All the Looms

The plan to keep every loom dressed is easy when there is only one loom. Now that I have four floor looms, it’s a tough plan to follow. The drawloomcheck. The Glimåkra Standard, dressed in Tuna wool—check. The two smaller looms are threaded, and just need tying on and tying up. So, I’m well on my way! The end of the first warp on the drawloom is in view, however. That means the drawloom will soon be back in the queue. And so it goes.

Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Winding a warp for rosepath rag rugs. 12/6 cotton. Spring colors.
Warp for cottolin towels.
Warp for cottolin towels is threaded on the little hand-built loom.
Opphämta on the drawloom.
Opphämta on the drawloom. Pattern weft is 6/1 Fårö wool. The right side of the fabric is seen underneath, as it comes around the breast beam.
Threading heddles on the Glimåkra Ideal.
Threading heddles on the Glimåkra Ideal.
Blue and Almond Tuna wool warp.
Blue and Almond Tuna wool warp is tied on in 1″ sections.

I like to stay a step ahead of my looms. I’m ready to wind a new warp as soon as I finish cutting off. It’s the cycle of weaving. But I have trouble staying ahead.

Tying up treadles on the Glimakra countermarch.
Twelve shafts. Twelve upper lamms. Twelve lower lamms. Twelve treadles. This is an amazing system.
Warp is tied on. Ready for rag rugs!
Warp is tied on. Ready to add the leveling string.
Loom is dressed for small wool double weave blanket.
Loom is dressed. Treadle cords are adjusted. Ready for weaving!
End of warp on the drawloom.
End of warp comes near the pattern heddles. This is my first drawloom warp, so I’m waiting to see how far I can weave until I lose a good shed. So far, so good.
My first drawloom warp.
Closing chapter of my first drawloom warp. I’ll keep “turning pages” until the shed disappears.

We have good plans for our lives. But often, it’s tough to follow those plans. Too many things happen at once, and we don’t know how to stay ahead of it all. The thing to remember is that our plans stem from our inner commitments. When we commit our ways to the Lord, trusting him, he leads us through our days. Trust turns plans into achievements. And those are the plans worth pursuing.

May your best plans succeed.

Happy Weaving,
Karen

15 Comments

  • Robin says:

    I love your posts. You are such an inspiration. And it is so evident you went to vavstuga, using the techniques she taught. Going there for the basics class was a little retirement gift to myself last year.

    • Karen says:

      Hi Robin, Going to Vavstuga Basics was one of my best moves. I learned things from Becky Ashenden that I use every day. I’m glad you’ve had the Vavstuga experience, too!

      Happy weaving,
      Karen

  • Beth says:

    Robin is right, you are an inspiration! Your work is impeccable and motivating. I have only two looms and can’t seem to get them going at the same time.

    • Karen says:

      Hi Beth, The truth about multiple looms is that you can only weave on one loom at a time.

      Now that all the looms are threaded I may focus on one loom at a time and weave it off. …unless I get distracted by another loom and decide to weave a little on it…

      Thank you for your kind words,
      Karen

  • Nannette says:

    Good morning Karen,

    About this time last year I warped up my homemade loom at the top of my skill set in rosepatth, then life got in the way. Last week I started a 6 week class at the Fiberwood studio near by. Chosen pattern is rosepath, to get my skills where they need to be (and girls night out with a friend).

    Such joy to know you have also chosen rosepath to show on your blog.

    God does provide to the ready student.

    Nannette

    • Karen says:

      Hi Nannette, I’m happy to hear you are interested in rosepath. Rosepath rag rugs are at the top of my list of favorite things to weave. It’s been way too long since I’ve had them on the loom.

      Happy weaving,
      Karen

  • Maria says:

    I just finished my first “ throw” . It was 46 wide in the reed. I had a terrible time keeping the edges and the floater broke a few times. Not my best weaving to say the least. How wide do you do your blankets and do you have any tips for weaving wide pieces? I would love to try the Tuna wool- what epi do you use for it?
    Thanks Karen!
    Maria Navarra

    • Karen says:

      Hi Maria, I know what you mean about facing challenges with a wide weave. I don’t use floating selvedges, so I can’t answer to that. I do use a temple. I find the temple helps me get consistent selvedges with wider widths. The weaving width of my biggest loom is 47″, and I have woven nearly that full width. Getting just the right tension on the warp is necessary, so that it’s just tight enough. If it’s a bit too loose, my shuttle wants to fall through.

      Here’s a page from Vavstuga’s website with a “recipe” for a Tuna wool blanket. I would go with that for a first time Tuna wool throw. It makes a terrific throw. http://store.vavstuga.com/product/yarn-borg-woo-tuna.html

      The one I have on the loom right now is double weave, and the sett is pretty dense, so it takes some patience and practice to make the wool open up with a decent shed.

      Happy weaving,
      Karen

  • Karen says:

    The last time I got both of my looms warped at the same time I took a photo….so I could prove I did it and so I could remember it….ha. Thank you for your encouragemment and inspiration, including a journey of faith.

    • Karen says:

      Hi Karen, Don’t forget it has taken me about 3 months to finally get all the looms (almost) dressed. Haha. There’s never a chance to get bored around here.

      All the best,
      Karen

  • Annie says:

    Good morning, Karen. Thank you for the inspiration regarding best laid plans.

    And the inspiration for weaving. I purchased a Megado recently and I am struggling with the follow through and putting it into use. Life does try to side track. However, I need to remember to hang onto the plan and trust in God.

    Hopefully, I will get to the Hill Country one day to visit.

    • Karen says:

      Hi Annie, We would be delighted to have you come for a visit!

      There are many things in life more important than dressing looms. I’m sure those are the things you are attending to.

      I have found that I can make it a practice to go to the drawloom every morning after breakfast, even if for a short time. And, it surprises me how those minutes add up over time and now I’m almost at the end of the warp. I think, How did that happen?

      All the best,
      Karen

  • Liz says:

    I am so blown away with how prolific you are with weaving! It takes me all day to dress my little Schacht! I am inspired watching your work! Thank You!!

    • Karen says:

      Hi Liz, It’s all one step at a time, little by little, day after day. It adds up. I think you’re doing quite well to dress your loom in a day!

      Happy weaving,
      Karen

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Tied On and Tied Up

Our transition to Texas hill country is finalized this week! The looms and I will be residing in the same house again. Let the weaving resume! One loom is dressed and waiting for me. Tied on above, and tied up below. Ready to weave!

The warp is tied on to the front tie-on bar in 1-inch bundles, with 1/2-inch bundles at the selvedges. And then, I add the leveling string which makes it look neat and tidy and READY.

Leveling string flattens and evens out the warp for no-waste weaving.

Warp is tied on to the front tie-on bar. Leveling string flattens and evens out the warp for no-waste weaving.

The upper and lower lamms are positioned, and the treadle cords are added and secured. It’s fascinating how simple and basic the whole system is. And how something this simple and basic can be the framework for boundless creative expression.

Under the warp. Intriguing view.

I sit on the treadle beam when I position the lamms, and then place the treadle cords in their holes. I’m always intrigued by the view of the warp and heddles from this vantage point.

Treadle cords on eight shafts.

Treadle tie-ups don’t frighten me. It all makes sense, and is part of the loom-dressing process that I enjoy.

If we think of prayer as something that gets us out of a crisis, or words to say in order to get what we want from God, we miss the whole point of prayer. And we face disappointment. Prayer always works. The work is not our clever words, nor the checking off of our wish list. Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. We pray because we trust him. Christmas—the birth of Christ—shows us that God always steps in at the right time.

May your framework be sure.

Advent greetings,
Karen

8 Comments

  • Sue Hommel says:

    Beautiful words to awaken to this morning Karen! I’ve recently added a countermarch to my studio, and I believe your blog and joy with your Glimakra helped me in my quest for the right loom to add. I chose the Julia and after some panic at the prospect of having to build it, I just took one step…then the next, and finally, I’m weaving and loving its simplicity and design. Looking forward to see what your new warp will become!

    • Karen says:

      Good morning Sue, How exciting! The simple beauty and functionality of these looms make them a joy to weave on. They also provide a constant learning experience, which is a good thing. There’s always a discovery just ahead!

      Happy weaving,
      Karen

  • Susan San Martin says:

    I love my Toika countermarche for the same reason: simplicity, plus an endless opportunity to adjust the loom . It is easy to understand how to fiddle with the sticks after awhile. The loom expresses the deep logic of creation!

  • Anneloes says:

    “Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. ”

    Would you believe that this was the exact thing I’ve been praying over these last few days? Beautifully written.

    Before I started weaving, I thought dressing the loom would be a tiresome process to rush through in order to dtart the REAL weaving. But it turned out to be my most favourite part of weaving, and every bit as real.

    Thank you again for your beautiful words and pictures.

    • Karen says:

      Hi Anneloes, I’m constantly amazed at how the Lord ties things together for us!

      I can relate. I was afraid that dressing the loom would be too complicated or difficult to do. What a pleasant surprise to find it so rewarding and not hard at all! It’s a joy.

      I appreciate your thoughtful comments.
      Karen

  • Martha Winters says:

    Hello, Karen,
    I have learned so much about weaving, and how it relates to life, from your blog. Thank you for sharing your insights and reflections so freely and beautifully.
    I would love to know a bit more about the ‘leveling string’ at the start of your warp. I’m not familiar with this and it looks quite useful for evening out the threads from the get-go. Much appreciation for your knowledge and awesome weaving!!

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Testing Color Surprises with My Little Helper

Twelve shafts and twelve treadles are all tied up. I found and fixed one threading error. And I am still making some adjustments on the tie-ups to get clean sheds. But for the most part, the Standard is ready to go! I have a week with this loom, to weave towels for my daughter. This colorful double weave looks promising.

My helper peers up at me as I tie on the warp.

My helper this week peers up at me as I begin to tie on the warp.

Dressing the countermarch loom.

Lower lamms and upper lamms are connected to the shafts before tying up the treadles.

Glimakra Standard with twelve-shaft double weave.

Arrangement of the heddles on the shafts give a clue to the three blocks in this twelve-shaft double weave.

Weaving with my granddaughter at my side.

Testing weft colors and patterns with granddaughter Lucia by my side.

Helper for managing the shuttles at the loom. :)

Two-year-old Lucia helps manage the shuttles.

Double-weave towels on twelve shafts. Beginning sample.

Design decisions for the towels will be made based on this beginning sample.
It’s surprising to see the array of colors produced by only four shades of cottolin thread.

When the loom is properly dressed and prepared, the weaving is delightful. Every pick of color is a pleasant surprise. Our Father knows our needs. He is the loom dresser. Everything is set up for the threads to make gorgeous cloth. Do we think prayer is all about asking God our Father for things? Yes, he does invite us to ask for the things we need. But let’s start with admiring his ways and works, with a heart of gratitude. Then, with the threads he puts in our hands, the future looks promising!

May your looms be ready for weaving.

Happy weaving,
Karen

12 Comments

  • When God blesses us with variables your loom demonstrates I believe He not only wants to meet our needs but wants to bring joy to our souls. Some people weave tabby with their lives. Some people live their lives weaving lizards while exploring the subtle variations in the process. I believe God wants us to explore and enjoy all the good He has to offer and dresses our individual looms to do that..

    Yesterday our second grandchild arrived. He is as perfect as his older sister. A day such as that makes it easy to forget all the threads that had to be re-sleighed along the way.

    Blessings to all

  • Laura says:

    Love the pattern and colors….

  • Lynette Glass says:

    Can I weave something similar with four shafts? Do you have any four shaft doubleweave pattern ideas or books that you know about? I like your colors very much!

    • Karen says:

      Hi Lynette, You can certainly do double weave on four shafts. I don’t personally have much information on the topic, though. I do know that Jennifer Moore is known for her work in double weave and has a book and video about it, as well as workshops that she teaches.

      I chose colors that were not in my usual palette, and I’m pleasantly surprised at how much I like them.
      Happy weaving,
      Karen

  • Susie redman says:

    This looks stunning – the colours are so complementary. Are you managing this double weave on only one back beam?
    Susie

    • Karen says:

      Hi Susie, I have only one back beam, and I don’t know the first thing about weaving with a second back beam. Is double weave like this something for which a second back beam is useful?

      Thanks!
      Karen

      • Susie says:

        Hi Karen,
        I have only experienced double weave on a table loom and it was fitted with a second beam – one for each layer. My own loom is a Glimakra Standard too and I’m heartened to see that you can achieve double weave with one back beam. I had thought that it would be out of the question.
        Many thanks,
        Susie

  • Rebecca Neef says:

    This is so beautiful and inspiring. What an adorable helper you have! I have a Glimakra Standard also, a 120cm model. Mine only came (used) with 8 shafts, although it has 12 treadles. Is yours a special model made for 12 shafts, or did you do anything special to accommodate the extra shafts? I’d sure love to be able to do some 12 shaft weaves on mine! Thanks.

    • Karen says:

      Hi Rebecca, I was surprised that my little helper would sit there as long as she did. There was a lot to keep her attention, I guess.

      My loom (120cm) also came with 8 shafts. I wrote to Glimåkra USA and told them I wanted to upgrade to 12 shafts and they listed all the parts I would need to do that, and then I ordered the parts.

      I don’t expect that I’ll use 12 shafts very often, but it’s nice to have them for a few special projects.

      Happy weaving,
      Karen

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Building Blocks in Double Weave

Troubles. What troubles? All is forgotten now that the shuttle is ready to soar. After my threading misadventure and correction, I’m ready to weave! But first… The treadle tie-ups need adjustments. And then, after weaving a couple inches, a few more adjustments. Now the shed is nearly perfect on every treadle. Ready, set, wait a minute… Sample. Which shuttle goes where to lock in the weft? How many picks make a square? Is my beat consistent?

Waterfall of colorful threads over the back beam!

Like a spectacular waterfall, warp ends splash with color over the back beam. First adjustments have been made to treadle tie-ups. Ready to start weaving the sample.

Sample first. Double weave throw about to begin.

Sample gives opportunity to practice and experiment. Checking shed clearances, weft color tryouts, synchronizing two shuttles, consistent beating–a few of the reasons why it makes sense to sample first.

After completing the sample, I am now weaving the wide dark plum beginning border of the double weave throw. In a few inches I will be enjoying the colorful blocks that we have all been waiting for. Building blocks. Success, setbacks, adjustments, and practice, all build a foundation of weaving experience.

Beginning dark plum border of a double weave throw.

Here it is. The real thing. The beginning border of the actual double weave throw.

Build. If I’m not careful, my attention goes to the building up of myself. Yet, love focuses on others to build them up. It’s through a process of success, setbacks, adjustments, and practice that love flourishes. When your strong desire is to see the colorful blocks of the weave, you press through until you see it. Love is even stronger than that. Our example is Christ. His love makes the pattern of love possible in us.

May you build on what you learn.

Happy weaving,
Karen

16 Comments

  • Joann says:

    What a beautiful blanket that is going to be.
    Joann

  • Joyce Lowder says:

    Gorgeous! Love the dark plum background and border and the beautiful squares of many colors! Reminds me of Joseph’s Coat of Many Colors! Bravo, Karen! 🙂

  • Beth says:

    You are resilient! It’s going to be beautiful. Kudos!

    • Karen says:

      Hi Beth, Well, I guess I would say I’m determined. I’m not going to let a problem, or two, or three, stop me. Haha!

      Happy weaving,
      Karen

  • Rachel says:

    Thank you for sharing your gift and love! It is an encouragement for all of us! Not only are the fibers woven but your words of love from God. As a beginner Weaver I have felt the love of God every time I sit at my loom. May He continue to bless you, your works and your blog!

    • Karen says:

      Hi Rachel, It is interesting that you say you feel the love of God when you sit at the loom. I can relate to that. I have often sensed that the Lord’s grace has placed me at the loom, where I find such satisfaction and joy.

      Thank you!
      Karen

  • Cindy Bills says:

    You did it! And it is made more special by the love you have shown as you refused to give up on this project, meant as a gift to that one you love. It reminds me of how important our struggles to love are, in light of Christ’s love for us.
    Blessings!

  • Good morning Karen,
    There is so much to learn between the first pot holder and using plum to make the colors sing.
    I’ve got to re-read your earlier postings to see how to adjust the shed to even out the tension. It is forgivable in a rag rug. But, now I now there are new skill to explore.
    Thank you for sharing your journey so others can follow in your trail.
    Nannette.

    • Karen says:

      Hi Nannette, One thing that delights me about weaving is that there is no end of things to learn. If you enjoy learning, the weaving loom is the place to be!

      Thanks for coming along,
      Karen

  • Pamela Graham says:

    Hi Karen,
    I can’t begin to express how much your blog has meant to me since I discovered it a few months ago. I have read all your posts and learned, among other things, how important it is to be brave as a hand weaver. You take bravery to new heights!
    I have questions about this beautiful throw: is it double width with double weave blocks? How wide will the finished throw be?
    P.S. I’m heading to Vavstuga in a little over a week for the basics class and can’t wait. Thanks to your posts I think I will be able to keep up.
    Thank you for sharing your journey.
    Pam

    • Karen says:

      Hi Pam, Your thoughtful words make my heart sing! I’m so happy that you have learned useful things here. I’m humbled that someone has read all my posts! Whew, I call that brave. 🙂
      I’m sure your time at Vavstuga will be rewarding. I’d love to hear how it goes for you, if you would drop me a line after you get back!

      This throw is double weave, meaning two layers of fabric are woven at the same time, but it is not double width. For this double weave, the two layers change places where the blocks change, so the upper and lower layer are interlocked, and the weft at the sides interlock, too. For something double width, it’s the same two-layer concept, but the layers interlock only on one selvedge, so it can unfold when off the loom. This throw is 103cm (about 41”) weaving width.

      Very happy weaving,
      Karen

  • Michelle says:

    It’s lovely–and so is your perseverance and generosity in sharing! You are an inspiration!

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Double Weave Throw – Take Two

Nothing about the original draft is incorrect, but when I wrote it in pencil on my planning sheet, I transposed one. little. thing. The threading key. “X = plum; black square = other colors.” Exact opposite of what is written in the draft from The Big Book of Weaving, by Laila Lundell. (See When You Misread the Threading Draft, where I discover my dilemma.)

One little mistake. Big consequences.

Blind to my own mistake, even as I double check my handwritten draft.

Thanks to Fiberworks weaving software I am working out a solution. I adjusted the tie-up, so the treadle tie-ups on the first, third, fifth, and seventh shafts trade places with the tie-ups on the second, fourth, sixth, and eighth shafts. It works. And now, the one little threading error that is clearly visible seems like a breeze to correct!

Ready to weave a cotton double weave throw.

Tie-up adjustments bring the correct warp ends to the surface. Solid stripes of color are set to produce the desired design when woven.

One threading error. No big deal at this point.

One blue warp end stands out like a sore thumb. I’m glad to find this one threading error at this stage in the process.

There are times when my whole perspective needs an adjustment. It’s time for love. Love adjusts our view. At the heart level, love brings about changes in us. It re-sets our attention and motivations. Because God loved us, we can love, too. We don’t see, understand, or know everything now, which shows how incomplete we humans are. But the love that heaven knows is something we get to participate in here and now. Our cloth is far from perfected, but our love adjustments give us a glimpse of cloth from another realm.

May you make necessary adjustments.

Love,
Karen

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