Quiet Friday: Halvdräll

Halvdräll is one of those Swedish weaves that takes your breath away. How can I describe the exquisite simplicity and stunning splendor of this fascinating cloth? With halvdräll, every moment at the loom is pure joy. I keep thinking, I get to weave this! And every weaver knows no comparison to the delight of pulling beautiful just-woven fabric off the cloth beam.

Enjoy the journey with me now as I reflect on the halvdräll fabric from beginning to end.

Choke tie serves as a counting thread as the cottolin warp is wound.

Choke tie serves as a counting thread as the cottolin warp is wound.

Red linen to be used as pattern weft on white cottolin warp.

Red linen is anticipating a starring role as pattern weft.

Sampling various linen color options for halvdräll table squares.

Sampling various color options for the pattern weft. Red may be one star among several.

Halvdräll table squares on the loom. Karen Isenhower

Second table square has blue and green for block I and red for block II. The back of the first table square, with all red pattern weft, is seen between the breast beam and the knee beam.

Halvdräll table squares on the loom. Elegant neutral tones.

Neutral tones with subtle elegance.

Weaving in the afternoon sunlight.

Light play dances on the colorful woven fabric.

Halvdräll table squares, with linen pattern weft, just off the loom!

Celebration time! When the cloth is cut from the loom the weaver is able to see a complete view of the woven fabric for the first time. Woo hoo!

Folding edge under for hemming. Handwoven table squares.

Wet finished and pressed. Ready for hemming.

How to do a blind hem. Very simple for handwovens.

Blind hem, with sewing needle and thread. Needle goes under one warp end, and is inserted through folded edge of hem for 1/4 inch. Continued stitching across the hem is virtually invisible when complete.

Label added.

Label added.

Hemmed, pressed, and ready to make a statement!

Hemmed, pressed, and ready to dress up a table.

Handwoven halvdräll table square. Karen Isenhower

May you find delight in your journey.

Happy Weaving,
Karen

13 Comments

  • Betsy says:

    Karen
    Thanks for sharing the whole process. I can’t decide which one is my favorite!
    Betsy

    • Karen says:

      Betsy, It was hard for me to decide on a favorite, too! I am keeping one, and the other three are going as gifts and/or Etsy items. (I am keeping the one that goes the best with my china — The one with red and blue, and a little bit of green.)

      Karen

  • Suzie C. says:

    It’s interesting to me how we all have different tastes. As a beginner, I can appreciate your woven pieces because I’m not at that level.
    However, for me, the colors above just aren’t my taste, but MOST of your work I simply adore! I DO love red and white, or blue and white, but only on certain things. Now, I DO love the neutral tones above, but as I keep studying it, I think it’s the pattern that I’m not especially attracted to.
    Do you find that true among weavers, that everyone prefers certain patterns over others, and seem to be drawn to certain colors/color combos than others?
    When I look through weaving magazines, there are some things that I’m instantly drawn to because of the colors or patterns, even if it’s an item I wouldn’t want to weave. I worked as an artist/designer before my current profession, and as I traveled around the country working with other artists, I found it fascinating that we all had such a variety of tastes. But then again, it’s so important that we’re not all the same, or else we wouldn’t have the variety we do!
    Unrelated to that, where do you get your labels? I’d love to order some as I hope my next project will be good enough to give to some family members. It would be great to put that label on so they realize it truly was handmade!
    Oh, and also unrelated to the color/pattern comment, I find it fascinating how a project ‘changes’ after it’s wet-finished. I’ve only done a few projects, and they were so simple that I didn’t see too much of a transformation. I’m anxious to see how my current project will look when off the loom and wet finished, as it’s a little more complicated than what I’ve done so far!
    Thank you for your blog–you are inspiring with every post!

    • Karen says:

      Hi Suzie,

      Thanks so much for sharing your thoughts! I love variety, so I think it would be a shame if everyone liked all the same things. 🙂 I do think that over time I grow to enjoy some things more, like a acquired taste in music, or culinary arts. The more I study something, the easier it is for me to know why I like one thing and not another. As a weaver, it’s an important part of the process because you learn what you want to spend your time on; and, conversely, where you’re happy for the experience, but don’t care to do more of it.

      I get my labels from Heirloom Woven Labels. Your family members will appreciate that label that shows them you really did weave it!

      Happy weaving,
      Karen

  • Kris Stark says:

    Stunning! Thank you for showing the entire process in one blog! I so enjoy all your blogs. God Bless, Kris

  • linda says:

    Karen: color choice is in the mind of the weaver. The artist sees in their mind the finished product and where it will go in their life. My pallet is not as open and inventive as yours, but I’m not you. ALL your pieces have been perfect as to color, pattern, and usage. JUST RIGHT. Swedish weaving has strong colors, perhaps because the natural background is so white. Have you ever done a krogbrog rug ? now there’s a colorful piece of weaving on 3 shafts. So many ideas so little time. Karen I love your weaving. LP&J,linda

    ps going to vermont to work on a burnt orange runner in colonial overshot. weft is bouclet on 20/2 warp. It’s old ski patrol colors and will go on my dining table. it’s also the new color in my house at home. love ya!

    • Karen says:

      Hi Linda,

      The artist sees in their mind the finished product and where it will go in their life.

      What a wonderful way to express it! So true.

      I do have a wide range in my personal color palette, and I am constantly trying to push myself to incorporate colors that wouldn’t be my “first pick.” I like to see if I can make them work — I love that challenge. And sometimes they don’t work that well, but many times I am pleasantly surprised at the results. And, you really don’t know how well the colors will play with each other until all the final finishing is finished. 🙂

      I can’t tell you how much I appreciate your vote of confidence!

      I have not done a krogbrog rug… yet. I will do one at some point. Yes, they are beautifully laden with color.

      Your colonial overshot runner sounds wonderful! Send me a picture when you have it finished. I’d love to see it!

      Love,
      Karen

  • Janie Payne says:

    They are all so beautiful! I wouldn’t want to eat on them, spills, etc!!!!

    • Janie Payne says:

      Oh I forgot, where do you buy your red linen? I tried to read the label, but was unable to get a clear view. Thank you, Janie

    • Karen says:

      Janie, Thank you! I know the feeling about not wanting handwoven specialty items to get messed up! But I plan to use mine where I can see it and enjoy it. I can always wash it! 🙂

      The linen is 16/1 line linen by Bockens, color #517. I purchased mine from GlimakraUSA. Other suppliers that carry Bockens are Vavstuga and Lone Star Loom Room.

      All the best,
      Karen

  • Gretchen says:

    So beautiful as always Karen… I would love to see your draft for these at our next WOW meeting! I have technical questions! Happy Weaving… See you soon.

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