Simpler Warp Stripes

Narrow stripes on the warp beam are stunning. But to wind a warp like that means frequently cutting threads and tying knots. Right? …not necessarily! You don’t have to wind a warp with stripes in order to have a striped warp on the loom. I didn’t know that. I thought that tying knots is the price you pay to get warp stripes. Winding this warp was a breeze! The secret? A separate warp chain and set of lease sticks for each color. I combined the threads, keeping them in proper order, as I put them on the back tie-on bar. That part was a little tricky, but will only get easier with practice.

Stripes on the warp beam are so enticing! Linen.

Unbleached and golden bleached linen pair up for this striped warp.

Knowledge. Knowledge gives us freedom to do things in a new way. This is why prayer is effective. Not praying for so-and-so to change, but asking that they may be filled with the knowledge of God’s will. And then, God takes it from there. Your prayer may be what it takes to initiate a new outlook on life for someone else. Much like finding a different way to put stripes on the loom.

May you find a new way to simplify.

Happy weaving,
Karen

12 Comments

  • Karen says:

    Beautiful!
    Question: So…2 warps, one color on each set of lease sticks. You held them and spread the correct number of threads for each stripe? Sliding the remainder of the warp over til the next counted out stripe…and kept them on the 2 setts of lease sticks, but ended up with those lease sticks held together and tied on to the back rod together?

    Sounds like a lot of good possibility. Thank you!

    • Karen says:

      Hi Karen, Yes, that’s close to what I did. Alice-Ann’s comment below mentions putting dowels the ends of the warp chains. I did that, except I used warping slats because they were handy.

      There is great possibility with this. I am certainly going to explore it more on future projects!

      Thanks for starting a conversation,
      Karen

  • Marcia Cooke says:

    I’ve avoided warp stripes like the plague, although I’ve wound them at Vavstuga. Still can’t wrap my brain around your method, though I’ve done it on the rigid heddle. Must ponder 🙂

    • Karen says:

      Marcia, I’ve done it twice, now, so I think I can do it again with more confidence. I will bring any new insights or procedures here.

      Happy weaving,
      Karen

  • Alice-Ann Ferderber says:

    OK, I followed some of that and think I see it the way Karen does. But I think maybe the lease sticks are place in the usual positions, not wound on? Add x amount of one color off the end of the warp chain and slip them on the back bar, get the amount of color #2 from warp chain #2 and slip them off that end of warp and onto the back bar. Correct? I think I might place a dowel in the ends of each chain just to keep them straight instead of having to reach all the way to the lease sticks to get the correct ones. I can see that the stripes would have to be an even number if you don’t want to cut and tie. Very clever, we need a little video!

    • Karen says:

      Hi Alice-Ann, I am still figuring out specific procedures for doing this, but your description is pretty close to what I did. I moved all the threads to a separate dowel first, 4 from chain #1, and 4 from chain #2, and so on. After that, I moved them to the tie-on bar. That made it a little easier to deal with separations between beam cords.

      The stripes do need to be even numbers (pass pairs), but the numbers in each warp chain can vary. On the first project, I had narrow stripes between wider stripes. You have to plan the spacing for spreading the warp, but it wasn’t a problem.

      Also, I’d like to attempt putting all the ends on a single set of lease sticks, but I was too chicken to try that this time around.

      A video is a great idea! Perhaps on my next stripes project. 🙂

      Thanks for your input!
      Karen

      • Alice-Ann Ferderber says:

        Thanks Karen. My brain did not want to cope with taking 4 threads off one warp, then 4 off another and at the same time putting them on the back bar. Doing the stripe size choice before putting it all on the back beam might be a bit more work, but makes perfect sense to me! One could even sit at a table with the two (or more) warps being supported. The balancing act was not working in my head. Not on the first try anyway. I would make a mess even with both sets of lease sticks tied to the loom. I am liking this more and more. I can hardly wait for the video!

  • SM says:

    Could you also just wind separate warps and pre-sley them into their stripes? Or am I misunderstanding what’s been said?

    • Karen says:

      Hi SM, Yes, you can wind separate warp chains and pre-sley them into the pre-sley reed in order. That is what I did, putting a stick through the end loops of each warp after it is pre-sleyed. The tricky part comes after that in getting all the end loops onto the tie-on bar. With one warp chain, you can flip the reed over the lease sticks to get all the end loops to pull out. With two sets of lease sticks, I had to do more “hand picking” and there are more sticks and things poking around to have to manage.

      It’s not easy to describe the process in words. I think a video is in order…as soon as I figure it out a little better myself. 😉

      Thanks for joining the conversation,
      Karen

  • SM says:

    Oh! I get it! Sorry about that. For some reason my brain wasn’t registering that you were all talking about the END loops…even though that’s what everyone said. . Yes, now I can see where that would be a factor. Thanks for walking me through this; I would love a video! I just wound a thin-striped warp and it was not fun with all the starting and stopping. Have a great day!

    • Karen says:

      SM, Don’t worry, it’s confusing to begin with.

      I have wound many, many striped warps, and I don’t really mind it that much. But still, this new method will probably be a game changer for me.

      All the best,
      Karen

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Two Threads Are Better than One

Here’s a secret: Two threads are better than one. To measure a warp, I always, without exception, wind the warp with two or more threads together. A warp that is wound with a single thread is prone to tangle as threads twist around each other. A warp wound with pairs of threads won’t do that.

Winding a linen warp. Always 2 threads together.

Choke ties secure the warp bout around the starting pin on the warping reel.

Smooth warping tip: Always wind a warp with at least two threads at a time.

I hold two threads in my right hand, with my little finger separating them, to wind the warp. My left hand turns the warping reel. I purchase enough thread to be able to wind with two tubes at a time. Any thread that remains unused goes toward another project.

I am particular about this warp. It’s linen, so consistency matters. Tangles would disrupt the even tension the linen needs. I have dräll in five-shaft satin in mind as I take each careful step to dress the loom. I expanded the loom to ten shafts to be able to weave this! Expect happy weaving, to be sure, but imagine how pleasant it will be to hold this dreamed-of cloth in my hand. That future cloth gives meaning to my present efforts at the loom.

One of my weaving spaces.

Various stages of weaving. Winding 16/2 unbleached line linen to warp the Standard loom. The Baby Loom (Glimåkra Ideal) in the background is in the middle of rag-rug weaving.

Ten shafts for dräll in five-shaft satin.

Ten shafts in place on the Big Loom (Glimåkra Standard) to prepare the loom for weaving dräll in five-shaft satin.

There must be meaning beyond this life for us to find meaning in this life. The end of the weaving is the beginning of the life of the cloth. There is purposeful preparation by the Grand Weaver, with a precisely measured warp. The back-and-forth shuttle is like the ticking of a clock, or the passing of years. The end is the beginning. Can you imagine the splendid setting the Grand Weaver has in mind for his hand-woven cloth?

May you keep the end in mind.

Yours,
Karen

7 Comments

  • Cindy Bills says:

    Yes, praise God! And thank you for the tip about winding two or more threads at once. I had never heard that before. I’m going to try it on my next warp. 🙂

    • Karen says:

      Hi Cindy, Let me know how it goes when you wind with two threads. I’m curious to see what kind of difference it makes for you.

      Happy weaving,
      Karen

  • Annie says:

    So I am wondering why ten shafts with a five shaft pattern? Will you be doing a double weave?
    As you know, I am a Rigid Heddle weaver, however, I am fascinated by floor looms and I am toying with the idea of learning how to weave on one. I have just ordered the draft book to learn how to read patterns and have started to research the different types of floor looms.
    I am curious to know why you chose the two looms that you mention here.
    Annie

    • Karen says:

      Hi Annie, You have some great questions!
      I can weave the satin with 5 shafts, but it would be the same all over. Ten shafts enable me to weave a pattern with two blocks. This gives the characteristic squares or rectangles in the fabric. It is still a single warp and weft, not a double weave structure.

      Your second question gives me an idea for another blog post – Why I weave on Swedish Looms. You can look for that in the near future. For now, I will say that I am fascinated with the simplicity, durability, and functionality of the Swedish countermarch looms. Everything about these looms work with anything I want to weave, from hearty rag rugs to fine linen lace, and make it a joy to dress the loom and weave.

      (Back when I was researching floor looms, like you are, a few well-meaning people told me the countermarch loom would be too complicated and/or too big. They were wrong. 🙂

      Thank you for asking!
      Karen

      • Annie says:

        Thank you for sharing that information, Karen. I have a clearer picture of your project now.

        And a better understanding of the Glimakra loom.

        Annie

  • Anonymous says:

    Your blog is very inspirational! Thank you.
    Linda

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Weaving Adventure

An idea is merely a collection of thoughts until it begins to take shape. Plans, thinking things through, trial and error, sampling, writing, formatting. That’s what it has been for this Plattväv towel kit. The idea to develop a towel kit is taking shape. Finally. River Stripe Towel Set, a Pre-Wound Warp Instructional Kit! I am winding the warps now. I have written the instructions. There are still a few loose ends (obviously a weaver’s term) to take care of, but we’re closer to turning this idea into a real thing. Made especially for adventurous weavers.

Winding warps for a towel kit.

Winding one of two bouts for a towel kit.

Warp chain in hand, for towel kits.

Warp chain in hand!

If these kits can inspire a few people to weave their own exceptional adventure, I will call this idea a success!

(If you would like to be notified when the kits are ready, no obligation, please send me an email or let me know in the comments below.)

May your best ideas take shape.

Happy Weaving,
Karen

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No Slipping Knots

Kit development for the plattväv towels is in full swing. I’m in the first stage–making a sample kit. Winding a warp with narrow stripes is a stop-and-go procedure, cutting and tying ends. My process is well structured, as it needs to be, to avoid mistakes. Knowing how to tie a good square knot is essential, too. This is not the time for slipping knots!

Winding a warp on the Glimakra warping reel.

Winding the warp with five different colors (2 tubes each), and frequent color changes, is the most challenging part of the plattväv towels.

Warp with many color changes. Square knots.

Square knots will hold tight if tied properly.

As I write the instructions for this kit, the eventual towel-kit weaver is on my mind. Besides writing clear steps, I want to include special helps that put even an apprehensive weaver at ease. How can I help the weaver have a great experience? Weaving this sample kit will help me answer that question.

Winding a warp with narrow stripes. Plattväv towels.

Plattväv towels in the making! Again.

Having structure and precision in the process of winding this warp makes me think of the value of truth. Truth matters because it keeps things from slipping that shouldn’t slip. Love matters, too. Love puts gentleness and understanding in the instructions. Love cares about the experience another person will have. Love and truth flourish together. Like a precisely pre-wound warp, and instructions written with care, truth and love are inseparable. Both are needed for life to be a gratifying experience.

May you experience true love.

Blessings,
Karen

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Stripes on the Warp Beam

Why are stripes appealing? Stripes on the loom look good. I don’t usually wind warps in advance. I like to wind a warp and put it directly on the loom. But, recently, when I wasn’t able to weave, I was able wind warps. Now, one of those warps is beamed, and soon I’ll be weaving some striped plattväv towels.

Striped warp for cottolin and linen towels. Glimakra Ideal.

Narrow stripes wrap around the back beam. Next step is threading heddles. One step closer to weaving towels…

This draft is from one of my favorite Swedish weaving books, Kalasfina Vävar, by Ann-Kristin Hallgren. I changed the colors and modified the stripes, while attempting to keep the attractive appeal of the original stripe design. We will see the full effect when weaving begins. The warp is the first part of the picture. The weft always brings a transformation. The golden bleached linen, in this case, won’t change the warp, but it will create a fresh palette.

Black and white photo shows the color values.

Making a black and white photo is a good way to see the color values.

Faith and truth are partners. Truth becomes clear through faith. Warp and weft. Truth and faith. A fabric of convictions is woven to hand to the next generation. The good news of Jesus Christ is a message of faith and truth. The truth doesn’t change; but it comes alive when woven with faith.

May your convictions be securely woven.

Yours truly,
Karen

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