Simpler Warp Stripes

Narrow stripes on the warp beam are stunning. But to wind a warp like that means frequently cutting threads and tying knots. Right? …not necessarily! You don’t have to wind a warp with stripes in order to have a striped warp on the loom. I didn’t know that. I thought that tying knots is the price you pay to get warp stripes. Winding this warp was a breeze! The secret? A separate warp chain and set of lease sticks for each color. I combined the threads, keeping them in proper order, as I put them on the back tie-on bar. That part was a little tricky, but will only get easier with practice.

Stripes on the warp beam are so enticing! Linen.

Unbleached and golden bleached linen pair up for this striped warp.

Knowledge. Knowledge gives us freedom to do things in a new way. This is why prayer is effective. Not praying for so-and-so to change, but asking that they may be filled with the knowledge of God’s will. And then, God takes it from there. Your prayer may be what it takes to initiate a new outlook on life for someone else. Much like finding a different way to put stripes on the loom.

May you find a new way to simplify.

Happy weaving,
Karen

12 Comments

  • Karen says:

    Beautiful!
    Question: So…2 warps, one color on each set of lease sticks. You held them and spread the correct number of threads for each stripe? Sliding the remainder of the warp over til the next counted out stripe…and kept them on the 2 setts of lease sticks, but ended up with those lease sticks held together and tied on to the back rod together?

    Sounds like a lot of good possibility. Thank you!

    • Karen says:

      Hi Karen, Yes, that’s close to what I did. Alice-Ann’s comment below mentions putting dowels the ends of the warp chains. I did that, except I used warping slats because they were handy.

      There is great possibility with this. I am certainly going to explore it more on future projects!

      Thanks for starting a conversation,
      Karen

  • Marcia Cooke says:

    I’ve avoided warp stripes like the plague, although I’ve wound them at Vavstuga. Still can’t wrap my brain around your method, though I’ve done it on the rigid heddle. Must ponder 🙂

    • Karen says:

      Marcia, I’ve done it twice, now, so I think I can do it again with more confidence. I will bring any new insights or procedures here.

      Happy weaving,
      Karen

  • Alice-Ann Ferderber says:

    OK, I followed some of that and think I see it the way Karen does. But I think maybe the lease sticks are place in the usual positions, not wound on? Add x amount of one color off the end of the warp chain and slip them on the back bar, get the amount of color #2 from warp chain #2 and slip them off that end of warp and onto the back bar. Correct? I think I might place a dowel in the ends of each chain just to keep them straight instead of having to reach all the way to the lease sticks to get the correct ones. I can see that the stripes would have to be an even number if you don’t want to cut and tie. Very clever, we need a little video!

    • Karen says:

      Hi Alice-Ann, I am still figuring out specific procedures for doing this, but your description is pretty close to what I did. I moved all the threads to a separate dowel first, 4 from chain #1, and 4 from chain #2, and so on. After that, I moved them to the tie-on bar. That made it a little easier to deal with separations between beam cords.

      The stripes do need to be even numbers (pass pairs), but the numbers in each warp chain can vary. On the first project, I had narrow stripes between wider stripes. You have to plan the spacing for spreading the warp, but it wasn’t a problem.

      Also, I’d like to attempt putting all the ends on a single set of lease sticks, but I was too chicken to try that this time around.

      A video is a great idea! Perhaps on my next stripes project. 🙂

      Thanks for your input!
      Karen

      • Alice-Ann Ferderber says:

        Thanks Karen. My brain did not want to cope with taking 4 threads off one warp, then 4 off another and at the same time putting them on the back bar. Doing the stripe size choice before putting it all on the back beam might be a bit more work, but makes perfect sense to me! One could even sit at a table with the two (or more) warps being supported. The balancing act was not working in my head. Not on the first try anyway. I would make a mess even with both sets of lease sticks tied to the loom. I am liking this more and more. I can hardly wait for the video!

  • SM says:

    Could you also just wind separate warps and pre-sley them into their stripes? Or am I misunderstanding what’s been said?

    • Karen says:

      Hi SM, Yes, you can wind separate warp chains and pre-sley them into the pre-sley reed in order. That is what I did, putting a stick through the end loops of each warp after it is pre-sleyed. The tricky part comes after that in getting all the end loops onto the tie-on bar. With one warp chain, you can flip the reed over the lease sticks to get all the end loops to pull out. With two sets of lease sticks, I had to do more “hand picking” and there are more sticks and things poking around to have to manage.

      It’s not easy to describe the process in words. I think a video is in order…as soon as I figure it out a little better myself. 😉

      Thanks for joining the conversation,
      Karen

  • SM says:

    Oh! I get it! Sorry about that. For some reason my brain wasn’t registering that you were all talking about the END loops…even though that’s what everyone said. . Yes, now I can see where that would be a factor. Thanks for walking me through this; I would love a video! I just wound a thin-striped warp and it was not fun with all the starting and stopping. Have a great day!

    • Karen says:

      SM, Don’t worry, it’s confusing to begin with.

      I have wound many, many striped warps, and I don’t really mind it that much. But still, this new method will probably be a game changer for me.

      All the best,
      Karen

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Quiet Friday: Linen Satin Dräll

This is one of those weaving projects that puts you on top of the world. Everything about it. Linen, ten shafts, five-shaft satin weave, ten treadles, gorgeous Moberg damask shuttle, single-shuttle rhythm, full-body weaving, magical fabric. I did have more than my share of knots in the warp, and a few skipped threads and selvedge loops. But you will see no evidence of those glitches now. All you will see is the natural beauty of linen, with its characteristic unevenness. And the reflective satin dräll weave, with its light-catching trickery.

The warp is Bockens unbleached 16/2 line linen. Two of the towels use 16/1 golden bleached linen for the weft. At my husband’s request, the remaining three towels have 16/2 linen weft, in ecru. The thicker weft helps make these into robust absorbent handtowels. A table square finishes off the set.

Enjoy the process with me as I reminisce over the start-to-finish pleasure of weaving these towels.

Winding a linen warp.

Linen warp chains.

Tying on the linen warp.

Tying up 10 treadles on a countermarch!

Sampling weft colors on a linen warp.

Sunlit linen damask weaving.

Hidden patterns in the 5-shaft satin.

Linen 5-shaft satin dräll!

Beautiful Moberg damask shuttle.

Spliced warp ends.

Linen satin dräll on the loom.

End of the warp is near. So many warp end repairs!

Cutting off! Linen 5-shaft satin dräll.

Just off the loom--linen 5-shaft satin.

Glimakra band loom. Hanging tabs for towels.

Ready to sew handwoven hanging tabs on new linen towels.

Just off the loom--linen 5-shaft satin handtowels.

Handwoven linen towel with handwoven hanging tab.

Handwoven set of linen satin dräll towels. Karen Isenhower

May you find pleasure in what you do.

Happy Weaving,
Karen

18 Comments

  • Beth Mullins says:

    Exquisite, Karen!

  • JAN says:

    Nice finishing touch with hand woven hanging tab. Had you ever though of putting another one in the middle of the long edge so the towel can be hung on a hook above the sink?

    • Karen says:

      Hi JAN, I haven’t done that, but it’s a great idea. I would need to figure out how to attach it, since there is not a hem on the side. These tabs would be a little too thick to fold the ends under, but could certainly do that with tabs made with thinner threads. Have you done it?

      Thanks,
      Karen

  • Janet says:

    Beautiful towels and beautifully woven!

  • Betsy says:

    Wonderful towels! And I’m so impressed that your husband knows enough about yarn to recommend 16/2 over 16/1.

    Your little bowl of pegs next to the treadles reminds me of my last project, huck placemats. I could remember the treadling, but not the 18 repeats. So I had a bowl like yours with 18 pegs, and after every repeat I moved one peg to another bowl. And every once in a while I’d crawl around the Julia counting the repeats in case I made a mistake, lol.

    • Karen says:

      Hi Betsy, Haha, I may have given the wrong impression about my husband. He specified thicker, less dainty towels, and I chose the appropriate size of linen.

      What a great way to keep track of repeats. I’m going to remember that!

      Happy weaving,
      Karen

  • Nancy Nordquist says:

    These are absolutely beautiful! Than you for sharing so many photos and details of the process.

  • Joanne Hall says:

    Yes, this weave is magical and so fun to weave. And thank you for the beauticul photos. Did you use your phone to take these photos?
    Joanne

    • Karen says:

      Hi Joanne, I feel so “at home” weaving something like this. It is satisfying and rewarding.

      I use my iPhone 7 for all my photos. Steve has a very nice digital SLR camera, but I do best with the simple little iPhone. And it’s always in my pocket or on the table beside me. I take way too many pictures, and then I whittle them down to my very favorites to share here.

      Happy weaving,
      Karen

  • Barb says:

    Beautiful design, beautifully woven. The joy & pleasure you have in weaving shows in every finished project. Each time you use these towels, you will be reminded of your enjoyment of the process of weaving. Thank you for sharing your talents and inspiring other weavers to find that joy!

    • Karen says:

      Hi Barb, Your thoughtful comments mean so much! If I can inspire another weaver to find a little more joy in this wonderful weaving process, that would be fantastic!
      Part of the pleasure of having towels like this in my home is getting to see others enjoy the results, too.

      Thanks so much,
      Karen

  • Angela says:

    Beautiful and inspirational!

  • Gretchen says:

    Love these Karen!! So simple and classic… and perfect! Beautiful.

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Anticipation Is Looming!

Everything starts on paper and in my mind. And then the action begins! Warps are ready now to dress two more looms. One in linen, and one in cotton. Linen for chair-seat upholstery, and cotton for kitchen towels.

Counting linen warp ends on the warping reel.

Counting thread goes over and under groups of warp ends (in this case, 40 ends) to help me keep track of the number of ends being wound on the warping reel. 8/2 linen, unbleached.

Cotton thread is measured out on the warping reel.

Solid color cotton is wound (measured out) on the warping reel.

These are part of the coordinating textiles I’ve been designing for our Texas hill country home. (See Awaken the Empty Looms)  I am looking forward to the moment these fabrics become visible! The anticipation is electric! I will know the success of my plans when I can see and feel the fabric. Every step, including getting these threads ready for the loom, gives me a preview glimpse of the actual fabric to come.

Two linen warp chains, ready for dressing the loom.

Two warp chains are prepared. This is a striped warp, and the chains will be spread separately, each with its own set of lease sticks.

Three warp chains of 8/2 cotton, ready to dress the loom!

Nothing like big, soft warp chains of 8/2 cotton!

Visible. Actual love is visible. It’s much more than kind thoughts and intentions. It is threads of kind thoughts that become touchable fabric in someone else’s life. Jesus Christ is the love of God made visible, in that God sent His Son so that we could fully live. How appropriate for us to make such a fabric visible for each other.

May you get a glimpse of the fabric to come.

Love,
Karen

2 Comments

  • Annie Lancaster says:

    Good morning, Karen. I can see that you have been quite busy!. The work you do to make a beautiful Handwoven home for your family is definitely love in action. Generations will treasure your creations.

    I didn’t realize that linen was a good upholstery thread. I have only used cottolin and that has been for towels. I am waiting until I purchase a multi shaft loom before trying linen as I have been told the rigid Heddle loom will not keep enough tension. I rather like the natural colors.

    I hope you have a blessed day, Karen.

    Annie

    • Karen says:

      Good morning, Annie, Linen is such a pleasure to work with, and the natural colors are so restful. You could use linen for weft on your rigid heddle loom. Many times I’ve done a cotton or cottolin warp and linen weft.

      I don’t actually know if linen makes a good upholstery fabric, but thought I would try it. This is a heavier thread – 8/2 line linen. I have a small piece from a couple years ago that I wove in 8/2 linen and I like the weight of it.

      Your friend,
      Karen

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Two Threads Are Better than One

Here’s a secret: Two threads are better than one. To measure a warp, I always, without exception, wind the warp with two or more threads together. A warp that is wound with a single thread is prone to tangle as threads twist around each other. A warp wound with pairs of threads won’t do that.

Winding a linen warp. Always 2 threads together.

Choke ties secure the warp bout around the starting pin on the warping reel.

Smooth warping tip: Always wind a warp with at least two threads at a time.

I hold two threads in my right hand, with my little finger separating them, to wind the warp. My left hand turns the warping reel. I purchase enough thread to be able to wind with two tubes at a time. Any thread that remains unused goes toward another project.

I am particular about this warp. It’s linen, so consistency matters. Tangles would disrupt the even tension the linen needs. I have dräll in five-shaft satin in mind as I take each careful step to dress the loom. I expanded the loom to ten shafts to be able to weave this! Expect happy weaving, to be sure, but imagine how pleasant it will be to hold this dreamed-of cloth in my hand. That future cloth gives meaning to my present efforts at the loom.

One of my weaving spaces.

Various stages of weaving. Winding 16/2 unbleached line linen to warp the Standard loom. The Baby Loom (Glimåkra Ideal) in the background is in the middle of rag-rug weaving.

Ten shafts for dräll in five-shaft satin.

Ten shafts in place on the Big Loom (Glimåkra Standard) to prepare the loom for weaving dräll in five-shaft satin.

There must be meaning beyond this life for us to find meaning in this life. The end of the weaving is the beginning of the life of the cloth. There is purposeful preparation by the Grand Weaver, with a precisely measured warp. The back-and-forth shuttle is like the ticking of a clock, or the passing of years. The end is the beginning. Can you imagine the splendid setting the Grand Weaver has in mind for his hand-woven cloth?

May you keep the end in mind.

Yours,
Karen

7 Comments

  • Cindy Bills says:

    Yes, praise God! And thank you for the tip about winding two or more threads at once. I had never heard that before. I’m going to try it on my next warp. 🙂

    • Karen says:

      Hi Cindy, Let me know how it goes when you wind with two threads. I’m curious to see what kind of difference it makes for you.

      Happy weaving,
      Karen

  • Annie says:

    So I am wondering why ten shafts with a five shaft pattern? Will you be doing a double weave?
    As you know, I am a Rigid Heddle weaver, however, I am fascinated by floor looms and I am toying with the idea of learning how to weave on one. I have just ordered the draft book to learn how to read patterns and have started to research the different types of floor looms.
    I am curious to know why you chose the two looms that you mention here.
    Annie

    • Karen says:

      Hi Annie, You have some great questions!
      I can weave the satin with 5 shafts, but it would be the same all over. Ten shafts enable me to weave a pattern with two blocks. This gives the characteristic squares or rectangles in the fabric. It is still a single warp and weft, not a double weave structure.

      Your second question gives me an idea for another blog post – Why I weave on Swedish Looms. You can look for that in the near future. For now, I will say that I am fascinated with the simplicity, durability, and functionality of the Swedish countermarch looms. Everything about these looms work with anything I want to weave, from hearty rag rugs to fine linen lace, and make it a joy to dress the loom and weave.

      (Back when I was researching floor looms, like you are, a few well-meaning people told me the countermarch loom would be too complicated and/or too big. They were wrong. 🙂

      Thank you for asking!
      Karen

      • Annie says:

        Thank you for sharing that information, Karen. I have a clearer picture of your project now.

        And a better understanding of the Glimakra loom.

        Annie

  • Anonymous says:

    Your blog is very inspirational! Thank you.
    Linda

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Warp Chain Optimist

Is there a better picture of optimism than a warp chain? Especially warp chains that are sitting on the loom bench ready to become something! Anticipation electrifies the weaving space because fabric-making is about to happen!

Warp chains for a spaced repp rag rug.

Four bouts of 12/6 cotton rug warp for spaced rep rag rugs. The warp is eight meters long.

The Glimåkra Ideal is getting dressed for weaving rag rugs. Hooray! And the Glimåkra Standard is getting dressed for double weave baby blankets. I keep a regular cycle of weaving, cutting off, and starting over.

Warp chains of 8/2 cotton for baby blankets.

Three bouts of 8/2 cotton for double weave baby blankets, gifts for friends. The warp is three meters long.

Dress the loom. Weave a sample. Plan the next project and order supplies. Weave what’s on the loom to the finish line. Cut off. Do the finishing work. Wind the warp for the next project, and put the warp chain(s) on the loom bench. Repeat. Repeat. Repeat.

Every beginning has an end. Every warp. Every life. And even every day comes to an end. What will I make of that warp? This life? This day? Our life is a mere shadow, fading quickly. To honor our Grand Weaver, we want to value every day we’ve been given. And when our hope and trust is in Him, we know the fabric he is weaving will last forever.

May you value this day you’ve been given.

Happy weaving,
Karen

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