample on the simple Hokett loom, and I am pleased with the results. Now, I’m back to my little hand-built loom for the second sample. I’m spoiled by it’s tensioning device and the inlaid magnets that hold my needle.

Finishing small tapestry. Woven on Hokett loom.

Half-damascus knots, as demonstrated by Rebecca Mezoff, are used for finishing the edge of the small tapestry.

Hokett loom and small woven piece. Finishing in progress.

Finishing in progress. This small piece was woven with short hems that will be folded under.

The Weaving Tapestry on Little Looms online class (self-paced) by Rebecca Mezoff is going well. It’s great to view demonstrations that show details regarding yarn direction, headers, finishing, hems, and mounting, and more, from an expert tapestry weaver. My tapestry toolbox of skills is expanding! I’m thankful to have options of different looms to weave what I am learning.

Comparing two small looms--hand-built and Hokett.

The Hokett loom is smaller and more portable, even though the hand-built loom and Hokett loom have nearly the same weaving space.

What we need is more important than what we want. We don’t always see the difference between need and want. Lord, give us what we need today. May we long for nothing more than what you have promised to give. And may we show appropriate gratitude when given more than enough.

May you have what you need for today.

Softly,
Karen

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Now This Year

New year 2017 is beginning! It’s time again to take account of where we stand in our life’s dreams and goals. What can we check off the list? And, what is still in progress? And, maybe there’s something new to add. But first, let me count my blessings. I’m filled with gratitude, thankful for you! What a JOY it is to have friends like you to walk through this weaving journey with me.

Here’s what you’ll find on my looms right now:

Striped cottolin warp for towels.

Glimåkra Ideal loom: Striped warp for the sample kit is all set! Winding quills is next. Then, weaving! If all goes well, a few pre-warped plattväv towel kits will show up in my Etsy shop.

Transparency with linen warp and background weft. Cotton chenille weft inlay.

Glimåkra Standard loom: Weaving a transparency. 16/2 linen warp and background weft. The weft pattern inlay is cotton chenille.

Practice piece on little Hokett loom.

Hokett loom has the start of a simple stripes tapestry practice piece. 12/6 cotton warp, 6/1 Fåro wool weft.

Thank you for joining me through 2016!

May you have joy in the journey.

Happy Weaving New Year,
Karen

22 Comments

  • Beth says:

    I love the “Year in Review” and see so many favorites. Your work is simply beautiful and inspiring. You are brimming with talent!

    Happy New Year, Karen!

  • Jennifer says:

    A lovely and inspiring post! I enjoyed the video of your weaving year.

  • Truly Blessed, thanks for all you share.

  • Loyanne says:

    Thanks for sharing. Seeing the Faro piece bring to mind a question. I am working on a Whig Rose scarf. Trying to weave according to tradition and the warp is 8/2, weft is Faro and 16/2 for tabby. Just wondered if you had used cotton and wool and how you wet fingers she’d it ? Thanks

    • Karen says:

      Hi Loyanne, I’m sure your scarf is beautiful! The monksbelt does use 16/2 cotton for tabby, and Faro wool for pattern weft. I’m not sure of your question… I have a feeling that spellcheck gremlins took over. Could you try asking again?

      Karen

      • Loyanne says:

        Boy did the gremlins take over. I wondered how you wet finish a piece out of cotton and wool?
        Thanks.

        • Karen says:

          Ok, now that question makes sense. 🙂 That’s a great question! I did not wet finish my piece because I am going to use it for a hanging, so I wanted it to soften up or get distorted through washing. I did steam press it, though, which helped to tighten everything up and straighten it out.

          I think if I were going to wet finish this cotton and wool combination I would gently hand wash in cool water with mild soap, like Eucalan, with as little agitation as possible. And then hang or lay flat to dry. If I had a sample piece, I would try washing that first, before submerging the main article.

          I wish I could give you a better answer…

          Thanks for asking,
          Karen

  • Fran says:

    A year of accomplishing lots! You do black and white especially well. I enjoy your posts.

    • Karen says:

      Hi Fran, The black and white was a new experience for me. It was a surprise to me to find out how much I enjoyed working with it! Thanks for stopping by!

      Happy New Year,
      Karen

  • Cindy says:

    I just joined in on your posts! It’s part of my goals for 2017 to surround myself with others who love weaving, and to be inspired and motivated to continue learning from them. Thanks for having this blog!

    • Karen says:

      Hi Cindy, A big welcome to you! I do love weaving, and you will find many who comment here are the same way. I love it that we can all learn from each other.

      Happy weaving new year!
      Karen

  • Lynette says:

    Hi Karen,
    I enjoyed seeing your transparency, because I have used the same 16/2 linen to weave pictorial transparencies for the last 10 years or so. Is your sett 12 epi? How many selvedge warps are doubled on each side? I have never tried using chenille for the inlay, but this gives me a new idea to try!
    Happy New Year, and God bless you and your family!

    • Karen says:

      Hi Lynette, I’m excited to hear that you weave pictorial transparencies! This is my first attempt, and I’m enjoying it very much. I would love to see some of your work. Can you send me pictures?

      I am using a metric 50/10 reed, which is just a little more dense than 12 epi, but pretty close. I doubled 4 selvedge warps on each side, as instructed in The Big Book of Weaving.

      Happy weaving new year!
      Karen

  • Liberty Stickney says:

    Hi Karen, Happy New Year! Thank you so much for all the work you do for us, your posts are always beautiful and informative. I have been sick for a bit but I can’t wait to get back to my loom soon.
    Happy weaving,
    Liberty

    • Karen says:

      Hi Liberty, It’s no fun to be under the weather. I hope you’re all better very soon!

      I always appreciate your sweet encouragement.

      Happy weaving,
      Karen

  • Tom Z says:

    The year in review is so Inspiring Karen!

    Sometimes we don’t look back to view where we’ve come from. We just keep plowing forward. The past gives us a much needed perspective on where we’re going. Your video reminded me of that simple face. And the music was perfect for that reflection.

    Thank you Karen. Keep up the ‘good’ work.
    Happy weaving new year!
    Tom Z in IL

    • Karen says:

      Hi Tom,
      I completely agree! Perspective can make a world of difference.
      I appreciate your thoughtful words so much!

      Happy weaving new year to you!
      Karen

  • Pat McNew says:

    I love your web page. I look forward to each one. I have learned a lot from you even tho I have been weaving for about 12 years.

    • Karen says:

      Hi Pat, This is such a sweet thing for you to say! It’s my goal to be a help to others, so I’m thrilled to hear you’ve learned some things here.

      Thank you so much for taking the time to spread a little kindness. 🙂
      Karen

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Another Small Tapestry Loom

One more little tapestry loom? I signed up for Rebecca Mezoff’s Weaving Tapestry on Little Looms online class, and ordered a Hokett loom to go with it. This petite 7″ x 8″ loom is made by Jim Hokett, who uses exotic woods for the looms. Mine is made of bubinga and chechen woods. Very pretty and nice to the touch! This is a 6-dent loom, and I have warped it double, to have 12 ends per inch.

Hockett loom warped for weaving a small tapestry.

Hokett 6-dent loom is warped 12 ends per inch by warping 2 ends per dent. I am not accustomed to using a tapestry beater or a shed stick. It will be fascinating to try some new things!

New Hokett loom - starting sample for Rebecca Mezoff's class.

I did some weaving while riding in the car. I finished the header, a short hem, and a row of special knots for the hem’s turned edge.

In this course, I am practicing some basic small loom tapestry techniques. Rebecca has a very organized, clear teaching style, so it’s a joy to learn from her. As I practice, I am reviewing things I have learned previously; and I am picking up great tips that are new to me. And, for once, lo and behold, I am weaving tapestry from the front!

May your new year start with learning something new.

Happy Year End,
Karen

8 Comments

  • Leigh Grundy says:

    I almost bought one of those little hokett looms once for sampling. They are so cute. What would you do with such a little tapestry? I can’t wait to see.

    Have a wonderful New Year.

    • Karen says:

      Hi Leigh, The little Hokett looms would be great for sampling for larger tapestries. I don’t have a specific end in mind. Sometimes I mount the small tapestry and put it in a frame. Most of the time, though, it’s an exercise for my fingers and my mind. I’m not at the point where I’m making masterpieces yet.

      Karen

  • Beth says:

    I followed Rebecca and her time spent in the Petrified Forest. I love her work and would one day like to take a class from her. The online class sounds like a great way to begin. I’m looking forward to seeing your progress.

    • Karen says:

      Beth, I follow Rebecca on Instagram. Her small tapestries from the Petrified Forest were very interesting. After seeing other students’ work on IG, I decided to go for it myself!

      Karen

  • Betsy says:

    I have put that class on my personal wish list. I got a Lost Pond hand-held loom for Christmas and I’ve never done tapestry. I will be visiting the person who gave it to me next summer; it would be nice to show her I’m using it! 🙂

    On that same trip I’m taking Basics at Vavstuga!!! :happy dance:

    • Karen says:

      Hi Betsy, Rebecca shows a Lost Pond loom in her class. It looks like a good frame loom! Vavstuga Basics!! WooHoo! You’ll love it.

      Happy Weaving!
      Karen

  • Louise Yale says:

    Also just bought a Hockett loom – in red zebra wood !! Same size as yours.

    Just experimenting with the loom now with traditional tapestry techniques and soumak which I really enjoy, Soumak stitches provide a 3 demensional accent or frame to the other stitches.
    Currently working with cotton perle but want to try silk.
    Planning to make a small flat purse for frequently used credit cards for my purse. I may add a braided necklace and wear it as a piece of textile jewelry.

    • Karen says:

      Louise, I love the wood. There is something special about holding wood in your hands that makes the tapestry work that much more interesting and special.

      I have done a little bit of soumak on this loom, too. It’s something I’d like to explore some more.
      I’d love to see what you’re making! The purse and textile jewelry sound fascinating!

      Happy weaving,
      Karen

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