Imagine Rag Rugs on the Drawloom
- By Karen
- December 3, 2019
- 16 Comments
Rag rug weaving on the drawloom! I can only imagine the delight. In the meantime, the drawloom is getting dressed. It takes time to group the pattern heddles into units, add lingos, thread pattern shafts, thread eight ground shafts, sley the reed, move the ground shafts and pattern shafts to their positions, and tie on. After I finish all that I can think about adding all the single-unit draw cords and finish tying up. Whew!



I became acquainted with the single-unit drawloom at Joanne Hall’s studio (see Drawlooms in Montana), but this is my first go at it on the drawloom in my studio. Because of the reward that awaits, I will gladly tackle all the tasks of dressing this loom. Weaving rag rugs on a drawloom will be phenomenal!


Joy sees hidden treasure. We go to great lengths to unearth high-value treasure. Jesus did this, seeing us as the reward. That’s what Christmas celebrates. Jesus left his splendor in heaven to come to earth as a baby. He entered this world and endured the worst because of the joy set before him. He did it all for the joy of having us in fellowship with God. We come to him and find that we are the Grand Weaver’s reward.
May your joy be full.
Joy to you,
Karen
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Conversation with Joanne Hall
- By Karen
- February 19, 2019
- 15 Comments
Drive up to this storybook cottage, and you can tell there is something special about it. It’s the home of Ed and Joanne Hall. When I arrive, Joanne greets me and takes me down the hand-crafted pine stairs to her delightful weaving studio dotted with floor looms.


I recently had the joy of learning the ins and outs of drawloom weaving in this storybook studio in Montana. After the class ended, Joanne and I sat at her kitchen table to share some thoughts about weaving.

Photo credit: Ed Hall
Come join us, and sit in on our conversation…
If you could keep only one loom, what would it be?
The 59” Glimåkra Standard. That would be my loom, with a drawloom. A big loom is easier to set up, easier to warp because I can step inside it, and easier to weave on than a little loom. As you get older you need every advantage you can get.

Being a tapestry weaver, I had to add more colors, so I laid in some colors and then I put a little gold leaf here and there. I did not want to add anything that looked like embroidery. I wanted my new work on the drawloom to have all the elements woven in.
– Joanne Hall
What would you weave on that loom?
I would mostly make narrow warps. I could weave some blankets or larger things, as well, because it’s easy on that loom. It is easy to beat and so easy to treadle. I could also weave tapestry on it.
Describe the drawloom you would use.
With the Myrehed combination, I would have both the shaft drawloom and the single unit drawloom. I do like images, like tapestry weaving, so I would enjoy weaving with the single unit drawloom.

Three of my grandparents immigrated from Sweden to America. This tells the story of their journey–walking, riding, then endless days on the boat, then walking again, all the way to Minnesota.
– Joanne Hall
Are there any weaving secrets you’d like to share?
One important thing to know is to wind a warp with more than one thread, especially a long warp. It is easier to beam and you will prevent problems when you wind with two or more threads. And doing so may also have a positive effect on weaving that warp.
Another thing to consider is that once you start weaving, plan to invest in good equipment. Some weavers start out buying the smallest, least expensive equipment. That’s okay for getting started, but don’t spend too much time with inferior equipment. Once you start warping looms, get a big vertical warping reel that is more than two yards around. You can wind a warp in half an hour, an hour at the most. And the warp will be more even and accurate than one wound on smaller equipment.
If someone wants to learn more about weaving, what is a good way to start?
Go someplace where you can take a class weaving on floor looms, even if you have never woven before. Keep in mind that researching online can be more confusing than helpful. In a class you will learn much faster and you will probably get better information.

Woven on single unit drawloom by Joanne Hall.

Woven on single unit drawloom by Joanne Hall.

Single unit drawloom, woven by Joanne Hall.
Any final thoughts?
In Sweden, weavers guilds are different than they are here in the US. Most everyone in Sweden can join a guild, called a vävstuga, which in Sweden is a place with looms—floor looms, big floor looms. You meet there as often as you want, and you can weave on floor looms in the company of other weavers, who are very helpful. If we had that, it would be wonderful.
That would be wonderful, indeed! I think I got a little taste of that, right here in your Montana studio. Thank you!
Happy Weaving,
Karen and Joanne
15 Comments
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I would love to have a studio just like that one day, what a beautiful place to visit.
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You are welcome to visit us.
Joanne
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The is one of the few American weavers who accurately, skillfully and creatively interprets their ethnic heritage through Swedish weaving. The pieces are exquisite.
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Thank you. I enjoy visiting Sweden and the places my family came from.
Joanne
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I love reading about your experience with Joann. She is a treasure to us here in Montana and it is wonderful to see her being acknowledged and appreciated.
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Thanks, Joanne
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So glad I subscribed to your newsletter. Joanne’s work is beautiful–the photos and article, too. Thanks for sharing your creative adventure.
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Thanks,
Joanne
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I feel so fortunate to be able to visit Joanne’s home and studio on a regular basis. The weaver I have become is due, in no small part, to Joanne’s influence! Thanks for sharing your experience.
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Thanks, and Montana is fortunate to have you too.
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I am so impressed with these images of Joanne’s home, and the examples of her drawloom weaving. I have searched for information on how to take her classes, is there a web site? thanks.
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Christmas Weaving Promise
- By Karen
- October 12, 2018
- 2 Comments
This is the third and final gift promise from last Christmas. A Cornflower and Willow 8/2 cotton warp will become a throw in wavy (undulating) twill for my daughter-in-law Lindsay. I am hopeful that I will be able to finish it before Christmas. As promised. (See Weaving a Gift.)

Winding the warp on the warping reel. Willow and Cornflower 8/2 cotton.

Warp chains are such a pretty way to start a project.
May you make and keep good promises.
Happy weaving,
Karen
2 Comments
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How pretty. How true.
I must admit that I find this mind-boggling and will be sitting back, admiring your work on this one. 😉 Amazing!
Hi Beth, It’s all part of the process, so it just means taking a step at a time. I enjoy the steps to get there, but I sure am looking forward to weaving this.
Thanks,
Karen
Ooohhh, I can’t wait to see this!
Hi Geri, You and me, both!
Karen
Good morning Karen,
I’m just coming to the end of my first draw warp, 16/2, and I’m very curious to see the end result of using the drawloom to weave rag rugs and the 12/6 warp. Look forward to the process and end result.
Janet
Hi Janet, Congratulations on completing your first drawloom warp! I have wondered about weaving rag rugs on the drawloom ever since I began to understand what can be done with a drawloom. I’m eager to jump in!
Happy weaving,
Karen
Ooooh, I can’t wait to see how this looks!!
Hi Betsy, It’s getting exciting around here!
Happy weaving,
Karen
Bravo, yes, joy indeed. I have loved this type of project, but I have not put it on my loom. I look forward to seeing your photos as you progress through this warp and weave the rug.
Joanne
Hi Joanne, Your encouragement means a lot to me. It’s comforting to know that you are looking over my shoulder. We’re going to have fun with this!
Joy indeed,
Karen
Looks fascinating! How long is your warp? As complicated as dressing the drawloom looks, I’d be inclined to put on a looooog warp!
Hi Lyna, Yes, a long warp would make perfect sense. I’m still in the learning stages, though, so I want a lot of practice in dressing the drawloom. This warp is long enough to weave two large rugs.
Happy weaving,
Karen
Hi Karen,
I am eager to see the rag rugs you weave on your drawloom. What is the sett, using the 12/6 rug warp? and why have you chosen an 8-shaft ground weave? Your blog posts are a joy!
All the Best, Carol Berry
Hi Carol, I’m using a 35/10 metric reed and the sett is 7 ends per cm. The ends are doubled. That’s close to 18 doubled ends per inch.
I’m using a draft by Kerstin Ålsling-Sundberg from “Damast,” edited by Lillemor Johansson. Her draft calls for the eight-shaft ground weave. When I have more experience I’ll be able to tell you why.
Thanks for joining in!
Karen
I really enjoy reading your blog. It is so inspirational to see all that you do. I am looking forward to see the progression of this project.
Hi Sue, Thank you so much! It’s a pleasure to share these weaving pursuits with like-minded people like you.
Happy weaving,
Karen