Weave Heirloom Fabric

Fine threads. This warp may be the finest yet for me–24/2 cotton. 896 ends are lined up in a row. And, oh, they are soft. This is another fascinating experience for someone who enjoys seeing threads do remarkable things.

Lease sticks keep warp ends in order.

Lease sticks keep the ends in order.

Ordered threads on the back tie-on bar.

Ordered threads on the back tie-on bar.

The weft for this will be fine, too–20/1 linen. Linen is strong thread in the right conditions. Can you imagine the fabric that will come from these fine cotton and linen threads?! Something lovely will be produced from many hours of winding the warp, dressing the loom, and weaving. When I throw the shuttle back and forth, heirloom-quality fabric will appear! Soft like cotton, and strong like linen.

Beaming eight-meter warp.

Beaming eight meters of warp.

Cotton warp ends.

Brown paper is on the warp beam after running out of warping slats. Warp ends have been counted and loosely tied into threading groups.

We often define love by what someone says, knows, or does. I love you. I know how you feel. I will help you. It is possible, though, to say, know, and do nice things, but not have love. At its core, love is unselfishness and humility. Pure love comes from a pure heart. A pure heart that is unselfish and humble extends love as fluently as a weaver’s shuttle going back and forth. An honorable legacy is woven, soft and strong, through a heart of love.

May you weave a legacy of love.

Love,
Karen

~UPDATE~ Towel Kits ~

I have been delighted by the response for the towel kits, and have enjoyed putting the kits together! The River Stripe Towel Set, Pre-Wound Warp and Instructional Kit, for $150 per kit, is listed in the Warped for Good Etsy Shop until they are sold out. This is the final release of this kit. There are a few left.

(I may be persuaded to do another limited run of a kit in the future.)

Thank you!
Your weaving friend

4 Comments

Leave a Reply


Sweet Little Loom with a View!

Steve thought I should have another loom, so he used his carpentry skills to build a 27-inch Swedish-style four-shaft countermarch loom! It’s beautiful. It’s incredible! In preparation for retirement in a few years, we found a place in beautiful Texas hill country to call (our future) home. For now, it’s a place to gather with children and grandchildren on occasional weekends. And a place to put a sweet little loom.

Making weaving loom parts.

Making weaving loom parts.

Making weaving loom parts. Treadles.

Six treadles ready.

Putting the new little handbuilt loom together!

Final Touch. Tightening the cradles for the top of the hanging beater.

Maiden warp for a new sweet little loom.

Putting on the maiden warp of 12/9 cotton seine twine.

Ready to take the loom apart to move it.

Loom is ready to be disassembled. Warp is wrapped up on the warp beam. Blue duffel bags will hold all the loom parts except for the side frames and the beater, to be transported to the new location.

And it only gets better. We situated the petite loom by the corner windows in the living room. At the loom, I have the best seat in the house, with an amazing view of God’s creation. The loom tells me my husband knows me very well. And the view tells me the Lord knows me, too.

Loom with a view! Texas hill country.

Threading heddles while enjoying the hill country view!

Grandchildren, loom, view... heaven on earth!

Can there be a better setting? Grandchildren playing, loom, view…

Sweet little loom with a view!

Sweet little loom with a view! Heavenly!

None of us can come to God on our own terms. Not by our wisdom. Not by our strength. Only through humility do we find God. Humility opens our heart to God. That’s when we see how much He has done to get our attention to tell us He knows us and loves us. My special loom with a view is an example of what it’s like to be known and deeply loved.

May you know you are loved.

Blessings,
Karen

26 Comments

  • Beautiful Karen. An inspiring blog to exemplify how necessary it is for us to be grateful for the ‘simple’ things in life. My loom with a view has a delightful panorama of the Pacific Ocean on the east coast of Australia, south of Sydney. And today I picked up (another!) little sweet loom, a Louet Jane – for small delicate treasures.

    • Karen says:

      Hi Alison, It sounds like you enjoy a gorgeous setting! Yes, gratitude is essential, isn’t it?
      We have a way of finding space for those sweet little looms…

      Happy weaving,
      Karen

  • Meg bush says:

    What a lovely post!

  • Beth Mullins says:

    Oh, my goodness! It is beautiful! Not only does your husband know you well, he obviously loves you very much. What a treasure. I look forward to seeing the first project from this lovely loom.

    • Karen says:

      Hi Beth, It is treasure indeed!
      I have a project on the loom that’s been on my weaving “bucket list” for a while – a four-shaft tapestry sampler. Pictures coming soon.

      Karen

  • Martha says:

    What a loving present your husband made for you! Enjoy your new petite loom with the beautiful view.

  • Cindie says:

    Oh my gosh, what a beautiful little loom, what woodworking talent your husband has. And yes, what a beautiful view!

    • Karen says:

      Hi Cindie, Yes, my husband is very meticulous and an excellent woodworker. This was not an easy project–it certainly was a labor of love!

      All the best,
      Karen

  • Marcia Cooke says:

    This is SO cool! (I couldn’t help but think of the loom plans I found in my husband’s bookcase several years after his death…..and of all the weaving tools he could have made for me had he survived cancer.) I love your setting, too….thanks for sharing this post!

    • Karen says:

      Dear Marcia, I see you know what it is like to be loved. How sweet to find those plans… I’m sorry for your loss. I’m glad that this triggered fond memories – those memories are a blessing.

      Love to you,
      Karen

  • Carol says:

    A real dream come true for a weaver! I am also very grateful for a studio that I enjoy and a husband who has given up his garage to allow me a place to enjoy the talents and use the gifts God has given me. The view is not as wonderful as yours, but I am most grateful for it and now to be able to teach my granddaughter to weave, another to paint, and a grandson to crochet my heart is full.

    • Karen says:

      Hi Carol, The loving surroundings are every bit as important as the view. It sounds like you have a perfect space for using your gifts and pouring into the next generation! That’s wonderful!

      All the best,
      Karen

  • Margaret Scheirman says:

    What a beautiful team you two make and this loom exemplifies this! And how beautiful of you to share the story like this!

    • Karen says:

      Hi Margaret! It’s great to hear from you. Yes, we are a team–companions for life. Nick W, back in college days, was the one who told Steve to aim for companionship in marriage. Best advice ever!

      Thanks for stopping in!
      Karen

  • limor Johnson says:

    Karen,
    Your Journey as a weaver is impressive and your willing to share in great detail is very much appreciated.I’m a new weaver and I’m learning a lot from your posts and videos.
    Are you going to use a book with patterns for your new a 4 shafts loom? Can you share your favorite book on weaving?
    Thanks!

    • Karen says:

      Hi Limor, It makes me very happy to know you are learning from things you find here! You ask a great question. In fact, I am using a project from The Big Book of Weaving, by Laila Lundell to start the journey on this little loom. The project is called, “Four Decorative Sample Strips.” That also happens to be my favorite book on weaving. 🙂

      Thanks for asking,
      Karen

  • Melissa says:

    Hello Karen, I learned to weave at age 16. Then due to kids, job, life, i wasn’t able to weave for about 20. I am now able to weave again. YEA! It just makes me happy. I have looked a weaver’s blogs, all very talented weavers!!!, but like your the best and keep coming back to it. i admire the quality and creativity in your weaving and the fact you are a Christian. I am looking to use my weaving to augment my spiritual gift of encouragement. Thank you for the beautiful site and beautiful words.

    • Karen says:

      Melissa, I’m touched! It’s a pleasure to have you joining me here. Our world needs your gift of encouragement. I hope you soar with that!!
      I know you have encouraged me today. Thanks!

      Happy Weaving (and don’t worry about little typos. I only noticed your kind sentiments.) 🙂
      Karen

  • Anonymous says:

    Ops, I see I didn’t proof read my comment. 🙁

  • Marcia says:

    It’s awesome Karen! I just came back from Lawrence, Kansas, and the yarn shop there is filled with weaving supplies. The tiny yarn shop in Grand Rapids has them too. Whenever I see the supplies, I think of you!

    • Karen says:

      Marcia, I know that shop in Kansas! I used to wander in the Yarn Barn just to browse the yarn when I was a student at KU. That was way before I had any notion about weaving. That is so sweet that you think of me when you see weaving supplies. I think of you when I see amazing knitted items – “I know somebody who makes things like that!”

      Thanks for dropping in here!
      Karen

  • Shearling says:

    Very cute loom! Looks like a wee Glimakra School loom. Be sure to mark it with date and maker!

    BTW, the Shelburne Museum in Shelburne, Vermont has a very old chest of drawers with the names of all the owners over the generations carved into its top. We should all do that to our looms, maybe!

    • Karen says:

      Hi Shearling, It is much like one of those Glimakra School looms. If we could have found one of those, I don’t think we (Steve) would have needed to make one. Thanks for the thought about marking it with the date and name of the maker! We hadn’t thought of that. Will do!

      It would be great to have a piece of the history on the loom, wouldn’t it? Oh, the stories the old looms could tell.

      Happy Weaving,
      Karen

  • […] been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila […]

Leave a Reply


Tools Day: Leveling String

Thirty-five years ago, I took a beginner rigid heddle loom class. Our teacher taught us to use strips of toilet paper (or fat scrap yarn) as weft at the beginning of the weaving to space the warp. After several inches of weaving, the warp ends would fall into alignment. Unless fringe is planned, that beginning warp goes to waste, not to mention the unsightly aspect of the throwaway weft. Here comes the leveling string to the rescue! This piece of 12/6 cotton seine twine is just what we need to get off to a good start with every project we put on the loom. The leveling string levels out the warp ends, and delivers a nice, flat weaving surface. It is superb to be able to weave fabric right from the very beginning of the warp!

The use of a leveling string is also described in my three favorite books that detail how to warp a loom:

  • The Big Book of Weaving, by Laila Lundell
  • Learning to Warp Your Loom, by Joanne Hall
  • Dress Your Loom the Vävstuga Way: A Benchside Photo Guide, by Becky Ashenden

Tools:

  • Front tie-on bar with a hole at each end (Joanne Hall writes, “If there are no holes in your bar, replace the cord with a thin stick.” I have not tried this, but I trust anything Joanne says!)
  • 12/6 cotton seine twine, the length of front tie-on bar, plus about 20 inches (I like to have plenty of string to tie the knots on the ends)

Steps:

1. Tie on warp in small bundles, about 1″ each, with half of the bundle’s ends going over, and half going under, the front tie-on bar (as seen in Step 3 pictures). Tie the ends together with a bow knot or other tie-on knot. (TIP – If you do not tie the knots too tight, it is easier to get even tension across the warp, and it is easier to tighten the leveling string in Step 4.)

2. Tie one end of the leveling string to one end of the front tie-on bar, using a slip knot with half bow.

Tying the leveling string. Tutorial pics.

Tying the leveling string. Step-by-step.

Leveling string - tying it on.

Tying on the leveling string. How to.

How to tie the leveling string.

3. Thread the leveling string over and under the tie-on bundles, going over the raised ends and under the lowered ends.

Threading the leveling string through the warp. Tutorial pics.

Leveling string going through the warp.

Tying the second end of the leveling string.

4. Tighten the leveling string while tapping it in with the beater.

Tightening the leveling string.

5. Tie the end of the leveling string to the end of the front tie-on bar, using a slip knot with half bow, as before.

How to tie the second end of the leveling string.

How to tie the leveling string.

Finishing the knot for the leveling string.

Why I use a leveling string.

6. Weave to your heart’s content.

Why the leveling string is so helpful!

When you get to the end of the warp, and are ready for cutting off, simply tug the loose end of the string at one end of the bar to release the slip knot, and pull the leveling string out of the warp.

May you weave as soon as possible.

Happy Valentine’s Day,
Karen

5 Comments

  • Ettenna says:

    Will this work if I lash my yarn on? Does one have to tie the threads to the bar?

    • Karen says:

      Hi Ettenna, The only way I tie on is tying on to the tie-on bar. I don’t know if this works if you lash on. It’s worth a try! If you try it, please report back and let us know how it goes for you.

      Great question!
      Karen

  • Cindie` says:

    Hmm, sounds like we had the same beginning weaving teacher (minus the rigid heddle loom) My teacher of 31 years ago was incredible except for her way of spreading out the warp. It didn’t take me terribly long once weaving on my own to realize what a waste of warp using the toilet paper or rags were. I generally weave a few rows without beating, then beat, and repeat – the warp is spread out within an inch or less of weaving…….I use leftover yarn on bobbins around the same size as what I’ll be weaving with. I’ve seen your technique but never tried it – I’m definitely going to try it out on the next warp. Thanks!

    • Karen says:

      Hi Cindie, It wasn’t long for me, either, before I ditched the toilet paper routine. Ha ha, I guess that was a common “technique” for a while. Everything else for my teacher, too, was wonderful.

      I’d love to hear back what you think of this method after you try it. How does it compare to what you are used to?

      Happy Weaving!
      Karen

  • Julia says:

    This looks great. I’m guessing you have made sure your tension is even and all of your knots are secure before putting in the leveling string. Is this correct? Do you use a particular knot when tying the warp bundles to the front bar? Surgeons knot or something?

Leave a Reply


New Warp Comes Alive

Put on a new warp as soon as possible. That’s my philosophy. A weaving loom should not stay bare. I am ready to begin a stack of rep weave mug rugs (my local weaving group is making them for an upcoming conference).

Cottolin warp on the warping reel.

Cottolin warp seems to light up on the warping reel. The colors become more vibrant when lined up together.

A new warp comes alive as I wind the threads on the warping reel. It is a picture of possibility! Every warp has a beginning and an end. Beginning a new warp on the loom is always exciting. And when I come near the end, I often wish I could weave a little longer.

Cottolin warp chain with vibrant colors!

Warp chain is ready for dressing the Glimåkra Ideal loom.

Pre-sleying the reed for rep weave mug rugs.

Lease sticks are in place under the reed, held up by two support sticks, and the warp has been pre-sleyed. Next step is to set up the warping trapeze.

Have you considered the warp as a metaphor for a life’s span? It is measured out in advance, with a certain type of fabric in mind. The setts, patterns, and structures vary. But they are all meant to be woven. Weft passes are like days and years. For a time, it seems like it will never end. And then, you see the tie-on bar coming over the back beam. You’re reminded that this warp is temporary. We all have this in common: We are mortal. Time is a precious gift. Every pass of the weft is a reminder of our Grand Weaver’s loving attentiveness to complete the weaving he began.

May you enjoy the gift of time.

Happy Weaving,
Karen

12 Comments

  • Deb Hazen says:

    Love the image of being a weaving in progress. As weavers, we take such care to bring projects along…we spend extra and loving energy sorting out the snarled sections. Most importantly, we are persistently present. How delightful it will be to sit at my loom tonight and reflect on my life as a weaving in perfect confidence that my Creator always has the shuttle.

    • Karen says:

      Hi Deb,

      in perfect confidence that my Creator always has the shuttle

      What a lovely way to say it! In that confidence lies true rest and peace.

      Thanks for sharing,
      Karen

  • Kate Chitwood says:

    I hope those mug rugs are going to the CHT conference ! I’ll be there – hope to see you.

  • Cindy Bills says:

    Hi, Karen,
    I’m a weaver in Michigan, new to your site. I am loving your posts! Thank you for your reminders of how all things can be seen through the eyes of our faith, and our lives made richer because we do. And we learn so much from our Lord!
    I also strive to always have something on each of my looms. Right now that is a rayon scarf in peacock colors on my 8 shaft Schacht Standard, a baby blanket in James C Brett Marble chunky on my 48 inch Ashford rigid heddle loom, and placemats on my 15 inch Cricket travel loom. My 30 inch Flip loom just became bare after finishing another smaller baby blanket in soft washable acrylics.
    Aren’t we blessed to be able to weave this life and give of our weaving skills to others?!
    Thanks in advance for the blessing of your thoughts as you continue to post them.

    • Karen says:

      Hi Cindy, Looms all active! What a treat to hear about what you have on your looms. Who would’ve thought we could gain and give so much by weaving fabric?

      Happy weaving,
      Karen

  • Debi says:

    Beautiful…both the weaving and the analogy! God bless!

  • Bruce Mullin says:

    Nice comforting thoughts!

  • Missie says:

    I’m always drawn to photos of rolls of yarn, thread, and wool. There is something about the colors and chaotic tangles that give beautiful patterns making for great composition. Also there is a nice representation of something in transition… taken something raw from nature and turning it into a transitional product full of possibilities. The colors of this warp chain are beautiful together.

    • Karen says:

      Hi Missie, I agree, a collection of (somewhat organized) yarn or thread is a good representation of transition… with all the uncertainty and unknown, yet it holds a promise of something good or useful that will come out of it. Great thoughts!

      All the best,
      Karen

Leave a Reply


Kuvikas and Taqueté

Kuvikas and taqueté. There are always new things to try. I’m back to eight shafts. This Glimåkra loom is highly adaptable. It is no problem to set up the loom for a new project. You may have guessed that I like to switch it up. Four shafts or eight shafts, two treadles or ten. And, change the tie-up, too. I don’t mind. With this project, I am going to change the treadle tie-up again at the midway point, switching from kuvikas to taqueté.

Threading eight shafts on my Glimakra Standard loom.

Threading eight shafts. Four pairs of shaft bars have been added to switch from a four-shaft project to an eight-shaft project. Four additional upper lamms and lower lamms have also been added to the loom.

If you know and practice the basics, it’s not frightening to try new weave structures. Every new experience builds on what I’ve learned before. I can trust the system of weaving that I’ve been taught, and that I practice with every project. It makes sense.

Aquamarine cotton. Threading my Glimakra Standard loom.

After the warp is beamed, the warp ends are tied with an overhand knot into groups, according to the threading pattern. In this case, 48 ends are in each group. Counting the ends into groups helps eliminate, or at least reduce, threading errors.

Threading eight shafts for kuvikas and taqueté.

Complex, but not complicated. Warp ends are inserted into specific heddles to set up the loom for a particular type of cloth. Very systematic.

Don’t be afraid. The Lord not only teaches us his ways–his system, but offers us his strength while we learn. I can trust him for that. Trust replaces fear. I don’t have to find my own way, or guess. The system works. It makes sense. I learn to weave, and live, one step at a time, with freedom to enjoy the process.

May you rise above your fears.

All the best,
Karen

8 Comments

  • Shirley says:

    Hi Karen, I just love the colour. Can`t wait to see what it becomes. Have fun with it.

    • Karen says:

      Hi Shirley, I had this color left from another project where I used it for narrow stripes. I wasn’t sure how I would like it all by itself. So far, I’m loving it. I can hardly wait to cross it with weft!

      Thanks,
      Karen

  • Hi Karen,
    My Glimakra has four shafts right now. I wonder how hard it would be to buy the wood pieces the right thickness and cut them to the right sizes to add four more. I have a drill press for making the holes. I just warped mine with linen for a transparency. It’s the first time I’ve done it on this loom with the trapeze. I did 10″ bouts (3) of linen, but discovered that was a bit wide for linen. With linen, I think I’ll make my bouts 4-5″ max. next time, and then the tension will be better. Just wondering if you have experienced that with linen?

    • Karen says:

      Hi Lynette, I’m going to send you an email to tell you specifics on how my husband made additional shafts for my Glimakra Ideal loom.

      I had that exact issue with my linen bouts when I warped for the transparency. It ended up not affecting the warp tension overall – at least, I never noticed a problem while weaving. But I thought about doing smaller bouts next time. My usual rule of thumb is to stay around or under 200 threads or 10″.

      Happy weaving,
      Karen

  • JANET PELL says:

    Dear Karen, Thank you for your blogs, I am so in awe of your bravery for ‘going forth’, I love the color of your warp and cannot wait to see your project. How I wish I had your knowledge and experience. But your encouragement to everyone is a blessing for me. Maybe one day I will face the elements, be brave, and change from tabby to something as exciting as your projects.

    • Karen says:

      Hi Janet, You are so sweet! Everything is a step at a time. You will be ready for a brave step in weaving before you know it. Practice and enjoy what you know! There’s nothing wrong with tabby. It’s the basis for everything else at the loom.

      Happy Weaving,
      Karen

  • Cornelia says:

    Hi Karen,

    I would like to increase the size of the things i’m making. Therefor the question if it is possible to add 4 more additional shafts to my Glimakra counterbalance loom on which I currently have 4 shafts. Could it also be possible that you send the specifics on how to make additional shafts? I would really appreciate that!

    • Karen says:

      Hi Cornelia, Probably the best way to add shafts is to get them from a Glimakra dealer. Besides shafts, you will also need additional lamms, and possibly more treadles. My husband has made all these things for my smaller loom, but it was a very ambitious project, and his advice for others is to purchase the parts from a dealer, if possible.

      All the best,
      Karen

Leave a Reply