Almost Like Weaving Outdoors

I am practically outdoors in the middle of trees when I’m weaving. It’s refreshing to weave between corner windows. That’s how it is with the little loom at our Texas hill country home. I have windows beside my other looms, too. But this is different. Here, I have windows beside me and in front of me.

Color and weave plain weave placemats on the loom.

Corner windows for weaving pleasure. Color-and-weave plain weave placemats on the little loom.

Nature is resplendent with ornamentation and flourishes that influence my weaving. Colors, patterns, shading, and playful surprises. They work their way into my thinking and planning. Aren’t the Creator’s designs amazing?! So, to be surrounded by all that inspiration while weaving raises the enjoyment at the loom all the more.

Indian Paintbrush in Texas hill country.

Colors.

Texas hill country Algerita.

Patterns.

Prickly Pear Cactus in bloom in Texas hill country.

Shading.

Barrel cactus in bloom in Texas hill country.

Playful surprises.

Color and weave plainweave placemats.

Color – variation, pattern – color and weave, shading – two-pick stripes, playful surprise – offset warp stripes.

It is refreshing to experience the enjoyment of nature. We need that. Our minds need refreshing, too. Our minds can be freshened up. When we grow in the knowledge of God—who he is, what he is like, and what he wants—our minds are refreshed and renewed. It’s a breath of fresh air for our thinking. Like weaving out in the middle of the trees.

May you be refreshed.

Happy Weaving,
Karen

8 Comments

  • Joyce Lowder says:

    I am glad you see the wonders that Christ provides; they are reminders of His presence and you add to His creation when you weave with His inspirations! Thanks for sharing your faith from God! Happy weaving! Blessed weaving! 🙂

  • Beth Mullins says:

    Such beautiful inspiration! You are indeed fortunate.

  • Annie says:

    I enjoyed seeing the photos of nature through your eyes. It gave me a fresh perspective. As do your thoughts on our Heavenly Father. I always enjoy your posts and learn from them.

    Do you move your loom from place to place, Karen?

    • Karen says:

      Hi Annie, This little loom stays in that spot by the corner windows. Steve built the loom for me specifically for our Texas hill country home, so I could have a loom to weave on when we go there. I have two other larger looms that stay in place in our Houston home.

      Blessings,
      Karen

  • Thank you for including photos of Texas Hill country. It is beautiful and inspirational.

    The triad of purple / orange / green blessed by God.

    Thank you and may God continue to bless.

    Nannette

    • Karen says:

      Hi Nannette, The purple / orange / green triad in nature always seems stunning to me! Texas hill country has many visual delights!

      Blessings to you,
      Karen

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Not the Easiest Way to Weave

I considered making a matching set, but at the loom I get an inclination to explore. Hence, no two placemats are alike. A change in the weft changes everything. New colors emerge! Slate and apple green on a coral warp become periwinkle and avocado. If you look closely, though, you can still see the underlying coral and camel stripes of the warp.

Cotton placemats on the loom with color and weave effects.

Second placemat uses red and orange in the weft. These colors work with the coral in the warp to bring out a distinctive color-and-weave effect in the design.

Three double-bobbin shuttles—this is not the easiest way to weave. I am carrying the colors up the selvedge, so it gets tricky when all three shuttles end up on the same side. Nevertheless, this is the joy of weaving a challenge. How and where to set the shuttles down, and which hand picks them up—ever aiming for efficiency. Newly-formed colors and technical pursuits—this is a handweaver’s thrill of discovery!

Three double bobbin shuttles for this color and weave placemat.

Beginning of the third placemat shows variation in pattern and color choices. Three double bobbin shuttles put my manual dexterity to the test.

Color and weave variations.

Coral and camel warp stripes form the base of the design. Pattern variations are produced by varying the number of picks per weft color.

Imagine the thrill of discovery that awaits us in heaven! Love permeates heaven. Like a narrow-striped warp, love is written into the fabric. The environment there is love, where pride and selfishness don’t exist. Blending of colorful personalities will be such as we’ve never seen. All to the glory of our Grand Weaver. And how marvelous that through Christ we’ve been given everything needed to practice that kind of love here and now. Double bobbin shuttles, and all.

May you rise to the challenge.

Love,
Karen

6 Comments

  • Ruth says:

    Karen,
    Thanks so much for the color show this morning. It is snowing once again up north and I am so ready for spring and color. The close up of your placemat makes my heart sing! And the double bobbin shuttles with their color are beautiful. Blessings to you and yours.

  • Liberty Stickney says:

    Beautiful colors Karen! Geez, I have problems with 2 shuttles, someday I’ll make it to 3!!!
    Libby

    • Karen says:

      Hi Liberty, Three shuttles is a little crazy. I may make it easier on myself for the placemats after this. I’m enjoying the colors, too!

      Happy weaving,
      Karen

  • Elisabeth says:

    I really like that they are all different but have the same warp (core). It’s almost llike human beings 🙂 They are all beautiful!

    • Karen says:

      Hi Elisabeth, I see it the same way. I think it will make an interesting set. Yes, humans are all made in the image of God. What could be more beautiful?

      Thanks,
      Karen

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Quiet Friday: Linen Upholstery Fabric

Do you dream of making upholstery fabric? I do. There are four chair seats at our Texas hill country home that I want to re-cover. Now I have custom upholstery fabric!

Linen on the cloth beam.

Linen upholstery fabric on the loom.

Cutting off never loses its excitement! I have one long piece of yardage, with no separations or divisions.

Cutting off! Linen upholstery fabric.

Cutting off! Linen.

New linen fabric.

Light through the linen fabric. Cutting off!

Tie-on bar as linen fabric is unrolled.

Just off the loom, the hefty linen fabric (8/2 linen, warp and weft) is stiff and unyielding. Will this window-screen material make suitable upholstery that’s soft enough to sit on? Yet, even in this state, the linen beckons and intrigues.

Unwashed new linen fabric.

First, the edges are serged. I check for weaving errors, finding none. There are spliced warp ends in five places, which are trimmed.

Unwashed new linen fabric.

I make a large tube by basting the two ends of the yardage together, to reduce twisting in the wash. The washing machine (top loader) works as a soaking tub first. The linen slowly soaks up water in the tub, relaxing there for an hour or two. Then it’s time to wash and dry. The first time, I omit the spin cycle and remove it from the dryer while still damp, to prevent permanent creasing.

New handwoven linen fabric just washed.

New handwoven linen fabric just washed.

And then, I wash and dry the yardage again.

New handwoven fabric after second wash.

Custom handwoven linen upholstery fabric!

Talk about softening up! Oh, I wish you could be here to handle it with me! This is dreamy linen fabric, perfect for sitting.

Just woven custom linen upholstery fabric.

May your fabric dreams come true.

Happy weaving,
Karen

24 Comments

  • Betsy says:

    What a great project! What sett did you use and how much shrinkage did you get with washing and drying. I have some dining room chairs that I want to recover. Your project may be the “kick” that I need to go from dreaming to doing.

    • Karen says:

      Hi Betsy, So I’m not the only one who thinks of weaving fabric to recover chairs…
      The sett is 15 epi. I haven’t done the final measuring yet. I’ll report back later today with the shrinkage after I’ve done that.

      Happy weaving,
      Karen

    • Karen says:

      Betsy, I have the shrinkage figures for you.

      I had 12% shrinkage in width and about 15% shrinkage in length. The fabric was washed in warm water and dried on a medium setting.

      Karen

      • Betsy says:

        Karen
        Thank you for the info. That will help in my planning. I was just looking at a book by Ann Sutton called Color and Weave Design that has handreds of designs. They are all in black and white yarn and the book is arranged like pages of gamps.

        Betsy

        • Karen says:

          Betsy, Sounds like a fascinating book. I’ll have to look that up.

          Send me a picture (Karen @ warpedforgood . com) when you get something going. I’d enjoy seeing what you come up with.

          Karen

          • Betsy says:

            Karen
            My current project is to make a jacket to through on on summer evenings. I’ve just wound a warp with 3/2 cotton for sampling. I’ll move on to upholstery fabric after I finish the jacket.
            Betsy

  • Shari says:

    Absolutely lovely! It looks like two colors. What colors did you use. Looks like grey or brown. What’s the weave structure? 4 or 8? Absolutely lovely!

    • Karen says:

      Hi Shari, This is 8/2 line linen, unbleached and golden bleached. The look of natural linen is pleasing! Four shaft plain weave, with color and weave effect. Only two treadles! This was relatively fast and easy weaving.

      Happy weaving,
      Karen

  • Bev says:

    Love linen (having learned to spin on it decades ago) I really need to get my looms going. Thanks to your examples and encouragement.

    • Karen says:

      Hi Bev, I admire anyone who can spin, especially linen! I’m happy to hear that you’re feeling prompted to get weaving looms going. That makes me smile!

      Happy weaving,
      Karen

  • Kathryn says:

    This is so beautiful Karen! I have a padded piano bench that was my mothers that I have been wanting to recover and this is the inspiration that I needed to get going.

    I’ll take any opportunity to work with linen and I just love the combination of unbleached and golden. I’m wondering if a shadow and weave pattern would also work with this color combination of linen. The pattern might be more subtle, but could be interesting!

    Kathryn

    • Karen says:

      Kathryn, How lovely to weave fabric for your piano bench! I think this weight linen will work well for seat and piano bench covers.
      The unbleached and golden linen give only a subtle pattern, so if you want the pattern to be more noticeable, you’d want higher contrast in the colors. I don’t have experience with shadow weave, so I’m probably not the best one to ask about that.

      I’d love to see what you come up with!

      And, yay!, another weaving upholstery dreamer…

      All the best,
      Karen

  • Janet H says:

    Karen,
    Your fabric came out beautifully (LOVE it)–I do so want to touch it! Do you have to do any special handling while weaving with linen (I have no experience with linen)? And how do you handle the fabric from the washer without using the spin cycle? Isn’t it heavy and dripping with water?

    • Karen says:

      Janet, Linen works best with a little extra care, but I find it a special pleasure to weave with linen. I have a sidebar with tips for linen in my Dice Weave Pillows project in Jan/Feb 2016 Handwoven.

      Generally, you want good, even tension across the warp as you beam the warp. Avoid abrasion as much as possible, for which a temple is helpful. And, sometimes a little moisture will help if you have warp ends breaking.

      Near the end of the rinse cycle I stand at the washing machine and listen for the water to drain out. When it sounds like the last little bit has drained and the spin has started, I stop the machine. If there is still too much water in the fabric at that point, I even out the yardage, untwisting and unfolding it as much as possible and then turn it on and let it just barely spin. That gets enough water out so it’s not dripping wet, and I can to move it to the dryer.

      For smaller pieces, like towels, I don’t mind if they are wet and dripping. I roll them in dry towels to remove moisture before putting them in the dryer, or laying them flat to dry.

      By the way, this piece of linen yardage is heavy even when dry. When I first pulled it out of the washer it was really heavy!

      Thanks for asking,
      Karen

  • Libby says:

    Hi Karen,
    This is just beautiful! What a good idea to cover your chairs, I’ve done that many times over the years, but yours will be so nice. I can’t wait to see them done!!
    Libby

  • Hi Karen,
    In 1991 my mother-in-law was going through her attic and handed me some yardage that her mother wove on a loom made by her father. It was of pearl cotton with one in a birds eye weave of red and cream. I put them away because the fabrics had no purpose in my house hold with young children

    When we put together a weekend home I used one of the pieces to cover second hand dining room chairs. The result proves the rule to use beautiful things.

    Your beautiful newly covered chairs will give you years of enjoyment.
    Nannette

    • Karen says:

      Hi Nannette, Oh how wonderful! Thanks for sharing your experience. That’s great that you were able to put that special fabric to good use.

      I look forward to putting these chair seats together and sharing my enjoyment of them with my family and friends. It’s a great way to be able to see and feel the handwoven fabric in daily living.

      Thanks for your sweet encouragement,
      Karen

  • Doris says:

    Hi Karen
    You have woven a very wonderful fabric, that certainly gives great chairs
    Kind regards
    Doris

  • Elisabeth says:

    This fabric is gorgeous! Such a pleasant weight linen and the beautiful suble texture and pattern really adds to its beauty!
    I strongly believe that surrounding ourselves with things made with passion and love, and out of quality materials do something to us. I am convinced that the qualities put into it by the maker follow the item and is sensed by the user. It is so satisfying to touch, use, and take care of things like these. And they age so beautifully 🙂
    Thank you for so generously sharing your passion!

    Sent from my iPhone

    • Karen says:

      Hi Elisabeth, You have a way with words. I enjoy hearing your thoughts—so rich and insightful. I agree, it is immensely satisfying to surround ourselves with beautiful things that are made by hand, with love mixed in.

      Happy weaving, friend,
      Karen

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Tools Day: Swedish Bobbin Winder

There’s nothing quite like the beauty and functionality of a well-designed tool. The Swedish hand bobbin winder is one of those tools. A bobbin winder is essential. Steve made a superb electric bobbin winder for me that I normally use. But at our Texas hill country home, my Swedish bobbin winder comes into play. And it is a pleasure to use. I clamp the bobbin winder on a shelf in the cabinet where I store my few weaving supplies for this location. The tube of thread sits directly below on a simple homemade spool holder.

Swedish hand bobbin winder for winding quills.

Swedish hand bobbin winder is set up in my supply cabinet. It is easy to remove and put away when I finish winding quills.

Swedish hand bobbin winder for winding quills.

Narrow spindle on the bobbin winder is the size that works for winding quills.

For these color-and-weave cotton placemats, I am using double-bobbin shuttles. So, with the impressively simple Swedish hand bobbin winder I am winding matching pairs of colorful 8/2 cotton quills.

Double-bobbin shuttles for weaving doubled weft.

Double bobbin shuttles are handy for weaving this doubled weft color-and-weave pattern.

May you have the pleasure of working with well-designed tools.

Happy weaving,
Karen

2 Comments

  • I am glad I found your blog. It visually explains how weaving should look when done right. AND—– (very important) has been kept up to date since 2013.
    Thank you.

    • Karen says:

      Hi Nannette, What a kind thing for you to say! I aim to give visual explanations, so I’m happy to hear that from you.

      Yes, I have been posting twice a week ever since I started in April 2013. Thank you for noticing!

      Happy weaving,
      Karen

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Bold Color and Weave

Remember the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking color-and-weave effect that I expected. The problem is not the threading, nor the colors.

Color and weave using single weft instead of doubled weft.

Nice and pretty, but lacking the boldness of the planned color-and-weave effect.

Aha! I overlooked an important detail on the treadling draft—the weft is supposed to be doubled. That changes everything! Since there is very little excess warp for this project I need to back up and start over.

Backing up the weaving. Clipping through weft threads. Yikes!

Backing up. After loosening warp tension, I carefully clip the weft threads down the center of the warp. I go at a snail’s pace to avoid accidentally snipping any warp ends.

Backing up. Weft removal, one pick at a time.

Removal, one pick at a time. I press the treadles in reverse order to pull out each row of weft threads.

Weft has been removed. Now ready to start over!

Back to the start. Sufficient weft has been removed. Now I am ready to start over.

I am losing the nice and pretty fabric. But it is being replaced with something better—fabric with a bold color-and-weave effect.

Two double-bobbin shuttles with color and weave.

This is the color-and-weave effect I was looking for! Two double-bobbin shuttles carry the weft threads.

Color and weave for placemats.

First placemat is a “Joseph’s coat” combination of colors. Bold color-and-weave effect has a striking pattern.

I would like my life to be nice and pretty, easy and comfortable. But if I get closer to the Grand Weaver’s intentions, I see something different—a bold strength of purpose. Not necessarily easy. God’s will is better than mine. When we aim to understand his will, we see details that we’ve overlooked. It affects how we walk through life. We take his doubled weft threads to replace our well-meaning attempts. The result is a beautiful display of striking life-changing effects.

May you be mindful of the important details.

With you,
Karen

8 Comments

  • Annie says:

    I love your analogy and courage to cut out all that work. It did look nice before but wow! Such a great difference with such a small change. An encouragement to make small changes in life as they may lead to great overall improvements.

    Have a great day, Karen!

  • Cynthia says:

    Hi Karen, I used to work for your husband in Tulsa. Love your work. My cousin weaves and I have shared your blog with her, she sure enjoys.

  • Ruth says:

    Good Morning Karen,
    Thanks for sharing your technique for unweaving. To correct mistakes I’ve literally thrown the shuttle across my warp threads to take back many inches of weaving. This seems a much gentler way to save a warp. I like your calm approach to correcting an error and enjoying the outcome. Blessings to you and yours, Ruth

    • Karen says:

      Hi Ruth, I do think removing the weft this way is less damaging to the warp. Even if I don’t clip through the center, I usually cut the weft and pull it out rather than send it back with the shuttle if it’s more than one or two picks. This is especially important if the warp is linen, which is much more susceptible to breakage from abrasion than this cotton warp I have here.

      One thing I enjoy about weaving is that just about anything can be corrected!

      Happy weaving,
      Karen

  • SM says:

    These are, as all your projects are, beautiful! Is this a little like doubleweave? You see the back on the front and the front on the back?

    • Karen says:

      Hi SM, I appreciate your sweet compliment!

      This is much simpler than double weave. This is actually plain weave with two treadles. It’s the arrangement of stripes in warp and weft that give it visual complexity. This fabric is the same on front and back. It’s amazing what can happen with color and weave!

      Happy weaving,
      Karen

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