Only Five Centimeters!

Five centimeters is not very far! That’s all that‘s left of this Lizard tapestry. I expect to cut it off in a day or two. What a delight this first attempt at four-shaft tapestry has been!

Nearing completion of Lizard tapestry on four shafts!

Close to cutting off! The Lizard will soon appear in the completed woven image.

Nobody makes a masterpiece on their first try. It takes practice—lots of it. And that’s something I’m eager to do. The experience has been richly satisfying as a weaver. I am invigorated by the challenge of paying attention to a cartoon, and then watching the image grow on the loom. It’s like painting by number, only better. I get to “make” the paint with multiple strands of yarn.

Afternoon sun on the wool tapestry image.

Afternoon sun gives an added dimension to the wool tapestry image.

Coming to the end of this four-shaft tapestry.

Many weft color changes are in the last few centimeters, which keeps it interesting. And I don’t mind the slow pace because I don’t really want the experience to end.

We need something to guide us. We need to align our lives with a sure standard of truth, like matching up the image being woven with the center warp end, so we won’t drift off course. Pay attention to the truth. There are persuasive arguments and countless opinions, but isn’t it truth that helps makes sense of reality? God opens our eyes and hearts to see truth. And as we pay attention to truth, and align with it, we get to experience the amazing view of his tapestry being woven all around us.

May you know when to pay attention.

Happy weaving,
Karen

8 Comments

  • susie weitzel says:

    I have been following this tapestry closely. So very anxious to see the finished work of art.

  • Margaret says:

    Thank you for your weaving words. May your day be blessed.

  • Marjorie Clay says:

    Can you explain briefly how the multiple shafts work in creating this tapestry? When I think of tapestry, I think of Navajo weaving, which is essentially plain weave. How do the different sheds available on a 4-shaft loom work on a tapestry?

    • Karen says:

      Hi Marjorie, Most tapestry is woven on two shafts. With four shafts I can thread the loom for plain weave and a rosepath or twill threading, and then I have plain weave and a patterned weave for the tapestry. This Lizard tapestry has a rosepath threading. I became interested in this type of tapestry after seeing some of Joanne Hall’s tapestries, and pictures of Helena Hernmarck’s tapestries. This is a new endeavor for me, so I’m still learning how it all works (or should work).

      Karen

  • Liberty says:

    I’m so excited to see it!!
    Liberty

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Weave Beyond Your Momentum

Do you remember that I said the background is less interesting to weave? I take that back! Blending these colors and forming the shapes is no less interesting than weaving the lizard. The green anole is the featured subject, filled with detail and many minute color changes. Weaving that lizard was a skill stretcher! But as I continue, I am weaving details of a different kind. The background is a log, not easily recognizable. It’s like looking at wood grain patterns through a magnifying glass. I’m hopeful everything in the final image will fit together when we see it from a distance.

Four-shaft tapestry. Shading and texture.

Color, shading, and texture work together to make the surface appear uneven. Some areas look as if they are raised, and others, especially the dark places, look like they are indented.

Detail of lizard tapestry.

After about three more warp advancements, the lizard and his green toes will be nowhere to be seen.

Four-shaft tapestry. Glimakra Ideal.

Little by little…

View of the tapestry in the direction it will hang.

Standing on a chair, I get a view of the tapestry in the direction it will hang. This is only one slice of the tapestry image, but it helps me imagine what the finished piece will be like.

Continue. I don’t want to lose momentum just because I finally made it through the hardest part. Keep going, being faithful to what you know to do. Faithful to what you know is true. Don’t be fooled by compelling, convincing, and subtle messages that divert from the truth. Continue walking by faith, trusting the outline, the cartoon, that the Grand Weaver prepared for us. It will all fit together when we see it from heaven’s eternity. That’s real hope.

May you keep your momentum.

In faith,
Karen

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Four-Shaft Tapestry Adventure

Most of my preparation for this project has been separate from the loom itself. The loom is dressed and ready. That’s the easy part. The lion’s share of the work is in developing the cartoon. This project is my first four-shaft tapestry. My usual tapestry work is on a small portable tapestry frame. This is BIG in comparison. 93 centimeters (36 1/2 inches) in the reed.

Glimakra Ideal with linen warp, ready to weave a tapestry.

Linen warp is tied on. Treadles are tied up. Sheds are clean. This Glimåkra Ideal is ready and waiting for the weaver.

Cartoon is on a table behind the loom undergoing cartoon prep.

Warp beam. Cartoon is on a folding table behind the loom undergoing cartoon prep.

After finding a subject for the tapestry, I have been drawing the cartoon and a cartoon key. And I have the yarn. Now, I am determining colors, distinguishing values, and arranging my yarn into a workable order. To tell the truth, the cartoon scares me. It shows me how grand a task I’ve signed up for. But there’s no turning back. I’m committed. (I will show you the cartoon when I’m further along…)

Wool being sorted for 4-shaft tapestry.

Wool, mostly 6/2 Tuna and 6/1 Fårö, with a few other wool yarns thrown in. These are some of the colors going into the planning of the cartoon.

Distinguishing between different values in the wool yarn assortment.

Black and white photo helps distinguish between the different values of the yarn colors. Contrast in values help define the woven image.

The cartoon shows the intent of the tapestry designer. Likewise, heaven shows the Grand Weaver’s perfect plan. Heaven holds the true picture. Heaven and earth, two parallel realms. Jesus came to earth to bring us into that heavenly version of the tapestry. When we put our trust in him, our colorful threads in various hues and values are woven together in the grandest tapestry ever.

May you take a bigger step than you have before.

Courageously (with knees knocking),
Karen

7 Comments

  • Betsy Greene says:

    Oh wow. You really are in the deep end. Good for you!
    I’m not so brave but I will live vicariously through you.
    Betsy

  • Good morning,
    Now that Spring has become a verb in SE Wisconsin my weaving goes back one more seat while I try to undo the neglect of the yards here and NE Wisconsin. Yesterday I took out and re-wove ~ 10 rows of rosepath rag rug because I mis-read the pattern. Once done I realized this project is not as scary as I imagined it to be.
    Today there is a quiet book to be put together for my granddaughter’s 1st birthday. And… once again I am delaying the work because I have not worked out the details of construction. We all know that in the end the quiet book will be completed and the tapestry will be completed and the rug will be completed and the maybe … just maybe this year I will be able to keep ahead of the weeds. But, boy oh boy… from this side of the project that does not seem possible.
    May God bless both our hands with creativity and love.
    Nannette

  • Michele Dixon says:

    I’m a tapestry weaver too. I’m quite interested in seeing what your 4 shaft piece turns into. I have a brand new Glimakra Standard, 4/6 so I am hoping, in the future, to expand my 2 shaft images to 4 shaft. I’ll be watching with great interest.

    • Karen says:

      Hi Michele, Congrats on your new Glimakra Standard! It’s exciting to try a new way to do tapestry. I’m glad to have you along!

      Happy weaving,
      Karen

  • Michele Dixon says:

    Thank you, Karen. It’s such a pleasure to read your blog.

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Weft Auditions for Square Dots

I found sixteen weft colors to audition. And I am eliminating all but six—one main color for each of four towels, plus two border colors. This is five-shaft satin dräll hand towels with an 8/2 cotton warp. Good weft options on my shelves include 8/2 cotton, 22/2 cottolin, and 16/2 linen in various colors. And this time, we have square dots!

Weft auditions for 5-shaft satin dräll hand towels.

The warp is tied on and the lamms and treadles are tied up. All ten sheds (one for each of ten treadles) are checked and small adjustments made in the treadle tie-ups. Weft auditions commence!

Trying different weft options. Cotton, cottolin, linen.

Similar colors in different fibers. Teal in cotton, cottolin, and linen. Coral warp as weft would be an interesting monochrome option.

There is one qualification. The colors must fit the color palette of our Texas hill country home. A sample piece of thread doesn’t tell me enough; neither does a whole tube of thread. Twisting two colored threads together gives a decent clue, but even that is not enough. When the warp and the weft threads interweave on the loom the true colors are seen. And that’s when I can tell you which colors I will keep.

Weft auditions! Colorful hand towels.

Sample includes sixteen weft colors (two or three rows for some). Four are chosen for the main colors for a set of hand towels. Two extra colors are selected to use for border designs.

Square Dots cotton hand towels in 5-shaft satin dräll.

First towel has Slate 8/2 cotton weft, with an accent of Silver 22/2 cottolin for a border stripe.

Isn’t that the way it goes with truth? Hearing words isn’t enough; even extensive hearing isn’t enough. Paying attention to what you hear is good, but it mustn’t stop there. We need to understand. Hear and understand. The meaning of the words intersect with thoughtful reflection. Truth enters through understanding. And that’s when we can see which threads to keep.

May truth be woven into your life.

With you,
Karen

11 Comments

  • Joyce Lowder says:

    Love your message, Linda! Thanks for your spiritual insights shared with us.

    Question: What is the white thread that looks almost like a basted thread, across the groups that are tied on for this warp? I can see that you were able to go right into weaving without a heading. Is that a technique or just good warping?
    Thanks for any suggestions you can offer! 🙂

    • Karen says:

      Hi Joyce, It’s a lifelong journey to hear and understand, isn’t it?

      You are seeing the leveling cord. I use a length of seine twine (12/6 cotton rug warp) to go over and under each tied-on section of threads. The threads must be tied on with half of the bundle going over the tie-on bar and half going under the tie-on bar. The leveling cord is pulled tight, and the ends of the cord are tied through the hole at each end of the tie-on bar. This simple technique flattens out (levels) the warp, and enables weaving from the very start. No scrap weft necessary.

      It’s that simple. 🙂
      Happy weaving,
      Karen

    • Karen says:

      Joyce, I should have pointed you to this post I wrote about the leveling string – Tools Day: Leveling String.
      Happy weaving,
      Karen

  • Betsy says:

    Love the stripe!!

  • Joanne Hall says:

    I like the white. And that red would make a very cheerful towel.
    Joanne

    • Karen says:

      Hi Joanne, The white practically pops off the fabric. It does look good. And the canary red is spectacular on the coral warp, which surprised me. Now I’m tempted to use the red, even though it didn’t make the final four, just because you said so.

      All the best,
      Karen

  • Annie Lancaster says:

    I must say that I like the sample with all the colors! At least for one trowel. I never heard of a leveling string. Perhaps because it wouldn’t work on a Rigid Heddle loom.

    I was so focused on the different colors of square that my brain did not compute the stripes. The comments about listening and understanding definitely apply to someone like me because I tend to get lost in the details. This was a very needed reminder.

    • Karen says:

      Hi Annie, I like the multi-colored sample, too! It may end up being a short towel, or something… You may be able to use a leveling string on your rigid heddle loom. I haven’t done that, but it might be worth some experimentation.

      Taking listening to the level of understanding is a constant challenge, and worth the effort it takes.

      All the best,
      Karen

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Colors on Trial

This color and weave is decorated plain weave. I have nine weft colors to put on trial. Which ones will pass the test? The winners will be used to weave colorful placemats for our Texas hill country home.

Nine colors on trial for cotton placemats.

All 8/2 cotton, with a small quill of each color waiting to be sampled. The two end tubes on the left are the same coral and camel as the stripes of the warp.

Eager to begin, I start weaving, despite knowing that evening is approaching. Even with good lighting at the loom, it is hard to judge the colors. I need daylight!

Weaving at dusk fails to show true impact of the colors.

Weaving at dusk does not give me a true indication of how the colors work, even though I have a good light at my loom.

The morning light does not disappoint. I find that the colors that are the most similar to the coral and camel in the warp showcase the color-and-weave pattern. The slate and apple green win, too, because they add welcome color contrast. The abundance of natural light in the room makes it easy to see the impact of each of these colors.

Color-and-weave effects with plain weave and 2 shuttles.

Natural light of the morning gives a true perspective of the colors. Even the subtle differences of weft colors can be seen. Keeping the camel color in one of the two shuttles helps bring out the color-and-weave effects. Which colors win? All nine of them!

We have been given a well-lit path. When we choose to go our own way, with our own artificial light, our perceptions can be off. There is a kingdom of light where Jesus is on the throne. To be one of his subjects is to be in a place where his light reveals true colors. He exchanges our colors with his own to make color-and-weave fabric that is heavenly!

May you be invigorated with color.

Happy weaving,
Karen

3 Comments

  • Annie Lancaster says:

    Good morning, Karen.

    I like your analogy of artificial light guiding our way. I think the artificial light being shown by so many groups has been blinding to so many people. We think we are enlightened because it’s easier than sticking to Heavenly Father’s guide book.

    Being a woman who likes colors and patterns, I think all those colors are winners too.

    • Karen says:

      Hi Annie, It’s easy to fool ourselves, isn’t it?

      I was surprised how well some of the colors work. The red and orange, for example, could clash with the coral warp, but here, those two colors look exceptional!

      Happy weaving,
      Karen

  • […] the placemats I started on my Texas hill country loom in Colors on Trial? The pattern in the fabric looks nice and pretty. But it doesn’t display the striking […]

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