Two Threads Are Better than One

Here’s a secret: Two threads are better than one. To measure a warp, I always, without exception, wind the warp with two or more threads together. A warp that is wound with a single thread is prone to tangle as threads twist around each other. A warp wound with pairs of threads won’t do that.

Winding a linen warp. Always 2 threads together.

Choke ties secure the warp bout around the starting pin on the warping reel.

Smooth warping tip: Always wind a warp with at least two threads at a time.

I hold two threads in my right hand, with my little finger separating them, to wind the warp. My left hand turns the warping reel. I purchase enough thread to be able to wind with two tubes at a time. Any thread that remains unused goes toward another project.

I am particular about this warp. It’s linen, so consistency matters. Tangles would disrupt the even tension the linen needs. I have dräll in five-shaft satin in mind as I take each careful step to dress the loom. I expanded the loom to ten shafts to be able to weave this! Expect happy weaving, to be sure, but imagine how pleasant it will be to hold this dreamed-of cloth in my hand. That future cloth gives meaning to my present efforts at the loom.

One of my weaving spaces.

Various stages of weaving. Winding 16/2 unbleached line linen to warp the Standard loom. The Baby Loom (Glimåkra Ideal) in the background is in the middle of rag-rug weaving.

Ten shafts for dräll in five-shaft satin.

Ten shafts in place on the Big Loom (Glimåkra Standard) to prepare the loom for weaving dräll in five-shaft satin.

There must be meaning beyond this life for us to find meaning in this life. The end of the weaving is the beginning of the life of the cloth. There is purposeful preparation by the Grand Weaver, with a precisely measured warp. The back-and-forth shuttle is like the ticking of a clock, or the passing of years. The end is the beginning. Can you imagine the splendid setting the Grand Weaver has in mind for his hand-woven cloth?

May you keep the end in mind.

Yours,
Karen

7 Comments

  • Cindy Bills says:

    Yes, praise God! And thank you for the tip about winding two or more threads at once. I had never heard that before. I’m going to try it on my next warp. 🙂

    • Karen says:

      Hi Cindy, Let me know how it goes when you wind with two threads. I’m curious to see what kind of difference it makes for you.

      Happy weaving,
      Karen

  • Annie says:

    So I am wondering why ten shafts with a five shaft pattern? Will you be doing a double weave?
    As you know, I am a Rigid Heddle weaver, however, I am fascinated by floor looms and I am toying with the idea of learning how to weave on one. I have just ordered the draft book to learn how to read patterns and have started to research the different types of floor looms.
    I am curious to know why you chose the two looms that you mention here.
    Annie

    • Karen says:

      Hi Annie, You have some great questions!
      I can weave the satin with 5 shafts, but it would be the same all over. Ten shafts enable me to weave a pattern with two blocks. This gives the characteristic squares or rectangles in the fabric. It is still a single warp and weft, not a double weave structure.

      Your second question gives me an idea for another blog post – Why I weave on Swedish Looms. You can look for that in the near future. For now, I will say that I am fascinated with the simplicity, durability, and functionality of the Swedish countermarch looms. Everything about these looms work with anything I want to weave, from hearty rag rugs to fine linen lace, and make it a joy to dress the loom and weave.

      (Back when I was researching floor looms, like you are, a few well-meaning people told me the countermarch loom would be too complicated and/or too big. They were wrong. 🙂

      Thank you for asking!
      Karen

      • Annie says:

        Thank you for sharing that information, Karen. I have a clearer picture of your project now.

        And a better understanding of the Glimakra loom.

        Annie

  • Anonymous says:

    Your blog is very inspirational! Thank you.
    Linda

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Better than Black

The black and white towels I made last year were a big hit, and I wanted a repeat of that. So, when I started planning this unbleached cotton towel warp several weeks ago, I fully intended to make the border stripes black. It would be a stunning effect. I even ordered the black thread. But this week when I put my tubes of cotton thread on the table, I ended up saying no to the black. Even though that’s what I was sure I wanted. As a result, I don’t have the striking black accent; but I do have the soothing charm of beige and brass. (Thank you for your wonderful input on the color combinations in Pretty Fine Threads! I loved hearing your thoughts.)

Warping reel with 8-meter 24/2 cotton warp.

Choke ties are added about every meter, and the lease cross at the bottom is carefully tied for this eight-meter warp.

First of four bouts, 224 warp ends each.

First of four bouts, 224 warp ends each. Soft as a kitten.

Cotton warp ready for dressing the loom.

Beige and brass threads add understated elegance to the unbleached cotton warp.

I want to have what I want. I want to do what I’ve planned. I don’t like to tell myself no. But that’s exactly what Christ asks of those who want to follow Him. Say no to yourself. He’s not offering the easy way out. But when I let go of what I want, I come to find the gift of grace that has been prepared for me. And that’s when I realize that my loss was actually my gain.

May you know when to say no.

All the best,
Karen

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Weaving Adventure

An idea is merely a collection of thoughts until it begins to take shape. Plans, thinking things through, trial and error, sampling, writing, formatting. That’s what it has been for this Plattväv towel kit. The idea to develop a towel kit is taking shape. Finally. River Stripe Towel Set, a Pre-Wound Warp Instructional Kit! I am winding the warps now. I have written the instructions. There are still a few loose ends (obviously a weaver’s term) to take care of, but we’re closer to turning this idea into a real thing. Made especially for adventurous weavers.

Winding warps for a towel kit.

Winding one of two bouts for a towel kit.

Warp chain in hand, for towel kits.

Warp chain in hand!

If these kits can inspire a few people to weave their own exceptional adventure, I will call this idea a success!

(If you would like to be notified when the kits are ready, no obligation, please send me an email or let me know in the comments below.)

May your best ideas take shape.

Happy Weaving,
Karen

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New Warp Comes Alive

Put on a new warp as soon as possible. That’s my philosophy. A weaving loom should not stay bare. I am ready to begin a stack of rep weave mug rugs (my local weaving group is making them for an upcoming conference).

Cottolin warp on the warping reel.

Cottolin warp seems to light up on the warping reel. The colors become more vibrant when lined up together.

A new warp comes alive as I wind the threads on the warping reel. It is a picture of possibility! Every warp has a beginning and an end. Beginning a new warp on the loom is always exciting. And when I come near the end, I often wish I could weave a little longer.

Cottolin warp chain with vibrant colors!

Warp chain is ready for dressing the Glimåkra Ideal loom.

Pre-sleying the reed for rep weave mug rugs.

Lease sticks are in place under the reed, held up by two support sticks, and the warp has been pre-sleyed. Next step is to set up the warping trapeze.

Have you considered the warp as a metaphor for a life’s span? It is measured out in advance, with a certain type of fabric in mind. The setts, patterns, and structures vary. But they are all meant to be woven. Weft passes are like days and years. For a time, it seems like it will never end. And then, you see the tie-on bar coming over the back beam. You’re reminded that this warp is temporary. We all have this in common: We are mortal. Time is a precious gift. Every pass of the weft is a reminder of our Grand Weaver’s loving attentiveness to complete the weaving he began.

May you enjoy the gift of time.

Happy Weaving,
Karen

12 Comments

  • Deb Hazen says:

    Love the image of being a weaving in progress. As weavers, we take such care to bring projects along…we spend extra and loving energy sorting out the snarled sections. Most importantly, we are persistently present. How delightful it will be to sit at my loom tonight and reflect on my life as a weaving in perfect confidence that my Creator always has the shuttle.

    • Karen says:

      Hi Deb,

      in perfect confidence that my Creator always has the shuttle

      What a lovely way to say it! In that confidence lies true rest and peace.

      Thanks for sharing,
      Karen

  • Kate Chitwood says:

    I hope those mug rugs are going to the CHT conference ! I’ll be there – hope to see you.

  • Cindy Bills says:

    Hi, Karen,
    I’m a weaver in Michigan, new to your site. I am loving your posts! Thank you for your reminders of how all things can be seen through the eyes of our faith, and our lives made richer because we do. And we learn so much from our Lord!
    I also strive to always have something on each of my looms. Right now that is a rayon scarf in peacock colors on my 8 shaft Schacht Standard, a baby blanket in James C Brett Marble chunky on my 48 inch Ashford rigid heddle loom, and placemats on my 15 inch Cricket travel loom. My 30 inch Flip loom just became bare after finishing another smaller baby blanket in soft washable acrylics.
    Aren’t we blessed to be able to weave this life and give of our weaving skills to others?!
    Thanks in advance for the blessing of your thoughts as you continue to post them.

    • Karen says:

      Hi Cindy, Looms all active! What a treat to hear about what you have on your looms. Who would’ve thought we could gain and give so much by weaving fabric?

      Happy weaving,
      Karen

  • Debi says:

    Beautiful…both the weaving and the analogy! God bless!

  • Bruce Mullin says:

    Nice comforting thoughts!

  • Missie says:

    I’m always drawn to photos of rolls of yarn, thread, and wool. There is something about the colors and chaotic tangles that give beautiful patterns making for great composition. Also there is a nice representation of something in transition… taken something raw from nature and turning it into a transitional product full of possibilities. The colors of this warp chain are beautiful together.

    • Karen says:

      Hi Missie, I agree, a collection of (somewhat organized) yarn or thread is a good representation of transition… with all the uncertainty and unknown, yet it holds a promise of something good or useful that will come out of it. Great thoughts!

      All the best,
      Karen

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No Slipping Knots

Kit development for the plattväv towels is in full swing. I’m in the first stage–making a sample kit. Winding a warp with narrow stripes is a stop-and-go procedure, cutting and tying ends. My process is well structured, as it needs to be, to avoid mistakes. Knowing how to tie a good square knot is essential, too. This is not the time for slipping knots!

Winding a warp on the Glimakra warping reel.

Winding the warp with five different colors (2 tubes each), and frequent color changes, is the most challenging part of the plattväv towels.

Warp with many color changes. Square knots.

Square knots will hold tight if tied properly.

As I write the instructions for this kit, the eventual towel-kit weaver is on my mind. Besides writing clear steps, I want to include special helps that put even an apprehensive weaver at ease. How can I help the weaver have a great experience? Weaving this sample kit will help me answer that question.

Winding a warp with narrow stripes. Plattväv towels.

Plattväv towels in the making! Again.

Having structure and precision in the process of winding this warp makes me think of the value of truth. Truth matters because it keeps things from slipping that shouldn’t slip. Love matters, too. Love puts gentleness and understanding in the instructions. Love cares about the experience another person will have. Love and truth flourish together. Like a precisely pre-wound warp, and instructions written with care, truth and love are inseparable. Both are needed for life to be a gratifying experience.

May you experience true love.

Blessings,
Karen

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