Process Review: Dressing the Drawloom the Second Time

Dressing the drawloom the second time is easier than the first time. No slip ups or confusion. Just smoothly moving from one step to the next. (Read to the end to see what to expect for July.)

Winding skeins of wool yarn into balls.
Winding skeins of wool yarn into balls.

With my first drawloom warp the most challenging part was distributing the pattern shafts. (See Q and A with Joanne Hall and Drawloom Dressing.) This time something clicked and the light bulb turned on. Instead of blindly following steps, I now understand what I am doing, and why. And I am having fun in the process!

Winding warp on the warping reel.
Winding the warp on the warping reel, making two bouts.
Big fat wool warp chains.
Warp chains of 6/2 Tuna wool, ready to dress the loom.
Ready to thread pattern heddles.
After beaming the warp, the loom bench is moved to the back of the loom for threading heddles. Pattern heddles first, and then, ground heddles.
Sleying the reed on the drawloom.
With the reed sleyed, it’s time to return the ground shafts to the front of the loom and put the reed in the beater.
Leveling string is doing its job!
Warp is tied on, and the leveling string is doing its job.
Distributing pattern shafts on the drawloom.
Inkle band serves to separate pattern heddles as I distribute the pattern shafts.
Adding pattern shafts to the drawloom.
Pattern shafts are resting nicely on the pattern shaft holders. Their little hooks grab the Texsolv that connects them to the draw cords and handles.
Dressing the drawloom!
Pointed threading can be seen in the arrangement of the heddles on the pattern shafts.
Dressing the drawloom!
Drawloom setup is complete except for tying up the treadles. Treadle tie-ups on a drawloom are refreshingly simple.
Testing pattern sheds on the drawloom.
Testing pattern sheds by pulling some of the draw handles. After a few small adjustments, she’s ready to weave!
Wool on the drawloom.
First sample. 6/2 Tuna wool warp and weft, 4-shaft broken twill on the ground shafts, sett is 5.5 ends per cm, 16 pattern shafts with 1 extra shaft for the edges.

Friends, It’s that time again, when Warped for Good is put on pause for the month of July.

Thank you for sharing in this journey with me!

What’s on my looms: I am near the end of the blue double weave blanket on the Standard, and I am planning a new pictorial tapestry for that loom. The drawloom is dressed and in motion. And the Ideal loom is still sitting ready for rosepath rag rugs. Also, Steve and I have a Casita trip planned that will include some leisurely backstrap band weaving.

What’s on your loom right now? Share with us in the comments.

See you the first Tuesday of August! (In the meantime catch me over on Instagram @celloweaver.)

May your second times be better than your first times.

Keep on Weaving,
Karen

13 Comments

  • Beth Mullins says:

    Love the drawloom project! I’m getting ready to dress my loom for retro-inspired kitchen towels. Enjoy July!

  • Nannette says:

    Enjoy your July.

    I will be picking currants and black raspberries out of my backyard to sell at the farmer’s market.

    The weaving on the drawloom looks so warm. Ready for the autumn.

    Blessings

    • Karen says:

      Hi Nannette, I have fond childhood memories of picking black raspberries in our backyard, and eating them! Yum!

      If all goes as planned, I will finish the drawloom weaving in time to make a simple vest that I can wear this autumn. …we’ll see.

      All the best,
      Karen

  • Charlotte says:

    Good morning, my sweet! Weaving has been suddenly interrupted. Father’s Day – 15 minutes before the close of service – my heart began racing. No pain. It being Father’s Day, I thought I needed food. While at the restaurant, pulse 158. Wayne wanted to head to the ER…light ache in jaw. They stopped my heart and thankfully, it started on its own. 3 drugs later, I was finally in my sinus rhythm. Orders to lay low. Sleep studies. Waiting. Terrible drug reaction. Waiting. Today…sleep study in near future. Home sleep study last Thursday. Waiting. Love you and thankful I remain on this side of heaven. HE has given me a new ministry with Semper Fi Fund. We should talk! I love you!!!!!

    • Karen says:

      Oh Charlotte, You’ve been through a lot! Hopefully, weaving will be back in rhythm for you. I’m thankful you’ve been given a way to bless others in the Semper Fi project.

      I don’t want you to rush off to heaven when you still have a mission here!

      Love,
      Karen

  • Geri Rickard says:

    Hi Karen! My loom projects are a runner on the drawloom in 35/2 linen for warp snd 16/1 for weft. It’s on a 21 shaft setup. On the other standard loom I’m just starting an easy batch of M&O towels in 16/2 cotton. I’m enjoying seeing your drawloom progress! Enjoy your July!

    • Karen says:

      Hi Geri, Thanks for sharing! It’s great to hear what you have on your looms. I’m looking forward to putting linen on my drawloom–it may be the next warp! And more and more shafts each time. And M&O’s is one of my favorites, so pretty.

      Happy weaving,
      Karen

  • Geri Rickard says:

    P.S. Just wanted to say my drawloom is set up on the Glimakra I bought from your former weaving teacher. The one you learned on! I forgot her name but at the time I bought it she was in the Denver area and downsizing.

    • Karen says:

      Geri, how cool! You are weaving on the loom I learned on from Leigh? That’s a beautiful loom and such sweet memories for me. Oh, that was a special time with Leigh.

      Thanks for letting me know!
      Karen

  • Maggie Ackerman says:

    Hi Karen, we moved last month and after painting every room in our downsized house, I’m still at blacking boxes and trying to do something with the smaller yard. My loom room is a nice room in the basement and unpacking will be a winter thing. However, still on my baby wolf loom is a scarf from NZ possum merino that I kept on my much pared down look room to sell the previous house. Must’ve worked cuz it sold in 5 days! Somehow I’m looking forward to winter!

    • Karen says:

      Hi Maggie, I know how big a job moving is. You’ve got some restful times to look forward to after you get fully settled in. You will have so much fun setting up your new weaving space! No doubt that loom with lovely weaving was what sold the house! Congrats on your quick sell.

      Happy Weaving,
      Karen

  • Karen Reff says:

    What a great idea, to use woven bands for loom tools! I’m not a fan of weaving just to weave. There has to be a plan! Now, spinning…that’s different.
    Your drawloom weaving is going to be lovely. Enjoy!

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All the Looms

The plan to keep every loom dressed is easy when there is only one loom. Now that I have four floor looms, it’s a tough plan to follow. The drawloomcheck. The Glimåkra Standard, dressed in Tuna wool—check. The two smaller looms are threaded, and just need tying on and tying up. So, I’m well on my way! The end of the first warp on the drawloom is in view, however. That means the drawloom will soon be back in the queue. And so it goes.

Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Warp for cottolin towels.
Warp for cottolin towels is threaded on the little hand-built loom.
Opphämta on the drawloom.
Opphämta on the drawloom. Pattern weft is 6/1 Fårö wool. The right side of the fabric is seen underneath, as it comes around the breast beam.
Threading heddles on the Glimåkra Ideal.
Threading heddles on the Glimåkra Ideal.
Blue and Almond Tuna wool warp.
Blue and Almond Tuna wool warp is tied on in 1″ sections.

I like to stay a step ahead of my looms. I’m ready to wind a new warp as soon as I finish cutting off. It’s the cycle of weaving. But I have trouble staying ahead.

Tying up treadles on the Glimakra countermarch.
Twelve shafts. Twelve upper lamms. Twelve lower lamms. Twelve treadles. This is an amazing system.
Warp is tied on. Ready for rag rugs!
Warp is tied on. Ready to add the leveling string.
Loom is dressed for small wool double weave blanket.
Loom is dressed. Treadle cords are adjusted. Ready for weaving!
End of warp on the drawloom.
End of warp comes near the pattern heddles. This is my first drawloom warp, so I’m waiting to see how far I can weave until I lose a good shed. So far, so good.
My first drawloom warp.
Closing chapter of my first drawloom warp. I’ll keep “turning pages” until the shed disappears.

We have good plans for our lives. But often, it’s tough to follow those plans. Too many things happen at once, and we don’t know how to stay ahead of it all. The thing to remember is that our plans stem from our inner commitments. When we commit our ways to the Lord, trusting him, he leads us through our days. Trust turns plans into achievements. And those are the plans worth pursuing.

May your best plans succeed.

Happy Weaving,
Karen

15 Comments

  • Robin says:

    I love your posts. You are such an inspiration. And it is so evident you went to vavstuga, using the techniques she taught. Going there for the basics class was a little retirement gift to myself last year.

    • Karen says:

      Hi Robin, Going to Vavstuga Basics was one of my best moves. I learned things from Becky Ashenden that I use every day. I’m glad you’ve had the Vavstuga experience, too!

      Happy weaving,
      Karen

  • Beth says:

    Robin is right, you are an inspiration! Your work is impeccable and motivating. I have only two looms and can’t seem to get them going at the same time.

    • Karen says:

      Hi Beth, The truth about multiple looms is that you can only weave on one loom at a time.

      Now that all the looms are threaded I may focus on one loom at a time and weave it off. …unless I get distracted by another loom and decide to weave a little on it…

      Thank you for your kind words,
      Karen

  • Nannette says:

    Good morning Karen,

    About this time last year I warped up my homemade loom at the top of my skill set in rosepatth, then life got in the way. Last week I started a 6 week class at the Fiberwood studio near by. Chosen pattern is rosepath, to get my skills where they need to be (and girls night out with a friend).

    Such joy to know you have also chosen rosepath to show on your blog.

    God does provide to the ready student.

    Nannette

    • Karen says:

      Hi Nannette, I’m happy to hear you are interested in rosepath. Rosepath rag rugs are at the top of my list of favorite things to weave. It’s been way too long since I’ve had them on the loom.

      Happy weaving,
      Karen

  • Maria says:

    I just finished my first “ throw” . It was 46 wide in the reed. I had a terrible time keeping the edges and the floater broke a few times. Not my best weaving to say the least. How wide do you do your blankets and do you have any tips for weaving wide pieces? I would love to try the Tuna wool- what epi do you use for it?
    Thanks Karen!
    Maria Navarra

    • Karen says:

      Hi Maria, I know what you mean about facing challenges with a wide weave. I don’t use floating selvedges, so I can’t answer to that. I do use a temple. I find the temple helps me get consistent selvedges with wider widths. The weaving width of my biggest loom is 47″, and I have woven nearly that full width. Getting just the right tension on the warp is necessary, so that it’s just tight enough. If it’s a bit too loose, my shuttle wants to fall through.

      Here’s a page from Vavstuga’s website with a “recipe” for a Tuna wool blanket. I would go with that for a first time Tuna wool throw. It makes a terrific throw. http://store.vavstuga.com/product/yarn-borg-woo-tuna.html

      The one I have on the loom right now is double weave, and the sett is pretty dense, so it takes some patience and practice to make the wool open up with a decent shed.

      Happy weaving,
      Karen

  • Karen says:

    The last time I got both of my looms warped at the same time I took a photo….so I could prove I did it and so I could remember it….ha. Thank you for your encouragemment and inspiration, including a journey of faith.

    • Karen says:

      Hi Karen, Don’t forget it has taken me about 3 months to finally get all the looms (almost) dressed. Haha. There’s never a chance to get bored around here.

      All the best,
      Karen

  • Annie says:

    Good morning, Karen. Thank you for the inspiration regarding best laid plans.

    And the inspiration for weaving. I purchased a Megado recently and I am struggling with the follow through and putting it into use. Life does try to side track. However, I need to remember to hang onto the plan and trust in God.

    Hopefully, I will get to the Hill Country one day to visit.

    • Karen says:

      Hi Annie, We would be delighted to have you come for a visit!

      There are many things in life more important than dressing looms. I’m sure those are the things you are attending to.

      I have found that I can make it a practice to go to the drawloom every morning after breakfast, even if for a short time. And, it surprises me how those minutes add up over time and now I’m almost at the end of the warp. I think, How did that happen?

      All the best,
      Karen

  • Liz says:

    I am so blown away with how prolific you are with weaving! It takes me all day to dress my little Schacht! I am inspired watching your work! Thank You!!

    • Karen says:

      Hi Liz, It’s all one step at a time, little by little, day after day. It adds up. I think you’re doing quite well to dress your loom in a day!

      Happy weaving,
      Karen

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Tried and True: Threading Eight Shafts

Threading four shafts is straightforward because the heddles fit perfectly between four fingers and a thumb. Threading eight shafts is tricky because we don’t have that many fingers! Thankfully, threading eight shafts can be as straightforward as threading four shafts. I like to think of it as four shafts in the back, and four shafts in the front.

For a review of threading four shafts, watch the short video in this post: You Can Prevent Threading Errors.

Threading Eight Shafts – Straight Draw

  • Set a small group of heddles apart on each shaft to prepare for threading the next group of ends.
  • Pick up the next threading group of ends and bring it to the front, on the left side of the separated heddles.
  • Lace the threading group of ends under, over, under, over the fingers of your left hand, palm up.

Threading eight shafts - the easy way.

Left hand becomes tensioning device for threading the heddles. I like to put my index finger in between the two parts of the cross, as separated by the lease sticks.

  • Wrap left hand index finger around the group of heddles on shaft one (the shaft nearest the back of the loom), the middle finger around heddles on shaft two, the ring finger around heddles on shaft three, the pinky around heddles on shaft four, and bring the thumb around to hold it all loosely together.

Threading eight shafts - the easy way.

Each warp end is taken in order from between the lease sticks, and then threaded through the heddles in order.

  • Thread the first four heddles—1, 2, 3, 4.
  • With the right hand, hold the group of warp ends taut, and open the fingers of the left hand to release the heddles.
  • Keeping the group of warp ends loosely laced around the fingers, slide the left hand toward you to thread the next four heddles—5, 6, 7, 8. Position your fingers around the heddles on each shaft, as you did for the first four shafts.

Threading eight shafts - the easy way.

Left hand slides toward the front of the loom to thread the next four heddles. It helps to hold the warp ends taut with the right hand while the left hand is repositioned.

  • After threading the second set of heddles, follow the same procedure as before and slide the left hand back again to thread 1, 2, 3, 4.
  • Continue sliding the left hand forward and back, until the threading is completed for that group of ends.
  • Check the threading group for accuracy, and then tie the group of ends together in a loose slip knot.

Threading eight shafts.

Always check for accuracy before moving on to the next threading group.

Complete the threading across the warp. And then, step back and admire the beauty of a beamed and threaded loom.

Glimakra Standard. Threading the loom.

Shafts are raised high for good access and visibility for threading, and for checking for accuracy.

Threading is complete. 8-shafts undulating twill.

Threading is complete. Cotton throw. 8/2 cotton, undulating (wavy) twill on eight shafts.

May you find efficient methods for the work of your hands.

Happy weaving,
Karen

8 Comments

  • Cynthia says:

    Love those colors, can’t wait to see finished

  • Good morning Karen,

    I really appreciate it when you post photos of your weaving space. It answers many unspoken questions about how to design a work area.

    The space has a tile floor with a rug placed immediately under the loom.

    There are no electronics to be seen.

    The floor is clean of lint.

    Plenty of natural light, with a view.

    Thank you.

    Nannette

    • Karen says:

      Hi Nannette, All of that is correct, except there is no rug under the loom. The loom sits on a square patch of wood floor. The original owners of this house designed that spot specifically for their baby grand piano. Since I don’t have a baby grand, a Glimåkra Standard seems the next best thing.

      After having carpet under my looms, it’s really nice to have a smooth floor under them now. It’s much easier to collect all those dust bunnies that hold meetings under there.

      Happy weaving,
      Karen

  • Annie says:

    Good morning, Karen!
    I am going to print and keep the information on the post since I have plans to order and 12 shaft Louet Delta after Christmas. I haven’t even threaded more than 4 shaft so this post is much needed!
    Thank you so much for sharing yourself with the weaving world. I have learned a great deal from you.
    May your hands always be busy weaving.

    • Karen says:

      Hi Annie, I’m excited for you! You’ll find that there are several ways to do just about everything. It’s good that you are collecting information that you can use for reference later.

      Happy weaving,
      Karen

  • Jean Flores says:

    Exactly how I do it! I just posted a video of me threading last week on Instagram. lol.

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Getting Dressed to Weave

I want to wrap up in this cozy throw already. But I need to weave it first. This is an undulating twill throw that I am making for sweet Lindsay, one of my daughters-in-law. Of course, I am including enough warp to make a small throw of my own.

Getting ready to beam the warp. Back to front warping.

Four chained bouts. The 8/2 cotton warp is pre-sleyed, and the back tie-on bar has been placed through the loops at the end of the warp.

Every step of dressing the loom is fascinating. I easily get immersed in the enjoyment of the process. All the while, I’m dreaming of the finished work.

Read to beam the warp, using warping trapeze.

Warping trapeze is in place at the front of the loom. Ready to beam these soothing colors onto the warp beam.

Warp is beamed. Ready for threading.

Warp is beamed. Warp ends are counted into groups of 32 ends each, for efficiency and accuracy in threading. This will be threaded for undulating twill on eight shafts.

Dressing the loom leads to the making of cloth. Dressing our lives leads to the making of good character. Prayer is of utmost importance in dressing our lives. Prayer is not a single step in the process, but a posture of faith throughout the process. Earnest prayer reaches God. The power of prayer is not in our words, in the threads we express, but in the Grand Weaver. He receives our humble threads and weaves them into his will to bring about his beautiful cloth. Fascinating, isn’t it?

May you dream as you dress the loom.

Prayerfully,
Karen

10 Comments

  • Beth Mullins says:

    There is something soothing about dressing a loom. I can’t wait to see the weaving begin.

  • I agree- I enjoy the entire process. I think you have to or you wouldn’t continue to weave year after year!! “ you must be warped to weave” .

    • Karen says:

      Hi Maria, Yes, maybe that’s the appeal for those of us who are drawn to handweaving – the enjoyment of process, of being part of making something from beginning to end. Your weaving is so beautiful. It’s good to know you enjoy the whole process, too.

      All the best,
      Karen

  • Emonieiesha says:

    Good Morning Karen,
    I just came across your blog and what a joy. I am a beginner with a RHL and a 4 Shaft Table loom! There is nothing like creating while keeping our hearts and minds on the Creator. Happy Weaving with the one who created it all.

  • Susan Hommel says:

    Hi Karen, I love reading you warm and knowledgeable advice and have followed your weaving adventure these last few years. You even inspired my first rug attempt when you submitted your lovely rosepath pattern to Handwoven. Now I’m at a crossroad. I’ve been using my Schact standard but the draw to a Swedish loom has bitten me…. I await delivery of my Glimakra Julia countermarch next week. Here’s my question. Is there value in passing up the Glimakra set up direction in favor of Vavstugas Dress your loom the Vävstuga Way ? Thanks for any advice you can offer! Best regards, Sue

    • Karen says:

      Hi Sue, I’m excited for you! You will really enjoy your new Julia.

      The Glimakra set up and Vavstuga’s guide are completely compatible, as far as I know. I use Joanne Hall’s books and Vavstuga’s and get a great compilation of instructions. You can’t go wrong either way, or both! Don’t forget “The Big Book of Weaving.” It also has great set up (and weaving) instructions. The more, the merrier. 🙂

      Very happy weaving,
      Karen

  • How pretty the colors are.
    My skills are not there yet. Dressing the loom requires a lot of detail that my creative brain wants to ignore.

    Warping All By Yourself was my guide for dressing a loom. Front to back. I am glad you provided visual details. I will reference the next time I dress a loom and see if it speeds things up.

    About a month ago I went to the high school craft fair in Crivitz, Wi. There a woman selling the most beautifully crafted rag rugs I’ve ever seen. Nothing fancy, but even edges and beautifully chosen colors.

    She lives back in the woods in the home she shared with her late husband, south east of Green Bay and weaves. No business cards.

    I mentioned your website. She is the last hold out not on line. Her world is edged by north eastern Wisconsin. Next year I will look for her again at the Crivitz high school autumn craft fair. But earlier. The bake sale was sold out.

    I will miss your twice weekly posting. Enjoy the ride.

    Nannette

    • Karen says:

      Hi Nannette, I understand what you mean about your creative brain. My brain has trouble holding details, too.
      Having a system with specific steps helps me. I don’t try to remember the steps. I have written down the steps and keep that step-by-step list in front of me every time I warp the loom.

      Those old time rag rugs are wonderful. I have two that a friend of my grandmother made in a small country town in Missouri back in the ‘50’s.

      Thanks for sharing your thoughts.
      Karen

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Quiet Friday: Threads of Love

Talk about thick and thirsty towels! Double weave makes these hand towels thick. And the linen in the cottolin threads makes them highly absorbent. The colors are fantastic together. When our daughter Melody moves with her little family to Chile, she can set up her new home with these made-for-her towels. My love is woven into every single pick.

I have included two short little videos just for the fun of it. Enjoy!

This project started in my weaving studio in our Houston home, where I beamed the warp.

Colors for Towels

Winding a warp for double weave towels.

Beaming the warp for towels.

And then we decided to move! We sold the house and moved into an apartment. The big loom was dismantled, with the towel warp on the back beam. Then, we moved all the pieces to our Texas hill country home.

Dismantled loom for moving.

Moving a Glimakra Standard loom.

Putting the Glimakra Standard loom back together.

Recently, I spent a week there to finish dressing the loom and weave all four towels. Whew! (Here’s what I did that week: Testing Color Surprises with My Little Helper and Weaving Deadline)

Threading 12 shafts. Double weave towels coming!

Lower lamms ready to go!

Starting the hem on double weave towels.

Double weave cottolin towels on 12 shafts. Karen Isenhower

From the back beam. Double weave on 12 shafts.

Double weave towels. Loom with a view!

Squares in a double weave towel.

Towels on the cloth beam. Karen Isenhower

Double weave towels on the loom.

Double weave cottolin towels on the loom. Karen Isenhower

Towels on the cloth beam.

Glimakra Standard loom in Texas hill country.

Cutting off!

Cutting off! Double weave towels.

Fresh double weave towels, ready for finishing.

I wove hanging tabs on my band loom. And I discovered that I could showcase both sides of the colorful towel if I stitch the hanging tab on the side of the towel, off center.

Glimakra band loom.

Hanging tabs for towels woven on Glimakra band loom.

Hanging tab stitched to side of towel.

The towels are hemmed and pressed, ready to brighten the day!

Double Weave cottolin towels. Side A.

Double weave cottolin towels. Side B.

Double weave cottolin towels! Karen Isenhower

Cottolin towels, hanging from the side. More pics on the blog.

May you put threads of love into everything you do.

Love,
Karen

18 Comments

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